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Annabelle Thijssen-Green
HORROR GENRE
ORIGINS
• Originally from the Latin word, from ‘horrere’ to ‘shudder, or have
(of hair) stand on end’
• Every culture, religion, continent, and language has ‘horror
stories’, stories told by ancestors. Myths were first told as stories
around the early Abrahamic and Egyptian times, where tales of
classical mythology were discovered.
• Classical mythology like Cerberus, the minotaur, and Medusa
were all part of a genre that had monsters as main characters.
• The modern horror genre known today began around 200 years
ago, it has already begun to have forms and conventions around
the eighteenth century. Cerberus, the three
headed ‘dog’
THE FIRST HORROR FILMS
• The first horror films were silent. They started at the end of the nineteenth
century, and were referred to as ‘spook tales’, as the term ‘horror’ wasn’t
created until the 1930’s.
• The first short horror clip was created by the Lumière brothers in 1895 and
featured a dancing skeleton.
• However the first horror film on record is Le Manoir du Diable (1896) created
by Georges Méliè.
• It has a running time of just over three minutes, but still manage to include
all the now usual patterns of horror:
• Bats, witches, ghosts, devils, trolls, devils, and lots of appearing and
disappearing in smoke.
1930’S
The 1930’s were a very prominent time for the horror genre to appear and begin.
• Dracula was originally put out into cinemas in 1931, and became very very
successful for Universal, a now very big film company.
• Frankenstein was also first aired in 1931 to audiences.
The Mummy aired in 1932
Notes: Universal. Produced: Carl
Laemmle, Jr. Directed: Karl Freund
Script: John L. Balderston Plot: Nina
Wilcox Putnam, Richard Schayer
Special Effects: John P. Fulto
King Kong aired in 1933
Director
Merian C. Cooper
Writers
James Ashmore Creelman
Ruth Rose
KEY NAMES AND DIRECTORS IN HORROR
Ridley Scott
‘ Alien, Blade Runner,
Hannibal’
George A. Romero
‘Night of the Living Dead, The
Crazies, Dawn of the Dead,
Creepshow, Day Of The Dead,
Monkey Shines, The Dark Half,
Land of the Dead’ Alfred Hitchcock
‘The Lodger, The Lady Vanishes,
Rope, Dial M for Murder, Rear
Window, Vertigo, Psycho, The
Birds, Frenzy’
CONVENTIONS
• Setting
• Technical
• Iconography
SETTING
• Binary opposites: very urban environments or completely urban rural settings
• Often places with ‘dark’ histories: abandoned hospitals, warehouses, psychiatric
hospitals, hospitals, or ‘haunted’ hotels and houses
back
Abandoned hospitals
Cities ‘after’ the apocalypse
TECHNICAL
Handheld shots are used to connote fear and emotion, as the handheld cameras are held by those
who are experiencing the film as a real life event. Grave encounters is an example of this as the film
is a ‘documentary’ on the paranormal inside an abandoned psychiatric asylum. Everything in the film
is filmed by the documentary ‘crew’.
back
POV shots are used to either show
the character’s point of view and
what they are seeing, or can also be
used so the audience can look
through the eyes of the villain. For
instance in Evil Dead there is a
chase in the POV of the monster.
Camera angles are also used to connote
fear and desperation. High or low camera
angles show this.
Sounds are also key for horror films and
are used to show the emotion of the
character, to build suspense, and
sometimes silence is used at the pinnacle
of the chase, or just after the suspense
has been built with loud music, so that the
audience can’t know what will happen
next.
ICONOGRAPHY
back
• Colours and Lighting
They are usually either dark or bright to give normalcy
before the horror begins. This is an example of a binary
opposite film. A film example of this would be Paranormal
Activity, who has a light normal atmosphere at the
beginning and then slowly becomes darker and more
scary as the film progresses.
• Props
In certain horror films props can be used to show
the exact storyline of the film. For instance a
chainsaw and mask would insinuate a murder
storyline in the horror film, while supernatural
symbols would connote paranormal storylines.
The actual ‘villains’ of the horror genre vary,
because murderers can be human and are villains,
yet ghosts and werewolves and vampires are also
villains because they go against the protagonist in
the story usually.
