3. Laura McKinnon, MLIS,
JD
Laura.Mckinnon@unt.ed
u
Director of the Copyright
Advisory Office
University of North
Texas
Brett D. Currier, MSLS,
JD
brett.currier@uta.edu
Director of Scholarly
Communications
University of Texas at
Arlington
3
INTRODUCTIONS
4.
5. WHAT CAN BE COPYRIGHTED?
Literary works;
Musical works, including any accompanying words;
Dramatic works, including any accompanying music;
Pantomimes and choreographic works;
Pictorial, graphic, and sculptural works;
Motion pictures and other audiovisual works;
Sound recordings; and
Architectural works.
17 U.S.C. § 102
7. EXCEPTIONS TO EXCLUSIVE RIGHTS
§107 Fair Use
§108 Reproduction by Libraries and Archives
§110(1) Face-to-Face Teaching
§110(2) TEACH Act
*this list is not exhaustive
9. FAIR USE BALANCING TEST
Four factors:
1. Purpose of use
Nonprofit? Educational? Commercial?
2. Nature of work used
Published? Unpublished? Nonfiction? Creative?
3. Amount and substantiality of work used
Just a small amount? Is it the heart of the work?
4. Effect on market of work
Will it compete with sales of the original?
Strong emphasis on whether use is transformative
1. Is the purpose of your use different than the original purpose of the work?
2. If yes, is the amount used appropriate to your transformative use? (too much, not
enough?)
10. FAIR USE BALANCING TEST
Only a court can definitively determine whether a use is fair – it is a balancing test,
so you cannot just check off each factor, you must weigh them all and
determine whether your use overall leans in favor or against fair use
There are several checklists that can help you make a determination
Case by case analysis – you must look at each use individually to determine
whether it is fair
Fair use is flexible and vague -- continually evolves as the 4 factors are applied to
new cases
If fair use applies you do NOT need permission
If fair use does not apply, you can always seek permission
12. CAMBRIDGE
Date Occurrence
July 15, 2008 Lawsuit commences
February 17, 2009 Georgia State University
Copyright updated and
implemented
August 12, 2010 Book publishers: Injunctive
relief
Only claims of infringement that
occur on or after the 2009
policy
June 1, 2011 Updated list: 74 claims of
infringement
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14. CAMBRIDGE: DISTRICT COURT
Of the 74 claims of infringement:
• 24 cases of de minimis copyright
• Copy made but never accessed
• Most other cases: Fair use or lack of ownership
• 5 cases of copyright infringement
• Awarding of attorney’s fees to Georgia State
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16. CAMBRIDGE: DISTRICT COURT (2): 3/31/16
Factor Ruling
Factor 1: Always favors universities
Factor 2: Always neutral or weighs against a finding of fair use
Factor 3: Integrated with market harm
Factor 4: Compared licensing fees from the book against the total
book purchases
If no electronic copy available, presumption Factor 4 favors
the university
16
17. CAMBRIDGE: DISTRICT COURT (2)
• Previously had found 5 instances of infringement
• Now 4 instances of infringement
• Georgia State still awarded attorney’s fees
17
19. FAIR USE & COURSE RESERVES
19
Factor Ruling
Factor 1: Always favors universities
Factor 2: Neutral or weighs against a finding of fair use
Factor 3: Integrated with market harm
Factor 4: If available through an e-resource
If a book
If no permissions are available
21. HATHITRUST
• Full text searchable books
• Transformative use
• Access to the print disabled
• Important to note language of “print disabled” vs. “blind”
• Preservation
• Remanded on issue of standing
• Settled in January 2015
• Libraries claimed 108(c) protection
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25. GARCIA
• Injunctive relief
• Desert Warrior v. Innocence of Muslims
• Appears that there is not a copyright interest in an
individual performance
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Brett Currier: Director of Scholarly Communications here in the library; JD/MSLS from UNC
This is the monopoly that copyright protection grants to owners – no one else can do these things with the materials
Prior to signing a publication agreement (and sometimes after), you own the exclusive rights to:
Academic profiles, IDs, and social media allow you to make better use of these rights! You may sign away some of these rights when you sign a publication agreement, but you can negotiate to retain all or some.
The Copyright Act includes several exceptions to authors’ exclusive rights. We are only going to discuss face-to-face teaching and fair use today.