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Β
Passenger - Let Her Go (Cutting to the beat)
1. Passenger β Let her go
P(Close up shot)Well you only need the light when it's burning
low P(mid shot)
Only miss the sun when it starts to snow P(mid shot of back)
Only know you love her when you let her go P(mid shot)
Only know you've been high when you're feeling low G(close
up)
Only hate the road when youβre missin' home P(mid shot)
Only know you love her when you let her go PI(close up)
P(Long shot)And you let her go
A(mid shot)P(mid shot)E(mid shot) Staring at the bottom
C(close up) of your glass G(mid shot)
Hoping one day P(mid shot) you'll make a dream last E(mid
shot)
But dreams come slow and they P(mid shot) go so fast PR(mid
β long shot)
You see her when you close your eyes
Maybe one day you'll understand why D(mid - close up shot)
Everything you touch surely CH(mid β close up) dies PI(close
up)
G(close up) But you only need the AC(mid β close up) light
when it's burning low
Only miss G(mid shot panning to P) the sun when it starts to
snow
G(mid shot)Only know you love her when P(mid shot) you let
her go G(mid shot)
P(mid shot)Only know you've been high F(mid shot) when
you're feeling low P(mid β close up)
Only hate the road when you're missin' P(mid shot) home
P(mid shot)Only know you love her when you let her go G(mid
shot)
Key
Pβ Passenger
PI β Piano
G β Guitar player
A β Audience members
E β Equipment
C - Guitar cases
Pr β Prep
D β Drummer
Ch β Cello player
AC β Accordion player
F β Feet
2. Piano β By integrating this shot
into the music video it creates a
narrative for the music;
visualising the sound for the
audience. This is effective as it
gives the viewer the sense of
being there.
Passenger β By integrating the
artist into the music video it
makes it more personal.
Guitar player β By integrating
this shot into the music video it
creates a narrative for the
music; visualising the sound for
the audience. This is effective
as it gives the viewer the sense
of being there.
3. Audience β By integrating this
shot into the music video it
creates a narrative for the
music. Via showing the
audience it gives the viewer of
the music video a feeling of
being there and apart of the
show.
Equipment β By integrating this
shot into the music video it
creates a background story of
what happens behind the scenes
at a concert and making the
viewer feel more a part of the
on goings. It shows the more
technical side of the music.
Guitar cases βBy integrating
this shot into the music videoit
signifies the importance of the
guitars and emphasises the
subject of music and the fact
that the music is real and live.
4. Prep - By integrating this shot
into the music video it creates a
background story of what
happens behind the scenes at a
concert. It shows a more hands
on approach to the video,
making the viewer feel more a
part of the on goings.
Drummer - By integrating this
shot into the music video it
creates a narrative for the
music; visualising the sound for
the audience. This is effective
as it gives the viewer the sense
of being there.
Cello player - By integrating
this shot into the music video it
creates a narrative for the
music; visualising the sound for
the audience. This is effective
as it gives the viewer the sense
of being there.
5. Accordion player - By
integrating this shot into the
music video it creates a
narrative for the music;
visualising the sound for the
audience. This is effective as it
gives the viewer the sense of
being there.
Feet βBy integrating this shot
into the music video it
humanises the subject and
makes the video seem more
personal as the short does relate
to a group of people relaxing.
The shot is unusual which
makes it fun and intriguing.