Studio Ghibli's Success and Impact

Nostalgi A Portrayal Of The Past
Nostalgia: A Portrayal of the Past In the films Castle in the Sky and Princess Mononoke, by director
Hayao Miyazaki, there are many references to times that took place before the events that occur in
the stories. Certain historical events can be seen to have affected the way in which Miyazaki handles
events of the past concerning nostalgia. The way in which he presents technological concepts can
represent his feelings towards history and how it should impact the present. These views on
nostalgia often contrast with the way in which American animation typically views the events of the
past. Castle in the Sky presents the idea of an ancient civilization with a secret power that is only
accessible to the heir to Laputa. Hundreds of years have passed since the ancient technology has last
been accessed, and only legends of the place called Laputa still remain. Associated with these
legends are tales of a great destructive weapon that was once fought over to the extent that it needed
to be hidden away. The main character, Sheeta, held the only key to rediscovering the ancient power.
Concerning the technology that is used post the age of Laputa, there seems to be a retro–
evolutionary trend. Instead of the technology trending towards a higher level of advancement, it
regresses to a more rustic form. This is evident in the flying machines, automobiles, and railroads
that are used, which are mechanically similar to pre–world war II designs. Alternatively, the
technology that is
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What Is Sophie's External Identity In Howls Moving Castle
FINAL TASK 1 ENGLISH ASSIGNMENT
Sarah Sayadi 8GC
"Howls Moving Castle"
Hayao Miyazaki
Released 2004
Hayao Miyazaki is a Japanese film director, producer, screenwriter, animator, author, and manga
artist. Miyazaki was born on January 5, 1941. Some of his film include: princess mononoke,spirited
away, the castle of cagliostro and many more wonderful films.
The film is set in the time period 1910
The main character is Sophie Hatter. She is a shy, diligent and beautiful teenager even though she
does not perceive herself as such. Her internal identity is that of a brave and courageous young
woman (as shown in scenes such as when she meets Madam Suliman for the first time and when she
faces Madam Suliman's henchmen at the time of war) however her external identity is that of a shy
and humble young lady that works in her fathers old hat shop. ... Show more content on
Helpwriting.net ...
This curse changes Sophie into an old lady and does not allow her to tell anyone that she has this
curse. The curse makes Sophie seek help from a wizard named Howl in the hope that he will be able
to break the spell cast upon her.
One of the conflicts that Sophie acts to resolve is the curse put upon Howl. Howl giving his heart to
a fire demon caused the curse and Howl has not been able to resolve this conflict until after he meets
Sophie. When Sophie finds out the true nature and the cause of the curse she finds a way to reverse
the

Walt Disney Company Vs. Studio Ghibli
Marina Klimova
Professor Stacy
English 111
1 October 2017
The Walt Disney Company vs. Studio Ghibli
What does a whistling mouse and a catlike bunny creature have in common? They are both the logos
of two leading animation companies: the Walt Disney Company and Studio Ghibli. While Disney
and Studio Ghibli vary in their style, production, and overall themes, they both produce award
winning and adventurous movies for Western and Non–Western audiences alike.
In 1928, the whistling Mickey Mouse in the short cartoon Steamboat Willie led to the beginnings of
success in Walt Disney's company and set the ball rolling for the studio to become the widest known
in the world (Holliss and Sibley 5). Before that, the company was strained financially and ... Show
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While the directors of Studio Ghibli had in mind to meet these goals as well, they founded the studio
more to have free reign in their artistic visions for animated movies. They wished to produce
original anime movies(Takai). They on the other hand aimed for just their home country Japan and
came to more renown than they intended.
Altogether Studio Ghibli and Disney have won many different
Therefore, Studio Ghibli's animations embody a strong sense of Japanese culture while also using
Western characters and settings in its productions (Odell and Michelle 33–35). Each animation has
the characteristic style of Anime or animations made in Japan which usually looks like the manga,
Japanese comic books, they are adapted from. Each has their own look but usually the characters
have bigger eyes, small nose and mouth. The two directors of Studio Ghibli brought different
themes and genres of animation to the table. Hayao Miyazaki was preoccupied with fantastical
worlds hidden inside of our own world, flying machines or flying in general, and environmentalism.
Isao Takahata focused more on realistic settings such as school life during adolescence and
collaborated with Miyazaki to produce films that had more themes such as, growing up, strong
female lead characters, forming an identity, animals with human characteristics and anti–war
sentiments (Odell and Michelle 23–30). Disney in contrast, has

Studio Ghibli Research Paper
For the past few decades now, this production studio has created many classics appealing to
generations all over the world, creating different genre films for people to enjoy. For years this
company has been overwhelmingly successful, winning multiple awards and receiving love from
millions of fans. Studio Ghibli is one of the most successful production companies in all of Japan
because of the awards they won for their films.
Studio Ghibli Inc, is a Japanese animation film studio based in Koganei, Tokyo, Japan. The studio is
recognized for many rewarding anime feature films, such as Spirited Away(2001), and My Neighbor
Totoro(1988). Ghibli was established in 1985 by Yasuyoshi Tokuma, Hayao Miyazaki, Isao
Takahata, and Toshio Suzuki. However, ... Show more content on Helpwriting.net ...
He is the co–head at Studio Ghibli with his long time colleague Hayao Miyazaki. Takahata is
recognized for being a famous director of Ghibli films. One of his films; Grave of the Fireflies, is
considered one of the greatest animated films ever made. It tells the story of teenager being forced to
take care of his younger sister after losing their home in an American bombing during WWII. He is
very talented at capturing the audience's emotions in his movies. Toshio Suzuki was born August
19th, 1948. He is chief producer and co–founder of Studio Ghibli. He was the president of Studio
Ghibli from 2005–2008. Furthermore, Suzuki is recognized for being one of the most successful
producers after the box office success (in Japan) for his many Ghibli films. Suzuki worked on the
Asahi Geino Magazine before becoming an editor of Animage in 1978. In fact, he met Hayao
Miyazaki when he created the Nausicaa of the Valley of the Wind manga. Suzuki was so impressed
that he convinced Miyazaki to make Nausicaa into a film, as a result, he co–founded Studio Ghibli.
Hayao Miyazaki was born January 5, 1941, in Tokyo, Japan and is known as a famous director of
many anime films. He is also the co–founder of Studio Ghibli Inc. Along with Isao Takahata and
Toshio Suzuki. However, most of Miyazaki's films are set around the same kind of themes of the
struggle between good and evil, and other common things like politics and environmentalism.
Usually, the protagonist in his films is young, strong, independent females, while the antagonist is
full of jealousy, rage or greed. In conclusion, Miyazaki announced his retirement directing in 2013,
after his last film, The Wind

