1. Time Content Sound
0.00-0.05 New Line Cinema Presents- Soundtrack- Echoing
Title
0.06-0.08 An Arnold Kopesoln Production “ “
0.09- 0.10 Fades into image and then Soundtrack becomes louder
titling A Film By David Fincher
0.11-0.012 Varity of close-ups “ “
0.13-0.15 Black background, title Brad Pitt “ “
main actor
0.16-0.17 Flash to another close-up, this “ “
time an extreme close-up
0.18-0.19 Black background, Morgan Still soundtrack- very
Freeman suspicious, scraping noises
0.20-0.22 Extreme close-up and then mid “ “
shots showing images
0.23-0.27 Flash to black, film title “ “
different editing techniques
showing title of film.
0.28-0.29 Shows close-up of book “ “
0.29-0.31 Title over image, Gwyneth “ “
Paltrow, Flash to black then
back to image whilst name is
still appears near the bottom of
the screen.
0.32-0.33 Close-up of pen writing on “ “
paper
0.33-0.34 Richard Roundtree title, whilst “ “
image is playing on background
with repeated and shadowing
image.
0.35-0.37 Close-ups, tinted red images, “ “
scratchy effects on top of shots.
0.38-0.39 R.LeeErmey appears on black “ “
background
0.40-0.41 Close-ups of hands cutting “ “
images, shadowing light, quite
dark throughout it so far.
0.41-0.42 John C.McGinley on Black “ “
background
0.42-0.45 Close-up of detective work “ “
0.46-0.48 Black background, Julie Araskog “ “
and Mark Boone Junior.
0.48-0.52 Close-up of a variety “ “

2. 0.53-0.55 Black Background again, John “ “
Cassini, Reginald E.Cathey,
Peter Crombie
0.56-1.00 More titles on a variety of “ “
background, including lots of
editing affect which create
flashing and makes more
tension. Names appear
Hawthorne James, Michael
Massee, Leland Orser.
1.00-1.03 More close-ups “ “
1.04-1.06 Titles, Richard Partnow, Richard “ “
Schiff, Pamala Tyson
1.07-1.09 Close-ups, editing, repeat shots, “ “
surrealism.
1.10-1.12 Titles, black but will smaller “ “
shot in corner, shadowing,
lighting is dark, Casting By Billy
Hopkins, Suzanne Smith, Kerry
Borden.
1.13-1.15 Shots, close-up, some tinted “ “
red.
1.16-1.17 Music By Howard Shore “ “
1.18-1.20 Close-ups “ “
1.21-1.22 Titles, Costumes Designed By “ “
Michael Kaplan
1.23-1.24 Edited By Richard Francis-Bruce “ “
1.25- 1.27 Production Designer By Arthur “ “
Max
1.28-1.33 Shots of again close-ups “ “
1.33-1.36 Director of Photography “ “
Darvius Khondji
1.37-1.39 Close up shots, mostly of hands, “ “
fingers, darker lighting
1.39- 1.41 CO-Producers Stephen Brown, “ “
Nana Greenwald, Sanford
Panitch.
1.42-1.45 Images go to Co-Executive “ “
Producers Lynn Harris, Richard
Saperstein.
1.46-1.49 Close-ups Soundtrack, slight voice is
introduced and seems to be a
faster pace.
1.50-1.53 Executive Producers Gianni “ “
Nunnari, Dan Kolsrud, Anne
Kapelsun.

3. 1.53-1.54 Written By Andrew Kevin “ “
Walker.
1.55-1.58 Close-ups, The film title appears “ “
‘Seven’
1.58-2.00 Produced By Arnold Kopelsam, “ “
Phyllis Carble
2.01-2.03 Close up “ “
2.04-2.06 Directed By David Fincher “ “
2.07-2.11 Establishes its Monday, and “ “
then fades to black.