How The Godfather Changed Hollywood

How The Godfather Changed Hollywood
For many Italian–Americans, The Godfather changed the way that they were viewed in American society in a good way. Megan Gambino of the
Smithsonian interviewed Tom Santopietro, the author of The Godfather effect. In the interview, Santopietro states "The film changed Hollywood
because it finally changed the way Italians were depicted on film. It made Italians seem like more fully realized people and not stereotypes. It was a
film in Hollywood made by Italians about Italians. Previously, it had not been Italians making the mobster films featuring Italian gangsters" (2012). In
the movie we get to see a close–knit family that is all about tradition, love, and loyalty; however, it also takes a twist with illegal activity and murder.
Kirkus Review stated "Broadway theater manager Santopietro (Sinatra in Hollywood, 2008, etc.) asserts that with the 1972 release of Francis Ford
Coppola's The Godfather, "notions of ethnicity in America had been upended in rather spectacular fashion" especially for young Italian–Americans
who felt conflicted about many aspects of their heritage, ... Show more content on Helpwriting.net ...
The movie itself depicts real world situations of what we know about the mob today, the John Gotti's, the Genovese family and even La Cosa Nostra.
According to www.fbi.gov "They are some of the most notorious and widespread of all criminal societies" (2010). These Italian–American gangsters
were involved in prostitution, drug trafficking, gambling, murder, money laundering and racketeering, many of the things that we see in The
Godfather. Mafia families have struck fear in the lives of many and their communities. Murders would occur in the middle of the street in broad
daylight. Communities were downtrodden with narcotics, alcoholics, and gangsters until the government stepped in to start indicting these individuals,
locking them up and throwing away the
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Michael Romeo Interview
This report is about someone I just got to know named Michael (romeo). I hope you enjoy this report like I enjoyed interviewing him.
I begin this report with some of the things Michael likes to do. Those things are eating, sleep, and hang out with his friends. Michael knows a lot of
people, Even some friends I know. He was also born and raised here in this district for over 17 years. Michael is his real name but some people call
him Romeo. Romeo is 17 years old, his birthday is august 16 which would make him a leo on the zodiac calendar. Micheal only speaks English. He
wanted to learn Spanish, but never brought himself to. Michael also enjoys other things when he's not busy with work or school.
When Michael is not at work or school, he is

Similarities Between Saturday Night Fever And The Godfather
In Saturday Night Fever, portrayal of scenes and actions that were once prohibited due to the Hays Code allowed the characters to develop while
giving a sense and portrayal of who Italian Americans are. Many of the characteristics exhibited by Tony, his friends and other characters relate to
the first time they were explored and used in the film, The Godfather. For example, in Saturday Night Fever, there is a scene in which Tony and his
friends are beat up by the Barracudas (Hispanic gang) and vice versa, when they go to get payback and avenge their friend Gus who was hospitalized
(AFI). This relates to scenes in which the Godfather displayed brutality, blood, and mob violence (Browne). In general, such violence would be
prohibited in films

Essay On The Godfather
Sarah Kull
Jordan
Contemporary Literature
18 October 2014
Film Review The film, The Godfather, was released on March 24, 1972. The time period that the movie was set in was 1945, which was the time
period of the Mafia. This film is based around two families fighting throughout the film. One of the main characters, Michael Corleone, changes
throughout the movie deciding whether or not he should join in on the family business and take his fathers position (Vito Corleone) as Godfather. As a
viewer, I did not enjoy this film due to the darkness and wickedness behind it. Although, many believe it to be one of the greatest movies of all time, in
my opinion, the film was not a success.
The producer and director, Francis Ford Coppola is known ... Show more content on Helpwriting.net ...
Color being one element, was really used in the film helped and played a major role to help the viewer see the obscurity and wickedness that lied
within all of the characters. The colors were used to also manipulate the way your mood fluctuated throughout the movie. Another strong element
used was the set design. The set was used to show what time period the movie was set in, but also where the Mafia was mainly located throughout
the movie. The dialogue furthermore showed and helped the viewer really get the feel of where the characters are from, and their culture. The
costumes additionally played a major role in showing where the characters were from in the movie. The costumes helped audiences get the full
ambiance of the time period and moods of the characters. Also, there are many scenes in the movie that make you anxious and on the edge of your
seat. A specific example would be the scene of the shooting of Sollozo and Mcclusky. This scene makes you question many things and you do not
know what is happening when Sollozo is speaking in Italian, which just adds suspense to the viewer's emotions. The camera pans out of Michael's
face and then, BOOM! Sollozo and Mcclusky are dead. This is just one of the scenes that kept you in the verge of your seat and through all of these
elements, there was a permutation that worked in harmony to make

Mise-En-Scene, Editing And Cinematographic Elements In The...
"The Godfather", a crime–noir film produced in 1972, is about an aged patriarch of a famous mafia dynasty that transfers control of his business to his
disinclined son. It was directed by Francis Ford Cappola and stars actors such as Al Pacino and Marlon Brando. The film's numerous achievements,
specifically in the opening sequence, stem from the exemplary utilization and integration of misГ©–en–scene, editing, and cinematographic elements.
Mise–en–scene is a key element in the representation of a character. For example, the film begins with a slow jazz soundtrack, a characteristic of
thriller films during the 1970's. Then a plain black background streches across the screen, setting the stage for what is about to appear in front of us.
Black... Show more content on Helpwriting.net ...
This scene is edited with a very slow pace that creates a sense of calm and suggests the control that Don Corleone has over the situation. The
sequence begins with a close up on Amerigo Bonasera as he stares in the camera while it zooms out, telling the audience about his daughter's rape.
William Reynolds and Peter Zinner, the lead editors of the film, used this shot, that spans the next three minutes of the film, to add a sense of
insecurity and rising tension. It also is used to reveal Bonasera is talking to a mysterious figure disguised by the shadows and that three other men
are present, but without giving the setting of the scene or who these men are. Then, they break the three minute shot by giving the audience their first
glance at the mysterious figure in the shadows. They cut to a medium shot of Don Corleone, the leader of this organized crime dynasty, finally
revealing this shadowy figure to the audience, relieving them of some tension. The camera shifts location again in order to reveal the scene,
something like an establishing shot. Here, they reveal four male characters, all dressed in suits, and the only lights coming from the slats in the blinds
and the sole artificial light on the right side of the room. Don Corleone is also placed in the center of this shot with every other character facing him,
giving him a sense of power. Next, they cut to a medium shot of the godfather sitting

Childhood In My Childhood
Decapitated baby dolls and rated R movies shaped my childhood. Now, before you throw my essay in the round file and write me off as a potential
serial killer, hear me out. I was not raised like many of my peers. Obviously, most of their parents made sure that the movies they viewed were age
appropriate and I am pretty sure they would not have been so passive if the found dismembered baby dolls in their daughter's playroom. However, my
parents were different... very different. Instead of watching the typical family movies such as Matilda and Toy Story, my family spent our weekends
watching The Matrix Series and The Godfather Trilogy. While most may not agree with these customs, my seven–year–old mind was far more thrilled
at hearing Marlon Brando saying "kiss the ring" rather than Woody talk about snakes and boots. Besides, I closed my eyes during the intimate scenes so
that makes everything okay, right?
No, it does not; however, this rather peculiar childhood has shaped most of my strongest ideals and assisted in the modeling of my present self. In
the movie, Don Corleone (Marlon Brando), says "a man who [does not] spend time with his family can never be a real man". This quote has
remained a valued aphorism in my family and my dedication to it is displayed in the way I am perceived by others. From birthday parties to sports,
my family does everything together, so much so, people are surprised and sometimes worried if they notice a member of our group did not accompany
us on