Hayao Miyazaki and Japanese Animation Essay
Hayao Miyazaki Hayao Miyazaki has been revolutionary in Japanese animation. A mangaka (an
artist/writer/creator of manga, Japanese comics), an animator, and storyteller, Miyazaki has not only
been very successful in his work, well known and loved by many, but has changed the world of
anime with his unique style of drawing. Through passion and hard work, Miyazaki has become one
of the most successful animators in all of Japan. Miyazaki was born on January 5th, 1941, in Tokyo,
Japan (MUBI.com). His father, Katsuji Miyazaki, was the director and owner of their family's firm,
Miyazaki Airplane, that made parts for Zero fighter planes. His father's job contributed to his
fascination with flying, and accurately depicting it in his animation ... Show more content on
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2: 344–345) Manga grew in popularity in Japan while he was still in high school, and he decided he
wanted to be a comic artist. While animation was regaining its popularity in the postwar years, he
saw Legend of the White Serpent by Taji Yabushita, the first Japanese colour animated movie, and
he absolutely fell in love with the feature. After graduating from Toyotama High School (1959) he
went on to enroll in Gakushuin University, where he studied political science and economics. While
he was there, he studied European childrens books and comics after joining a children's literature
research society, things by authors like Rosemary Sutcliff and Antoine du Saint–Exupery. In 1963,
he finally graduated with a degree in political science and economics, but instead of moving into the
fields of politics or finance, he promptly went to get a job at the animation studio of Toei Company,
Toei Cine, where he had an apprenticeship before he was allowed to work as an entry–level in–
betweener on Watchdog Woof–Woof and Wolf Boy Ken (an in–betweener takes the first and last
frames of the action or movement drawn by the animator and creates the flow, the series of
picutres/sketches in between the two to connect them and complete the movement or action). He
was a hard, dedicated worker, with a passion for what he does, and so he quickly climbed up to
positions with more and more responsibility in the animation industry. Wolf

Howl's Moving Castle
HOWL'S MOVING CASTLE FILM REVIEW:
Howl's Moving Castle, a Walt Disney Studio and Studio Ghibli production, made in 2004, is mutli–
award winning movie. It is rated PG and is based on a novel by Diana Wynne Jones, Howl's Moving
Castle is directed by Hayao Miyazaki and is produced by Toshio Suzuki. Howl's Moving Castle is
set in an unknown, magical realm possibly inspired by the twentieth century. Miyazaki is known for
his anime type drawing style also evident in his other movies such as 'Spirited Away' (2001), 'My
Neighbor Totoro' (1988) and 'The Wind Rises' (2013).
Throughout the movie we follow one of our main characters, Sophie as she follows in search of a
powerful wizard by the name of Howl to help her break free of a curse put onto her by the Witch of
the Waste. A terrible, ghastly, vile creature who is in love with Howl and wants his heart as it
'Belongs to her'. Sophie carries on with her prosperous journey along with many companions
together facing many enemies who help to make this story truly complete. ... Show more content on
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These techniques are evident in the scene where we see an opening of Madame Suliman
acknowledging Sophie to come and take a seat as Sophie had come to talk about Howl. Hayao uses
a close–up to zoom onto Sophie's face to show how she reacts to seeing Heen (who she thinks is
Howl) sitting under Madame Suliman's personal table and Madame Suliman telling Sophie that
Heen is her 'errand dog'. Hayao also uses a low angle shot when Sophie is fed up with Madame
Suliman's behavior towards Howl and stands up to defend him. The low angle shot is used to show
Sophie with a powerful and strong attitude to make the viewer notice that she is dominating,
demanding and is in

Shintoism In Princess Mononoke
Princess Mononoke was released in 1997, and became the highest grossing film in Japan until
Titanic came out later that year. It was meant to be director Hayao Miyazaki's last film before he
went into retirement, and is praised as one of his absolute masterpieces. Today, I will be critiquing
two articles that discuss aspects of Princess Mononoke's themes and influences, one that relates
Shintoism to Miyazaki's narratives by Oscar Garza, and another that focuses on the icons found
throughout his filmography by Mohammad Amzad Hossain and Wei–Hsin Fu.
First a quick summary: Princess Mononoke follows the last prince of the Emishi named Ashitaka
who, when defending his village from a demonic boar, is cursed to die. In order to lift the curse,
Ashitaka travels west and finds Iron Town, a mining settlement on the outskirts of a divine forest.
He meets their leader, Lady Eboshi, who is currently at war with the forest gods. Disapproving of
the violence that the town people partake in against the forest, Ashitaka seeks to meet with the gods
and their human daughter, San. The dwellers of the forest wish to kill all the humans in an attempt to
take back their home. Now Ashitaka must become a peace keeper and stop an all–out war, hoping
that by doing so the Shishigami, also known as the Forest Spirit, will lift the curse.
Oscar Garza's Hayao Miyazaki and Shinto: A Spiritual Connection employs the theory of
structuralism, the idea of relating aspects of cultural practices and their

Miyazaki's Use Of Environmentalism In The Film WALL-E
The great animation director Hayao Miyazaki has a strong emphasis in his films on
environmentalism and uses many different aspects of film to portray the importance of the
environment on humanity. The Disney Pixar film WALL–E is a very different type of animation
than Miyazaki, but it has a strong environmentalism theme as well. Myiazaki's films are targeted
toward younger audiences, but bring a lot of attention from adults as well. The movie WALL–E uses
the same technique of targeting the film towards children, but also uses themes that plague the adult
world. WALL–E addresses the issue of environmentalism through its cinematography, its mise–en–
sene, and its use of sound.
The cinematography in WALL–E places emphasis on the emptiness of Earth with a destroyed
environment from the opening scene. In Christopher Todd Anderson's paper
Post Apocalyptic Nostalgia WALL–E Garbage, and American Ambivalence Towards Manufacturing
Goods, "In WALL–E's opening scenes, garbage is identified as the primary cause of eco–
catastrophe"..."As the film begins, the animation–effect ''camera'' zooms through a haze of space
junk orbiting Earth, then swoops into a city where huge towers of garbage dwarf the skyscrapers. A
few wind turbines half buried ... Show more content on Helpwriting.net ...
The world without trees, grass, flowers, animals, or any type of living eco system leaves a dead and
lonely looking place. The Earth no longer possess its beautiful scenery, instead it is a waist land with
dirt and piled high with garbage. Even though all of our senses are not able to interact with films we
do receive a strong idea of how the pictured distopia would smell. WALL–E also finds a small
growing plant and treasures it with his life. The rest of the film revolves around his efforts to
retrieve the plant once he has lost it and brings back a piece of nature to the Earth. WALL–E shows
that our environment should be cherished and not taken for

The Life Of Hayao Miyazaki
The Life of Hayao Miyazaki
The Story of My Search
When we were first assigned this paper, I was stumped. My interests span throughout a broad
variety of topics, and because of this, I did not really know where to start. I have long been intrigued
by the world of Japanese animation, and recently, I happened upon a hard copy of my favorite film
from when I was a child: Howl's Moving Castle. All of the nostalgic memories I have of watching it
when I was a child flooded my mind, reminding me of how much I admire the artwork in the movie.
I began to brainstorm ideas related to this. In the end, I boiled it down to a biography of Hayao
Miyazaki (the director) and the strong themes in his movies. Combining the two lead me to decide
on addressing how his personal life influenced the persuasive themes and symbols he conveys
through his beautiful art.
My first step to approaching this challenge was to go to the library and research sources that would
be useful in completing this paper. After a few hours I had a written list of dependable articles and
websites that pertained to his movies. Unfortunately, no credible source discussed his life. By
chance, I managed to acquire a book discussing Miyazaki's art and also providing a history of his
career; however, this made my list too plentiful, so I chose the facts most relevant to my specific
topic.
The Results of My Search
Hayao Miyazaki was born in the Bunkyo–ho district of Tokyo on January 5, 1941. His father,
Katsuji Miyazaki, was

