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http://daum-glass.com
http://daum-glass.com
The Origins of Pate De Verre
Glass Making Techniques
http://daum-glass.com
Pate de verre is a labour-intensive
form of glass making that dates to
around the second millennium B.C.
http://daum-glass.com
It is thought that the
Mesopotamians were the first
to leave written records of this
glass making process which
they used to produce glass
beads to decorate jewellery
with and for making glass
sculptures.
http://daum-glass.com
Improvements to this glass
making technique were
introduced by the ancient
Egyptians, by using pate de
verre in intricate mosaics and
to create storage and drinking
vessels between 1500 and 1000
B.C.
http://daum-glass.com
But it was the re-discovering of
pate de verre by French
archaeologists in the
nineteenth century that made
art glass making what it is
today.
http://daum-glass.com
Although pate de verre is one of the oldest and
simplest of glass working techniques it is at the
same time, one of the most challenging to be
used correctly.
http://daum-glass.com
The challenge comes from the nature of glass
itself, which is both a liquid when molten and
then a delicate and brittle solid once cooled.
http://daum-glass.com
Glass is a magical and somewhat mysterious
substance, and this form of glass making is an
intriguing way to manipulate glass into stunning
crystal figurines or decorative art glass vases.
http://daum-glass.com
When used in conjunction with
coloured crystal, metallic salts
or oxides, a glass sculpture,
crystal ornament or crystal
vase made by the pate de verre
process is an outstanding and
dazzling work of art.
http://daum-glass.com
The great advantage to using this
glass making technique over other
glass manufacturing processes is
the ability for precise placement
of particular colours in the mould
before firing.
http://daum-glass.com
In traditional French pate de verre, the artist
mixed crushed glass with enamels or paint to
form a paste that was carefully placed in a
mould and then fired.
http://daum-glass.com
Other ways of filling the mould with
coloured glass often result in shifting
of the glass when molten from
where its original position prior to
firing, but the pate de verre process
helps to control this shifting by
starting out with a glass paste rather
than individual glass beads.
http://daum-glass.com
It was a French glass making
company called Daum that
put art glass sculptures and
crystal vase making back in
vogue by combining this glass
making process with moulds
created from using 'Lost Wax'
techniques.
http://daum-glass.com
Basically each piece starts as a
wax sculpture. The wax is then
encased in a plaster mould and
then expelled, "lost," by being
steamed out of the plaster
mould this leaves a negative
which is filled with the coloured
pate de verre paste and heated
in a kiln until molten.
http://daum-glass.com
Once cooled to room temperature, the
mould is removed from the kiln and the
glass sculpture or crystal vase is carefully
removed from the mould and polished
ready for display.
http://daum-glass.com
Pate de verre is extremely difficult
and time consuming to create and
can easily be ruined during the
heating phase of creation. Due to the
delicate nature of this type of glass
work, pieces are generally restricted
to being only ornamental in nature
such as glass wall art or art glass
vases.
http://daum-glass.com

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Daum: The Origins Of Pate de Verre

  • 2. http://daum-glass.com The Origins of Pate De Verre Glass Making Techniques
  • 3. http://daum-glass.com Pate de verre is a labour-intensive form of glass making that dates to around the second millennium B.C.
  • 4. http://daum-glass.com It is thought that the Mesopotamians were the first to leave written records of this glass making process which they used to produce glass beads to decorate jewellery with and for making glass sculptures.
  • 5. http://daum-glass.com Improvements to this glass making technique were introduced by the ancient Egyptians, by using pate de verre in intricate mosaics and to create storage and drinking vessels between 1500 and 1000 B.C.
  • 6. http://daum-glass.com But it was the re-discovering of pate de verre by French archaeologists in the nineteenth century that made art glass making what it is today.
  • 7. http://daum-glass.com Although pate de verre is one of the oldest and simplest of glass working techniques it is at the same time, one of the most challenging to be used correctly.
  • 8. http://daum-glass.com The challenge comes from the nature of glass itself, which is both a liquid when molten and then a delicate and brittle solid once cooled.
  • 9. http://daum-glass.com Glass is a magical and somewhat mysterious substance, and this form of glass making is an intriguing way to manipulate glass into stunning crystal figurines or decorative art glass vases.
  • 10. http://daum-glass.com When used in conjunction with coloured crystal, metallic salts or oxides, a glass sculpture, crystal ornament or crystal vase made by the pate de verre process is an outstanding and dazzling work of art.
  • 11. http://daum-glass.com The great advantage to using this glass making technique over other glass manufacturing processes is the ability for precise placement of particular colours in the mould before firing.
  • 12. http://daum-glass.com In traditional French pate de verre, the artist mixed crushed glass with enamels or paint to form a paste that was carefully placed in a mould and then fired.
  • 13. http://daum-glass.com Other ways of filling the mould with coloured glass often result in shifting of the glass when molten from where its original position prior to firing, but the pate de verre process helps to control this shifting by starting out with a glass paste rather than individual glass beads.
  • 14. http://daum-glass.com It was a French glass making company called Daum that put art glass sculptures and crystal vase making back in vogue by combining this glass making process with moulds created from using 'Lost Wax' techniques.
  • 15. http://daum-glass.com Basically each piece starts as a wax sculpture. The wax is then encased in a plaster mould and then expelled, "lost," by being steamed out of the plaster mould this leaves a negative which is filled with the coloured pate de verre paste and heated in a kiln until molten.
  • 16. http://daum-glass.com Once cooled to room temperature, the mould is removed from the kiln and the glass sculpture or crystal vase is carefully removed from the mould and polished ready for display.
  • 17. http://daum-glass.com Pate de verre is extremely difficult and time consuming to create and can easily be ruined during the heating phase of creation. Due to the delicate nature of this type of glass work, pieces are generally restricted to being only ornamental in nature such as glass wall art or art glass vases.