2. 1.
“MALCOLM MIDDLE”
INSERT SHOT: MANNEQUIN HAND WITH MIDDLE FINGER UP.
INSERT SHOT: NOTEPAD WITH “MALCOLM MIDDLE” WRITTEN ON IT.
EXT. DILAPIDATED CAR PARK – DAY.
RILEY IS STANDING IN THE CAR PARK.
EXT. TUNNEL WITH GRAFFITTI – DAY.
REVERSE ZOOM THROUGH THE TUNNEL.
INSERT SHOT: BLACK TITLES SCREEN WITH TEXT “RILEY”.
EXT. COUNTRY ROAD – NIGHT.
RILEY IS WALKING TOWARDS THE CAMERA WITH A CAR FOLLOWING
HIM.
Insert shot: Zoom in on “X”.
EXT. DILAPIDATED CAR PARK – DAY
RILEY IS MIMICING AIMING A PISTOL WHILE MOUTHING THE
LYRICS.
INT. BEDROOM – NIGHT
RILEY IS WRITING LYRICS IN HIS ROOM.
INSERT SHOT: MANNEQUIN HAND WITH MIDDLE FINGER UP.
EXT. COUNTRY ROAD – NIGHT.
RILEY IS LEANING ON THE SIDE OF THE CAR.
EXT. COUNTRY ROAD – NIGHT
RILEY IS STANDING IN FRONT OF THE HEADLIGHTS OF THE CAR.
THERE IS TEXT ABOVE THE CAR “BLACK CHALK”.
EXT. COUNTRY ROAD – NIGHT
INTERIOR OF CAR. RILEY IS STANDING OUTSIDE THE FRONT
WINDSHIELD, IN FRONT OF THE HEADLIGHTS. PROP MONEY ON THE
DASHBOARD.
INT. PRODUCER’S ROOM – NIGHT
SKULL AND CROSS-BONES ON WALL.
EXT. DILAPIDATED CARK PARK – DAY
3. RILEY IS RAPPING, WITH VARIOUS CLOSE UPS OF MISE-ENSCENE.
EXT. COUNTRY ROAD – NIGHT
2.
RILEY RAPPING.
RILEY LEANING OUT THE CAR WINDOW MAKING HAND AND ARM
MOTIONS.
RILEY BEHIND THE STEERING WHEEL.
RILEY ON THE SIDE OF THE CAR JUMPING TO MUSIC WITH A
BOTTLE OF ALCOHOL IN HAND.
RILEY CONTINUES TO RAP IN A COUNTRY ROAD.
EXT. DILAPIDATED CAR PARK – DAY
RILEY MAKING RIPPING MOTIONS WITH HIS HANDS.
HE THEN THROWS UP A MIDDLE FINGER.
EXT. TUNNEL WITH GRAFITTI – DAY
RILEY WALKING DOWN TUNNEL.
RILEY RAPPING ON WALL WITH PRODUCER HASSAN COLEMAN. BOTH
MAKE SUGGESTIVE MOTIONS WITH HANDS AND ARMS.
WALKING DOWN TUNNEL AGAIN. TURNS AROUND TO FACE THE
CAMERA.
EXT. COUNTRY ROAD – NIGHT
SUGGESTIVE ARM MOTIONS IN FRONT OF THE CAR.
INSERT SHOT: ZOOM IN ON THE X.
INT. ROOM WITH WATER BASIN. – NIGHT.
RILEY IS RAPPING WITH A BLANK EXPRESSION WHILE LOOKING IN
THE MIRROR ABOVE A WATER BASIN.
EXT. COUNTRY ROAD – NIGHT
RILEY IS LEANING ON THE CAR. HE MAKES A V SYMBOL WITH
FINGERS.
INSERT SHOT: REVERSE ZOOM THROUGH TUNNEL WITH GRAFITTI.
INSERT SHOT: SPLIT SCREEN MID-SHOT OF AN ATTRACTIVE
FEMALE AND RILEY.
INSERT SHOT: SPLIT SCREEN CLOSE UP, RILEY AND FEMALE BOTH
MOUTH LUST AS THE WORD FLASHES OVER THEIR LIPS. SHE
SMILES, HE LOOKS SOMEWHAT FEARFUL.
INSERT SHOT: RILEY WITH HAND AND FINGERS EXTENDED.
4. INSERT SHOT: CIGARETTE BUTT BEING TAPPED.
INSERT SHOT: ASHTRAYS.
INSERT SHOT: FEMALE REAR, HOT PANTS. RIPPED.
3.
INSERT SHOT: REVERSE ZOOM THROUGH TUNNEL.
INSERT SHOT: ATTRACTIVE FEMALE IN A GROUP OF FRIENDS
WALKING FLIRTACIOUSLY.
INSERT SHOT: SPLIT SCREEN OF ATTRACTIVE FEMALE AND RILEY
BOTH MIMING LYRICS.
EXT. DILAPIDATED CAR PARK – DAY
RILEY IS WALKING FORWARDS WITH NOTEPAD CHAIN AROUND NECK.
