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B FA 
research & process 
andie richardson 
Cornish college of the arts BFA 2014 
1
andie richardson 
Cornish college of the arts BFA 2014
PERSON AL MANI FESTO 
To enjoy the work I create and how I 
create it. Appreciate what I have and 
not dwell on what I do not have. 
Carefully observe the problems at hand 
and create an organized solution with 
good intentions. To not over think or 
overwork, but to find that beautiful 
spot in between. Be meaningful and 
inspire those around me. Bring myself 
into my work. Realize what is necessary 
and what is not. Avoid harmful and 
unnecessary distraction and focus on 
my creativity. To not bring suffering 
upon myself but to accept all situations 
and learn from them. Be open, aware, 
and listen. Always remember who I am 
and where I came from. Communicate 
well and speak my mind. Make myself 
heard and show my true potential. 
Find peace in everyday. Thoroughly 
research, reflect, and discover. Be kind, 
respectful, and intentional. Be happy, 
satisfied, and constantly challenged. 
Surround myself with people and places 
that bring out the best in me. To not 
repress stress, fear, or any strong 
emotions, but to notice observe and 
reflect on them. Never stop creating. 
Always keep in touch with close ones. 
Clean up after myself. Drink a lot of 
water everyday. Read new and different 
things. Listen. Share insight. Seek 
insight. Try new things. Bring art into 
more children’s lives. Visit nature often. 
See the ocean often. Write to others. 
Keep a journal. Stretch more. Slow 
down and breathe. Travel and see as 
much of the world as possible. Use 
what I have to it’s fullest potential. 
Agree and disagree, but make solid 
points and listen to others views. 
Thank people and let them know I 
mean it. Stop holding myself back 
because of status. Put myself in 
vulnerable situations that make me 
think in different ways. Stay true to 
myself. Always work hard. Always 
remember I have room to grow.
The most organized I can make of the process of my exploration, 
research, writings, and findings that lead me to my senior project. 
Concluded with a branding guidelines section that I used to create 
and produce the finalized elements for the show. Two semesters 
worth of work to back up my reason for creating this project.
Content 
Proposal 
Exploration 
From here 
001 
005 
039 
Philosophy study 
Ta rget audience 
Brand research 
LOGO PRO CESS 
BRANDING GUIDELINES 
craf t day 
Conclusion 
045 
077 
087 
111 
137 
165 
171
Proposal
We live in a highly structured society that holds us back from 
connecting with our authentic selves. Each of us has the power to 
make this personal connection. By finding a way to access and 
listen to our inner selves, it can strongly impact our lives. I want to 
use design to bring philosophy into the everyday life. As children 
become more independent they start questioning why and who 
they are. They are surrounded by the external world telling them 
who to be, when they can and should discover this themselves. 
For my BFA project, I want to help children find a sense of self to 
honestly relate to the world they live in. I will provoke self discovery 
by creating a versatile publication that influences meaningful 
time spent in engaged thought through creative activity. 
002 
preci
Long form 
The subject of my BFA project is to influence connection with 
ourselves to better relate honestly to the external world. As well 
as an exploration in combining philosophy and design to better 
the individual. This interests me because I always valued my 
personal journal as a kid and loved looking back on what I had to 
say years later. It was a place to explain my thoughts to myself, to 
really understand what it was I was feeling and why I was feeling 
that way. It was a safe place to think out loud, organize my thoughts 
and emotions, a place I could come to when I wasn’t sure of myself. 
There is a unique individual inside all of us, most of us just aren’t 
taught to connect with it. We have the power to make this 
connection and by creating a way to access our inner selves, it can 
strongly impact our lives. 
The problem is that we live in a highly structured society that holds 
us back from connecting with our authentic selves. Children ages 
6-12 will benefit from a publication that influences meaningful 
time spent in engaged thought through creative activity. This is a 
time where individuality is formed, where children question why 
and who they are. While at the same time the world is constantly 
telling them who to be, when they can discover this themselves. 
People who embrace individuality and mindfulness will engage 
directly with this project. As well as those who have or know 
children that they would like to help live up to their full potential 
and find inner guidance or just inspire creativity. 
My BFA will be remembered as a way to discover a personal 
sense of self, beliefs, and ideals. A diverse and uplifting 
publication that uses design to explore bringing philosophy into 
the every day life. 
003
Exploration
Imagination kit 
006 
project one 
Starting out I knew I wanted to make a project that was aimed towards 
children. I am intrigued by their imaginations and realms of creative 
possibilities they have within their minds. I wanted to create a physical 
space to harness their creativity, a space they can call their own and 
keep their personal tools to create with. 