The Godfather Thesis
Director Francis Ford Coppola's dramatization The Godfather is a standout amongst the most venerated, acclaimed and powerful works of the
twentieth century. It is a movie magnum opus of business and basic achievement as such achieving that it routinely beat proficient and individual
records as the best film ever. With a story so soaked with profound subjects, solid characters, brilliant exhibitions, jazzy heading, and an ageless
soundtrack, there ought not be any miracle of why this work has stood the trial of time. Notwithstanding each one of those traits is the presentation of
rich social topics and changes all through the whole film.
The story takes after the New York based Corleone wrongdoing family throughout ten years, from 1945–1955. ... Show more content on Helpwriting.net
...
A case of this would be that the Don never takes cash from customers and partners for noting a solicitation, for example, a hit, rather requiring
something more individual, for example, fellowship, administration, or favors. This is entirely clear in the opening scene when a funeral director
approaches the Don for equity against two men who frightfully assaulted and beat his little girl. He offers Vito cash for the hit which significantly insults
The Godfather. Simply after the funeral director understands the unintended offense and offers Vito his kinship does the Don assent to his solicitation.
Regard, fellowship, influence and control are more critical to this family than

Essay On The Godfather
One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls
under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during
the years 1945–1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which
the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn't a
blood–related family, but a crime family. The novel's theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone
family... Show more content on Helpwriting.net ...
His role in The Godfather is that of the Don, or a commanding officer. He climbs the social ladder in the Corleone family, starting as a member and
gains a higher reputation by killing the man believed to have orchestrated the attacks against his father, Virgil Sollozzo, and a corrupt police captain
paid by Sollozzo. Michael then travels to Sicily and doesn't move up in the family for a while. Two years later, his brother Sonny Corleone, who was
the acting head of the family after their father was injured, was shot in a phone booth. Michael then returns to America to help out with the family: he
assumes Sonny's role as his father's heir apparent, a Vice President who steps in when the Don is injured or killed. Once the Don retires, he becomes
the new Don and takes over as the head of the crime family.
There are many minor characters in The Godfather due to the Corleone family's immense size and intricate relationships with other crime families and
policemen. The first Don mentioned in the book, Michael's father Vito Corleone, was minor character. Sonny Corleone was the successor to the Don
because he was his son, he was the most qualified of the Don's sons to take over the business and he did so until he was murdered a short while after
in a phone booth. Michael and Sonny had one other blood brother, Fredo Corleone, who doesn't play a big role in the family. Fredo was with the Don
when he was shot and went into shock; to protect

Joseph Bonanno Research Paper
The Greatness of the Bonanno Family In 1908, Joseph Bonanno with his large family from Castellammarese del Golfo, Italy moved into a large
Sicilian neighborhood in Brooklyn. The Family of six, was introduced to cosa nostra otherwise known as the Mafia as soon as their father began his
own business and became a man of influence. Troubles did occur, as tension between other families rose threatening their safety which forced them to
move back to Italy. Later on in the years, after returning to Italy. Joseph's father was drafted into World War I and was injured causing him to die soon
after. Throughout joe's teen years, he dreamed of becoming a sailor and thought to go learn the life. He then attended Joeni Trabia Nautical Institute in
Palermo, where he became an... Show more content on Helpwriting.net ...
In 1931, Joseph Bonanno married Fay Labruzzo, and one year later had their first child Salvatore "Bill" Bonanno. Now as the Family was
progressing, as should the business be progressing as well. Therefore, the action plan was to spread throughout to Canada and that is where Carmine
Galante current underboss took over. The then Montreal Mafia Boss Vincent Contrini, spoke of involving the idea of drugtrafficking into the
Bonanno business. Along with many other bosses, that may or many not have been opposed of the idea as many of them were already apart of this
money making ordeal such as the Luciano Family and the Managano Family. It became aware to the government, due to the many bosses that were
coming from all around to get together in Apalachin, New York. The story became nationwide after many agents from the FBI caught the mobsters red
handed, after having to chase them through the woods. As many of them were arrested, but none were found guilty for any crimes. The FBI would
then keep an eye out, as it was harder for meetings to be arranged from that point

The Godfather Is A 1972 American Crime Drama Directed By...
The Godfather is a 1972 American crime drama directed by Francis Coppola based on the 1969 novel by Mario Puzo. The film stars Marlin
Brando and Al Pacino as the leaders of a powerful family business of crime. The story is centred on Michael Corleone, and how he grows from a
young man wanting nothing to do with the family business to a ruthless Don who will stop at nothing to exact his revenge. The movie grossed around
286 million dollars and is touted as one of the most successful films of all time, and in 1990 it was selected for preservation in the United States Film
Registry. The film portrays many different character stereotypes commonly used in the Crime genre, and this helps to allow the viewer to identify with
the characters better, as they already have an understanding of what their intentions are.
Michael Corleone is the youngest son of Don Vito Corleone and, despite his families criminal background, he doesn 't want anything to do with his
father 's bussiness. He can be considered the main protagonist of the story, however he fits under the character stereotype of the Villain, in accordance
with the stock characters stated by narrative theorist Vladimir Propp. Michael is a returned war hero and is first introduced attending his sister Connie
's wedding with his girlfriend, Kay. Much of Michael character is introduced to the viewer in this scene, primarily his disinterest in the family business.
When he is talking with Kay about Johnny Fontaine, and what his

Michael Corleone's Transformation
In this paper I will argue that in his film, The Godfather, Francis Ford Coppola orchestrates the filmic elements (especially: editing and
mise–en–scГ©ne) to give the audience an intimate view of the complex world of a Mafia Don: Coppola's techniques sensitively portray the life and
transformation of Michael Corleone; he leaves his status as a family outsider to become king of the underworld.
Michael is the son of Vito Corleone, Don of the Corleone Crime Family1. The story of The Godfather is the story of both Vito and Michael. Vito
passes away and leaves his throne to Michael, who steps out of a seemingly innocent world ordinary American life to receive his father's crown and to
assume control of the Corleone Family. As my thesis... Show more content on Helpwriting.net ...
He is fat and he moves slowly, though thoughtfully. In a distinct contrast, Al Pacino's Michael resembles a nervous and self
–conscious prince. He sulks
at the table. He speaks quickly in a high voice and emphasizes his words like an adolescent.
Though marked, their physical differences are not as important as the differences between their worlds, their settings. Vito appears in an almost pitch
black room. The only things in the room which are lit are Vito's face, his desk, a lamp in the background and the face of any one of Vito's four
suppliants. And the seclusion of the this world is depicted by the size and sounds of the office: though it is not claustrophobic, the room is quite small;
and there are no background sounds, only the main conversation.
In sharp contrast, Michael appears with Kay as opposed to the entirely male world of his father. His father is inside a dark office, while Michael is
outside at a lively Italian wedding reception. Children are running everywhere, men and women are dancing, eating, and drinking. The setting is bright,
colorful, open, and full of music and laughter.
The distinctions between these two settings are polar, as are the characteristics of these two men who epitomize their respective worlds. Michael lives
in traditional America; he attended an Ivy League school; he is a decorated war hero. Vito lives in the underworld; he is

