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You got my heart
You got my mind to fall
beating
Beating, beating, over
beating
Fall over, fall over, fall

over…
The music video starts off with close-ups of wires
and rocks in a derelict environment, the video is
also in black and white which creates a dark
mysterious mood and an enigma because we can
hear the artist singing in the background but
haven’t yet seen her face. The bass line then kicks in
revealing a shot of a body part, which is quite
obscured by the lighting, dark shadows and
extreme close-up. We know see the artist, ‘Banks’
on a bed, a mid shot reveals half undressed lipsynching to the lyrics.
The music video consists of performance shots of Banks
lip-synching to the track and conceptual images and
projected videos combined together. There is a static
effect which separates the shots linking to the
distorted, obscure nature of the video. There are
several shots of the artist, depicted below, against a
wall with projected videos of a mushroom cloud and
shattered things, symbolising the essence of her
destructive relationship.
The artist’s face is quite obscured, hidden by shadows
throughout the video, emphasising her mood and the
general tone of the music video. There is one point in
the video where Banks looks with direct mode of
address, while lip-synching to the camera. At this point
she engages the audience whereas before there was a
disconnect and the audience were only involved from a
voyeur POV.
There is voyeuristic elements to this video, with various
shots of the main artist, Banks represented in a very
sexual way. She is half dressed wearing a bra and the
mid-shots and close-ups show her sexuality explicitly.
Rather than her body being exploited or and objectified
like in Hip Hop video, Banks is exhibiting herself as an
independent female artist and invites the sexualised
gaze particularly from the male audience.
# Los Angeles
based Indie-Pop
artist, Banks.

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Banks - Fall Over

  • 1.
  • 2. You got my heart You got my mind to fall beating Beating, beating, over beating Fall over, fall over, fall over…
  • 3. The music video starts off with close-ups of wires and rocks in a derelict environment, the video is also in black and white which creates a dark mysterious mood and an enigma because we can hear the artist singing in the background but haven’t yet seen her face. The bass line then kicks in revealing a shot of a body part, which is quite obscured by the lighting, dark shadows and extreme close-up. We know see the artist, ‘Banks’ on a bed, a mid shot reveals half undressed lipsynching to the lyrics.
  • 4. The music video consists of performance shots of Banks lip-synching to the track and conceptual images and projected videos combined together. There is a static effect which separates the shots linking to the distorted, obscure nature of the video. There are several shots of the artist, depicted below, against a wall with projected videos of a mushroom cloud and shattered things, symbolising the essence of her destructive relationship.
  • 5. The artist’s face is quite obscured, hidden by shadows throughout the video, emphasising her mood and the general tone of the music video. There is one point in the video where Banks looks with direct mode of address, while lip-synching to the camera. At this point she engages the audience whereas before there was a disconnect and the audience were only involved from a voyeur POV.
  • 6. There is voyeuristic elements to this video, with various shots of the main artist, Banks represented in a very sexual way. She is half dressed wearing a bra and the mid-shots and close-ups show her sexuality explicitly. Rather than her body being exploited or and objectified like in Hip Hop video, Banks is exhibiting herself as an independent female artist and invites the sexualised gaze particularly from the male audience.
  • 7. # Los Angeles based Indie-Pop artist, Banks.