All of the items are meant to be standard useful crafting tools for various 
projects. Not trying to structure the outcome, but to provide the 
opportunities to create whatever is on your mind.
007
008
009
Mindful moments 
A journal to reflect inward and think about hard personal questions in 
life. The questions are intended to be stickers and meant to use as you 
wish at your own pace throughout the journal. There is a mixture of 
both questions and drawing prompts that all relate to the individual self. 
It can be hard to open up a blank journal but the blank page is a magical 
space, and with the right questions can open the mind. 
010 
project two
011
012
013
Pocket philosophy 
014 
project three 
A time line of research on five philosophers and an exploration in 
conveying and simplifying philosophical ideas. I broke down their main 
concepts and ideas into what I believed personally reflected their 
philosophical stance. I also chose to include a quote that inspired me the 
most and encompassed their values and three writings of theirs that 
did the same. The final was made into a small book. It not only allowed 
me to organize these ideas and get a clearer understanding of the 
philosophy of these particular men, but it also was a way to teach others 
simply what these guys were all about.
PLATO 
427 - 3 47 B C 
015
016 
RENE 
DESCARTES 
1596 -1650 
QUOTE 
“I think therefore I am.” 
“It’s not enough to have a good mind. The main 
thing is to use it well.” 
CONCEPTS 
Seeked the knowledge of truth by adopting a 
moral code consisting of three conducts; 
obey the custom laws of the country 
act accordingly to the most probable 
opinion whenever there is a lack of time. 
try to subordinate one’s wishes to the 
world, not the world to your wishes. 
Freed reason from traditional authority. By 
arguing that any anyone with proper training 
can become educated and independent. You 
choose your path in life. 
A FEW WRITINGS 
Meditations on First Philosophy 1641 
Principles of Philosophy 1644 
The Passions of the souls 1649
017 
IMMANUEL 
KANT 
1724 -1804 
QUOTE 
“Space and time are the framework within 
which the mind is constrained to construct its 
experience of reality.” 
CONCEPTS 
Examined the limits of human knowledge and 
the minds ability to reason. 
The principle of universalization. Are you okay 
with everyone acting this way? 
Treat others as you would like to be treated. 
Not as a means to gain, but as an ends. 
The Categorical Imperative; ones own moral 
duties to their own excellence. 
Good is good, regardless of the ends or 
consequences of actions. Your decisions are 
made purely on your instinctual good natured 
mind. 
A FEW WRITINGS 
Critique of Pure Reason 1781 
The Contest of Faculties 1794 
The Metaphysics of Morals 1797
018 
FRIEDRICH 
NIETZSCHE 
1844 -1900 
QUOTE 
“ The snake which cannot cast its skin has to die. 
As well the minds which are prevented from 
changing their opinions; they cease to be mind.” 
CONCEPTS 
Quest for individuality, opposed to the heard 
mentality. 
The Superman or Overman; the potential 
in human beings in rising to their greatest 
heights. 
Philosophy shouldn’t just be about great ideas 
but how people really live and experience life. 
Tragedy depicts the absurdity of life. The 
tension of paradox and absurdity can only be 
overcome through creative activity. 
The institution of Christianity had brought 
about the corruption of man. 
A FEW WRITINGS 
Beyond Good and Evil 1966 
The Will to Power 1967 
The Antichrist 1968
019 
BERTRAND 
RUSSELL 
1872 -1970 
QUOTE 
“It is a preoccupation with possession more than 
anything else that prevents men from living 
freely and nobly.” 
CONCEPTS 
Human instinct is never completely self 
centered. 
Vanity passed at a certain point kills pleasure 
in every activity. 
A certain power of enduring boredom is 
essential to a happy life. 
Saw the suffering and unhappiness in the 
ordinary day-to-day of civilized countries. 
Analytical Philosophy; using analysis and 
logic to discover your world. Realism over 
Idealism, facts over symbols. 
A FEW WRITINGS 
The Conquest to Happiness 1930 
An Inquiry Into Meaning and Truth 1941 
The History of Western Philosophy 1945
Activity book 
020 
project four 
Combining a little bit from each of my first three projects, I created an 
activity book. The first sections on Why Philosophy and How to Use 
This Book explain the ideas that are involved through this project. The 
back of the book is mean to be a sketchbook to record the process of 
your activities and use as a journal. The top of the sketch book page is 
bordered with a header that records the date, project number, and items 
used. Allowing for a simple way to help keep track of your process and 
overtime develop a stronger connection with yourself.
