SlideShare a Scribd company logo
1 of 2
Download to read offline
12/06/2009 10:49Blue Window StageCritic.com
Page 1 of 2http://www.stagecritic.com/BlueWindow.html
(Posted October 1, 2005)
NASHVILLE, Tenn. – Rhubarb Theatre Company has
done it again.
What has it done? Produce a story about people that's
thought-provoking and entertaining.
First was LAST SUMMER AT BLUEFISH COVE in 2003.
Then came BIRDS IN CHURCH in 2004 and THE NORMAL
HEART in June. Now, Julie Alexander and her creative
cohorts have tackled Craig Lucas' touching comedy
BLUE WINDOW with equal success.
The play is set in New York City on a Sunday evening in
1984. Libby (Stacey Shaffer) is having a dinner party, and
there's quite a social mix on the menu: Tom (John
Vasile), a struggling young composer, and his girlfriend
Emily (Carey Kotsionis); Griever (Michael Roark), whose
feelings for Libby conflict with his sexual orientation;
lesbian couple Alice (Arita Trahan) and Boo (Trish
Moalla), whose sharp minds and sharp tongues are often
used as weapons against each other; and Norbert (Clay
Hillwig), the man who may just succeed in getting the
reticent Libby to open up about her painful past.
Alexander's casting is perfect; the look, and feelings, we
get from each actor are perfectly suited to their
roles. They also handle Lucas' witty dialogue in an
unforced, natural way. Special nods go to Kotsionis for
her sad, wistful rendition of the song "The Same Thing
(Office Girl's Lament)" and to Shaffer, who reveals the
reason behind her character's fragile psyche in a heart-
rending exchange with Hillwig's character.
The play's staging makes good use of the Darkhorse
space, allowing us to see characters in different locations
simultaneously without overpowering our ability to focus
on each. Alexander handles the fluid movement of Lucas'
script with a light, quick touch that allows her performers
to bring the story to us without confusion.
Offering technical support worth noting are Shane Eric
Caudill, whose lighting moves smoothly and swiftly to
match the story; and Brian Gordon, whose
professionalism insures that the music for this
production is a comfortable, not jarring, experience.
12/06/2009 10:49Blue Window StageCritic.com
Page 2 of 2http://www.stagecritic.com/BlueWindow.html
production is a comfortable, not jarring, experience.
Yes, Rhubarb Theatre Company has succeeded again.
Other theaters take note: you don't have to spend a lot of
money, or pick a play that's been done to death (this is
BLUE WINDOW's Nashville premiere). You just have to
put good actors, director and crew together with a good
play. Here's hoping that Alexander and her ensemble use
their winning recipe for years to come.
To See The Show...
BLUE WINDOW ended its run at Darkhorse Theatre on
Oct. 1. For more information on Rhubarb Theatre
Company, e-mail jalexlucy@yahoo.com.
Review Archive | Home Page

More Related Content

What's hot

Wintertime by Charles Mee
Wintertime by Charles MeeWintertime by Charles Mee
Wintertime by Charles Meevcvinh
 
The Secret Message of the Fallen Stars - a TransmediaLit Project
The Secret Message of the Fallen Stars -  a TransmediaLit ProjectThe Secret Message of the Fallen Stars -  a TransmediaLit Project
The Secret Message of the Fallen Stars - a TransmediaLit ProjectMax Giovagnoli
 
Revival of romantic features in shelly and byron
Revival of romantic features in shelly and byronRevival of romantic features in shelly and byron
Revival of romantic features in shelly and byronpayal
 
Visual influences
Visual influencesVisual influences
Visual influencesdaisyyoung
 
Creative Writing
Creative WritingCreative Writing
Creative WritingRyanBuer
 
Michael_Backauskas_resume_2016wo
Michael_Backauskas_resume_2016woMichael_Backauskas_resume_2016wo
Michael_Backauskas_resume_2016woMichael Backauskas
 

What's hot (16)

Wintertime by Charles Mee
Wintertime by Charles MeeWintertime by Charles Mee
Wintertime by Charles Mee
 
Supremely Immortal
Supremely ImmortalSupremely Immortal
Supremely Immortal
 
The Secret Message of the Fallen Stars - a TransmediaLit Project
The Secret Message of the Fallen Stars -  a TransmediaLit ProjectThe Secret Message of the Fallen Stars -  a TransmediaLit Project
The Secret Message of the Fallen Stars - a TransmediaLit Project
 
Twsnbn Vii 15.10.09
Twsnbn Vii 15.10.09Twsnbn Vii 15.10.09
Twsnbn Vii 15.10.09
 
Creative Writing Short story
Creative Writing Short storyCreative Writing Short story
Creative Writing Short story
 
Revival of romantic features in shelly and byron
Revival of romantic features in shelly and byronRevival of romantic features in shelly and byron
Revival of romantic features in shelly and byron
 