Godfather Goodfellas Essay
The Godfather and Goodfellas are both considered "mafia movies." Both of these films portray some form of organized crime committed by Italians.
They mutually romanticize the mob lifestyle and depict it with pure clarity. Although both of these movies portray the lives of the same kind of
people, they are more than just a simple characterization. Violence plays a major role in each of these films.The Godfather and Goodfellas are
obviously very similar. However, they also have several aspects that differ from one another.
In both The Godfather and Goodfellas, violence penetrates the daily lives of both Henry Hill and Michael Corleone. Although violence is a key factor
of each of the movies, Goodfellas is more brutal in comparison to The ... Show more content on Helpwriting.net ...
Many of these murders happen spontaneously and are not organized. Some of these scenes are shocking, primeval, and appalling. These moments leave
the viewers stunned and disoriented.
Unlike Goodfellas, the violence in The Godfather occurs mysteriously and almost magically. The organized crimes and murders simply occur
without any mistake in this film. One of the bloody scenes that portray this is the one where Woltz' bed is covered in blood. This scene was very
slick the way Tom Hagen slipped away without being noticed by anyone. Hagen's visit was to intimidate Woltz by proving that if he had to kill him,
he would be able to. Another very violent act was Sonny's death. This plan was organized carefully by Don Emilio Varzini with the help of Carlo
Rizzi, his brother–in–law. Earlier in the film Sonny had beaten Carlo after he heard Carlo was abusing his sister Connie. To get back at him, Carlo
viciously beats Connie using his belt. When Sonny hears of this he speeds to Connie's apartment. As he approaches, Barzini's men surround Sonny
and viciously shoot him to death. This act was also thought out very cautiously by masterminds. Towards the end of the movie, the planned killing
of the five other mob leaders is revealed. Michael orders all of the head of the families to be killed so he can be the top Don. Although this scene is
violent, it is masked by the ceremony of Michael becoming Connie's son's godfather. The mass murder was perfectly planned to

Baptism Murders Michael Corleone
In the "Baptism Murders", it starts with the main character Michael Corleone at his nephew's baptism. As the priests begins to ask questions, he
started having flashbacks of all the murders he had his men commit. The look on his face was as if he had a guilty conscience. While the baby was
being baptized Michael answered the questions the priests was asking as if he was baptizing himself, thinking it would wash his sins away. This clip
has a lot of shots between the baptizing and the murders. The scene closes out with the priest pouring the holy water on the baby's head and Michael
reflecting on all the dead bodies he had killed. The editing shows where the baptism and murders where going on at the same time. In this clip, the
camera angle

Vito Corleone: The Godfather
Vito Corleone, the "godfather" of the family is a very diverse character. He is intelligent, clever and an excellent speaker. Like the tagline of the
movie, he frequently makes an "offer he can't refuse". Another trait is his ability to read people, especially during Bonasera's plea to the don. He is
also a ruthless person, if he cannot deal with words, guns and bullets will. Even with his supposed evil, he is seen as many as a very loving father
and many people love him. He was clearly hurt when he found out Michael gunned down Sollozo and McClusckey, indicating he loved Michael
that he didn't want his son to be part of any crime. He is able to separate blood and water, and embrace them both, evident when he adopted and
raised Tom Hagen like he was a son. He also show a deep sense of morality, not agreeing to the dawning drug business at first, and when he did agree,
he proposed that it should never be sold to kids and near schools. Near the end of his life, he became more relaxed and was able to enjoy his remaining
day.... Show more content on Helpwriting.net ...
He favors a more direct confrontation than a more diplomatic route. He often acts before thinking, demonstrated when he beat Carlo on the street for
abusing his sister. He is also a man of passion and appetite, cheating on his wife. In the end, his recklessness got the better of him when he was
ambushed in a toll booth. Tom Hagen is the opposite of Sonny. He is meek and outspoken on his words, mostly because he is the family lawyer. Being
the family councillor, he is very diplomatic when dealing with the other families, which Sonny disliked at first. His cautious nature makes him an
excellent adviser but most of his peers belittle him during wartime. B.

The Rise Of Organized Crime
The rise of organized crime In The United States By Jeremy King Welcome to the 1920s a truly new era. Automobiles were becoming affordable to
the average American the Great War had ended and the nation was heading into a time of prosperity and temperance. On January 16th 1920 the
production transportation and sale of intoxication liquors was made illegal. The nation was dry, at least that's what the country wanted. In reality
the nation was about to be flooded with alcohol. This is when organized crime really starts to develop in the United States. In this paper we will
cover a few notorious players including Al Capone, Charlie "Lucky" Luciano, Myer Lansky, and briefly Enoch Johnson. We will follow their lives
from birth until their fate be it death imprisonment or the departure from organized crime. Along the way we will meet other key players including
Johnny Torrio, Dean O'Banion, James "Big Jim" Colosimo, Salvatore Marizano, and many more. So without further ado lets get started! Lucky
Luciano: Born Salvatore Lucania. Charlie "Lucky" Luciano Immigrated to the united states in 1906 at the age of nine. Luciano showed the signs of a
crime boss early extorting school children for protection money while threatening to beat them up if they didn't comply. Luciano did not speak English
well at the time and subsequently dropped out of school in 1914. After school Luciano started work as a clerk in a hat shop. Though after winning

Cinematography in Godfather the Movie Essay
Mario Puzo's "The Godfather" was the first and most influential gangster movie that paved the way for gangster movies of the future. The movie was
directed by Frances Ford Copolla, who made many different ingenious ways to portray this gangster classic. The movie was a very subversive movie,
and one of the first of all time.The Godfather has a many different uses of light settings through the whole movie, in which the movie can be interpreted
on.
The lighting in "The Godfather," is very dim and is often said to be compared with a Rembrant. The lighting suggest many things throughout the film
like a painting. The light scenes in the movie are to portray the Corleone family as good people, someone you could relate to not look down upon. ...
Show more content on Helpwriting.net ...
The most perfect example of their family values is when Don comes home from the Hospital and the family ahs a big dinner, and they do not talk
business at the table. When the Family is look on as a regular family as you get drawn in, you then see surprisingly and rudely awakened to the
killings of the movie.
The director of the movie(Frances Ford Copolla) has a very good use of montage, and long shots. Capolla starts off the movie with an extrodonary
shot of an undertaker saying "this is America." Which gives a glimpse of how haunting the film is going to be? A good use of long shots is perfect
when the camera pans around the long shot as Mikey takes on the responsibility of getting revenge for his fathers shooting. Also a good example of
Copolla's long shots is when the film is about to end and there is a shot of Diane Keaton looking so innocent and really knowing nothing of the
family business. In the film, montage is used in the baptism scene. The shots cut when all the highly religious questions are asked of Mike, and then
the shots start cutting back in forth from the killings of the head's of the other top five family's and the baptism, portraying mike as a changing
person(a god man to an evil one.)
The music of "The Godfather," is very haunting and scary at times, but also takes on a folklore type of theme. I think the music is typical for this type
of film, but it does contribute a lot to the family values

