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Creativity + Innovation
Kevin Popović, B.A., M.S.
© Kevin Popović, SDSU Creativity + Innovation
CourseKey
© Kevin Popović, SDSU Creativity + Innovation
Please check-in: abkjow
Session 1.9
• Welcome
• Roll, Admin
• Shameless Plug
• Video
© Kevin Popović, SDSU Creativity + Innovation
• Game
• Discuss Chapter
• Discuss Reading
• Quiz
• Assignment
Satellite Marketing™
Using Social Media To Create Engagement
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
Satellite Marketing™
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
Share The Story
A Game of Collaboration
© Kevin Popović, SDSU Creativity + Innovation
Leadership:
Fostering Systemic Creativity
Chapter 6 of Creativity, Inc.
Leadership: Fostering Systemic Creativity
• Class Discussion: What does systemic creativity
mean to you?
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Guidant: Leaders want to maintain an
entrepreneurial character
• Company grows large enough that bureaucracy
threatens to dampen speed, risk taking,
atmosphere
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• “We could see some of the entrepreneurial
nature of our company fading, and we needed
to catch it in time.”
• “We could lose people as we scaled up.”
• “If we didn’t stay creative, we would not
survive.”
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Less pressure, more holistic
• Assess current state of creativity
• Convened staff, focus groups
• Examined companies with reputations for ongoing
creativity
• Examined self vs. creative profiles
• Examined models of corporate structure
• Bottom up approach
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• “The idea is for everyone to learn to understand
that they are responsible people in a changing
world, to show how to take control of their lives
and their work, and how to speak what they
believe.”
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Next round of training is planned to focus
directly on building skills for creativity and
innovation, skills that can be applied for
personal growth and the company’s benefit by
individuals and groups.
• Reward and recognize those who succeed.
(Good Management)
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Systemic creativity is a never-ending quest –
why?
• What can you do?
• How can you foster change in your groups?
• How will you make creativity happen at your
company?
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Initially, we present creative dynamics in a
sequence – why?
• The creative process is better understood as a
whole. (Read the entire book)
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Best learned experientially, like riding a bike,
rather than reading about how to ride a bike.
• Every chance to learn the process from a
different angle makes for more comprehension.
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Theory X = Employees need to be controlled to
produce good work.
• Employees respond to extrinsic motivation or
coercion, were not to be trusted or self-directed.
• Theory Y = Employees want and need to excel and
require the right organizational (global, local) climate
to do so.
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
• Leaders need to confer responsibility and capability of
creative leadership on every employee.
• When each employee can engage with the (systemic)
creative process and feels like they are a part of change
THEN the company will reach systemic creativity.
• When this (systemic) process is in place and functioning it
can THEN work on refining the process.
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
To foster creativity companies must:
• Reduce unnecessary controls
• Adopt creative-friendly reward systems
• Instill attitudes about efficiency and failure
• Communicate the value of creative change
• Provide tangible and intangible resources
• Lead as a guide, not manage as a manager
© Kevin Popović, SDSU Creativity + Innovation
Leadership: Fostering Systemic Creativity
1. Initiate Change
2. Build a Coalition
3. Plan and Experiment
• As the change to systemic creativity advances, effective
guiding, leadership will make a point to learn from every
step.
• Without a conscious effort to learn there will be no
creativity or innovation.
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
“The Innovation Value Chain”
Harvard Business Review
The Innovation Value Chain
• All companies face obstacles
• Everyone knows best practices
• Why aren’t all companies better at
innovation?
• Intuit
• Procter & Gamble
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
The Innovation Value Chain
• A company’s capacity to innovate is only as
good as the weakest link in its innovation
value chain.
• The idea poor company
• The conversion poor company
• The diffusion poor company
© Kevin Popović, SDSU Creativity + Innovation
The Innovation Value Chain
• Viewing innovation as an end-to-end process rather
than focusing on a part allows you to spot the
weakness and strongest links.
• Discourages managers from reflexively importing
innovation practices that address part of the chain but
not necessarily the ones the companies needs help
with.
© Kevin Popović, SDSU Creativity + Innovation
The Innovation Value Chain
• Centers attention on the weakest link, prompts to be
more selective on what will work to address the problem
area
• Helps managers realize a perceived innovation strength
may be a weakness.
• People often gravitate towards the easiest area, leaving
hardest for last or hoping it goes away.
© Kevin Popović, SDSU Creativity + Innovation
© Kevin Popović, SDSU Creativity + Innovation
The Innovation Value Chain
The innovation value chain provides a
framework for managers to sort out which
approaches make the most sense for their
companies.
Allows you to spot the strongest and the
weakest link.