ACTIVITY BOOK 
A philosophical approach to creativity 
#001 
021
022 
WHY 
PHILOSOPHY? 
We live in a highly structured society that can hold us back from 
connecting with our individual selves. We are constantly pushed to 
focus on the external world, we can easily forget to remember why we 
are here and who are authentic being is. Even in a busy world we still 
find those times were we stop and question life. There is a deep mystery 
to being alive and as commonly rational humans it’s inevitable that we 
try to reason life. Philosophy is a way to sort out your ideas and find 
pathways for these questions. There is no right or wrong answers, just 
dierent outlooks on living life. It can be a way to get in touch with the 
inner self that each of us has the power to connection with. By finding a 
way to access and listen to our inner selves, it can strongly impact our 
lives. Through creative activities the mind becomes engaged in 
reflective inward thought. Looking inward to inspiration and advice 
rather than looking outward to find the right answers. Knowing where 
we stand on ethical and personal situations is a valuable tool for 
enjoying life. You can seeing your thoughts clearer and know how to ask 
your self how to get through tough situations.
023 
HOW TO 
USE THIS BOOK 
The book starts with a short philosophical story, providing an uplifting 
outlook to begin your crafting. The main part of the book is guided 
activities to do around the house and outside to influence creativity in 
the every day life. The steps involve recording the process and thoughts 
along the way, thoroughly involving your sketchbook as you go. They are 
guides to creative findings and explorations. Turing a gray afternoon 
into a one filled with imagination. You can follow them as you wish, add 
or subtract as you go. The point is to create and these are just 
suggestions to help you be creative. 
Following the acclivities is a sketchbook section for you to record your 
creativity. There are journal questions and drawing prompts for when 
you aren’t up to a full activity or just need to reflect inward. Record the 
dates in your sketchbook for future inquiries. This book if for you so use 
it as you best see fit.
024
LESSONS 
ON LIFE 
seeing life through the seasons 
025 
There was a man who had four 
sons. He wanted his sons to learn 
not to judge things too quickly. 
So he sent them each on a quest, 
in turn, to go and look at a pear 
tree that was a great distance away. 
The first son went in the winter, 
the second in the spring, the third 
in summer, and the youngest son 
in the fall. 
When they had all gone and come 
back, he called them together to 
describe what they had seen. 
The first son said that the tree was 
ugly, bent, and twisted. 
The second son said no it was 
covered with green buds and full 
of promise. 
The third son disagreed; he said 
it was laden with blossoms that 
smelled so sweet and looked so 
beautiful, it was the most graceful 
thing he had ever seen. 
The last son disagreed with all of 
them; he said it was ripe and 
drooping with fruit, full of life and 
fulfillment. 
The man then explained to his 
sons that they were all right, 
because they had each seen but 
only one season in the tree’s life. 
He told them that you cannot 
judge a tree, or a person, by only 
one season, and that the essence 
of who they are and the pleasure, 
joy, and love that come from that 
life can only be measured at the 
end, when all the seasons are up. 
If you give up when it’s winter, 
you will miss the promise of your 
spring, the beauty of your summer, 
fulfillment of your fall.
EXPERIMENTAL 
NATURE SCULPTURES OUTSIDE & INSIDE ACTIVITY 
find a new meaning in something. 
026 
Go on a hike and gather materials 
as you go. 
Notice what is around you, take 
your time and have a mindful walk. 
Bring a bag with you to carry your 
findings. 
Look for rocks of all sizes and 
leaves of dierent shapes. 
Once you return home, check out 
your new treasures, lay them out 
and see them as a whole. 
Take pictures, draw, and record 
what you have found. 
Take some time to imagine what 
you could make with what you 
have. Using paint to decorate and 
define your sculptures, and glue 
to construct them if needed. 
#001 
you will need 
A BAG TO CARRY FINDINGS, PAINT, 
BRUSHES, TWINE, AND NEEDLE. 
WORKBOOK 001 | PG . 7
027 
ALPHABET ROCKS 
Make multiples of 
each letter to spell 
out words. 
PLAY A GAME 
Make dominoes or 
X’s and O’s for a 
game of tic tac toe! 
PATTERN LEAVES 
Thread some twine 
through the leaves 
and make a banner.
PIPE CLEANER 
CREATURES 
make something out of one thing. 
028 
For this activity you will use one 
main object, pipe cleaners. They 
are a simple and flexible material 
that can be manipulated into 
many forms. Start by drawing 
small creatures, plants, anything 
you can think of while keeping in 
mind of this simple form. 