Hayao Miyazaki and Animated Film Essay
Getting inspired is something that can happen unexpectedly. A single thing can just set the stage for
an amazing creation to come about. Much of what people are exposed to due to the media and also
literature can really affect someone's life. Hayao Miyazaki is a film director, animator, screenwriter
and also producer. He is someone who's work really changed my perspective on animation and also
the conventional idea of a hero. Miyazaki was born on January 5, 1941 in Japan. His parents were
Dola and Katsuji Miyazaki. His father Katsuji Miyazaki and worked for Miyazaki Airplanes which
was Miyazaki's uncles business. The company manufactured parts for warplanes that were used
during World War II. Miyazaki had three brothers which ... Show more content on Helpwriting.net
...
The following year Miyazaki also met Akemi Ota, an animator that then became his wife in 1968.
Overall Miyazaki worked in a total of six different animation studios, his positions varied from
director to animator but his work also influenced many other directors or screenwriters within those
companies. Having grown independent from the companies he set off to start his own company
known today as Studio Ghibli. Studio Ghibli was founded in 1985. The studio was created due to a
collaboration by Hayao Miyazaki, his friend Isao Takahata, and also producer Toshio Suzuki. There
furst film collaboration was done in 1984, with the film Nausicaä of the Valley of the Wind. Many
people believe that this film is what set the stage for Studio Ghibli to be created. Much of the
studio's success has not solely been due to Miyazaki, but also because of his associates. One of the
most prominent films from the studio was directed by Isao Takahata, the film is Grave of the
Fireflies, which depicts the story of orphans living in Japan during World War II. The company is
also well known for their "no–edits" policy which basically states that the film cannot be altered
when being dubbed. However, this policy has caused many issues with American companies
because some films have been Americanized or altered, which then tends to change the message of
the story and the plot. With the great success that Studio Ghibli has had Miyazaki

Analysis Of Spirited Away By Hayao Miyazaki
When do we truly grow up? In most modern day societies, there is a legal age where young people
legally become adults, in this country it is once the clock strikes 12 on the 18th birthday. In popular
science, becoming mature means your prefrontal cortex has finally fully developed around 24 or 25
years of age for important decision making moments. Others perceive being all grown up when they
move out and are no longer dependent on their parents any longer. In, Hayao Miyazaki's most
acclaimed animation film Spirited Away, Miyazaki's shares his perception on what it means to
become mature through an adventurous story of a 10 year– old girl named Chihiro. Based on
Chihiro's experiences Mr. Miyazaki portrays to his audience that when one is ... Show more content
on Helpwriting.net ...
However, beneath the child–like impression that the viewer first gets of Chihiro is a girl that has an
uncommon wealth of wisdom and respect for rules for a girl her age. These foundational qualities
that she possesses will be useful in her time in among the spirits to rescue her parents from
themselves. In this this movie, Chihiro will be our guiding light of virtue.
Spirited Away is a film that is chock full life lessons. It is very dense in symbolism and filled with
symbolic moral messages; no scene or word spoken is wasted. But one very prominent theme that
Miyazaki wants to explain to his young audience is the dangers of greediness and the freedom that
could be found in selflessness.
Both humans and spirits all have qualities of covetousness in Spirited Away. In the beginning of the
film, Chihiro's parents' voraciousness allows disregard respect and mannerisms, leading them to
consume swinishly the food of the spirit world without permission that literally has literally
transformed them into pigs. The bathhouse workers' avarice blinds them from possible dangers such
as No–Face, but also the goodness that has come among them in the form of Chihiro. Even Haku is
greedy for power to match Yubaba's, the owner of the bathhouse. Yubaba is

Hayao Miyazaki Research Paper
Hayao Miyazaki Path to Animation Star artists inspired him. Hayao Miyazaki was only one of many
during postwar Japan who wanted to become a comic artist (master). Like many others, Miyazaki
would look to star artists, such as Osamu Tezuka, Tetsuji Fukushima, and Zohei Shiratsuchi, for
inspiration. Of the three, Tezuka, who was named "the manga god" by fans, had the ingrained effect
on Miyazaki. Miyazaki has written in a Tezuka memorial collection: It's true to say that I was very
heavily influenced by Tezuka. When I was in both elementary and junior high school, I liked his
manga best of all the ones I read... when I passed the age of eighteen and felt that I just had to draw
manga of my own, the question of how best to peel away the ... Show more content on
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In addition, many more art and literature figures had an influence on Miyazaki's direction and
philosophy. For example, a French animation, The Shepherdess and the Chimneysweeper, directed
by Paul Grimault, showed Miyazaki how an animation feature film could be targeted at an adult
audience. And, while he did not want to follow Disney's way of neatly finishing movies with main
characters living happily ever after, Miyazaki did admit that he enjoyed Disney shorts such as Silly
Symphonies. All this exposure to Western culture, paired with the foundation that Tezuka laid out
for the Japanese animation industry, put fuel on Miyazaki's passion for animation and his vision as
to exactly what Japanese animation, or animè, could deliver. Early Film Miyazaki joined Toei
Animation Studios, upon graduating Gakushuin University. After three months of training, the
young Miyazaki got to be a part of his first animation productions, Watchdog Woof–Woof and Wolf
Boy Ken, as an in–betweener. An in–betweener is someone who draws, or fills, the animation
between two positions. For example, main artist would draw characters in key positions–compose
the shots–and an in–betweener would fill in the action planned, like a character standing up from a
chair. However, the work of somewhere along the bottom of the animation workflow couldn't match
Miyazaki's ambition. Tired of doing low–level work, Miyazaki seriously considered quitting, but he
was drawn back after watching Lev Atamatov's The

Spirited Away By Hayao Miyazaki
Spirited Away In Spirited Away, Hayao Miyazaki introduces a young girl named Chihiro. She's
brought into the Spirit World through the curiosity and greediness of her parents. Miyazaki makes
her life problematic because of the simple nature of humans. He realizes that the different negative
characteristics that humans have within them lead them to trouble, even children. He claims that "I
'm not going to make movies that tell children, "You should despair and run away"." (Hayao
Miyazaki Quotes) With this in mind, Miyazaki attempts to show children that they're capable of
overcoming problems even at the young age that they're at. Within the spirit world, the apparitions
have negative plans for humans, specifically for the future of Chihiro. As if it wasn't enough for him
to put the young girl in a setting with Spirits/Ghosts, he makes it so that these apparitions have
negative plans in mind for the humans that they come in contact with. Miyazaki does this in order to
put Chihiro in a situation that the audience would see as extremely difficult. He then adds onto
Chihiro's circumstances by creating a complex environment that she has to live in while she's in the
spirit world. He places her in an spa/inn run by a deranged woman who cares more for her gigantic
baby than the spa/inn itself. Miyazaki planned and created many different angles of the building in
order to depict to the audience the type of situation that Chihiro is to be put in.

