15. 物的撤離
海德格: 上手 (ready-to-hand) vs. 在手
(present-at-hand)
Graham Harman: 物撤離 (withdraw)人的感官
(Tool-Being一書)
Timothy Morton: 物對人撤離,物對物撤離
(Realist Magic一書)
16年7月6⽇日星期三
16. Morton’s Realist Magic
“a good solo is when the instrument takes
you over.”
“are they trumpet-handling humans?”
“no solo ever exhausts the trumpet—there is
that feeling that there is always more of
the object than we think.”
“The answer is the way things withdraw
from total access.”
16年7月6⽇日星期三
17. 撤離後的魔法與美學
Morton引用大乘佛教,龍樹對空性的看
法:“Emptiness is not the absence of
something, but the nonconceptuality of reality:
the real is beyond concept, because it is real.”
“Causality, according to this view, is like a
magical display— there is no physical reason
why it is happening. Rather, the reason is
aesthetic (magic, display). Furthermore, the
magical illusion happens all by itself,
withdrawn from perception.”
16年7月6⽇日星期三
35. Perceptual Crossing
Deckers, E. J. L., Levy, P. D., Wensveen, S. A. G., Ahn, R. M. C., & Overbeeke,
C. J. (2012). Designing for perceptual crossing: Applying and evaluating design
notions. International Journal of Design, 6(3), 41-55.
16年7月6⽇日星期三