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Formal Analysis Paper Assignment
-Papers are Due 4/18 (Tuesday) - AT THE BEGINNING OF
CLASS
-Late papers and emailed papers will NOT be accepted
-Choose any work that we have NOT covered in class
Description: A formal analysis includes an analysis of the forms
appearing in the work you have
chosen. These forms give the work its expression, message, or
meaning. A formal analysis assumes a
work of art is (1) a constructed object (2) that has been created
with a stable meaning (even though it
might not be clear to the viewer) (3) that can be ascertained by
studying the relationships between the
elements of the work. To aid in writing a formal analysis, you
should think as if you were describing
the work of art to someone who has never seen it before. When
your reader finishes reading your
analysis, she/he should have a complete mental picture of what
the work looks like. Yet, the formal
analysis is more than just a description of the work. It should
also include a thesis statement that
reflects your conclusions about the work. The thesis statement
may, in general, answer a question like
these: What do I think is the meaning of this work? What is the
message that this work or artist sends
to the viewer? What is this work all about? The thesis statement
is an important element. It sets the
tone for the entire paper, and sets it apart from being a merely
descriptive paper.
Format for the Paper: Two to three pages (not including title
page, if you use one), black ink, double
spaced, 12 pt type (Times New Roman only), 1” borders. Make
sure you proofread your papers for
adhering to the information listed above, as well as incorrect
grammar, spelling, punctuation, and other
errors. In addition, make sure your paper includes a thesis
statement. Your grade will reflect your
ability to follow these guidelines.
In the first paragraph, called the introduction, you will include:
•the name of the artist (if known), title (which is underlined or
italicized every time you use the
title in your paper), date, and medium (if known)
•what you think is the subject
•a very brief description of the work
•thesis statement - usually the last line or so of your first
paragraph.
From that point, the rest of the formal analysis should include
not only a description of the piece, but
especially those details of the work that have led you to come to
your thesis. Yet, your paper should
not be a random flow of ideas about the work (i.e. stream of
consciousness writing). Rather, your paper
should have a sense of order, moving purposefully through your
description with regard to specific
elements (ex: one paragraph may deal with composition, another
with a description of the figures,
another with the background, another about line, etc.). Finally,
in your conclusion (the final paragraph)
you should end your paper with a restatement of your thesis.
It is important to remember that your interest here is strictly
formal; NO RESEARCH IS TO BE
USED IN THIS PAPER. In other words, you are strictly relying
on your ability to visually ‘read’ a
work of art and make interpretations about it based on your
analysis of it. Remember too that your
analysis should not be just a mechanical, physical description.
Please use descriptive language and
adjectives to describe your work. Begin with a general
description of the work, and then move on to
the more specific elements. In addition, please refer to your
syllabus concerning my policy on
plagiarism – do not share your thesis or paper with other
students and please do not work on your
2
paper with another student. This is considered plagiarism and
will result in a failing grade for the entire
class.
Things to consider when writing a formal analysis (in no
particular order):
Keep in mind that you always need to Back Up Your
Statements!
1. Record your first impression(s) of the artwork. What stands
out? Is there a focal point (an area to
which the artist wants your eye to be drawn)? If so, what formal
elements led you to this conclusion?
Your impressions can help you reach your thesis.
2. What is the subject of the artwork?
3. Composition: How are the parts of the work arranged? Is
there a stable or unstable composition? Is
it dynamic? Full of movement? Or is it static?
4. Pose: If the work has figures, are the proportions believable?
Realistic? Describe the pose(s). Is the
figure active, calm, graceful, stiff, tense, or relaxed? Does the
figure convey a mood? If there are
several figures, how do they relate to each other (do they
interact? not?)?
5. Proportions: Does the whole or even individual parts of the
figure(s) or natural objects in the work
look natural? Why did you come to this conclusion?
6. Line: Are the outlines (whether perceived or actual) smooth,
fuzzy, clear? Are the main lines
vertical, horizontal, diagonal, or curved, or a combination of
any of these? Are the lines jagged and
full of energy? Sketchy? Geometric? Curvilinear? Bold? Subtle?
7. Space: If the artist conveys space, what type of space is
used? What is the relation of the main
figure to the space around it? Are the main figures entirely
within the space (if the artwork is a
painting), or are parts of the bodies cut off by the edge of the
artwork? Is the setting illusionistic, as
if one could enter the space of the painting, or is it flat and two-
dimensional, a space that one could
not possibly enter?
8. Texture: If a sculpture, is the surface smooth and polished or
rough? Are there several textures
conveyed? Where and How? If a painting, is there any texture to
the paint surface? Are the
brushstrokes invisible? Brushy? Sketchy? Loose and flowing?
Or tight and controlled?
9. Light and Shadow: Are shadows visible? Where? Are there
dark shadows, light shadows, or both?
How do the shadows affect the work?
10. Size: How big is the artwork? Are the figures or objects in
the work life-sized, larger or smaller
than life? How does the size affect the work?
11. Color: What type of colors are used in the work? Bright?
Dull? Complimentary? Does the artist use
colors to draw your attention to specific areas of the work?
How? If a sculpture, examine the color(s)
of the medium and how it affects the work.
12. Mood: Do you sense an overall mood in the artwork?
Perhaps several different moods? If so,
describe them. How does the mood interpret how you view the
work?
Once you have spent some time analyzing your work, notice if
your first impression of the work has
changed, now that you have taken a closer look? How? If you
came up with a thesis statement before
doing this in-depth analysis, you may want to change it if your
impression of the work has changed.