Analysis of Filming Techniques in Spirited Away
Spirited Away, titled Sen to Chihiro no Kamikakushi in Japan, follows a young girl named Chihiro
on an adventurous, yet threatening journey into a magical realm after her parents are turned into
pigs. She forms relationships with people that will help her find her way back home such as Haku,
Zeniba, and Mr. Kamaji. She also encounters those like Yubaba who try to make her time in the
realm of spirits difficult. Spirited Away quickly became Japan's highest grossing film of all time. It
received many great reviews in every aspect of filmmaking. It won several awards, including A
Golden Bear in 2002 at the Berlin International Film Festival, and an Academy Award in 2003 for
Best Animated Film. Hayao Miyazaki, the film's writer and director, ... Show more content on
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Miyazaki also introduces to the audience the importance of one's name. From the moment she gets a
job from Yubaba the bathhouse owner, Chihiro is bound under a contract that magically changes her
name to Sen. If it had not been for a goodbye card from a friend, Chihiro would have forgotten her
real name. As for Haku, he has not been able to recall his own name for years. When he does
remember later in the film, his eyes are opened and he undergoes emotional and physical changes.
Another aspect of Japanese folklore involved in the film highlights passing through spaces which
mark a separation between one world and another. Areas like the bridge to the bathhouse, and the
tunnel to the abandoned theme park represent this part of Japanese culture. However, the most
important cultural aspect included in the film is the original title. When women or children suddenly
disappeared and could not be located for a long period of time, it was assumed "'they had met
kamikakushi,'" as Reider puts it. Once they come back from Kamikakushi, they are believed to be
socially resurrected. One could say that in the film Chihiro meets her own Kamikakushi during the
time she is away from her parents.
As she goes through the tunnel at the beginning of the film, Chihiro is a whiny little girl who does
not like change. When she comes out of the tunnel at the end of the film, she is standing tall,
fearless, and confident. This post–Kamikakushi is one of many examples of character

Spirited Away Reflection
Hayao Miyazaki's oscar award winning Spirited Away was the first Japanese anime film to win an
Oscar. To see how this animated feature film won this grand award, this paper will talk about the
writing, music, and sound design of this film.
Hayao Miyazaki was born on January 5, 1941 in a town called Akebono–cho in Bunkyō, Tokyo. His
father ran a business that manufactured plane rudders during World War II. At the age of 3,
Miyazaki's family had to evacuate numerous times to escape bombings in their area. Miyazaki
aspired to become a manga artist when he was in junior high, but he was not good at drawing
people, so instead he drew planes, tanks, and ships. He then got inspired by a movie called Panda
and the Magic Serpent (1958) and began to draw more people.
Miyazaki's writing tends to be more on the fantasy side. One theme that can be seen throughout his
films is the joy and wonder of flying, as Miyazaki himself loves the idea of flying. In most of his
more famous films, things start out in a normal and real world setting, and then get whisked away
into a new and strange world filled with mystery and wonder.
The story of Spirited Away follows a ten year old girl named Chihiro, who is currently moving into
a new home in a new town in Japan. On their way to the new house, Chihiro's parents find an
abandoned temple like structure. The family decides to venture in and investigate the area. Chihiro
is cautious and doesn't want to go any further, but the fear of being left alone

Gender In Howl's Moving Castle
Wars and Gender in the Worlds of Hayao Miyazaki: An Analysis of Howl's Moving Castle
Animation has always been a way of creating worlds outside of our own and to bestow movement,
frame by frame, on a series of still images. Despite its variety of uses as a medium of film,
animation is often treated as a genre of its own, placed within the constraints of only being
entertainment for kids with a small possibility for weighty themes or adult thematic elements at the
peripherical of a plot that is typically centered around a weak narrative of the action–comedy
variety. However, when used to its full extent, animation becomes a tool for creating art as great as
classical film, using pen, paper, and machines as tools where tradition film uses camera and lenses.
The greatest animators of today are able to weave still art and film together, weaving motion ...
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One such animator, film director, and producer is Hayao Miyazaki, who blends his masterful control
of art and color with common themes and narrative techniques across his films, creating a style of
authorship that is as immediately recognizable as Quentin Tarantino or Wes Anderson. His film
Howl's Moving Castle, an animated fantasy film released in 2004 and adapted from the novel of the
same name by Diana Wynne Jones, is the story of a girl who is cursed by a witch and transformed
into an old woman, leading to her finding the wizard Howl, a draft–dodger who rejects a war that
rages on in the background of the setting. Howl's Moving Castle shows how he mixes his unique
style of animation with themes that are universal across his films, such as the strong female
protagonists, the destructive forces of war, the critique of modernity as a struggle between the forces
of nature and industry, and the beauty and power of flight, creating a masterpiece that surpasses the
definition of animation as a genre, while embracing the genre of fantasy

Who Is Miyazaki An Auteur Movie
Miyazaki the Fashion Icon of Film
Many people may have a specific style in which they like to dress. A woman might have a signature
lipstick she enjoys wearing, a man might have a distinct cologne that stands out from the rest.
Movies are not too far apart in comparison. Sometimes people find films more enjoyable than
others, and often do not realize they come from the same director. The Auteur theory is a that
defines the director as the sole author of the entire film, adding his or her own personal style. When
it comes to the world of animation, director Hayao Miyazaki is a pioneer in auteur. His specific
directorial style is seen in many of his films in which he manages to make films enjoyable to adults
of all ages. Kiki's Delivery Service was one of director Miyazaki's first major films. During the
climax of the film Kiki's Delivery Service, director Hayao Miyazaki illustrates his signature auteur
style that makes his movies distinguished and enjoyable.
There is a significant pattern that Hayao Miyazaki has in most of his animated films that identify his
style different from western directors. First, Miyazaki is a director that prefers hand–drawn
animation to computerized animation. Other important details he demonstrates in his films are
strong female leads, original stories, and ordinary characters. In addition, Miyazaki likes to employ
the environment as an important factor in his films. Kiki's Delivery Service exhibits these specific
traits that reveal Miyazaki

Themes Of Japan 's Indigenous Religion
THEMES
Japan 's indigenous religion is Shintō, and its customs are enmeshed in Japanese culture. It is
animistic, seeing gods and spirits in everything. This leads to a deep respect for human harmony
with the environment. Many Ghibli films contain jinja, or shrines, and torii, or sacred gates, which
are used to pay respect or give offerings in Shintōism. Ghibli films also contain kami, spirits that
reside in all things. Princess Mononoke is filled with a kami (Odell 28).
Other Japanese mythology is seen through Miyazaki films through spirits that have the ability to
transform their shape, such as the foxes and raccoons in Pom Poko. Buddhism also influences
Miyazaki films. Dragons derive from Buddhist legends and are in Spirited Away. Buddhist statues
are also seen in My Neighbor Totoro, and Pom Poko (Odell 28). All of his movies contain variations
of spirits, demons, or fantastical creatures rooted in nature. There is a balance of empathy through
his human elements, but mystery in his fantasy elements.
One major theme that runs through all Miyazaki films is environmentalism, or how mankind
interacts with nature. This is closely linked with the Shintō ethic that sees the environment as
interconnected beings that deserve respect. In Princess Mononoke, the center of the plot is focused
on the conflict between humans destroying the forest and the gods and spirits who are fighting back.
In Ponyo, the dumping of waste is almost her downfall right at the beginning of the movie

Informative Speech On Studio Ghibli
Catherine Collazo
Behind the Scenes Studio Ghibli
Topic: Studio Ghibli
Organization: Topical
Specific Purpose: To inform my audience about the art of anime and the history of Studio Ghibli.
Introduction
Attention getter: Miyazaki once said, "humans have both the urge to create and destroy."
(BrainyQuote, n.d.)
Relevance: The ability to make great movies that makes a difference in people's lives takes years of
practice and it would seem that Studio Ghibli has mastered that art.
Credibility statement: Just like everyone else I love to be able to sit down and watch a good movie
to take my mind off of thinks. I have been watching Studio Ghibli movies for as long as I can
remember and have also listened to many of the soundtracks that go with them. ... Show more
content on Helpwriting.net ...
Conclusion
Transition to Conclusion: In conclusion,
Restate central idea: Never look down on something that you don't fully understand because it could
turn out to be something beautiful that you could end up enjoying.
Final summary: Today, we talked about the history of Studio Ghibli and one of the founders of the
studio, the relationship the studio has with Walt Disney World, and the type of art they use.
Memorable closing: After watching all of these movies for as long as I can remember I know that
they will always have a place in my heart and I can hopefully show them to my kids when I get
older and show how much I love them.
References
BrainyQuote. (n.b.). Hayao Miyazaki Quotes. Retrieved from
http://www.brainyquote.com/quotes/authors/h/hayao_miyazaki.html
The Hayao MIYAZAKI Web. (n.b.). Hayao Miyazaki. Retrieved from
http://www.nausicaa.net/miyazaki/miyazaki/
The Hayao MIYAZAKI Web. (n.b.). Ghibli 101: Past, Present, and Future of Studio Ghibli.
Retrieved from http://www.nausicaa.net/miyazaki/ghibli/ghibli101.html#alliance
McDonald, R. (2004). Studio Ghibli Feature Films and Japanese Artistic Tradition. Retrieved from