© Kevin Popović, SDSU Creativity + Innovation
Assignment
© Kevin Popović, SDSU Creativity + Innovation
• Read “Dealing with
Darwin”
• Available in the reader
/ online
• Prepare for Quiz

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Creativity & Innovation - Week 9

  • 1. Creativity + Innovation Kevin Popović, B.A., M.S. © Kevin Popović, SDSU Creativity + Innovation
  • 2. CourseKey © Kevin Popović, SDSU Creativity + Innovation Please check-in: abkjow
  • 3. Session 1.9 • Welcome • Roll, Admin • Shameless Plug • Video © Kevin Popović, SDSU Creativity + Innovation • Game • Discuss Chapter • Discuss Reading • Quiz • Assignment
  • 4. Satellite Marketing™ Using Social Media To Create Engagement © Kevin Popović, SDSU Creativity + Innovation
  • 5. © Kevin Popović, SDSU Creativity + Innovation
  • 6. Satellite Marketing™ © Kevin Popović, SDSU Creativity + Innovation
  • 7. © Kevin Popović, SDSU Creativity + Innovation
  • 8. © Kevin Popović, SDSU Creativity + Innovation Share The Story A Game of Collaboration
  • 9. © Kevin Popović, SDSU Creativity + Innovation Leadership: Fostering Systemic Creativity Chapter 6 of Creativity, Inc.
  • 10. Leadership: Fostering Systemic Creativity • Class Discussion: What does systemic creativity mean to you? © Kevin Popović, SDSU Creativity + Innovation
  • 11. © Kevin Popović, SDSU Creativity + Innovation
  • 12. Leadership: Fostering Systemic Creativity • Guidant: Leaders want to maintain an entrepreneurial character • Company grows large enough that bureaucracy threatens to dampen speed, risk taking, atmosphere © Kevin Popović, SDSU Creativity + Innovation
  • 13. Leadership: Fostering Systemic Creativity • “We could see some of the entrepreneurial nature of our company fading, and we needed to catch it in time.” • “We could lose people as we scaled up.” • “If we didn’t stay creative, we would not survive.” © Kevin Popović, SDSU Creativity + Innovation
  • 14. Leadership: Fostering Systemic Creativity • Less pressure, more holistic • Assess current state of creativity • Convened staff, focus groups • Examined companies with reputations for ongoing creativity • Examined self vs. creative profiles • Examined models of corporate structure • Bottom up approach © Kevin Popović, SDSU Creativity + Innovation
  • 15. Leadership: Fostering Systemic Creativity • “The idea is for everyone to learn to understand that they are responsible people in a changing world, to show how to take control of their lives and their work, and how to speak what they believe.” © Kevin Popović, SDSU Creativity + Innovation
  • 16. Leadership: Fostering Systemic Creativity • Next round of training is planned to focus directly on building skills for creativity and innovation, skills that can be applied for personal growth and the company’s benefit by individuals and groups. • Reward and recognize those who succeed. (Good Management) © Kevin Popović, SDSU Creativity + Innovation
  • 17. Leadership: Fostering Systemic Creativity • Systemic creativity is a never-ending quest – why? • What can you do? • How can you foster change in your groups? • How will you make creativity happen at your company? © Kevin Popović, SDSU Creativity + Innovation
  • 18. Leadership: Fostering Systemic Creativity • Initially, we present creative dynamics in a sequence – why? • The creative process is better understood as a whole. (Read the entire book) © Kevin Popović, SDSU Creativity + Innovation
  • 19. Leadership: Fostering Systemic Creativity • Best learned experientially, like riding a bike, rather than reading about how to ride a bike. • Every chance to learn the process from a different angle makes for more comprehension. © Kevin Popović, SDSU Creativity + Innovation
  • 20. Leadership: Fostering Systemic Creativity • Theory X = Employees need to be controlled to produce good work. • Employees respond to extrinsic motivation or coercion, were not to be trusted or self-directed. • Theory Y = Employees want and need to excel and require the right organizational (global, local) climate to do so. © Kevin Popović, SDSU Creativity + Innovation
  • 21. Leadership: Fostering Systemic Creativity • Leaders need to confer responsibility and capability of creative leadership on every employee. • When each employee can engage with the (systemic) creative process and feels like they are a part of change THEN the company will reach systemic creativity. • When this (systemic) process is in place and functioning it can THEN work on refining the process. © Kevin Popović, SDSU Creativity + Innovation
  • 22. Leadership: Fostering Systemic Creativity To foster creativity companies must: • Reduce unnecessary controls • Adopt creative-friendly reward systems • Instill attitudes about efficiency and failure • Communicate the value of creative change • Provide tangible and intangible resources • Lead as a guide, not manage as a manager © Kevin Popović, SDSU Creativity + Innovation
  • 23. Leadership: Fostering Systemic Creativity 1. Initiate Change 2. Build a Coalition 3. Plan and Experiment • As the change to systemic creativity advances, effective guiding, leadership will make a point to learn from every step. • Without a conscious effort to learn there will be no creativity or innovation. © Kevin Popović, SDSU Creativity + Innovation
  • 24. © Kevin Popović, SDSU Creativity + Innovation “The Innovation Value Chain” Harvard Business Review
