SlideShare a Scribd company logo
1 of 6
Pharrell Williams - 
Happy
REPRESENTATION 
Phar rel l Wi l l iams is represented as someone power ful and very popular in the 
music indust r y as he has got several other famous people to feature in the 
music video. This shows that he is a popular f igure in the music indust r y as 
plenty of stars were wi l l ing to help him make the video more ef fect ive. The 
song was or iginal ly created to be used in the f i lm Despicable me 2 which 
adds to him being popular. 
Also, he is represented as someone that is styl ish and cool through the way 
he dresses throughout the music video.
HOW DO THEY CONNECT WITH THE 
AUDIENCE? 
Phar rel l Wi l l iams connects wi th the audiences by making a happy upbeat 
s o n g t h a t w i l l c o n n e c t w i t h a l o t o f d i f f e r e n t a g e d emo g r a p h i c s a s h e d o e s n ’ t 
just target one age group and the tempo of the song is most l ikely going to 
give ever yone l istening to i t a posi t ive l i f t in thei r mood. I t also helps promote 
a song that the audience may have al ready watched which wi l l br ing back 
memor ies f rom the f i lm.
GENRE CONVENTION 
The genre of the song is Pop and a convent ion of a pop music video is the way 
the protagonists are dressed throughout the music video. Phar rel l is dressed 
ver y styl ishly throughout the video as this shows that he keeps up wi th the 
latest t rends and he is a t rend set ter as he wears the hat that he has become 
known for recent ly. The quick edi t ing through the di f ferent shots were a genre 
convent ion because i t helped add ef fect to the fast pace and upbeat music.
LINK BETWEEN LYRICS, VISUALS AND MUSIC 
T h e l i n k b e t we e n t h e l y r i c s a n d v i s u a l s we r e v e r y s t r o n g a s i t s ay s ‘ H a p p y ’ i t 
shows the audience ever yone being happy and having fun together as a group 
or individual ly. 
The upbeat beat also l inks to the visuals because through the upbeat there is 
quick edi t ing wi th ever yone just having fun.
INTERTEXTUALITY 
T h e s ong ‘Hap py’ by P h arrell was ori g i nally mad e for t h e fi lm 
‘De s p i cab le me 2 ’ wh i c h i s a n example o f I nte r tex tua lity. T h i s 
type of Inter textuality helps create a buzz as it helps appeal to 
both the audience of Pharrel l and the movie Despicable me 2 
which makes it a large audience.

More Related Content

What's hot

Andrew Goodwin’s Theory of Analysis
Andrew Goodwin’s Theory of AnalysisAndrew Goodwin’s Theory of Analysis
Andrew Goodwin’s Theory of Analysisryantaylor1993
 
RESEARCH INTO BASTILLE
RESEARCH INTO BASTILLERESEARCH INTO BASTILLE
RESEARCH INTO BASTILLElou550
 
Justin bieber beauty and the beat
Justin bieber  beauty and the beatJustin bieber  beauty and the beat
Justin bieber beauty and the beatrenemcintosh123
 
Music magazine advert
Music magazine advertMusic magazine advert
Music magazine advertsara ali
 
Goodwin's conventions
Goodwin's conventionsGoodwin's conventions
Goodwin's conventionsLeo_1998
 
Rory’S Cd Cover Collage Presentation
Rory’S Cd Cover Collage PresentationRory’S Cd Cover Collage Presentation
Rory’S Cd Cover Collage PresentationRory Haczewski
 
Music video theory
Music video theoryMusic video theory
Music video theoryNashwaWaqar
 
Andrew analysis Olly Murs
Andrew analysis Olly MursAndrew analysis Olly Murs
Andrew analysis Olly MursMaajid_5
 
Pop music video conventions
Pop music video conventionsPop music video conventions
Pop music video conventionsTashawilson95
 
Genre Case Study; Florence and the Machine and the Indie Genre
Genre Case Study; Florence and the Machine and the Indie GenreGenre Case Study; Florence and the Machine and the Indie Genre
Genre Case Study; Florence and the Machine and the Indie GenreBarnaby Monahan
 
Album cover analysis
Album cover analysisAlbum cover analysis
Album cover analysis08EWhite
 