Look at your creatures, imagine 
how you could make them with 
your pipe cleaners. How many 
would you need to use, and what 
colors could they be? 
Draw over your sketches with 
colors to see the dierent sections. 
Try to gage how long each piece 
would need to be for each part 
and how they could connect. 
Begin bending, twisting, and 
experimenting with what you can 
do with the pipe cleaners. 
#002 
INSIDE ACTIVITY 
you will need 
VARIOUS COLORED PIPE CLEANERS 
AND SCISSORS. 
Start attaching them by twisting 
the ends together and begin to 
sculpt your creatures. 
Remember they can easily be 
taken apart and remolded so just 
keep experimenting to figure out 
what works best. 
Once you have your creatures, 
take pictures and redraw them as 
their completed forms. Give them 
names and write a small note 
describing how you made them. 
WORKBOOK 001 | PG . 9
OUTLINE 
Start with simple 
shapes to discover 
what the pipe 
cleaner can do. 
029 
PETALS AND WINGS 
Common forms that 
use multiple 
colors and lengths. 
CATERPILLAR 
Twist short pieces 
of various colors 
around one core 
piece. Attach legs 
every few rings!
030 
PLANT A 
NEW FRIEND 
watch your creativity grow 
#003 
OUTSIDE  INSIDE ACTIVITY 
you will need 
SEEDS, SMALL CLAY POT, SOIL, 
PAINT, BRUSHES, HEAVY PAPER. 
Take a moment and think about 
the seed you are going to plant, 
consider what it might look like. 
Draw and write down your ideas 
and thoughts. 
How do I relate to plants in my 
life? What does it mean to plant 
something? 
Use paint to decorate around the 
outside of the pot giving your 
plant a personality to grow into. 
Create a planters tag indicating 
the species and any other 
personality markings you want to 
give it. Name, age, goals, dreams, 
fears, etc. 
Make this by cutting a rectangle 
with heavy paper about 5 inches 
long with a pointed end to stick 
into the soil. 
Remember to water your new 
friend every day. 
Draw and record the growth of 
the plants life. 
Once the plant gets too big for 
the pot, you will need to move it 
to a larger pot, or into the ground! 
WORKBOOK 001 | PG . 11
031 
THE EXTERIOR 
Paint letters, faces, 
or patterns on the 
outside of the pot. 
MARKING 
A descriptive plant 
tag will keep the 
gardener informed.
032 
Start collecting the paper tubes at 
the end of your toilet paper and 
paper towel rolls. And any other 
various paper scraps you can find. 
While you collect paper tubes 
over the next couple days or once 
you have all your materials first 
sketch some ideas of what 
to make. 
Start with the paper tubes as the 
body of your sculpture. 
Experiment with your materials, 
how can they connect, how can 
you alter them to look like arms, 
hair, wings, antennas, etc. 
Make as many as you can, or see 
how intricate of a piece you can 
make with only paper. 
Once your done, line them all up, 
take pictures and enjoy what you 
have created! 
#004 
Draw your finished sculptures, 
write a small paragraph about 
how you made each of them. If 
they are a creature, give them 
backgrounds, characteristics, 
friends, hobbies, and talents. 
PAPER TUBE 
DUDES 
a dierent a to recycle 
INSIDE ACTIVITY 
you will need 
PAPER TUBES, CONSTRUCTION PAPER, 
GLUE, PAINT, MARKERS, SCISSORS. 
WORKBOOK 001 | PG . 13
033 
USEFUL CRAFTS 
You can simple paint 
the tubes in scenes 
or patterns, the can 
be used to hold pens 
or as figurines. 
WHISKERS 
The tubes are sturdy 
enough to poke 
holes into and stick 
materials through. 
FEATHERS AND BEAKS 
Cutting your tubes 
into smaller pieces 
will give you more 
material for your 
creatures!
Answering hard questions about your own life is dicult, but it opens 
your eyes. Writing and can be a powerful outlet to discover ideas and 
feelings more solid. These are questions to consider to reflect on your 
own life and help dig deeper. Clarifying these ideas will help make more 
sense of your self as an individual in this world. Writing down your 
thoughts not only can benefit you right now, but it can be a place to look 
back on in the future. Revisiting old thoughts connects you with a past 
self that can open your present mind to reflect on what may have been 
long forgotten. Journalizing can impact your life when you ask the right 
questions. 
034 
JOURNAL 
QUESTIONS 
dig a little deeper 
WORKBOOK 001 | PG . 15
HOW ARE YOU FEELING? 
