digital preservation infrastructure: providing new of opportunities for preservation, access and beyond
1. FIAT/IFTA
World
Conference
2016 - Warsaw
Digital preservation
infrastructure: providing
new opportunities for
preservation, access
and beyond…
Charles Fairall
Head of Conservation
British Film Institute
Unlocking Film Heritage
2. Digital Past
Over a decade of
digital workflow at
the BFI National
Archive
• Audio came first
• Digital Operations
team created
• Arriscan film scanner
• For-A LTO-5 recorders
• LTO tapes stored on
vault shelves
4. Film scanner
• High volume, high fidelity
scanning (2k)
• Safe handling of delicate film
• Continuous motion (not single
frame)
• Inherent image stabilisation
• Compliments the Archive’s
existing digitisation tools
Digital
Capability
Film image
5. Digital
Capability
Sound
Soundtrack scanner
ProTools
• Capture high quality digital
image of the soundtrack
• Uses image processing and
software to remove defects –
dust, scratches
• Generate digital audio file
• Digitise sound directly from
positive and negative film
• ProTools for editing and
restoration
6. Digital
Capability
Post-production
Grading, editing and finishing
workstations
• Grading software with grain
management
• Precision panel provides
intuitive user interface
• Reference picture monitor
guarantees image fidelity
• Clipster creates files for Digital
Cinema distribution, BFI Player
and range of file types
8. How did we do it?
• Peer review
• Consultation with
colleagues and partners
• Requirements Document
• Competitive Dialogue
Procurement
Digital
Preservation
Infrastructure
10. Digital
Preservation
Infrastructure
Access storage
Instant access storage for viewing
copies, and work-in-progress
• Instant playback of viewing
copies in web browser
• Safe storage of work-in-
progress for digital operations
• Hugely scaleable (700TB now,
but scales to 20PB)
• High performance and speed
(200 GB per second)
11. Digital
Preservation
Infrastructure
Long-term
archive data
storage
• Two copies of preservation
files, geographically separated
• Open and enterprise tape
types to achieve both archival
resilience and performance
• Eliminates manual handling
• High capacity, low cost-per-GB
• Fast, durable, robust
• Self-migrating to successive
tape formats in roadmap
12. Digital
Preservation
Infrastructure
Ingest + access
Media Asset Management (MAM)
• Give access to viewing copies
in web browser to BFI staff
• Integrate with CID
• Ingest from DPI workstations
• Automatically create viewing
copies and thumbnails
• Permissions based access to
master preservation files