INSERT SHOT: NOTEPAD WITH “MALCOLM MIDDLE” NOW HAS
“VENUS” WRITTEN ON IT TOO.
EXT. DILAPIDATED CAR PARK – DAY
RILEY IS RAPPING WITH NOTEPAD CHAIN AROUND NECK.
RILEY RIPS ANOTHER NOTEPAD OPEN.
EXT. COUNTRY ROAD – NIGHT
RILEY IS RAPPING OUTSIDE THE WINDSCREEN OF THE CAR.
INT. ROOM WITH WATER BASIN – NIGHT
RILEY RAISES HIS HEAD FROM THE WATER BASIN, FACE DRIPPING
IN THE MIRROR.
EXT. FIELD – DAY
RILEY WALKING THROUGH THE FIELD.
EXT. COUNTRY ROAD – NIGHT
RILEY IS RAPPING AND MAKING TRIGGER FINGER MOTIONS WITH
HIS HANDS IN FRONT OF THE CAR.
INT. BEDROOM – NIGHT.
PENCIL ROLLING ACROSS THE DESK. A NOTEPAD IS BEING PICKED
UP IN THE BACKGROUND.
RILEY PRACTICING IN HIS ROOM.
INSERT SHOT: ZOOM IN ON THE X.
INSERT SHOT: MANNEQUIN HAND WITH IT’S MIDDLE FINGER UP.
INSERT SHOT: “WELCOME TO FENLAND” SIGN.
INSERT SHOT: RILEY’S FATHER PRESENTS HIS PALMS.
5. INSERT SHOT: RILEY’S FATHER LOOKS FORWARD WITH A BLACK
STRIP ACROSS HIS EYES. THE STRIP HAS “MALCOLM MIDDLE”
WRITTEN IN IT.
EXT. FIELD – DAY
4.
RILEY IS CROUCHING IN A FIELD WHILE RECITING LYRICS.
EXT. COUNTRY ROAD – NIGHT
RILEY IS RAPPING BY THE CAR WHILE CROUCHED.
INSERT SHOT: REVERSE ZOOM THROUGH THE TUNNEL, GRADUALLY
TURNS TO COLOUR.
INSERT SHOT: SPLIT SHOT, RILEY’S EYES IN ONE SHOT, AND
HIS MOUTH MIMING THE LYRICS IN THE OTHER.
INSERT SHOT: ZOOM IN ON X.
INT. HOUSE – DAY.
RILEY TAKES MONEY FROM A PURSE, LOOKS UP AND WALKS OUT
THE HOUSE.
EXT. FIELD – DAY.
RILEY IS MAKING CYCLIC MOTIONS WITH HIS ARMS WHILE
RAPPING.
RILEY THEN WALKS BACKWARDS IN THE FIELD WITH ARMS
OUTSTRETCHED, AND TURNS TO WALK FORWARD WHILE CUPPING HIS
FACE IN HIS HANDS.
EXT. DILAPIDATED CARP PARK – DAY.
RILEY POINTS FORWARD WHILE MIMING LYRICS.
HE THEN MAKES THE MOTION OF CUTTING HIS THROAT WITH HIS
HANDS.
INT. ROOM WITH WATER BASIN – NIGHT.
RILEY’S FACE IS DRIPPING FROM PREVIOUSLY DUNKING HIS HEAD
IN THE WATER. HE IS RECITING LYRICS WITH NO EXPRESSION.
EXT. COUNTRY ROAD - NIGHT.
RILEY IS RAPPING. HE MOTIONS TO THE CAMERA, THEN TO
HIMSELF.
INSERT SHOT: REVERSE ZOOM THROUGH TUNNEL OF GRAFITTI.
COLOUR IS ALMOST RESTORED.
EXT. COUNTRY ROAD – NIGHT.
RILEY IS CROUCHING AND RAPPING IN FRONT OF THE CAR.
6. EXT. DILAPIDATED CAR PARK – DAY.
RILEY IS RAPPING IN THE CAR PARK.
EXT. COUNTRY ROAD – NIGHT.
RILEY MAKES GUN MOTIONS WITH HIS HANDS WHILE RAPPING.
EXT. FIELD – DAY.
5.
RILEY IS WALKING WITH A LENS FLARE.
EXT. TUNNEL WITH GRAFITTI – DAY.
RILEY IS LEANING ON THE WALL, WHILE RECITING LYRICS. HE
THEN THROWS UP 9 FINGERS.
EXT. DILAPIDATED CAR PARK – DAY.
RILEY EXTENDS HIS HAND. A PICTURE OF RILEY AS A TODDLER,
AND AN IMAGE OF BIG L BOTH EXTENDING THEIR HANDS ARE
OVERLAYED OVER THE VIDEO FOOTAGE.
INSERT SHOT: ZOOM OUT FROM THE X.
INSERT SHOT: BLACK SCREEN WITH TEXT SAYING “TITLED/SELF”.