WHAT MAKES YOU HAPPY? 
RECALL A DRAMATIC CHANGE IN Y OUR LIFE. HOW DID YOU 
COPE WITH THIS? 
WHO ARE YOUR CLOSEST FRIENDS? 
WHAT QUALITIES DO YOU ADMIRE IN OTHERS THE MOST? 
RECALL A DREAM. 
WHAT ARE YOUR BIGGEST FEARS? 
WHAT ARE YOUR GOALS? 
WHAT CHALLENGES DO YOU SEE YOURSELF FACING? HOW 
CAN YOU PREPARE FOR THEM? 
WHEN DO YOU DO THE BE ST WORK? 
WHAT ARE YOUR BEST QUALITIES? WHAT ARE YOUR WORST? 
HOW CAN YOU IMPROVE YOUR LIFE? 
WHAT ARE YOUR FAVORITE ACTIVITIES? 
WHAT ARE SOME ACTIVITIES YOU WOULD LIKE TO TRY? 
WHAT ARE YOUR FAVORITE TOPICS AND SUBJECTS? 
HOW DO YOU CONNECT WITH YOUR FAMILY? 
HOW DO YOU HANDLE LIFE WHEN THINGS DON’T GO Y OUR 
WAY? IS THIS THE W AY YOU FEEL YOU SHOULD REACT? 
IS THERE ANYTHING IN YOUR LIFE YOU DON’T AGREE 
WITH? WHY AND HOW CAN YOU CHANGE THAT? 
035
A blank page can be intimidating because of all the possibilities that 
could take place, and it is all up to you! But don’t worry, there are always 
more blank pages to fill, so don’t think too hard and draw away. Although, 
if you need some inspiration and a way to start moving around on the 
page, let these prompts help you begin filling the pages! 
036 
DRAWING 
PROMPTS 
watch your creativity grow 
WORKBOOK 001 | PG . 17
BLIND DRAWING 
Get in a comfortable standing or sitting pose and make sure your 
sketchbook is propped up. Look to your left or right and draw what you 
see by looking at it and not the paper. Once you think you have gotten 
a good sketch take a look and check out your blind creation. Doing this 
over and over in the same spot on the same page with dierent colored 
pencils or markers can create a very abstract and interesting eect! You 
can see how dierent you drew things every time, and how they changed. 
IMAGINARY ELEMENT 
Look at a space around your house, draw the scene first as it is. Make a 
list of objects or people that you could use as an additional imaginary 
element to the space. Draw a few sketches of a few of your favorite 
options, experiment with how they are placed on the page and interact 
with the environment. Pick one to redraw to the same scale and detail of 
your first drawing. Look at the two completed drawings together. Create 
a story related the two scenes together, what situation occurred for this 
to happen? 
DRAW A DREAM 
DRAW WHAT YOU SEE OUTSIDE YOUR WINDOW 
DRAW A MAP OF YOUR NEIGHBORHOOD 
DRAW YOUR FAMILY AND FRIENDS 
DRAW YOUR FAVORITE CHILDHOOD MEMORY 
DRAW OBJECTS IN YOUR ROOM 
DRAW YOUR FAVORITE PLACE 
DRAW THINGS THAT MAKE YOU SMILE 
DRAW YOUR FAVORITE ANIMAL 
DRAW A DISTINCT MEMORY 
DRAW YOUR SOURCES OF INSPIRATION 
037
From here 
Looking at my process of exploration so far I see a solid theme 
to inspire creativity and individual growth in children’s lives. 
From here there are many directions and outlets that could form. 
Knowing that the form is crucial to what the overall project 
becomes, and should also be a direction that I would want to 
spend the next semester devoted to, plus one that would dictate 
what sort of career path I would potentially go down. I knew I 
wanted a publication to be part of the scope, as well as product 
packaging, branding, and an element of web, to show my interest 
to learn. After brainstorming routes, I decided on creating a kit 
that comes with a publication, either monthly or just once, that 
is individually curated around a philosophical idea combined 
with activities that tie in with the theme. The website would be 
a place to subscribe to the kit as well as create an online portfolio 
and gallery of your crafts. I settled on this form because it will 
allow me to show my versatility in design application as well 
as keep my inspired while I create it.
Project brief 
To introduce philosophy into children’s lives through self reflective 
creativity. Taking away the structured idea of what their final piece 
should look like, and focusing more on the process and the growing 
aspect of creating. I plan on making a kit that comes in a package 
monthly that children can interact with at home. Each kit would be 
curated around a philosophical idea that would be expressed through 
the included craft activities, adding a self reflective aspect to the 
creative process. 