Amelia Newton: Music video analysis
Amelia Newton: Music video analysis Amelia Newton: Music video analysis
Amelia Newton: Music video analysis newta1
 

What's hot (20)

Andrew Goodwin’s Theory of Analysis
Andrew Goodwin’s Theory of AnalysisAndrew Goodwin’s Theory of Analysis
Andrew Goodwin’s Theory of Analysis
 
RESEARCH INTO BASTILLE
RESEARCH INTO BASTILLERESEARCH INTO BASTILLE
RESEARCH INTO BASTILLE
 
Justin bieber beauty and the beat
Justin bieber  beauty and the beatJustin bieber  beauty and the beat
Justin bieber beauty and the beat
 
Olly murs
Olly mursOlly murs
Olly murs
 
Goodwins theory
Goodwins theoryGoodwins theory
Goodwins theory
 
Music magazine advert
Music magazine advertMusic magazine advert
Music magazine advert
 
Goodwin's conventions
Goodwin's conventionsGoodwin's conventions
Goodwin's conventions
 
Rory’S Cd Cover Collage Presentation
Rory’S Cd Cover Collage PresentationRory’S Cd Cover Collage Presentation
Rory’S Cd Cover Collage Presentation
 
Assignment 6
Assignment 6Assignment 6
Assignment 6
 
The 1975 chocolate analysis
The 1975 chocolate analysisThe 1975 chocolate analysis
The 1975 chocolate analysis
 
Music video theory
Music video theoryMusic video theory
Music video theory
 
Media don broco
Media don brocoMedia don broco
Media don broco
 
Andrew analysis Olly Murs
Andrew analysis Olly MursAndrew analysis Olly Murs
Andrew analysis Olly Murs
 
africa
africaafrica
africa
 
Pop music video conventions
Pop music video conventionsPop music video conventions
Pop music video conventions
 
Genre Case Study; Florence and the Machine and the Indie Genre
Genre Case Study; Florence and the Machine and the Indie GenreGenre Case Study; Florence and the Machine and the Indie Genre
Genre Case Study; Florence and the Machine and the Indie Genre
 
Album cover analysis
Album cover analysisAlbum cover analysis
Album cover analysis
 
Amelia Newton: Music video analysis
Amelia Newton: Music video analysis Amelia Newton: Music video analysis
Amelia Newton: Music video analysis
 
Amended Pitch
Amended PitchAmended Pitch
Amended Pitch
 
Pitch for media
Pitch for mediaPitch for media
Pitch for media
 

Similar to Happy

Music video analysis
Music video analysisMusic video analysis
Music video analysisFinQuinlan
 
Lupe Fiasco Analysis 1
Lupe Fiasco Analysis 1Lupe Fiasco Analysis 1
Lupe Fiasco Analysis 1Aaron Realz
 
Lupe Fiasco Analysis
Lupe Fiasco AnalysisLupe Fiasco Analysis
Lupe Fiasco AnalysisAaron Realz
 
Genre Conventions In Music Videos
Genre Conventions In Music VideosGenre Conventions In Music Videos
Genre Conventions In Music VideosKayleeH55
 
A2 Media Coursework - Research - Music Video Analysis 6X
A2 Media Coursework - Research - Music Video Analysis 6XA2 Media Coursework - Research - Music Video Analysis 6X
A2 Media Coursework - Research - Music Video Analysis 6XTAwojobi
 
Forms and conventions
Forms and conventionsForms and conventions
Forms and conventionsS Murphy
 
Musicvideoanalysis lauren
Musicvideoanalysis laurenMusicvideoanalysis lauren
Musicvideoanalysis laurenlaurenjohnsonm
 
Musicvideoanalysis lauren
Musicvideoanalysis laurenMusicvideoanalysis lauren
Musicvideoanalysis laurenlaurenjohnsonm
 
Estella Wadham_Research task 1- Genre, industry, audience - Copy.pptx
Estella Wadham_Research task 1- Genre, industry, audience - Copy.pptxEstella Wadham_Research task 1- Genre, industry, audience - Copy.pptx
Estella Wadham_Research task 1- Genre, industry, audience - Copy.pptxestellawadham2
 
Indie music analysis4
Indie music analysis4Indie music analysis4
Indie music analysis4Hattieryan
 