Hayao Miyazaki: Auteur Essay
"I never read reviews. I'm not interested. But I value a lot the reactions of the spectators."– Hayao
Miyazaki.
The director is responsible for overseeing creative aspects of a film. They develop the vision for a
film and carry the vision out, deciding how the film should look. The director may also be heavily
involved in the writing and editing of the film, as well as managing the script into a sequence of
shots, coordinating the actors in the film and supervising musical aspects. The Auteur Theory
suggests that films contain certain characteristics or 'signatures' that reflect the director's individual
style and give a film its personal and unique stamp. Hayao Miyazaki is one such auteur whose
entertaining plots, compelling characters ... Show more content on Helpwriting.net ...
Miyazaki's childhood was short as he was born January 5, 1941 during World War II, thus without
exception, his films main characters are children, deal with growing up and often consist of one
young female lead and one young male lead. This is evident in My Neighbor Totoro (1988) as the
two main characters are young girls who, unlike adults, can see and befriend the spirits of the spirit
world. In Spirited Away (2001), the leading character Chihiro is a young girl who must deal with
growing up, similarly to Kiki in Kiki's Delivery Service (1989). Princess Mononoke (1997) also
features these stock characters in the form of young San, adopted daughter of the wolf goddess
Moro and Prince Ashitaka, a young girl and boy. Hayao Miyazaki has expressed strong feelings
about childhood, saying that it's a paradisiacal time when, "you're protected by your parents and
unaware of the problems around you". Miyazaki's upbringing during World War II would explain
another unique mark of his films, that being his interest in flight.
Human flight is a frequent theme in Miyazaki's animations. This theme is found in almost every film
directed by him such as in Laputa: Castle in the Sky (1986) as it is a flying metropolis and in Kiki's
Delivery Service as Kiki rides her broomstick and watches dirigibles fly over her city. In Spirited
Away, Chihiro soars across the sky as she rides on Haku's back when he is in dragon form. The
critically acclaimed Howl's

Film, Spirited Away, By Miyazaki Hayao
In Miyazaki Hayao's animated film, Spirited Away, Miyazaki presents a young girl Chihiro who
visits an abandoned amusement park, only to become trapped in a fantasy world where spirits
reside. Although most of these creatures are very unique and quite unlike the others, most of them
have one thing in common: their body features are very disproportional compared to the size of their
bodies. This strange similarity depicted by Miyazaki invokes strong feelings of fear and appreciation
in particular for the viewer. While many characters have ominous, creepy appearances similar to that
of a ghost, they still have large eyes, blob–shaped bodies, and they make little–to–no–noise. These
three characteristics emphasize the helplessness– the cuteness–of these creatures. The ominous
appearance of the characters does however quickly begin to clash more obviously with their cute
defining factors. In one early particular scene, Chihiro encounters a radish spirit: a large, round
creature whose body shape resembles a radish. At first, the creature is threatening to the viewer, as it
is large compared to most characters and its appearance is foreign and bizarre. But even though the
spirit appears scary, Chihiro sticks around it briefly, and the viewer is prompted to further observes
its figure. At that point, the the rotundness of the spirit radish's figure becomes more apparent, and
the viewer is lead to see him as not just threatening anymore, but also cute. But things that are cute
are

Looking At A Few Of Them
Introduction
Throughout the last twenty–five years, the notable director of animated films, Hayao Miyazaki, has
brought not only exhilarating and mysterious stories to life, but also multiple issues that he tries to
convey through each of his films. Looking at a few of them, Miyazaki expresses issues about
feminism, war, environmental issues, and much more. The question that will try to be answered
throughout this essay is, how does Hayao Miyazaki use the elements and principles of art to express
environmental issues and impacts within his films? Through the use of color, scene composition,
and motion, Hayao Miyazaki is able to portray the earth's natural beauty while also conveying
human waste and destruction of the environment and its ... Show more content on Helpwriting.net ...
This is an important and yet, traumatic memory for Miyazaki. He expresses its significance in his
life by incorporating it within the films, My Neighbor Totoro and also his latest movie, The Wind
Rises. The characters with tuberculosis are both female and struggle with being diagnosed with it.
He tries to portray the love, sadness, and possible hope for a cure for tuberculosis within those films.
What inspired Miyazaki and also directed him towards the path of animation and the world of
manga (Japanese comics) was in 1958 when he watched the colored film Hakuja Den ("Hayao
Miyazaki Biography"). Surprisingly, instead of acquiring a degree in the arts, he went to Gakushuiin
University and graduated with a Political Science and Economics degree ("Hayao Miyazaki
Biography"). Miyazaki chose this degree because he thought it was practical and he had planned on
helping reestablish Japans economy and recovery from war ("Hayao Miyazaki" Newsmakers).
However, during his time in university and his strong passion for drawing, he joined the "children's
literature research club" ("Hayao Miyazaki Biography"). This had been the closest thing to comics at
the time ("Hayao Miyazaki Biography"). It exposed him to many fairytales, myths, and mysteries
around the world and is probably the reason why his stories mainly involve children, are mainly
fantasy based, and incorporate old tales. The same year he graduated, he quickly entered his
animation

Miyazaki Hayao Research Paper
Miyazaki Hayao was born on January 5, 1941 in Tokyo. He ranked second among the four brothers.
His father, Katsuji Miyazaki, was a director of Miyazaki Airplane Factory (Wikipedia). Maybe it is
growing up in this kind of environment, he had a great interest in the plane and become a lifelong
hobby. Indeed, the concept of flying appeared on his many of the later works over and over again
(Notable Biographies). His mother suffered from spinal tuberculosis and was died in 1955 (nndb).
" In 1947, Miyazaki began school at Utsunomiya City elementary, completing the first through third
grades before his family moved back to Suginami–ku, where he completed the fourth grade at
Omiya Elementary School. For fifth grade, he went to the new Eifuku

Auteur Director Case Study
2. Make the case for either Hayao Miyazaki or Isao Takahata as an auteur director I choose the case
of Hayao Miyazaki as an auteur director for this essay. First, what is an auteur director? The word
"auteur" comes from french that means "author" and the auteur theory itself is a lens or way of
looking at movies that put the director as the "author" of the movie. The Auteur Theory argues that a
movie represents the director's passion and vision; thus, movies that are directed by an auteur
director will reeks of their own signature styles which can be found in repetitive and recognisable
patterns, themes, and in some cases visual (in our case is art) that will give the audience hints as
who is the director of the movie. It is pretty rare to find an auteur director these days because usually
to be able to be an auteur director, a director has to have a full control, from the cast, the visual and
the music, of the the movie that they make. Most producers don't give directors that kind of full
control. There's not a lot of auteur directors that make it big in the movie industry. Think of Quentin
Tarantino, Stanley Kubrick, Christopher Nolan. They are a few of the most famous auteur directors
... Show more content on Helpwriting.net ...
First and foremost is the big amount of time and effort Miyazaki spend on a project. One of the most
surprising thing is that he creates his own storyboards without any intervention from external
parties. That means he can unleash 100% of his creativity to his works. Second, in addition to
creating his own storyboard, he will then review every single animation cell that come out from the
storyboard. It's not a rare occurrence that he will re–do the animation cells if he deems that the
artist's work is not up to his standard and the animation cell cannot properly depict his vision4. This
way, Miyazaki has total control of all story and visual that appear in the final cut of the