Your thesis statement should reflect your view of the object.
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Formal Analysis Paper Assignment -Papers are .docx

  • 1. Formal Analysis Paper Assignment -Papers are Due 4/18 (Tuesday) - AT THE BEGINNING OF CLASS -Late papers and emailed papers will NOT be accepted -Choose any work that we have NOT covered in class Description: A formal analysis includes an analysis of the forms appearing in the work you have chosen. These forms give the work its expression, message, or meaning. A formal analysis assumes a work of art is (1) a constructed object (2) that has been created with a stable meaning (even though it might not be clear to the viewer) (3) that can be ascertained by studying the relationships between the elements of the work. To aid in writing a formal analysis, you should think as if you were describing the work of art to someone who has never seen it before. When your reader finishes reading your analysis, she/he should have a complete mental picture of what the work looks like. Yet, the formal analysis is more than just a description of the work. It should also include a thesis statement that reflects your conclusions about the work. The thesis statement may, in general, answer a question like these: What do I think is the meaning of this work? What is the message that this work or artist sends to the viewer? What is this work all about? The thesis statement is an important element. It sets the
  • 2. tone for the entire paper, and sets it apart from being a merely descriptive paper. Format for the Paper: Two to three pages (not including title page, if you use one), black ink, double spaced, 12 pt type (Times New Roman only), 1” borders. Make sure you proofread your papers for adhering to the information listed above, as well as incorrect grammar, spelling, punctuation, and other errors. In addition, make sure your paper includes a thesis statement. Your grade will reflect your ability to follow these guidelines. In the first paragraph, called the introduction, you will include: •the name of the artist (if known), title (which is underlined or italicized every time you use the title in your paper), date, and medium (if known) •what you think is the subject •a very brief description of the work •thesis statement - usually the last line or so of your first paragraph. From that point, the rest of the formal analysis should include not only a description of the piece, but especially those details of the work that have led you to come to your thesis. Yet, your paper should not be a random flow of ideas about the work (i.e. stream of consciousness writing). Rather, your paper should have a sense of order, moving purposefully through your description with regard to specific elements (ex: one paragraph may deal with composition, another with a description of the figures, another with the background, another about line, etc.). Finally, in your conclusion (the final paragraph)
  • 3. you should end your paper with a restatement of your thesis. It is important to remember that your interest here is strictly formal; NO RESEARCH IS TO BE USED IN THIS PAPER. In other words, you are strictly relying on your ability to visually ‘read’ a work of art and make interpretations about it based on your analysis of it. Remember too that your analysis should not be just a mechanical, physical description. Please use descriptive language and adjectives to describe your work. Begin with a general description of the work, and then move on to the more specific elements. In addition, please refer to your syllabus concerning my policy on plagiarism – do not share your thesis or paper with other students and please do not work on your 2 paper with another student. This is considered plagiarism and will result in a failing grade for the entire class. Things to consider when writing a formal analysis (in no particular order): Keep in mind that you always need to Back Up Your Statements! 1. Record your first impression(s) of the artwork. What stands out? Is there a focal point (an area to
  • 4. which the artist wants your eye to be drawn)? If so, what formal elements led you to this conclusion? Your impressions can help you reach your thesis. 2. What is the subject of the artwork? 3. Composition: How are the parts of the work arranged? Is there a stable or unstable composition? Is it dynamic? Full of movement? Or is it static? 4. Pose: If the work has figures, are the proportions believable? Realistic? Describe the pose(s). Is the figure active, calm, graceful, stiff, tense, or relaxed? Does the figure convey a mood? If there are several figures, how do they relate to each other (do they interact? not?)? 5. Proportions: Does the whole or even individual parts of the figure(s) or natural objects in the work look natural? Why did you come to this conclusion? 6. Line: Are the outlines (whether perceived or actual) smooth, fuzzy, clear? Are the main lines vertical, horizontal, diagonal, or curved, or a combination of any of these? Are the lines jagged and full of energy? Sketchy? Geometric? Curvilinear? Bold? Subtle? 7. Space: If the artist conveys space, what type of space is used? What is the relation of the main figure to the space around it? Are the main figures entirely within the space (if the artwork is a painting), or are parts of the bodies cut off by the edge of the artwork? Is the setting illusionistic, as if one could enter the space of the painting, or is it flat and two- dimensional, a space that one could not possibly enter?
  • 5. 8. Texture: If a sculpture, is the surface smooth and polished or rough? Are there several textures conveyed? Where and How? If a painting, is there any texture to the paint surface? Are the brushstrokes invisible? Brushy? Sketchy? Loose and flowing? Or tight and controlled? 9. Light and Shadow: Are shadows visible? Where? Are there dark shadows, light shadows, or both? How do the shadows affect the work? 10. Size: How big is the artwork? Are the figures or objects in the work life-sized, larger or smaller than life? How does the size affect the work? 11. Color: What type of colors are used in the work? Bright? Dull? Complimentary? Does the artist use colors to draw your attention to specific areas of the work? How? If a sculpture, examine the color(s) of the medium and how it affects the work. 12. Mood: Do you sense an overall mood in the artwork? Perhaps several different moods? If so, describe them. How does the mood interpret how you view the work? Once you have spent some time analyzing your work, notice if your first impression of the work has changed, now that you have taken a closer look? How? If you came up with a thesis statement before doing this in-depth analysis, you may want to change it if your impression of the work has changed. Your thesis statement should reflect your view of the object.