The Godfather Themes
The Godfather is heralded as one of the greatest films of all time. Produced in 1972 by Albert S. Ruddy based off the novel written by Mario Puzo in
1969. The Godfather is a mob based drama about a very powerful Italian–American crime family headed by Don Vito Corleone (Marlon Brando). The
movie is sent in New York City during the early 1940s to mid 1950s and, while the main plot is about the conflict between the five leading mob
families; it also details the relationships between the men and women who comprise them . There are a lot of parallels between the typical
Italian–american families of that ear and the powerful families that are detailed in the film. The movie does a very good job at blurring the lines
between personal decisions on behalf of the family and, decisions that are for the benefits of the business. The most dynamic charter in the movie is
Michael Corleone (Al Pacino) Don Corleone's youngest son. How could the strong family ties change Michael Corleone perspective on the family
business and change his ambitions from an americanized war veteran trying to make a living above the table to a hardcore mob boss? The opening
scene details the strong family relations theme present in the movie taking place at Connie's wedding. Connie (Talia Shire) is marrying Carlo Rizzi
(Gianni Russo) at a lavish old ... Show more content on Helpwriting.net ...
Michael volunteers himself to murder the two people responsible for his fathers attempted assassination the Captain McCluskey and Virgil Sollozzo.
Even though its been a long time rule among the five families that policemen were strictly of limits and weren't to be harmed. Michael's calculated
and cunning mind was showcased in this scene as he manages to convince his older brother Sonny that this is a good idea to kill both of them. He
explains that McCluskey shouldn't be protected by the long standing rule because he's been acting as a body guard for

The Undertaker's Journey
From the start of the movie with the Undertaker, Don Corleone displays his noble side. The Undertaker's story is a very sad one where the law
failed him and he goes to the Don to deal with this issue. The Don says he will help the Undertaker with his daughter's attempted rapists and
victimizers, but not the way the undertaker wants to. The Don has a moral code that one would not expect from a harden criminal. His moral code is
similar to "an eye for eye" mentality. The Undertaker wants the Don to kill the attackers, but the Don will not go that far because the Undertaker still
has his daughter. Don Corleone shows this later when ending family wars. Now that both the Corleone family and the Tattaglia family lost a son they
are even. This is what makes him the anti hero. His views on the drug trade also make him seem much more likable than the families. He sees ... Show
more content on Helpwriting.net ...
He starts being and outsider to the family business and slowly but surer joins the the business and comes to lead it. Before joining and leading the
family for a few years Michael tells to his current girlfriend, Kay, when discussing what his family does that, "That's my family. That's not me."
(Coppola). These lines would soon come back to haunt Michael when he goes to ask Kay to marry him after joining his his family. Though Michael
thought he would never join the family business the change comes through the need for him to protect his family especially his father. Michael goes
through change at hospital where he has to protect his father from Sollozo's men. He soon realizes that unlike the Baker, who is helping him, he is
used to this type of work and danger. Michael then has his first real contact with the family business when he gets punched in the face by a corrupt
police officer. This really marks the change in Michael physically by the mark left on his face and emotionally by Michael finally accepting his role in
his

Alcohol Advertising And Media Influence On Drug Use
The use and abuse of psychoactive substances have long prevailed through history. For decades society has known about psychoactive substances and
many are presented through media as a norm. Throughout the American popular culture, the media frequently documented these substances through
movies, songs, TV shows, TV commercials, etc. Additionally, media has endorse good and bad stereotypes ofdrug use. Thus, research supports a
connection between media portrayals of drug use and the use of alcohol/tobacco or other drugs among children, adolescents or young adults.
One of America's popular movies is Scarface, a 1983 movie interpreted by Al Pacino. Scarface (1983), is a Americancrime film directed by Brian de
Palma, written by Oliver Stone which tells a story of a Cuban refugee ... Show more content on Helpwriting.net ...
The purpose of this study was to reveal the influence of alcohol advertising and media contact on potential juvenile alcohol consumption. Thus, the
study was accomplished through a research of systematic studies done from 1990 to September 2008. These studies included "longitudinal studies in
which individuals drinking behavior and exposure to advertising, receptivity or attitudes to alcohol advertising, or brand awareness were measured at
baseline and individuals drinking behaviors were then measured in one or more follow up." (Anderson, 2009) The participants involved in the study
were adolescents aged 18 years or younger. Overall, the results indicated that the advertisement and promotion of alcohol enhances the probability that
youth will initiate to consume alcohol, and to augment drinking to those previously consuming

Pulp Fiction Comparative Essay
The way in which gangster figures are portrayed with consideration to gender roles and ethnicity within each film will be analysed. 'The Godfather',
'Pulp Fiction' and 'Scarface' are being explored because they are three movies known for being inspirational in establishing the gangster genre
conventions at various points in film history. 'Scarface' was highly influential within this genre and when it was released there was not the same
censorship as there is in the 21st century. The representation of gangster figures has been a controversial topic throughout the 20th and 21st century
and Dr Fran Mason argued that 'The gangster film has...been considered to be a subversive form of filmmaking'. Whether it was because of how
Italians were portrayed ... Show more content on Helpwriting.net ...
Similarly to 'Scarface' and 'The Godfather', violence and crime are key themes in the films and therefore the male characters dominate the violent
scenes and radiate willpower. Mia Wallace, the wife of the gangster Marsellus Wallace is portrayed as powerful and seductive. At first, it appears
that she is stable within her relationship with Wallace, and is additionally feared by other individuals such as Vincent, when he arrives at her
house to escort her for a night out. However, later on Mia mistakes heroin for cocaine and manages to overdose, which results in her relying on the
man in her life because she is so weak. Even so, in the promotional poster of 'Pulp Fiction', Uma Thurman (Mia), is shown posing on a bed with a
cigarette in one hand and a gun in front of her. This in many ways signifies power as the gun has become a key piece of iconography in the
gangster genre, and guns hold a lot of power in them as they have the ability, with help, to kill or cause serious bodily harm. Nevertheless, this is
misleading as the women, specifically Mia Wallace, do not actually hold any power in the film. Mia Wallace's character is a reminder of Marsellus'