Comparing Princess Mononoke And Disney Movies
They say:
– When I first saw Princesses Mononoke at five, I didn't understand any conflict or meaning of the
film. Only the scene where the Forest Spirit is finding his head and killing all the living things on
earth stayed in my mind. I remember laying in my bed that night after watching the film thinking,
"This movie is so scary... how nice will it be if this princess is a Disney princess." I have believed
for a long time that if Princess Mononoke was produced by Disney, the film will be so much more
successful.
I say
– After becoming a young adult and rewatching Princess Mononoke again, my old thought of the
film, which was Princess Mononoke being produced by Disney will be more successful, has twisted.
The style of Studio Ghibli provided the movie the unique, exciting, and memorable features. To be
more specific, the fascinating and well–thought storyline was the most outstanding part of the film.
How Hayao Miyazaki did not separate good and evil with a clear defined line; illustrated a deeper
environmentalist message than Disney films; created an open ending which gives the audiences
more space to imagine and contemplate, are all what made the film a big hit during the 1990s.
Supporting points:
1. ... Show more content on Helpwriting.net ...
There are no definite evil characters in Princess Mononoke. While Lady Eboshi kills and hunts
down the animals in the forest, she also stays loyal to the Iron Town and tries to give the citizens a
better quality of life. Additionally, when Nature is fighting the humans back, they themselves got
into an internal conflict and lost their unity. This feature makes the film more convincing and
relatable to audiences. In real life, people are not always bad or good. Humans' reactions depend on
different situation. Comparing Princesses Mononoke (1997) to The Jungle Book (1967) by Disney,
both of them are telling a story that happened in the woods and the conflict between human and
nature, however, The Jungle Book has a clear line between the good and bad

`` Princess Mononoke `` Directed By Hayao Miyazaki
In an interview with the director Hayao Miyazaki, he states that, "When you talk about plants, or an
ecological system or forest, things are very easy if you decide that bad people ruined it. But that's
not what humans have been doing. It's not bad people who are destroying forests." With problems
such as pollution, deforestation, and global warming constantly on the rise due to human
consumption, creative minds around the globe are incorporating these themes into their works to
express their thoughts on these environmental issues. One of those works is "Princess Mononoke"
directed by Hayao Miyazaki. In this animated film Miyazaki shines a light on the senseless
destruction of the environment caused by humanity's desire for material goods. The core theme in
"Princess Mononoke" is simply that if humans continue to mindlessly devastate the environment we
will eventually exhaust all of our resources and destroy the planet. Many artists, authors, and
directors have also dealt with this subject matter but the way Miyazaki directs and conveys this
theme is what makes "Princess Mononoke" a truly unique movie. In this film, Miyazaki examines
some of the impact and consequences of environmental destruction and employs techniques such as
the personification of animals to argue that humans should have more respect and take care of the
environment around them. "Princess Mononoke" takes place during an unspecified period in
medieval Japan. The movie opens with a boar–like monster

Howl's Moving Castle Analyse
Asia nor
An Artist's greatest masterpiece: Miyazaki's Howl's Moving Castle
(Into needs work)! A childhood muse for me has become an inspiration piece of art by hayao
miyazaki. Howl's Moving Castle has both captivated my imagination and taught me the power of
good art. Not only does miyazaki's film speak to a societal issue, it also creates a perfect connect
between the audience's reactions and the plot through complex characters and impressive
cinematography. Hayao Miyazaki's film Howl's Moving Castle is about the journey of a young girl
named Sophia. She worked in a hat shop before being cursed by an old witch seeking vengeance.
Sophia wondered the Wastelands to find a cure to her curse and met Howl, a handsome young
wizard who ... Show more content on Helpwriting.net ...
The characters do not follow a strict guideline of good or evil but alternate according to the plot.
Howl's character is one that alternates between the main character, the hero, soulless character, and
the hopeless protagonist. He takes on a devilish form and is perceived as evil incarnate, but at the
same time, Miyazaki maintains howl's character as one who is a victim of his own mistakes.
Another character, the young boy, disguises himself as an old healer. Although he is just a boy, he
takes on the role of a guardian of the castle, a wizard apprentice, and even a healer. The witch of the
waste is at first given the role of a villain but moves on to take on that of an old crippled woman.
She is portrayed as a heartless witch whose greed led her a path of darkness, but as her character
develops, she too was a revealed to be a warm, amicable old woman. This is one way Miyazaki
keeps the movie interesting and unpredictable with remarkable character development. The
character development through out the story helps create an unpredictable movie and an amazing
piece of

Spirited Away: A Hero's Transformation
Brian Colditz
Period 2
A Hero's Transformation
A person goes through many transformations throughout their life, some transformations are
initiated by selfish intentions, and others are for other's well being. There are many reasons to
undergo a transformation but in the movie Spirited Away, written and directed by Hayao Miyazaki, a
young girl named Chihero must go through a self transformation to return her parents to their human
forms after they are put under a spell that turned them into pigs. Although Chihero(chi–hero) is
scared to embark on her journey, she is helped by friends to achieve her goal of returning her parents
to their true forms and undergo and her transformation into a confident, brave young girl. ... Show
more content on Helpwriting.net ...
For example, a spirit who was extremely dirty and rancid smelling came to bath house and Chihero
was chosen to take him to his bath and take care of him. Rather than reacting as she usually would,
she showed strength by resisting the urge to throw up due to his terrible odor, and actually getting
him to his bath. During his bath, Chihero had fallen into the giant tub with him, as the spirit helped
her out, she felt a thorn stuck in the spirits body. She alerted the staff of the bath house, and with
their help they managed to get the thorn out. Although Chihero's friends and enemies acted as
catalysts to her transformation, she would not have been able to transform without her own strength
and determination. For example, Haku had stolen something from Yubaba's sister, Zeniba, and
Chihero took what he had stolen and returned it to Zeniba to clear his name. The journey to her
house was very relaxed, but the old Chihero would not take the initiative and do it by herself.
Chihero was brave and strong enough to do it by herself; she also cared about Haku enough to want
to clear his name. In the first scene of the movie, Chihero talked about how much she hated moving,
and how she missed her old school, but in the last scene of the movie, Chihero's father told said how
hard it was going to

Analysis Of Hayao Miyazaki Movie, The Founder Of Studio...
I'm standing in line at the OMSI empirical theatre with my sister and friend, I looked down at the
ticket in my hands, and I got a surge of excitement throughout my body. I knew I was going to see
one of the best movies in my entire life. I knew that everyone in that line was going to as well;
reason being it was a Hayao Miyazaki movie, the founder of Studio Ghibli– one of Japan's biggest
franchise. I could say I have never been acquainted with a soul who thought negatively towards
these movies created by Hayao Miyazaki. He is a very thought–provoking being, someone who can
make you inspired and passionate towards living and breathing. Not to mention each one of his key
characters is a woman filled with independence and integrity, which so often is not, emphasized
enough. Correspondingly, I looked down at my ticket a hundred times or more, the movie I was
seeing was 'Porco Rosso'. The title may seem very strange in a sense, but this movie was a piece of
art, so much so, when it ended I had tears streaming down my cheeks and I walked crying out the
theatre. That is how much it moved me, but this isn't the only exclusive anime saga that has made
me cried before, my sister being included in this culture as much as I am, together we watched
'Blood +' an anime romance. The end of that I'm sure I went through twenty boxes of tissues.
Genuinely, it felt good to feel this kind of emotion– nonetheless; this kind of culture has made
millions of people like me feel empathetic towards