Research task 1- Genre, industry, audience
Research task 1- Genre, industry, audienceResearch task 1- Genre, industry, audience
Research task 1- Genre, industry, audienceestellawadham1
 
Analysis of exisiting
Analysis of exisiting  Analysis of exisiting
Analysis of exisiting ellsrose
 
Codes and conventions of indie pop genre
Codes and conventions of indie pop genreCodes and conventions of indie pop genre
Codes and conventions of indie pop genreelena_procopio
 
Daft Punk, 50 Cent and 1D
Daft Punk, 50 Cent and 1DDaft Punk, 50 Cent and 1D
Daft Punk, 50 Cent and 1Dsean ramsden
 
Media analysis.pptx
Media analysis.pptxMedia analysis.pptx
Media analysis.pptxLloyd Evans
 

Similar to Happy (20)

Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Lupe Fiasco Analysis 1
Lupe Fiasco Analysis 1Lupe Fiasco Analysis 1
Lupe Fiasco Analysis 1
 
Lupe Fiasco Analysis
Lupe Fiasco AnalysisLupe Fiasco Analysis
Lupe Fiasco Analysis
 
Genre Conventions In Music Videos
Genre Conventions In Music VideosGenre Conventions In Music Videos
Genre Conventions In Music Videos
 
A2 Media Coursework - Research - Music Video Analysis 6X
A2 Media Coursework - Research - Music Video Analysis 6XA2 Media Coursework - Research - Music Video Analysis 6X
A2 Media Coursework - Research - Music Video Analysis 6X
 
Presentation1
Presentation1Presentation1
Presentation1
 
Forms and conventions
Forms and conventionsForms and conventions
Forms and conventions
 
Musicvideoanalysis lauren
Musicvideoanalysis laurenMusicvideoanalysis lauren
Musicvideoanalysis lauren
 
Musicvideoanalysis lauren
Musicvideoanalysis laurenMusicvideoanalysis lauren
Musicvideoanalysis lauren
 
Estella Wadham_Research task 1- Genre, industry, audience - Copy.pptx
Estella Wadham_Research task 1- Genre, industry, audience - Copy.pptxEstella Wadham_Research task 1- Genre, industry, audience - Copy.pptx
Estella Wadham_Research task 1- Genre, industry, audience - Copy.pptx
 
Indie music analysis4
Indie music analysis4Indie music analysis4
Indie music analysis4
 
Research task 1- Genre, industry, audience
Research task 1- Genre, industry, audienceResearch task 1- Genre, industry, audience
Research task 1- Genre, industry, audience
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Analysis of exisiting
Analysis of exisiting  Analysis of exisiting
Analysis of exisiting
 
Question 1
Question 1Question 1
Question 1
 
Codes and conventions of indie pop genre
Codes and conventions of indie pop genreCodes and conventions of indie pop genre
Codes and conventions of indie pop genre
 
Music video analyse 1
Music video analyse 1Music video analyse 1
Music video analyse 1
 
Daft Punk, 50 Cent and 1D
Daft Punk, 50 Cent and 1DDaft Punk, 50 Cent and 1D
Daft Punk, 50 Cent and 1D
 
Question 2
Question 2Question 2
Question 2
 
Media analysis.pptx
Media analysis.pptxMedia analysis.pptx
Media analysis.pptx
 

More from haverstockmedia

Video idea weeknd -Amad Islam
Video idea weeknd -Amad IslamVideo idea weeknd -Amad Islam
Video idea weeknd -Amad Islamhaverstockmedia
 
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)haverstockmedia
 
The weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad IslamThe weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad Islamhaverstockmedia
 
Analysisoflyrics 111010192016-phpapp01
Analysisoflyrics 111010192016-phpapp01Analysisoflyrics 111010192016-phpapp01
Analysisoflyrics 111010192016-phpapp01haverstockmedia
 
British board of film classication (bbfc)
British board of film classication (bbfc)British board of film classication (bbfc)
British board of film classication (bbfc)haverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audienceshaverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audienceshaverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audienceshaverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audienceshaverstockmedia
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audienceshaverstockmedia
 
Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018haverstockmedia
 
Unit 13 assignment 1 report
Unit 13 assignment 1 reportUnit 13 assignment 1 report
Unit 13 assignment 1 reporthaverstockmedia
 
Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018haverstockmedia
 
Audience Research - 4018
Audience Research - 4018Audience Research - 4018
Audience Research - 4018haverstockmedia
 

More from haverstockmedia (20)

Eval 2
Eval 2Eval 2
Eval 2
 
Eval 1
Eval 1Eval 1
Eval 1
 
Music video idea
Music video ideaMusic video idea
Music video idea
 
Video idea weeknd -Amad Islam
Video idea weeknd -Amad IslamVideo idea weeknd -Amad Islam
Video idea weeknd -Amad Islam
 
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
 
The weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad IslamThe weeknd lyric analysis By Amad Islam
The weeknd lyric analysis By Amad Islam
 
Imvdb
ImvdbImvdb
Imvdb
 
Analysisoflyrics 111010192016-phpapp01
Analysisoflyrics 111010192016-phpapp01Analysisoflyrics 111010192016-phpapp01
Analysisoflyrics 111010192016-phpapp01
 
Beyonce - dance for you
Beyonce -  dance for youBeyonce -  dance for you
Beyonce - dance for you
 
British board of film classication (bbfc)
British board of film classication (bbfc)British board of film classication (bbfc)
British board of film classication (bbfc)
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
3 different ways of classifying audiences
3 different ways of classifying audiences3 different ways of classifying audiences
3 different ways of classifying audiences
 
Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018Final Sketch Evaluation - 4018
Final Sketch Evaluation - 4018
 
Unit 13 assignment 1 report
Unit 13 assignment 1 reportUnit 13 assignment 1 report
Unit 13 assignment 1 report
 
Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018Analysis For Attack The Block - 4018
Analysis For Attack The Block - 4018
 
Focus Group - 4018
Focus Group - 4018Focus Group - 4018
Focus Group - 4018
 
Audience Research - 4018
Audience Research - 4018Audience Research - 4018
Audience Research - 4018
 

Happy

  • 2. REPRESENTATION Phar rel l Wi l l iams is represented as someone power ful and very popular in the music indust r y as he has got several other famous people to feature in the music video. This shows that he is a popular f igure in the music indust r y as plenty of stars were wi l l ing to help him make the video more ef fect ive. The song was or iginal ly created to be used in the f i lm Despicable me 2 which adds to him being popular. Also, he is represented as someone that is styl ish and cool through the way he dresses throughout the music video.
  • 3. HOW DO THEY CONNECT WITH THE AUDIENCE? Phar rel l Wi l l iams connects wi th the audiences by making a happy upbeat s o n g t h a t w i l l c o n n e c t w i t h a l o t o f d i f f e r e n t a g e d emo g r a p h i c s a s h e d o e s n ’ t just target one age group and the tempo of the song is most l ikely going to give ever yone l istening to i t a posi t ive l i f t in thei r mood. I t also helps promote a song that the audience may have al ready watched which wi l l br ing back memor ies f rom the f i lm.
  • 4. GENRE CONVENTION The genre of the song is Pop and a convent ion of a pop music video is the way the protagonists are dressed throughout the music video. Phar rel l is dressed ver y styl ishly throughout the video as this shows that he keeps up wi th the latest t rends and he is a t rend set ter as he wears the hat that he has become known for recent ly. The quick edi t ing through the di f ferent shots were a genre convent ion because i t helped add ef fect to the fast pace and upbeat music.
  • 5. LINK BETWEEN LYRICS, VISUALS AND MUSIC T h e l i n k b e t we e n t h e l y r i c s a n d v i s u a l s we r e v e r y s t r o n g a s i t s ay s ‘ H a p p y ’ i t shows the audience ever yone being happy and having fun together as a group or individual ly. The upbeat beat also l inks to the visuals because through the upbeat there is quick edi t ing wi th ever yone just having fun.
  • 6. INTERTEXTUALITY T h e s ong ‘Hap py’ by P h arrell was ori g i nally mad e for t h e fi lm ‘De s p i cab le me 2 ’ wh i c h i s a n example o f I nte r tex tua lity. T h i s type of Inter textuality helps create a buzz as it helps appeal to both the audience of Pharrel l and the movie Despicable me 2 which makes it a large audience.