Acacia sample ad
Acacia sample adAcacia sample ad
Acacia sample ad
 
Blessing You
Blessing YouBlessing You
Blessing You
 
BEAUTY
BEAUTYBEAUTY
BEAUTY
 
Darkness
DarknessDarkness
Darkness
 
Visual influences
Visual influencesVisual influences
Visual influences
 
Creative Writing
Creative WritingCreative Writing
Creative Writing
 
Michael_Backauskas_resume_2016wo
Michael_Backauskas_resume_2016woMichael_Backauskas_resume_2016wo
Michael_Backauskas_resume_2016wo
 
Printable Resume
Printable ResumePrintable Resume
Printable Resume
 
Englishpp
EnglishppEnglishpp
Englishpp
 
Englishpp
EnglishppEnglishpp
Englishpp
 

Viewers also liked

Nashville Scene - Last Chance Texeco
Nashville Scene - Last Chance TexecoNashville Scene - Last Chance Texeco
Nashville Scene - Last Chance TexecoJulie Alexander
 
Nashville Arts - Inside view - page 1
Nashville Arts - Inside view - page 1Nashville Arts - Inside view - page 1
Nashville Arts - Inside view - page 1Julie Alexander
 
Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1Julie Alexander
 
Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1Julie Alexander
 
Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon
Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon
Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon Julie Alexander
 
Normal Heart StageCritic.com
Normal Heart StageCritic.comNormal Heart StageCritic.com
Normal Heart StageCritic.comJulie Alexander
 

Viewers also liked (6)

Nashville Scene - Last Chance Texeco
Nashville Scene - Last Chance TexecoNashville Scene - Last Chance Texeco
Nashville Scene - Last Chance Texeco
 
Nashville Arts - Inside view - page 1
Nashville Arts - Inside view - page 1Nashville Arts - Inside view - page 1
Nashville Arts - Inside view - page 1
 
Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1
 
Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1Nashville Stories - Keeping Up the Fight - page 1
Nashville Stories - Keeping Up the Fight - page 1
 
Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon
Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon
Nashville ScenNashville Scene - My Secret Weapon e - My Secret Weapon
 
Normal Heart StageCritic.com
Normal Heart StageCritic.comNormal Heart StageCritic.com
Normal Heart StageCritic.com
 

Similar to Blue Window StageCritic.com

The Great Divorce's New Playbill. Take a look!
The Great Divorce's New Playbill. Take a look! The Great Divorce's New Playbill. Take a look!
The Great Divorce's New Playbill. Take a look! FPATheatre
 
Lampmar2014wholedocweb
Lampmar2014wholedocwebLampmar2014wholedocweb
Lampmar2014wholedocwebJo Ward
 
OlyArts-Fall-2016-Issue2-Final-NumericalOrder-Web
OlyArts-Fall-2016-Issue2-Final-NumericalOrder-WebOlyArts-Fall-2016-Issue2-Final-NumericalOrder-Web
OlyArts-Fall-2016-Issue2-Final-NumericalOrder-WebNed Hayes
 
Michelle Read Production History
Michelle Read Production HistoryMichelle Read Production History
Michelle Read Production HistoryMichelle Read
 
Lughnasa Program Final
Lughnasa Program FinalLughnasa Program Final
Lughnasa Program FinalSarah Campbell
 
Ace's Culture Consumption - January 2022
Ace's Culture Consumption - January 2022Ace's Culture Consumption - January 2022
Ace's Culture Consumption - January 2022AkmalSetiawan2
 
NYTW Annual Report 13/14 - Digital
NYTW Annual Report 13/14 - DigitalNYTW Annual Report 13/14 - Digital
NYTW Annual Report 13/14 - DigitalMary Kenny
 
Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...
Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...
Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...aliveebb7936
 
Bravura Acting Duo Highlights Dramaworks’ ‘Collected Stories
Bravura Acting Duo Highlights Dramaworks’ ‘Collected StoriesBravura Acting Duo Highlights Dramaworks’ ‘Collected Stories
Bravura Acting Duo Highlights Dramaworks’ ‘Collected StoriesApril Soroko
 
Steve cosson toru0033 1st month 2nd _week
Steve cosson  toru0033  1st month 2nd _weekSteve cosson  toru0033  1st month 2nd _week
Steve cosson toru0033 1st month 2nd _weekstevecosson
 
2015NJFFSpringSchedule
2015NJFFSpringSchedule2015NJFFSpringSchedule
2015NJFFSpringScheduleMatthew Riddle
 
Faye young research and planning final draft as media
Faye young research and planning final draft as mediaFaye young research and planning final draft as media
Faye young research and planning final draft as mediamediafaye
 
A Deliciously Discomforting Dinner Party
A Deliciously Discomforting Dinner PartyA Deliciously Discomforting Dinner Party
A Deliciously Discomforting Dinner PartyDavid Clarke
 

Similar to Blue Window StageCritic.com (17)

The Great Divorce's New Playbill. Take a look!
The Great Divorce's New Playbill. Take a look! The Great Divorce's New Playbill. Take a look!
The Great Divorce's New Playbill. Take a look!
 