Spirited Away : Film Directed By Hayao Miyazaki Essay
Spirited Away is film written and directed by Hayao Miyazaki. The messages contained within
Spirited Away are almost entirely steeped in symbolism. On the surface, the film can be seen as
young girl that struggles through a terrifying situation while trying to maintain and develop her
personal identity. This is indeed the story I believe Hayao Miyazaki intended to tell. However, there
is symbolic representation behind almost every single character and object of the film. There are
smaller metaphors contained inside the larger allegory. Admittedly, a lot of the base ideas I will
explore in the proceeding text is not my own. However, I will use my own observations to expand
upon this third–party's analysis, and make the argument my own. Other students so far have
presented the symbolism of Spirited Away as portraying Miyazaki's criticism of Japanese culture
during the 80s. This very well may be, and most likely is, the source material for the imagery of the
film. However, my analysis is that of a much broader, general viewpoint of our lives as individuals.
First, I want to establish that the larger allegory is the films plot. A young girl finding her identity
through displays of hardship with hints of environmentalism and social problems. I believe hidden
within this allegory is the imagery that the setting and characters are all smaller representations that
build into the larger symbols that establish to film's general plot. The Ghost Town can be seen as our
daily lives.

Analysis Of Mihayao Spirited Away By Miyazaki Hayao...
In a traditional or typical family, it is always understood that children are meant to and able to rely
on their parents for both safety and emotional support. In the film by Miyazaki Hayao Spirited
Away, we observe a family far from the traditional sense of the word. Much of this film is about a
young ten–year–old girl who is forced to save herself and her parents from being forever stuck in a
world separate of their own. The relationships she loses and gains form her into a different person
than who she is in the beginning of the film. Susan Napier asserts in her book "Anime from Akira to
Howl's Moving Castle" Chihiro is a bratty child with parents who seem to be detached with her and
as we see in the film selfish and indulgent in their own desires (181). These factors all contribute to
the development and relationships of Chihiro in the film as well as the idea of family. At the
beginning of the film as Chihiro and her parents are driving to their new home in the countryside,
we are introduced to the type of relationships and personality of the family members. Napier
describes her parents as "disconnected from each other and their daughter" and Chihiro as a "whiny,
sullen, and self–obsessed" child (181). Right off the bat we are able to see a significant difference in
what a family is considered to be and how it is represented in the film. As mentioned before a family
is meant to care for each other and parents are meant to care for their children especially, however
perhaps because of these circumstances we are led on the journey of Chihiro's "evolution" from that
of a spoiled child to a braver and assertive child. Upon getting lost in the forest by taking a shortcut,
the father decides instead of trying to find their way back to the road, on exploring the mysterious
tunnel and the mother follows, telling Chihiro to stay in the car while they go off to see what is on
the other end.
Already we see how different the role of the father is portrayed as someone who thinks of his own
desires and being before that of his wife or daughter. In the traditional role of a father, he is the
person who is the protector of his family and as such he is meant to put his family first. It is pointed
out in Napier's book

Analysis Of The Poem ' The River That The Boy Spirit '
She cleaned the spirit's dirty body and found out that the dirty things all came from human's rubbish
that discharged into rivers and lakes (Napier, 2006). After Chihiro cleaned the spirit, this lets him
not suffering from pollution. Then the spirit gave Chihiro some treasure that also showed Miyazaki's
view that if people try to protect the nature, nature will also return something for humans (Napier,
2006). Another environmental concern in Spirited Away was a boy who used to be the spirit of a
river near Chihiro's old town, but he forgot his name. And he was working in the spa center because
the river was filled by human to build a highway (Reider, 2005). Miyazaki's view changed because
his life changed at that time. Japan has developed quickly at that time especially the industry, but
people ignored that some activities could harm the environment. Also, Napier stated Miyazaki
explained that the inspiration for the river that the boy spirit was a personal experience of his own
when he helped to clean a polluted river near his home (Napier, 2006). Miyazaki wanted to use the
magic film to tell people the truth what they did. Their behaviors reflected their daily life that
damaged the environment with no intention and also encouraged people to solve the problem in
order to protect the environment. Ponyo on the Cliff Miyazaki's recent film is Ponyo on the Cliff.
According to Rob Young, Ponyo, the main character, is the youngest girl in Miyazaki 's film and
Ponyo is a

The Disney Of Jap Japanese History, Traditions, Rites,...
"We are often not aware of the richness and uniqueness of our cultural heritage – from stories,
traditions, rites, designs and tales of the gods. Surrounded by high technology and its flimsy devices,
children are more and more losing their roots. We must inform them of the richness of our
traditions." Hayao Miyazaki
I can't help but wonder how does Studio Ghibli's leading director Hayao Miyazaki draw on western
sources and settings as well as Japanese history and traditions in two of Studio Ghibli's films: 'My
Neighbour Totoro' and 'Spirited Away' ?
With headquarters based in Koganei, Tokyo, Japan, Studio Ghibli is easily one of Japan's most
famous animation studio's in the world and is known as "the Disney of Japan". It was founded June
15th, 1985 after the great success of 'Nausicaa of the valley of the wind' the studio is headed by
directors Hayao Miyazaki and Isao Takahata even though they were uncertain as to whether the
studio would find any success or crash and burn they had a vision to "blow a new wind through the
anime industry" which was pretty ambitious to say the least but has certainly lived up to its name.
Hence the clever name given to the studio by Miyazaki himself, Ghibli means "hot wind blowing
through the Sahara Desert". The name was used for Italian scouting airplanes during World War II.
Miyazaki, who has a great love for airplanes, named his studio after it.
One thing that I think makes the studio stand out is not only its lovable characters and its

Studio Ghibli 's Princess Mononoke, Directed By Hayao...
Human civilization is linked with environmental destruction, and despite the many implemented
laws to limit the pollution released into the environment, degradation persists because humans have
enough influence to cause harm to the environment as shown with overdeveloped human
settlements (Shea). Global warming is growing as a predominant problem that can affect future
generations and to spread awareness films are incorporating a pro–environmental message. Studio
Ghibli 's Princess Mononoke, written and directed by Hayao Miyazaki, draws a connection between
human greed and environmental consequences. The difference between this film and many other
environmental films is that the supernatural forces of nature serve as a symbol of retaliation against
humans ' actions instead of the consequences of those actions showing retribution. In "Animating
Child Activism: Environmentalism and Class Politics in Ghibli's Princess Mononoke (1997) and
Fox's Fern Gully (1992)", Michelle J. Smith and Elizabeth Parsons state that the film failed to
properly show human run corporations as the direct cause of environmental disaster because the
supernatural creatures are represented as the immediate cause. I believe, however, that the film
appeal to the emotions of anger and hatred that began due to human actions and that have led to the
overall negative impact on the environment. Through the characters, Ashitaka, and Lady Eboshi, and
the portrayal of animals as Gods, the theme of man versus