Marlon Brando Research Paper
Marlon Brando is 5ft 9in (175cm) and Actor,film director,activist Alabama.He helped to popularize the Stanislavski system of acting, studying with
Stella Adler in the 1940s. Brando is most famous for his Academy Award
–winning performances as Terry Malloy in On the Waterfront (1954) and Vito
Corleone in The Godfather (1972), as well as performances in A Streetcar Named Desire (1951), Viva Zapata! (1952), Julius Caesar (1953), The Wild
One (1953), Reflections in a Golden Eye (1967), Last Tango in Paris (1972), and Apocalypse Now (1979). Brando was also an activist for many causes,
notably the African–American Civil Rights Movement and various Native American movements. Godfather (1972), as well as performances in A
Streetcar Named Desire (1951), ... Show more content on Helpwriting.net ...
He received further praise for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebel motorcycle gang leader Johnny
Strabler in The Wild One proved to be a lasting image in popular culture.[8] Brando received Academy Award nominations for playing Emiliano
Zapata in Viva Zapata!; Mark Antony in Joseph L. Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd
Gruver in Sayonara (1957), an adaptation of James Michener's 1954 novel. Brando was included in a list of Top terry Malloy in On the
Waterfront, and his portrayal of the rebel motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular
culture.[8] Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata!; Mark Antony in Joseph L. Mankiewicz's
1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaptation of James Michener's 1954
novel. Brando was included in a list of Top Ten Money Making Stars three times in the 1950s, coming in at number 10 in 1954, number 6 in 1955,
and number 4 in 1958.The 1960s proved to be a fallow decade for Brando. He directed and starred in the cult western film One–Eyed

Crime Of Organized Crime And Criminal Structures
The topic of this paper is gangsters in organized crime can either work alone or work with other gangsters. When people commit crimes with other
criminals, their personal ties to each other become strong when there is especially trust or there could be no trust, however, those ties can become
strong at some point.
My paper will be about on the organized criminal structures that Frank Costello had. In the book, it has a lot of personal ties telling the reader who ties
personally that Costello had with people that is what the paper will be about. In the illegal activities that Costello committed, what type of crimes
has he committed. All of the activities that Costello did during his life will be until his death. My paper will be about criminal structures and the
overall generalization about it. What will be described is what type of criminal structures Costello had. Was it hierarchical and etc? What money ties
or the economically aspect are in criminal structures will be talked about. My paper will also be about how law enforcement ties to criminal
structures and networks to other people and getting the people doing illegal business caught. The final paper will also talk about how important trust
is in criminal structures. What would be talked about is even if having ties to other ties regarding people will a person reoffend. In one part of the
paper, it will be about criminal networks.
A criminal structure is an arrangement of relationships between criminals that have an

The Godfather, The Exorcist, And The Silence Of The Lambs
The Godfather, The Exorcist, and The Silence of the Lambs are three films that are often given the title "greatest of all time" in their respective genre,
for very good reason. Each film consists of scenes that are crafted so unforgettably that the scenes leave each viewer with a sense of awe, shock, and
horror when each scene is carefully examined. The Godfather, distributed in 1972 by Paramount Pictures, was directed by Francis Ford Coppola who in
an interview said in regards to his filmmaking that "If you don't take a risk then how are you going to make something really beautiful, that hasn't
been seen before?" (1). The Godfather certainly presented cinema with iconic and memorable scenes that were both beautiful and never before seen
largely due to the new and risky ways Francis Ford Coppola presented The Godfather's narrative. Similarly, The Exorcist chilled the bones of
audiences everywhere by shocking the world with grueling demonic possession in a tangible way that had never been presented before by cinema.
The scenes in The Exorcist were particularly memorable because the scenes resonated with a large majority of American audiences who came from
religious backgrounds where demonic possession is a sincere possibility; never before had a film brought Americans face–to–face with The Devil,
Hell, and sin by means of horror. Horror was also a key element in Jonathan Demme's 1991 classic The Silence of the Lambs. Horror made each scene
very memorable, particularly when

I Cento Passi Essay
I Cento Passi exemplified many of the central aspects of Mafia culture. Primarily the presence of family was central to the movie. Whether it was
biological family or their mafia family coalitions, the dedication and loyalty to family was evident in several scenes. Firstly, the relationships within the
Impastato family were impactful, such as when Luigi pins Peppino down in anger to his "disloyalty" by fighting against the mafia on the radio.
Additionally, in terms of the mafia family, Tano lectures Peppino and Giavani, explaining to them how he saved their family by helping their
father provide for them. Secondly, the relevancy of silence and secrecy was distinct. It was obvious that there was secrecy regarding the emotions
and feelings toward the mafia. Peppino and the Impastato family live simply 100 steps to the leader of the Mafia. They sleep amidst his control and
the mafia's power. Furthermore, as Peppino breaks the silence by his use of the radio station, a conversation is born and a sense of freedom was felt.
Finally, power was one of the most vital features within this film, as it is also the most ... Show more content on Helpwriting.net ...
His courage and ability to stand up against the Mafia, especially when his father played a large role in its community, must have been extremely
difficult for Peppino. I am sure he felt as if he was being disloyal in some ways toward his family, most importantly his father. If I were in Peppino's
shoes, I believe I would struggle in the fear of bringing unrest and disharmony to my family structure. However, he stood up for what he believed. He
spoke his thoughts, even when he knew it could put him, and others in danger. He risked himself in order to hopefully free some of the crime and
dictatorship that the Mafia created. With the use of the radio, he made his voice heard. Hence, his voice opened many other individual's minds and
emotions to the numerous ways the mafia was being

God Father Symbolism
The 1930's and 40's were a famous time for gangsters, mobs and mafias. The God Father directed by Francis Ford Coppola and written by Mario
Puzo focuses on this era. Gangster genre films always seem to have dark colors and low lighting, usually an urban city location and outfitting is
formal, props in these films are guns, cigars/cigarettes, drugs and money. Everything is put in a film for a reason and all these elements combine
to create a typical gangster setting. But, The God Father was not a typical gangster film. Mario Puzo used many, if not all of these elements but he
refined the gangster genre using intricate editing techinques. In the first scene at his daughters' wedding, Bonasera asks Don Carleone to avenge
his daughters assaliant. The lighting in this scene was dark and the camera angles high and low symbolizing who had the most power. It worked
for this particluar scene because they were doing a back door dealing and also showed us how Don Carleone was looked up to and respected by
others. The film is set in 1940's New York, Don Corleone and his men are always seen in formal wear, and Corleone had a cigar in a number of
scenes although we dont see stacks of money all the time it is shown to us indirectly when we see his mansion and expensive cars and fancy dinners.
This also worked for the film because it was historically correct, 1940's New York was home to many mobsters and crime families and the outfits
represented their status in society. In my opinion I

The Role Of Business In The Godfather
The Godfather by Francis Ford Coppola introduces the lifestyle of an Italian–American mobster family in New York. This film shows an authentic
perspective of mobs in the 40's and 50's. We see that family business is very important in this film. But Michael Corleone put it best, "It's not personal,
it's strictly business." This relationship between the Corleone Family and business is what shows up multiple times throughout the movie. In the movie
we see a difference between Vito and his son Michael Corleone. Vito is the norm for what a superior leader should be. He is caring for his family and
also very strong when it comes to business. He is also a man of his word. On the flip side if you cross him, he will take matters into his own hands. ...
For example where he takes initiative and volunteers to kill both McCluskey and Sollozzo at the restaurant. This shot is made in a threatening
way. As Michael proposes the plan to Sonny, we see the camera gently and slowly creeps towards Michael.He does not make any eye contact with
the people around him. To add on to this the way Michael sets himself up in the chair shows that he is in charge and has power. As soon as the
camera stops moving, Michael says "I'll kill them both." This type of panning of the camera brings us, the audience, into his eyes. This scene is one
of the many key scenes where see Michael's character truly made out. As the camera pans towards his face, we see vigour of his