In Paranormal Activity the films goes
from a bright daytime to dark nights like
the picture above, or are filmed in night
vision like the picture right.

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Horror Genre Presentation

  • 2. ORIGINS • Originally from the Latin word, from ‘horrere’ to ‘shudder, or have (of hair) stand on end’ • Every culture, religion, continent, and language has ‘horror stories’, stories told by ancestors. Myths were first told as stories around the early Abrahamic and Egyptian times, where tales of classical mythology were discovered. • Classical mythology like Cerberus, the minotaur, and Medusa were all part of a genre that had monsters as main characters. • The modern horror genre known today began around 200 years ago, it has already begun to have forms and conventions around the eighteenth century. Cerberus, the three headed ‘dog’
  • 3. THE FIRST HORROR FILMS • The first horror films were silent. They started at the end of the nineteenth century, and were referred to as ‘spook tales’, as the term ‘horror’ wasn’t created until the 1930’s. • The first short horror clip was created by the Lumière brothers in 1895 and featured a dancing skeleton. • However the first horror film on record is Le Manoir du Diable (1896) created by Georges Méliè. • It has a running time of just over three minutes, but still manage to include all the now usual patterns of horror: • Bats, witches, ghosts, devils, trolls, devils, and lots of appearing and disappearing in smoke.
  • 4. 1930’S The 1930’s were a very prominent time for the horror genre to appear and begin. • Dracula was originally put out into cinemas in 1931, and became very very successful for Universal, a now very big film company. • Frankenstein was also first aired in 1931 to audiences. The Mummy aired in 1932 Notes: Universal. Produced: Carl Laemmle, Jr. Directed: Karl Freund Script: John L. Balderston Plot: Nina Wilcox Putnam, Richard Schayer Special Effects: John P. Fulto King Kong aired in 1933 Director Merian C. Cooper Writers James Ashmore Creelman Ruth Rose
  • 5. KEY NAMES AND DIRECTORS IN HORROR Ridley Scott ‘ Alien, Blade Runner, Hannibal’ George A. Romero ‘Night of the Living Dead, The Crazies, Dawn of the Dead, Creepshow, Day Of The Dead, Monkey Shines, The Dark Half, Land of the Dead’ Alfred Hitchcock ‘The Lodger, The Lady Vanishes, Rope, Dial M for Murder, Rear Window, Vertigo, Psycho, The Birds, Frenzy’
  • 7. SETTING • Binary opposites: very urban environments or completely urban rural settings • Often places with ‘dark’ histories: abandoned hospitals, warehouses, psychiatric hospitals, hospitals, or ‘haunted’ hotels and houses back Abandoned hospitals Cities ‘after’ the apocalypse
  • 8. TECHNICAL Handheld shots are used to connote fear and emotion, as the handheld cameras are held by those who are experiencing the film as a real life event. Grave encounters is an example of this as the film is a ‘documentary’ on the paranormal inside an abandoned psychiatric asylum. Everything in the film is filmed by the documentary ‘crew’. back POV shots are used to either show the character’s point of view and what they are seeing, or can also be used so the audience can look through the eyes of the villain. For instance in Evil Dead there is a chase in the POV of the monster. Camera angles are also used to connote fear and desperation. High or low camera angles show this. Sounds are also key for horror films and are used to show the emotion of the character, to build suspense, and sometimes silence is used at the pinnacle of the chase, or just after the suspense has been built with loud music, so that the audience can’t know what will happen next.
  • 9. ICONOGRAPHY back • Colours and Lighting They are usually either dark or bright to give normalcy before the horror begins. This is an example of a binary opposite film. A film example of this would be Paranormal Activity, who has a light normal atmosphere at the beginning and then slowly becomes darker and more scary as the film progresses. • Props In certain horror films props can be used to show the exact storyline of the film. For instance a chainsaw and mask would insinuate a murder storyline in the horror film, while supernatural symbols would connote paranormal storylines. The actual ‘villains’ of the horror genre vary, because murderers can be human and are villains, yet ghosts and werewolves and vampires are also villains because they go against the protagonist in the story usually. In Paranormal Activity the films goes from a bright daytime to dark nights like the picture above, or are filmed in night vision like the picture right.