Analysis Of The Film ' The Tale Of The White Serpent '
Ever since watching Hayao Miyazaki's film, 'Spirited Away', I was enamoured with the art style
aesthetics, smooth animation and storytelling. His work in Studio Ghibli had played a major part in
my desire to work in animation and to create artistic and compelling stories. But it's not just me he
has influenced and inspired, and it's in this essay that I will discuss how this illustrious individual
has influenced and placed his mark in the animation world.
Miyazaki had always had an interest in drawing in his youth. Though his fascination with animation
had started during his high school years when he first watched the feature–length anime film, 'The
Tale of the White Serpent'. And after joining a children 's literature club in college, his interest only
grew. It was in 1963 after completing his degrees, that Miyazaki decided to pursue animation as a
career and joined Toei Animation. There, he learned the basic fundamentals of animation and met up
with his future collaborators, associates and even his future wife.
He started off drawing key frames in the animations he worked on, making sure that the figures
moved and transitioned smoothly. His skill and determination in creating such free–flow work had
impressed his higher ups, and he was soon moved up from being an in–between artist, to becoming
heavily involved with the Animators Union. That's where he would eventually work alongside many
other forward–thinking and progressive animators and help create Isao Takahata's

Portrayal Of Female Characters Of Hayao Miyazaki 's Films
The Portrayal of Female Characters in Hayao Miyazaki's Films
By Muhammad Aiman Mohd Zin
I remembered the first time I was introduced to one of Miyazaki's most prominent animation film,
Spirited Away (2001). The film absolutely captured the essence of what a fantasy world should be. I
was mesmerized by the characters, the style, the animation movement and the whole entire world. It
was as if the world probably existed somewhere, hidden from the reality we live in. I was hooked
with Miyazaki's work since then. The influences of Miyazaki's work has driven me to follow my
dream as an animator. I realized that the reason why I love most of Miyazaki's work is because of
his in–depth characters development. He managed to give life to the characters he created hence,
making the viewer more connected with the story he directed. For my thesis, I will analyze how
Miyazaki portrays female characters in his movies. The female character that I would analyze are
from Miyazaki's film entitled Princess Mononoke (1997), Spirited Away (2001) and Laputa: Castle
in the Sky (1986).
Princess Mononoke was one of the highest grossing film in Japan during the year it was released in
1997. The film is about a warrior named Ashitaka, who sets on a journey to find balance and peace
between the struggle of the forest God and the human greed who consume its resources. As much as
I'd like to elaborate more on Ashitaka's character, I found myself more compelled with the portrayal
of Lady Eboshi in the

Analysis Of My Neighbour Totoro
The adventurous, visually enchanting animated Japanese movie, My Neighbour Totoro, by Hayao
Miyazaki of Studio Ghibli released in 1988 in Japan, attempts to show the viewers the innocence
and the sense of community in Japan before the prevalent industrialization and economic boom. The
movie is set in the countryside away from the big industrialized cities. The main characters are the
schoolgirl, Satsuki Kusakabe, and her younger sister, Mei Kusakabe. Their days are brightened
thanks to the spirit of the forest, Totoro.
Hayao Miyazaki, who is born in 1941, is incorporating his own childhood in the film. Furthermore,
he focuses on the historical time the movie is set. Meanwhile, noting that the movie is made in 1988
which is during the period of the economic bubble, he reminds us of the simple Japan in the 1950s
before the economic boom occupied the people of this country. In contrast to the past, people who
live in the city area do not get involved with one another's business despite how Japan has practiced
chonaikai for having an intimate sense of community within the neighbourhood ever since the
revival of chonaikai after World War 2. Hayao Miyazaki is able to reveal this specific ambience of
the Japanese community in the movie when the Kusakabe's neighbours, a young boy, and
grandmother, come to help the Kusakabe family move into their 'new' old rotten house. It is also
seen when all the neighbours nearby help Satsuki look for her lost sister. Although the neighbours
do

Hayao Miyazaki Auteur Style Analysis
Many people may have a specific style in which they like to dress. A woman might have a signature
lipstick she enjoys wearing, a man might have a distinct cologne that stands out from the rest.
Movies are not too far apart in comparison. Sometimes people find films more enjoyable than
others, and often do not realize they come from the same director. The Auteur theory is a that
defines the director as the sole author of the entire film, adding his or her own personal style. When
it comes to the world of animation, director Hayao Miyazaki is a pioneer in auteur. His specific
directorial style is seen in many of his films in which he manages to make films enjoyable to adults
of all ages. Kiki's Delivery Service was one of director Miyazaki's ... Show more content on
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The climax scene begins in the home of one of Kiki client's. While visiting Kiki sees on her client's
television that her friend Tombo is hanging off a blimp that is heading straight into town.
Imminently, Kiki then rushes to her friend's aid even though she has lost her ability to fly. So, with a
sense of purpose, Kiki takes a broom from a man in the middle of town and concentrates extremely
hard to fly again. As said before, one of Miyazaki's key traits of his auteur is his use of the
environment. At that moment, Kiki tries to physically and emotionally connect with the wind to fly.
The wind is calm at first but then busts out a gust of air shooting Kiki into the sky. The incident
Tombo is in makes it possible only for Kiki to save him since no one else can reach him. Under this
circumstance, the town watches in horror waiting for the boy to be saved. Then, Tombo's hand slips
from the rope of the blimp and begins to fall where Kiki saves him just time in midair. As a result,
Kiki the strong female lead saves her friend after overcoming her self–doubt. All of this took place
in an ordinary town, the wind contributed in helping Kiki gain her confidence back. Which
concluded with a great original story. Overall, specific examples of Miyazaki's auteur style were
seen in the climax scene of Kiki Delivery Service. Hayao Miyazaki has long been an admired
director. His

Studio Ghibli Is A Universe Apart
Studio Ghibli is by many lazily known as the Asian equivalent to Disney, but the comparison only
remains true in terms of box office sales. In terms of content, Studio Ghibli is a universe apart.
Founded in 1984 by founder and world renowned director Hayao Miyazaki, Studio Ghibli has for
decades since its establishment churned out iconic films known for their beautifully drawn frames
and fantastical plots, nearly all of which star strong, intelligent, independent–minded female
protagonists. This trend can be traced all the way back to Miyazaki's first feature length animated
film titled Nausicaä of the Valley of the Wind, which debuted in theaters in Japan May of 1984. This
was the same decade Disney released The Little Mermaid (1989) in ... Show more content on
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Another of Ghibli's films, Princess Mononoke (1997), made emphatic this archetype. Mononoke is a
movie about the warrior–princess San, who lives amongst wolf–gods and attacks the human villages
that threaten her forest home; it is certainly not a film about a damsel in distress as are many
Western films centered around a female lead. San is best described as an independent, ferocious,
wild, but also virtuous individual. The prince and princess characters never enter into the realm of
romance either in Mononoke, an occurrence very much contrary to the typical love–story arc that
drives numerous other animated movies (Aladdin, Snow White, The Little Mermaid, etc). In fact
when San first meets Ashitaka, the prince from a human village, she is sucking poison from the
gunshot wound of a giant wolf and spitting blood into a river. She never swoons nor falters, but
stares covered in blood and tells him to "go away." Even later in the story when Ashitaka calls her
beautiful, she recoils. "What is it, San?" asks one of the wolf–gods. "Want me to crunch his face
off?" In her interactions with Ashitaka, San is indeed obstinate but later is forced to confront her
human identity. This never comes across as him taming her however, but is a relationship of shared
respect. This is seen in the conclusion of the film when– after the two characters have formed a
strong friendship and have worked together

Studio Ghibli's Success and Impact

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