Kay's Role In The Godfather
The Godfather by Mario Puzo has stood the test of time. Many differ in their opinions about this novel. Some enjoy the action while others focus on
the negative aspects about women portrayed throughout the storyline. The rhetoric Puzo places on the pages plays out scenes of violence, family,
loyalty and at times romance. The era in which this story takes place must adhere to real to life actions of the characters in order for the reader to
transform his or herself into this fictional world. For example, in an essay Lessnor wrote "In The Godfather the role of women is limited to being the
caretakers of the family.....the women in this book were also seen as the least important part of a man's life" (1). Reading this novel did not give me the
... Show more content on Helpwriting.net ...
She is not even given a name for this story other than Mama. Does this make her not worth of knowing? Is she so disrespected that she is not worthy?
The answer really is–NO. She is the backbone of the family. Even though she does not have a long part in the story, she is there. She is given the
respect that a woman of her time period usually does not have. She is not in need of a first name for there is only one Mama Corleone and
everyone knows this. For example Puzo wrote added a conversation between Mama Corleone and Kay Adams. Michael had been home for 6 months
and neglected to contact kay. Kay had just found out and was upset. Mama Corleone would not let Kay refuse to see Michael. Mama Corleone told
Kay "you wanta see Mikey, you come out here now.....You take a taxi, and I tell the man at the gate to pay the taxi for you.......my husband's man at
the gate pay the taxi" (301). Kay against her own judgment called a taxi. When she speaks she is listened to, what she wants she gets–period. There is
not an instance where she is refuted in the novel at all. Young Vito, her husband, even does her bidding. While she does not demand much, the presents
of her power is

The Godfather Character Analysis Essay
The old saying, "Behind every great man is a great woman," is true in the case of Michael Corleone, the son of Don Vito Corleone of The
Godfather. The film focuses on the story of Michael and how he changes from a respectable, educated Marine to the ringleader of his father's
mafia business. In between the drastic turn of events, Michael has two love interests, both of which have a large, yet quiet, impact on his life. Kay
Adams, the first of the two love interests, is the average American woman. She is educated, smart, and possibly a bit too liberated for a female of
that time period, but she is a loved character because of this. Kay's relationship with Michael started before the movie and they seem to enjoy a
pleasant romance and friendship, but it is put on hold when Michael goes to Sicily to evade charges of a murder he committed. The second of the
love interests is Apollonia Vitelli, a Sicilian native whom Michael met when he was in hiding in Italy. She was the complete opposite of Kay and
was raised by a traditional Italian family. "I think you got hit by the thunderbolt," says one of Corleone's bodyguards when Michael sees Apollonia
for the first time. The two are in love and soon married, though it is short lived when a bomb meant for Michael is ignited and kills Apollonia.
Michael then returns to his home in New York and pursues a relationship and marriage with Kay Adams. Before Michael hid in Sicily, he was a man
of sincerity and held a deep compassion for human

Light And Dark In The Godfather
Francis Coppola emphasizes the secrecy of the Mafia by concealing their shady business practices with low–key lighting and dark colors. Well–said;
nice topic sentence.] The lack of light and color gives off a powerful feeling of savagery owing to the reality of the story. Other than Orson Welles
Citizen Kane, selected as the greatest film in motion picture history for three decades by the American Film Institute, The Godfather creates the most
impressive display of film noir ever. Films predating this one rarely experimented with low lighting because no director had the audacity to take the
risk.That and no one had the right script for it. Interesting The Godfather's story contains a need for darkness in order to realistically portray the nature
of the mob's ... Show more content on Helpwriting.net ...
In scenes where emotions are high and danger seems nearby, low–key lighting levels with the dark atmosphere within the room. Good Furthermore the
appearance of the mobsters convey their professional behavior when talking business, and their savagery when carrying that business out.
InterestingFor instance the mobsters all wear black suits to portray themselves as businessmen. With the exception of Don Corleone's red rose
placed over his heart, the majority of color gets drained. The rose that Vito wears exists as the dominant in every scene in which it appears. in. Don't
end sentences with a preposition! The flower seems to represent his heart, as to remind the audience that Vito has one and although he runs a mob
family he is not an animal. The first frame of the film comes from darkness, as does the mob. When the undertaker pronounces, "I believe in
America" the frame comes to light, revealing the face of the speaker. [An extremely powerful way to start a trilogy as we come to learn that the
opening line personifies the life of Vito Corleone. An interesting line, but not really a sentence. And its relevance is

Scarface Movie Themes
The film Scarface directed by Howard Hanks displays the rise and fall of gangster Tony Camonte. One of the main themes I picked up on in the
film was the incestuous interest between Tony and his sister Cesca. To me, Tony is very protective of his sister comparable to a jealous boyfriend.
At one point he catches his sister kissing another man and scares him off. Cesca and Tony then proceed to get into an argument where he
aggressively rips off a piece of her clothing. Another incident that occurred between the two was when Tony returned home after a month of being
away to find his partner Guino living with Cesca. Tony then proceeds to shoot Guino and kills him in front of Cesca who claimed to have loved
him. Lastly at the end of the movie where Cesca is about to shoot Tony but instead refuses only to run into his arms. Later a police bullet hits Cesca
in the chest resulting in her death and one of the last things Tony says to her is "without you I am completely alone". Why I thought this played a
big impact in the movie was because to me it seemed as if Tony was searching for some sort of love from his sister. At one point Cesca says she
doesn't even recognize him as her brother anymore. I believe this is why Tony felt no remorse for all the people he murdered, he felt empty and alone
which is what he says to Cesca in her final moments.... Show more content on Helpwriting.net ...
During the time period where Americans were losing their prized processions, Tony was showering himself in expensive clothing, jewelry, etc. This
lead to the interest from many women who enjoyed the expensive lifestyle Tony lived. One of those women was named Poppy. She was with Johnny
Lovo, Tony's boss at the time. At first Poppy seemed very uninterested in Tony, but throughout the movie especially after the death of Lovo, she begins
to take a liking in Tony. It seemed to me that whatever Tony wanted eventually he got it accept