Lampmar2014wholedocweb
Lampmar2014wholedocwebLampmar2014wholedocweb
Lampmar2014wholedocweb
 
OlyArts-Fall-2016-Issue2-Final-NumericalOrder-Web
OlyArts-Fall-2016-Issue2-Final-NumericalOrder-WebOlyArts-Fall-2016-Issue2-Final-NumericalOrder-Web
OlyArts-Fall-2016-Issue2-Final-NumericalOrder-Web
 
Michelle Read Production History
Michelle Read Production HistoryMichelle Read Production History
Michelle Read Production History
 
Lughnasa Program Final
Lughnasa Program FinalLughnasa Program Final
Lughnasa Program Final
 
www-curtainup-com
www-curtainup-comwww-curtainup-com
www-curtainup-com
 
Twisted Review.pdf
Twisted Review.pdfTwisted Review.pdf
Twisted Review.pdf
 
Ace's Culture Consumption - January 2022
Ace's Culture Consumption - January 2022Ace's Culture Consumption - January 2022
Ace's Culture Consumption - January 2022
 
NYTW Annual Report 13/14 - Digital
NYTW Annual Report 13/14 - DigitalNYTW Annual Report 13/14 - Digital
NYTW Annual Report 13/14 - Digital
 
Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...
Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...
Sneak peek 5 off-off broadway shows in NYC you should see this week - New Yor...
 
Bravura Acting Duo Highlights Dramaworks’ ‘Collected Stories
Bravura Acting Duo Highlights Dramaworks’ ‘Collected StoriesBravura Acting Duo Highlights Dramaworks’ ‘Collected Stories
Bravura Acting Duo Highlights Dramaworks’ ‘Collected Stories
 
Steve cosson toru0033 1st month 2nd _week
Steve cosson  toru0033  1st month 2nd _weekSteve cosson  toru0033  1st month 2nd _week
Steve cosson toru0033 1st month 2nd _week
 
2015NJFFSpringSchedule
2015NJFFSpringSchedule2015NJFFSpringSchedule
2015NJFFSpringSchedule
 
Faye young research and planning final draft as media
Faye young research and planning final draft as mediaFaye young research and planning final draft as media
Faye young research and planning final draft as media
 
Woyzeck Programme
Woyzeck ProgrammeWoyzeck Programme
Woyzeck Programme
 
A Deliciously Discomforting Dinner Party
A Deliciously Discomforting Dinner PartyA Deliciously Discomforting Dinner Party
A Deliciously Discomforting Dinner Party
 
The Pitch
The PitchThe Pitch
The Pitch
 

Blue Window StageCritic.com

  • 1. 12/06/2009 10:49Blue Window StageCritic.com Page 1 of 2http://www.stagecritic.com/BlueWindow.html (Posted October 1, 2005) NASHVILLE, Tenn. – Rhubarb Theatre Company has done it again. What has it done? Produce a story about people that's thought-provoking and entertaining. First was LAST SUMMER AT BLUEFISH COVE in 2003. Then came BIRDS IN CHURCH in 2004 and THE NORMAL HEART in June. Now, Julie Alexander and her creative cohorts have tackled Craig Lucas' touching comedy BLUE WINDOW with equal success. The play is set in New York City on a Sunday evening in 1984. Libby (Stacey Shaffer) is having a dinner party, and there's quite a social mix on the menu: Tom (John Vasile), a struggling young composer, and his girlfriend Emily (Carey Kotsionis); Griever (Michael Roark), whose feelings for Libby conflict with his sexual orientation; lesbian couple Alice (Arita Trahan) and Boo (Trish Moalla), whose sharp minds and sharp tongues are often used as weapons against each other; and Norbert (Clay Hillwig), the man who may just succeed in getting the reticent Libby to open up about her painful past. Alexander's casting is perfect; the look, and feelings, we get from each actor are perfectly suited to their roles. They also handle Lucas' witty dialogue in an unforced, natural way. Special nods go to Kotsionis for her sad, wistful rendition of the song "The Same Thing (Office Girl's Lament)" and to Shaffer, who reveals the reason behind her character's fragile psyche in a heart- rending exchange with Hillwig's character. The play's staging makes good use of the Darkhorse space, allowing us to see characters in different locations simultaneously without overpowering our ability to focus on each. Alexander handles the fluid movement of Lucas' script with a light, quick touch that allows her performers to bring the story to us without confusion. Offering technical support worth noting are Shane Eric Caudill, whose lighting moves smoothly and swiftly to match the story; and Brian Gordon, whose professionalism insures that the music for this production is a comfortable, not jarring, experience.
  • 2. 12/06/2009 10:49Blue Window StageCritic.com Page 2 of 2http://www.stagecritic.com/BlueWindow.html production is a comfortable, not jarring, experience. Yes, Rhubarb Theatre Company has succeeded again. Other theaters take note: you don't have to spend a lot of money, or pick a play that's been done to death (this is BLUE WINDOW's Nashville premiere). You just have to put good actors, director and crew together with a good play. Here's hoping that Alexander and her ensemble use their winning recipe for years to come. To See The Show... BLUE WINDOW ended its run at Darkhorse Theatre on Oct. 1. For more information on Rhubarb Theatre Company, e-mail jalexlucy@yahoo.com. Review Archive | Home Page