1. Storyboard
Opening shot – distribution/production
company title screen fades from black in
order to create realism for the audience,
following conventions of the usual opening
|title screens for a teaser trailer
Fade from black – first title screen with the
words ‘two separate people’ to introduce two
separate characters
TWO SEPARATE PEOPLE
Fades from black into split screen, showing
male and female characters in two separate
settings, further connoting towards the
separation between them
Second title screen fades from black with the
words ‘TWO SEPARATE LIVES’, repeating the
word separate in order to resonate the
separation between the two characters with
TWO SEPARATE LIVES the audience, fades to black
Fades from black, two separate streets to
again show the difference between them
Fades from last shot into the current one,
contrast between the two separate countries
the two live in, begins to incorporate the idea
of travel, fades to black

2. Fades from black, the words ‘gap year’
continue with the idea of travel, ‘romance’
begins to connote towards the genre of a
ONE GAP YEAR ROMANCE romantic teaser trailer, fades to black once
more
Fades from black, view from plane continues
the idea of travel, shows the two separate
characters journeys to one another,
transitions into next clip
Fades in from previous clip, shows couple
together and presents the idea that they have
fallen in love on their gap year, fades to black
Fades from black, begins to hint towards the
TOO GOOD TO LET GO narrative of the film: the struggle to stay
together. Also supports the genre of the
teaser trailer, fades to black
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Shots of plane tickets and maps reinforce the
idea of travel, fades to black
Fades from black, Final title screen with the
movie’s tagline reinforces the two major
HOW FAR CAN LOVE TRAVEL? themes of the teaser trailer: travel and love.
Fades to black