My idea is to create a company that is sourced through a website. 
You can subscribe for a monthly kit to come, or just chose them one at 
a time. First timers get a starter kit that include essential creating tools. 
Kits that require specific tools for the activities will come in the 
individual packaged kits. Each kit will be curated around a philosophical 
theme and contain a story to start the process followed by activities. 
The kits will contain unique supplies to craft with that go along with 
the individual activity book. 
The website will have a section for children and parents to create an 
online gallery to post and record their projects and crafts, they can 
keep in private or share it with their friends and family. 
I foresee creating an overall brand, small website, a starter kit, 3 to 5 
individual philosophical kits, and a promo giveaway item for the show. 
040
Project elements 
041 
Brand 
Logo 
Website 
Guidelines 
Postal packa ging 
Kit + product 
packaging 
Publicati on 
Individual kit 
Postal packa ge 
3 activity boxes 
Book 
Poster 
Pamphlet 
Extras 
Website 
Pencils 
Journal
Dead Lines 
4th week review 
Feb. 4th at noon 
8th week review 
All assets due 
Show time 
March 4th at noon 
Program Coordinator 
Art with Heart, non-profit Seattle , WA 
042 
April 30th 
May 9th 
Mentors 
Katie choate 
Drew hamlet 
Lead Designer 
Hum Creative, design studio Seattle, WA
Projected goals and time line to current project plan. 
Subject to change through research and development. 
4th week review 
5 solid themes for kits 
1 kits fully conceptuali zed 
Site map planned out 
Namin g options 
Mood board / brandin g styles 
8th week review 
Brandin g guidelines done 
One complete physical kit to show, 3-5 in works 
Website comps , close to done 
Give away item decided 
1-5 kits completed to show 
Website complete to interact with 
Give away item ready 
043 
All assets due 
Show time 
Shelves up 
Kits presentable 
Monitor with site 
Give away items in place
Philosophy 
Study 
A combination of research, readings, and reflections in my 
independent study with Raymond Maxwell and in my senior 
studio class with Tiffany De Mott.
046 
Reading review 
James mcguire 
Creative story tellin g for children 
James McGuire presents storytelling as part of human nature, an innate 
behavioral quality to pass on knowledge, influence listeners, and share 
imaginations with each other. McGuire highlights that storytelling is especially 
important to children. They use storytelling themselves as they grow and 
play as a way to interpret their feelings and surroundings. As well as listening 
to many stories from families and friends, they are constantly learning 
history, morals, and ethics in an engaging form. Storytelling is an interesting 
way to present practical knowledge to children, bringing things to life and 
making a more vivid image for them to grasp. 
In relating this article to my BFA project, it helps bring to light one major 
element. That is, I need to have a structured flow to the process of each kit. 
To treat each kit as a physical story, engaging the children through a creative 
process of learning. Although I will be having a small story in each kit that is 
selected to construct what the kit will be, I need to have a flow to how the kit 
will be used and engaged with. 
My initial thoughts are to start with have an beginning, middle, and an end. 
First introduce the child to the story then ask them a few questions regarding 
the story and themselves to bridge the story and the activities. The middle 
would be the activities themselves, then to end would be questions to conclude 
what has been learned by the activities personally. If I can, it would make 
sense to have a finishing element to each kit that builds on each other, a way 
to wrap up each activity kit, but to show that their is no end to the nature of 
your knowledge, philosophy, and the why questions.
047 
Reading review 
Leo tolstoy 
Two brothers 
Tolstoy illuminates the idea of individual happiness in this story about two 
brothers. He presents the idea that is hard to understand, especially at a young 
age, and that is that your idea of perfect happiness in life is very different 
from anyone else, even that of those closest to you such as your brother. You 
might think someone has a poor life because of the way they live, but this 
might be the way they choose to live. Just because you think and feel certain 
ways about things, doesn’t mean that holds for everyone else. 
Being aware of this indifference in life as well as being able to accept it is a 
beautiful and challenging thing. It is easy to think less of someone because 
they don’t have the same standards as you, but being able to see them as they 
and being aware that they mad their choices is a skill to have in life. It makes 
it easier to see the world for what it is, rather than what you think it should be. 
Having this awareness and acceptance in ones life can greatly benefit their 
well being and day to day interactions with others. This is a strong and useful 
idea to present into children’s lives.