Lucky Luciano, Luciano And His Life Of Crime
"There's no such thing as good money, or bad money. There's just money."– Charlie "Lucky" Luciano, Lucky Luciano one of America's notorious
gangster. He was a criminal with a slow uprising to becoming top boss. He vanquished his rivals with brutal force. Salvatore Lucania was a brutally
organized Italian born crime boss who greatly influenced the American society during his time.
Luciano's interest in crime started at the age of 4. He was born by the name of Salvatore Lucania in Sicily, Italy 1897 (Lucky Luciano). He was
born in a peaceful city yet lived a life as a criminal. Luciano migrated to America in 1906. Luciano did not know how to read nor write English
(Lucky Luciano). Moreover his unwillingness to learn and lack of education probably led to his life of crime. In 1907, Luciano was logged for his
first arrest for shoplifting. During the same year, Luciano began a racketing business he offered small jewish children protection. One kid refused to
pay so Luciano beat him up the kid (Meyer Lansky) stood his ground and gained respect from Luciano (Sifakis). Meyer and Luciano became best
friends after that (Sifakis). It seemed like Luciano could be easily impressed. ... Show more content on Helpwriting.net ...
Luciano obtained his name "Lucky" from when he was ambushed, Luciano was beaten, stabbed, and his neck was split ear to ear (Lucky Luciano).
Luciano truly got lucky with surviving from that horrific ambush. Lucino had worked for Masseria during the ambush and it is still unknown who
had ordered the ambush (Lucky Luciano). Justice was never served for the ambush. Masseria could have been the one responsible for the ambush.
Later on, Luciano left Masseria to join Marazano. Luciano helped arrange an end to Masseria in April 1931 (Lucky Luciano). Luciano began with a
slow uprising. Luciano gained trust from Marazano who was another crime

Similarities And Differences Between A Braxon Tale And A...
In the film, A Bronx Tale, Lorenzo Anello states to his son, "They want to see you do good, but never better than them...remember that", because of the
addition his son was taking from the wrong people. These film's setting can be identified by the title, the film Chinatown that took place in Los
Angeles, but with Chinatown being an important part of the film. Unlike that, A Bronx Tale is clearly in one of the boroughs that make up New York
City. It's easy to tell the differences between these two films, but not as simple to determine the similarities. Much more differences happen to appear
between these two films, from character traits to the setting, they're undoubtedly not the same. As for similarities, they both have characters with life ...
Los Angeles is a desert community". During the time, Los Angeles was part of the desert, but in the other film, New York has been already in its
prime with larger skyscrapers and a more diverse community. Not only that, but even throughout the films, it was noticeable to point out the
cultural and architectural differences within the people and buildings portrayed. The way the cities are portrayed in the films truly do change the
experience one may have in those cities throughout life because one may expect the cities to be what they want it to be as shown in the films, but
in reality won't experience that because it's currently two thousand and seventeen and the films were made to give the audience a taste of what
1937 and the 60's were. As for symbolism, both the films use different techniques with symbols that create and reveal more than what is being
shown to the audience. For example, in A Bronx Tale, music is the key symbol for everything. Such as the bus scene when Calogero is talking to
his father, who is driving the bus, and can't help but stare into Jane's eyes. Before Calogero sees her, upbeat jazz is playing from his father's radio;
yet as soon as Calogero sees Jane, the music begins to slow down and make the scene more than what it appears to be. Creating a moment between
them that can only be seen by them. The important part of the symbolism in Chinatown is the color of clothing the people wear and the cigarette smoke

Taking a Look at the Castellammarese War
The Castellammarese war was based in Castellammarese del Golfo, Sicily. The name Castellammarese refers to immigrants from the town of
Castellammare del Golfo in Western Sicily. This war a power struggle for control of the Italian–American Mafia between partisan and Joe Masseria
also known as "The Boss" and those of Salvatore Maranzano. The war lasted from February, 1930 to April 15th, 1931. The Castellammarse war was
between the forces of Masseria and Maranzano. Tensions between the two were evident as far back as 1928, with one side frequently hijacking the
other's alcohol trucks. Both sided were fluid, with many mobsters switching sides or killed their own allies during the war. Don Vito Ferro made a
bid for control of the Mafia operation in the United States. He sent Salvatore Maranzano to seize control. In the 1920s the United States Mafia
operations were controlled by Giuseppe "Joe The Boss" Masseria, whose faction consisted mainly of gangsters from Sicily, and the Calabria and
Campania regions of Southern Italy. Masseria's faction consisted well know gangsters such as Charles "Lucky" Luciano, Albert "Mad Hatter" Anastasia,
Vito Genovese, Alfred Mineo, Willie Morettie, Joe Adonis, andFrank Costello. The Castellammarse faction in the United States included members
such as Joseph "Joe Bananas" Bonanno, Stefano "The Undertaker" Magaddino, Joseph Profaci, and Joe Aiello. Hostilities began in February 26, 1930
when Masseria ordered the death of an ally, Gaetano

The Seal Family: The Contras In Central America
The Seal family started the movie in middle class and by the end of the movie has more money than they knew what to do with. They moved into a
2000 acres lot, owned an airport, several planes, multiple cars, thousands of dollars' worth of jewelry, and more. They were extremely affluent and had
money pouring out of the walls (literally).
The Contras in Central American lived in poverty. Struggling to survive and seeing very little money, they lived in small homes and not lavish life
styles.
The Cartel were extremely rich. All of the money they made selling drugs, they bought fancy cars, mansions, and could afford anything they wanted.
The town of Mena saw an economic boom when Barry's business began to grow. The town saw an influx of exotic, ... Show more content on
Helpwriting.net ...
The Cartel and all of the Central American (Columbian, Nicaragua, Panama) drug lords spoke dialects of Spanish. When Barry moved to Arkansas,
there was a southern English accent. Before moving to Arkansas, and his family and he lived in Louisiana, there was a strong southern accent.
In the movie there was a constant theme of drugs. After all, it is based on the CIA taking down a drug cartel. Cocaine is seen being snorted by cartel
members and smuggled into the United States. Tequila is drank by the Cartel members in celebration of a successful trip by Barry. In addition, when
Barry and his wife came down to celebrate in Central America, everyone took shots.
Commonly seen throughout the movie was cigarettes and cigars as well. When Barry went to drop off guns to the Contra's he would often deliver
cigarettes.
There were not many scenes of eating in the movie. In the beginning of the movie, when Barry and his family move into the new house in Arkansas,
he brings home fast food because they have no appliances in the kitchen. The only other scene with food was the first time Barry took off to bring
Cocaine back to the US. The Cartel were seen eating the local Central American

Masculinity : Masculinity And Conformity
My study looks at how all my texts are connected by portrayals of masculinity and conformity. All of these texts have main characters who struggle
with the demands of masculinity and the pressures to conform to society's view of masculinity. The texts that I am using are Foreskins Lament by Greg
McGee, The Godfather by Francis Ford Coppola, Kite Runner by and The Tomcat by James K Baxter. This interests me because I am a youngman
beginning my adult life and I feel a lot of pressure to conform to what society thinks is a good man.
How is Masculinity displayed in FSL?
In Greg McGee's Foreskin 's Lament issues of masculinity are displayed through a variety of characters each with a different issue on masculinity such
as violence, sexuality and the treatment of women. Violence is displayed through the character Clean. Clean is ex–army and believes everything is for
taking not the asking. Clean wants to become captain of the rugby team to make a name for himself so he can provide for his family. He kicks the
previous captain, one of his long time teammates in the head, on multiple occasions to get him injured and out of the team. This relates to the
Godfather which is also a world in which violence is heavily intertwined with masculinity to help provide for your family, which makes us consider is
violence necessary action for man when he is trying to provide. Clean really only wants the power, mana and financial benefits associated with being
captain. We see this in the

