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THE CURATED ARTS EXPERIENCE
CECI DADISMAN // DIRECTOR OF MARKETING & PR // PALM BEACH OPERA
THE USE OF TECHNOLOGY BEFORE, DURING,
OR AFTER AN EVENT THAT ENGAGES THE
PARTICIPANT OR ENRICHES THE EXPERIENCE.
THE CURATED ARTS EXPERIENCE
FIRST, SOME DATA ABOUT DIGITAL

THE CURATED ARTS EXPERIENCE
Measuring
ROI
62%

Not Enough
Budget
71%

The biggest
obstacle
for digital
marketing
success?

Source:	
  Capacity	
  Interac1ve	
  //	
  Performing	
  Arts	
  Digital	
  Marke1ng	
  Benchmark	
  Survey	
  
Have Google Analytics
Installed
Using it to its potential

94%
8%

Source:	
  Capacity	
  Interac1ve	
  //	
  Performing	
  Arts	
  Digital	
  Marke1ng	
  Benchmark	
  Survey	
  
Orchestra
Ballet
27%
Opera
60%
39%
Presenter
Theater
43% Modern 49%
Dance
48%

Arts orgs
sell an
average of
46%
of their
tickets
online

Source:	
  Capacity	
  Interac1ve	
  //	
  Performing	
  Arts	
  Digital	
  Marke1ng	
  Benchmark	
  Survey	
  
In Person
5%
Online
45%

Phone
50%

PaLM BEACH
OPERA SELLS
46%
OF TICKETS
ONLINE
More than half of American adults
ages 65 or older use the internet.
Of those people, 70% use the
internet daily.
Source:	
  Pew	
  Research	
  Center’s	
  Internet	
  &	
  American	
  Life	
  Project	
  
75%

of internet users
age 50 and
over make
purchases online.
Source:	
  eMarketer	
  

66%

of them
research larger
purchases
online.
CONSUMER BEHAVIOR IS CHANGING.
#FACT
THE CURATED ARTS EXPERIENCE
CASE STUDY: LYRIC OPERA OF CHICAGO

!

TICKET
SALES ARE
UP 15% J

?

Source: Chicago Sun Times

MAINSTAGE
OPERA TICKET
SALES ARE
DOWN L
“…of the 36,100 attendees for “Oklahoma!,” more
than 18,000 were seeing a Lyric Opera performance
for the first time. “This was the largest number of
individual tickets Lyric has ever sold for a single
production,” Freud said. Nine thousand other firsttimers attended other Lyric Unlimited events.”
THE CURATED ARTSSun Times
Source: Chicago EXPERIENCE
CASE STUDY: NEW WORLD SYMPHONY

%
10

OF SEASON IS
Alternative
performances

%
31

Source: New World Symphony/Mellon Foundation

PRODUCED
NEW AUDIENCE
MEMBERS
OVERALL
BEFORE & AFTER

THE CURATED ARTS EXPERIENCE
THE LOBBY EXPERIENCE

THE CURATED ARTS EXPERIENCE
Other
10%

Program
Book
60%

Lobby
30%

WHERE DO PEOPLE
GET THEIR
INFORMATION
ABOUT A SHOW?

THE CURATED ARTS EXPERIENCE

Source:	
  WolfBrown	
  2013	
  	
  
GIANT INTERACTIVE SCREENS
WOOLLY MAMMOTH THEATRE COMPANY
FEEDBACK CAN BE HIGH OR LOW TECH
DURING THE EVENT

THE CURATED ARTS EXPERIENCE
SURVEYS ARE STILL IMPORTANT
TWEET SEATS!
WALLACE GRANT FINDINGS
SEATTLE OPERA
When patrons are aware of them, these kinds of technology-based
features may contribute toward an enjoyable simulcast experience,
high levels of interest in future attendance, and feelings of
connection to Seattle Opera. But it is not the technology itself
driving this impact—it’s the learning and context that they provide.
The end is more important than the means.
LET’S CONNECT
CECI DADISMAN

Director of Marketing & PR
Palm Beach Opera

@cecidadisman
cdadisman@pbopera.org

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The Curated Arts Experience - Cultural Executives Committee