The following passages are from the novel of philosophy, Sophie’s World, by 
Jostein Gaarder. I started reading this novel after Raymond Maxwell gave me 
a copy about half way through the semester. It immediately sparked my interest, 
it takes you through the journey of a young girl who is being introduced to 
philosophy. This translates so perfectly with my project I decided to read it 
chapter by chapter giving a writing reflection after each read. I briefly try to 
explain all of the points made in the chapter, all of the learning objectives, and 
bigger questions being asked. As well as relating the individual chapter to my 
project and seeing how it backs up or expands my concepts and reasons. Each 
chapter brought something new to light, and helped me clarify my reasoning 
towards making this activity kit for children. 
049
Our own time 
man is condemned to be free 
“...we are free individuals, and this freedom condemns us to make 
choices throughout our live. There are no eternal values or norms 
we can adhere to, which makes our choices even more significant... 
On the other hand our freedom obliges us to make something of 
ourselves, to live ‘authentically’ or ‘truly’... But it is we ourselves that 
must create this meaning in our own lives ” (pg. 458). 
050 
Reading review 
Sophie’s world 
Freedom is a large and vague concept that is intertwined into many parts of 
our lives. It is an idea that is brought into focus at a young age when we are 
discovering out who we are in the world. We test the boundaries and try to 
understand how free we truly are and the choices we make create the person 
we are. Growing up we can listen to everything that our parents say, but we 
still wonder about what is truly right, wrong, normal, and strange. Yet, most 
of the time things aren’t just black and white, the gray areas of life are the 
where we find ourselves wondering about. Wondering questions like why 
there is something rather than nothing, how something came from nothing, 
and whether nothing matters. 
We can’t answer these broad questions with concrete answers, but we can 
address them with outlooks on how to life ones life. We can’t know that 
anything of our lives matters to the world as a whole, but we do know it matters 
to us as individuals and the ones we share it with. All we can truly do is what 
matters to us and be true to ourselves. If we create our own meaningful life it 
all matters in the end. If we live ours lives trying to be something we are not 
or not giving it your all, there will be no meaning to that life.
051 
Reading review 
Sophie’s world 
Democritus 
the most ingenious toy in the world 
This chapter starts out questioning the ingeniousness of the toys Legos. This 
question helps the philosopher introduce the concept of the Atom Theory to 
Sophie. It is a visual, physical, and relatable way for the complex idea of Atoms 
to resonate with a child. Backing up the way I am approaching to introduce 
philosophical concepts to children through crafting activities and questions. 
Democritus and the Atom Theory. Unlike Heraclitus believing that the world 
is constantly in flux, Democritus believed that transformations in nature are 
not actual “change”. He believed that everything breaks down into small 
particles that are eternal and immutable. These atoms come in various shapes, 
sizes, and colors and attached to each other to transform into different things. 
But these atoms, the smallest units that exist, themselves can never change. 
When the atoms disperse and reorganize to transform into something new, 
this isn’t a random process, but one that follows the laws of nature. 
“Everything that happens has a natural cause, one that is inherent to itself.” 
(pg 45). When it came to the Soul, Democritus believed that their were “soul 
atoms” that were different and smoother. He believed that when a person or 
animal dies, these soul atoms disperse into the world to create other souls. 
Democritus was a natural philosopher and also a Materialist, believing in 
nothing but material things that exist. He didn’t believe in a spiritual element 
to nature, he only went but what he could perceive with his senses and reason 
with his mind. 
This chapter takes on the over arching question of, do things change? It seems 
that yes they do change. I watch bananas rot in my kitchen after not eating 
them for over a week. I watch my cat grow, my dog die, my shoes fall apart, my 
toast burn. Things change, whether it’s over time or with force, there is no 
denying a force of change. What is the difference change and transformation? 
Because I think this where Democritus fails to explain, I think they are two of 
the same thing. He cannot say things don’t change, but they transform into 
something else. I get that he is saying at the root of it all, there are small physical 
elements called Atoms that don’t ever change, but that is almost too technical 
for this situation. To our perception, which excludes Atoms, things change.
052 
Reading review 
Sophie’s world 
Socrates 
wisest is she who knows she doesn’t know 
Is there such a thing as natural modesty? Wisest is she who knows she does not know. 
True insight comes from within. He who knows what is right will do right. 
These were Sophie’s starting points for her lesson on Socrates. They each hold a larger 
lesson within them and together create a solid view point on societies basic outlook 
on philosophy. Athens society rejected Socrates because he was to self liberated with 
his ideas, he was unfit for the masses. Yet her we are thousands of years later, we aren’t 
killing people directly for their philosophies, but we aren’t accepting everyone either. 