Analysis Of The Use Of Lighting In The Godfather Essay
I am writing about the use of lighting in the opening scene of The Godfather, (1). The
photography of The Godfather as an entire film is very planned and used specifically to
generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since
these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its lighting
method, and the audience is drawn in immediately to one single detail. A man begins revealing the details of a tragic incident that befell his daughter.
We don't see who he is talking to. There is aspotlight directly above the man, and this is pretty much ... Show more content on Helpwriting.net ...
This highlight area of his eye is the part of the frame which has the greatest contrast, so naturally the audience is drawn directly into this man's stare,
and this is also achieved by having the man look right at the camera. As he speaks, the camera slowly pulls out and then we start to see a slight
increase in the surrounding detail of the scene. We can now see part of the back and side of the Godfather, (Marlon Brando) but still we have only
a slight highlight on his side, and no detail. Now the man gets up and moves to Brando's side, and he too is in complete shadow; we can only
really make out the fact that there are two figures present here, no more. Then the shot changes as the man leaves the Godfather's side, and it is a
revealing frontal MCU of Brando. This shot is lit much more than the previous shot. Where the other shot's background was pitch black, this shot is
lit so that almost the whole space and all objects in it are visible. Brando has a key, fill and backlight on him, and his character is revealed with much
intensity because of the dramatic light change from shot to shot. When the shot comes back to the man, in an over the shoulder (Brando) style, again
the backround is totally black. Having the man in that particular lighting, and having Brando lit the way he is serves two psychological purposes. First,
having the constant black background behind the man isolates his problem and makes us aware of how consumed he is with his problem.

Always Running Luis Changes
In the the story Always Running Luis the main character had many changes in his life. From being the innocent kid to becoming the violent, drug
addict, gang member teenager. Luis's character changes when he becomes involved in gangs, starts using drugs, and loses interest in education. These
changes made Luis a whole different person. Besides being violent he also became suicidal and depressed. Grillo's character changes throughout the
story when he begins to be involved in gangs. Grillo's change was mostly caused when he got jumped into Las Lomas gang because he became
more violent. For example, "Do it ! Were the last words I recalled before I plunged the screwdriver into flesh and bone and the sky
screamed"(pg.111). This quote illustrates how much more violent Grillo had become because prior to this incident Grillo had the consciousness to
not harm anyone. Unfortunately, within chapter five Grillo's consciousness was no longer in effect with his actions and the violence began. Another
change that Grillos had throughout the story was his drug use. He was stuck on spray and was becoming suicidal. For example, "I stole cans of
anything that could give me a buzz: carbono, clear plastic, paint or gasoline"(pg.102). This quote indicates that Grillo's usage of drugs was taking over
him. He didn't care about his life or anyone ... Show more content on Helpwriting.net ...
For instance, "I stormed out of there. Needles to say, this was my last day in the English Lit class"(pg.139). According to the text, Grillo was
assigned to bring a certain book to class but decided to bring a book of his own liking. This caused the teacher to get angry at him, which caused
Grillo to snap. He was confused to why the teacher was upset, Instead of amused for actually reading. As a result to the misunderstanding Grillo had
with his teacher, Grillo lost complete interest in

The Movie ' The Godfather '
Francis Ford Coppola directed the gangster crime drama film, The Godfather (1972), inspired by the novel of the same name, written by Author
Mario Puzo. The film plays out in the beginning how Don Corleone declined to join the narcotics business with notorious drug lord Sollozzo. With
this in mind, one of the greatest gangster films created by a man who decided to lead, and not follows. Moreover, explaining the formalist approach for
this film which covers an array of elements that include plot structure, camera techniques, editing, mise en scene, and sound. The following film
critique will analyze "The Godfather," beginning by utilizing the formalist approach theory, camera technique and sound gradually introducing
additional theories ... Show more content on Helpwriting.net ...
However, this gives the audience a feel for The Godfather's power. The color designs, align with the era, nothing too bright, even tone and dark colors
to give vibes of the dangerous mysteries that await with yet another assassination. All things considered Michael, the younger brother slated to become
a congressman or maybe president, assassinated drug lord Sollozzo and the corrupt police officer McCluskey. Michael falls into the wild card
category portraying him, as innocently trying to fit in, as later he developed into the character of "The New Godfather."
Absolute power is the goal for the Corleone family, the demeanor and confidence of Don, Michael and Sonny demanded respect of all who approached
them for favors. The lighting exposed the own dominant masculinity of Don and Michael Corleone, as they threatened or murdered a rival gang
member. Henceforth, they expelled absolute power. The Godfather; Sicilian Don Corleone is the head of the number one crime family using
elimination to protect his business of Drugs, Casinos, loan sharking and small businesses. As a result of Sonny's assassination, one primary focus is to
locate the crew that carried out the hit. Certainly, the background and props, at times with the antique look, showcased Don Corleone and Michael to
look as if they owned the world. Ultimately, the overhead lighting when Michael retrieved the gun from the

Themes Of The Godfather
Chapter 1
Mario Puzo: Introduction
Mario Puzo was an American Screenwriter and Author who is best known for his Novel which was later adapted into one of the most famous movie
series of all times The Godfather.
Mario Puzo was born on October 15,1920 in an area of New York known as Hell's Kitchen. Mario's Father was an illiterate and poor immigrant who
abandoned Mario and his mother during Mario's early teens as he was diagnosed with schizophrenia and was institutionalized. Mario's mother
wanted Mario to be a railroad clerk but Mario had took a liking to visiting the libraries and read different works of literature.Later on Mario worked as
a railroad switchboard attendant to support his family. In a short span he was stationed ... Show more content on Helpwriting.net ...
Puzo's early novels, The Dark Arena and The Fortunate Pilgrim, exhibit the realistic narrative style typical of his later fiction and are considered minor
classics of Italian–American literature. The Dark Arena talks about an American soldier who came back to a occupied Germany after the Second World
War. Introducing the theme of violent retribution, Puzo's protagonist kills a black market drug supplier to show his rage at government , corruption in
postwar Europe, and his own failure to secure lifesaving medication for his German girlfriend. In The Fortunate Pilgrim, Puzo takes us to Hell's kitchen
and talks about the experiences of an Italian woman who struggles to surmount poverty and crime. Though extolling her courage, cunning, and
traditional values Puzo's description of petty criminal activity in the poor Italian–American neighbourhood offers ironic justification for the life of
crime as an alternate means of achieving the American Dream. The themes that are central to Mario Puzos Godfather are criminal legitimacy and
revenge, in which Puzo chronicles the ascent of the Corleone Mafia family under the leadership of Don Vito Corleone, a criminal mastermind, and his
sons. Drawing parallels to American corporate structure, Don Vito's benevolent authority is founded on supreme organizational control, calculated
judgment, and swift retaliation against all enemies of the family, including traitors and the incompetent within the clan as well as members of opposing
factions. In The Godfather Puzo begins to explore the dubious status of organized crime as a self–sufficient social entity governed by its own hallowed
customs and rigid codes of behavior, particularly personal honour and loyalty. The Sicilian is regarded as a sequel toThe Godfather, Puzo revisits the
Corleone family.

How The Godfather Changed Hollywood

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How The Godfather Changed Hollywood