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I am going to research a particular area of the music industry that focuses
on unsigned bands. Being in an unsigned band myself I have hand hands on
                      experience about the difficulties of self promotion and funding.
                      In the Norwich area there are several main venues that signed
                      and unsigned bands can perform at. The biggest of these
                      venues is at the University Of East Anglia which holds
                      approximately 1550 people. This venue is predominately for
                      bigger signed acts. Then there are smaller venues such as The
                      Waterfront, Brick Makers, B2, The Marquee and the Arts
                      Centre. These venues give opportunities for unsigned smaller
                      bands to perform at.

       The main venue my band performed at was B2. This facility is a bar at the front
of the building and then a modernised gig venue at the front with expensive lighting,
PA system and their own sound engineer. This venue is free to rent out and this
attracts a lot of interest from promoters and bands alike. They make their money from
bar sales.
              One problem that I found with the Norwich unsigned music scene from
being in a unsigned band was the lack of promoters around. When I performed in
previous bands around 4 years ago their was a huge amount of teenage promoters
putting on gigs weekly. This was a great facility to indulge in as it meant that a gig was
already organised including line up of bands, venue and advertising. The main reason
for the high amount of promoters was partly to do with the very big and expanding
“heavy metal” music scene at the time. Many teenagers, typically 17-18 year olds put on
gig locally and made a huge amount of money by charging on average £2-£3 entry
charge. This made them a lot of revenue and also helped bands out with promoting the
music in the area.
              Most recently in my newest band I have found that the level of promoters
out there has decreased significantly. I think the main reason for this is because the
local music scene for unsigned music has died slightly, and this may be due to the
change in genre of music. Several years ago the main type of music gigs for unsigned
                                             music was heavy metal but this has
                                             changed with time, with more indie and
                                             pop punk music becoming popular.
                                             Consequently the level of entrepreneurship
                                             of promoters has decreased, making it
                                             harder for unsigned bands to play gigs and
                                             get their music out their. From personal
                                             experience I found that around 70% of the
                                             time we had to self promote our band to
                                             get gigs and our music heard.


Above is a picture of the B2 venue.

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Unsigned music and the Norwich music scene

  • 1. I am going to research a particular area of the music industry that focuses on unsigned bands. Being in an unsigned band myself I have hand hands on experience about the difficulties of self promotion and funding. In the Norwich area there are several main venues that signed and unsigned bands can perform at. The biggest of these venues is at the University Of East Anglia which holds approximately 1550 people. This venue is predominately for bigger signed acts. Then there are smaller venues such as The Waterfront, Brick Makers, B2, The Marquee and the Arts Centre. These venues give opportunities for unsigned smaller bands to perform at. The main venue my band performed at was B2. This facility is a bar at the front of the building and then a modernised gig venue at the front with expensive lighting, PA system and their own sound engineer. This venue is free to rent out and this attracts a lot of interest from promoters and bands alike. They make their money from bar sales. One problem that I found with the Norwich unsigned music scene from being in a unsigned band was the lack of promoters around. When I performed in previous bands around 4 years ago their was a huge amount of teenage promoters putting on gigs weekly. This was a great facility to indulge in as it meant that a gig was already organised including line up of bands, venue and advertising. The main reason for the high amount of promoters was partly to do with the very big and expanding “heavy metal” music scene at the time. Many teenagers, typically 17-18 year olds put on gig locally and made a huge amount of money by charging on average £2-£3 entry charge. This made them a lot of revenue and also helped bands out with promoting the music in the area. Most recently in my newest band I have found that the level of promoters out there has decreased significantly. I think the main reason for this is because the local music scene for unsigned music has died slightly, and this may be due to the change in genre of music. Several years ago the main type of music gigs for unsigned music was heavy metal but this has changed with time, with more indie and pop punk music becoming popular. Consequently the level of entrepreneurship of promoters has decreased, making it harder for unsigned bands to play gigs and get their music out their. From personal experience I found that around 70% of the time we had to self promote our band to get gigs and our music heard. Above is a picture of the B2 venue.