  • 25. The Innovation Value Chain • All companies face obstacles • Everyone knows best practices • Why aren’t all companies better at innovation? • Intuit • Procter & Gamble © Kevin Popović, SDSU Creativity + Innovation
  • 26. © Kevin Popović, SDSU Creativity + Innovation
  • 27. The Innovation Value Chain • A company’s capacity to innovate is only as good as the weakest link in its innovation value chain. • The idea poor company • The conversion poor company • The diffusion poor company © Kevin Popović, SDSU Creativity + Innovation
  • 28. The Innovation Value Chain • Viewing innovation as an end-to-end process rather than focusing on a part allows you to spot the weakness and strongest links. • Discourages managers from reflexively importing innovation practices that address part of the chain but not necessarily the ones the companies needs help with. © Kevin Popović, SDSU Creativity + Innovation
  • 29. The Innovation Value Chain • Centers attention on the weakest link, prompts to be more selective on what will work to address the problem area • Helps managers realize a perceived innovation strength may be a weakness. • People often gravitate towards the easiest area, leaving hardest for last or hoping it goes away. © Kevin Popović, SDSU Creativity + Innovation
  • 30. © Kevin Popović, SDSU Creativity + Innovation
  • 31. The Innovation Value Chain The innovation value chain provides a framework for managers to sort out which approaches make the most sense for their companies. Allows you to spot the strongest and the weakest link. © Kevin Popović, SDSU Creativity + Innovation
  • 32. Assignment © Kevin Popović, SDSU Creativity + Innovation • Read “Dealing with Darwin” • Available in the reader / online • Prepare for Quiz

Editor's Notes

  1. Creativity and innovation are integral to an organization’s ability to survive and thrive in today’s competitive marketplace. This course provides students with an understanding of how creativity and innovation can be facilitated and managed in a work setting. Students will learn about theoretical conceptualizations of creativity and innovation as well as practical applications involved in fostering creativity and innovation in the workplace. Students will be expected to play an active role in learning through class exercises, class discussions, and dialogue with guest speakers, and presentations about real (or planned) innovations in organizations.
  2. https://www.facebook.com/permalink.php?story_fbid=869337733183840&id=420291318088486
  3. Share The Story Our two projects will be an individual presentation and a group presentation. The individual presentation can be anything. The group project has to be approved. Each group can have 5 members, and has to apply what we have learned in class.
  4. Required Text: Creativity, Inc.: Building an Inventive Organization by Jeff Mauzy and Richard Harriman, ISBN: 1-57851-207-7, Harvard Business School Press. Chapter 6: Leadership: Fostering Systemic Creativity
  5. Class Discussion:TBD
  6. Class Discussion: Who saw Pooty Tang? The corporation runs our lives! https://youtu.be/yhBExhldRXQ
  7. Class Discussion: What did they do?
  8. Class Discussion: What did they do?
  9. Ongoing creativity: Disney, Apple, Sony, Motorola, 3M
  10. Class Discussion
  11. Class Discussion
  12. Class Discussion
  13. Management today: Where is management today? Hierarchical, paternalistic attitudes still permeate many businesses of every size Position equals knowledge, intelligence and power The higher the title the better the idea Only those with formal authority can responsible handle decisions
  14. Class Quiz: The Innovation Value Chain Discussion: The Innovation Value Chain, Harvard Business Review https://hbr.org/2007/06/the-innovation-value-chain
  15. Viewing innovation as an end-to-end process rather than focusing on a part allows you to spot the weakness and strongest links. Discourages managers from reflexively importing innovation practices that address part of the chain but not necessarily the ones the companies needs help with. Centers attention on the weakest link, prompts to be more selective on what will work to address the problem area Helps managers realize a perceived innovation strength may be a weakness. People often gravitate towards the easiest area, leaving hardest for last or hoping it goes away.
  16. The Idea Poor Company: Build external networks Solutions Network – finding answers for specific problems Discovery Network – unearthing new ideas within broad technology or product domains. Build internal cross-unit networks: different people from inside the same company The Conversion Poor Company: Cant do anything with the ideas they have (cant get it across the goal line) - Multichannel funding - Safe Havens The Diffusion Poor Company: New measures, new roles.
  17. Viewing innovation as an end-to-end process rather than focusing on a part allows you to spot the weakness and strongest links. Discourages managers from reflexively importing innovation practices that address part of the chain but not necessarily the ones the companies needs help with. Centers attention on the weakest link, prompts to be more selective on what will work to address the problem area Helps managers realize a perceived innovation strength may be a weakness. People often gravitate towards the easiest area, leaving hardest for last or hoping it goes away.
  18. Class Discussion: How would you use this to manage your mid-term project better?
  19. Class Quiz: Dealing With Darwin Discussion: Dealing With Darwin: Chapters 1, 2 3 Available in the reader