People still look strangely at the person who questions the normal, the outcast the one 
who speaks the harsh truth, and punish those who don’t abide by the law. We may think 
we can be whoever we want to be, but there is a limit. Most people, once they have gone 
to the limit, they recede and conform slightly so save their lives, but not Socrates. He 
held on to his beliefs to the very end, where he was forced to death because he did not 
agree to conform but continued to question. Later in this chapter, Socrates courage 
is compared to Jesus’s. It is presented that they both looked within for guidance and 
believed in their reason in over their lives. They are also both men that didn’t leave any 
written documentation, but legacies have been passed down by others. This idea really 
fascinated me, I am not a religious person and am not too familiar with the stories of 
Jesus but to think that Jesus was a philosopher of his days standing up for a higher 
reason against the society is an interesting one. This makes me also wonder, why isn’t 
their a religious following for Socrates, now that is something I might get into. 
Socrates was known for hanging out daily at the public market starting up conversations 
to the passersby. He wanted to awaken the wonder in others by questioning them and 
showing them that there is a lot that is unknown. He was known to be the wisest of men 
of his time, but he did not believe this. He also believed that he didn’t know everything, 
or even a lot, he was aware that the origins of life are unknown and wanted to question 
everything with everyone. This connects again with children, the fascination in wonder 
and the ability to question yourself and others without the restrictions of society. This 
is just an illustration of how society slowly conforms us as we age. We are born with 
fresh eyes, but as we grow we develop boundaries to relate to the society we live in. 
This is a natural occurrence, one that is hard to avoid when in a community of people. 
The more secluded you become, the more independent your thoughts, but then the more 
lucid or delusional they could become. Society is there conforming us, but it is at our 
own will and awareness to how much we will be conformed. It is also there keeping 
us on in touch with reality, so it is the individual balance of how in touch and how 
conformed you are to become.
In this chapter when Sophie confronts her mother with some philosophical comments, 
her mom becomes irritated and angry with Sophie for speaking back to her. This 
shows how Sophie’s mother is already so conformed she doesn’t have the patience 
or awareness for these thoughts that Sophie is having and sharing with her. This is 
where the conformity of society is saddening, when awareness to reason is closed off 
this disconnection happens between individuals and the results of the relationships 
can be detrimental. Sophie is now at a point where she could believe in her mother, 
that she is being foolish with her thoughts, or she could keep an open mind and 
continue her search for reason. 
Finally, Sophie is left with some questions from the philosopher. “Can you live a happy 
life if you continually do things you know deep down are wrong? There are lots of 
people who lie and cheat and speak ill of others. Are they aware that these things are 
not right— or fair, if you prefer? Do you think these people are happy?” (pg 69). 
It would be really hard for me to believe that people who lie and cheat do not know 
that what they are doing is not right. There are basic levels of right and wrong such 
as lying and cheating that are universal to all, we may not all follow them, but these 
common rules are in our conscious. They are told to us through stories, teachings, 
or in encounters in our everyday lives. It is not to say that these liars and cheaters, 
aren’t aware, because they are, given that they are sane and in a civilized community. 
They merely aren’t in touch with these social standards, they either disapprove of 
the structure of society and want to rebel against it, or they just don’t care. The first 
is disruptive, but passionate about reason, the later is without reason and any self 
respect. So there aren’t obvious reasons for why one would lie or cheat, but I believe 
they are aware of the wrong they are doing. If someone doing the wrong truly knows 
and believes in the right, they will feel guilt, and in doing so won’t be happy for some 
time. If someone does wrong without this connection to the self and the sense of 
rightness, they won’t feel this guilt, but this also means they don’t have that self of 
self connection and will never be able to be truly happy. 
I get pretty angry with myself when I do something that I later think back and realize 
I knew I shouldn’t have done. They are small acts of temporary relief, where I am not 
in touch with myself but get caught in the moment where I don’t think about my actions. 
As I have grown up they slowly lessen, but there is always something to learn about 
myself in these moments. 
053
The myths 
a precarious balance between the forces of good and evil 
It is shown to be a natural habit of humans to search for reason amongst the 
mysterious forces of nature. The myths are examples of strong beliefs that 
are so far fetched into the imagination to form a structure around what seemed 
like chaos in their world. These myths, which now seem more ridiculous than 
rain itself, were believed as Truth and passed on for thousands of years. 
Proof of human nature not allowing absurdities and mystery to just be, but to 
find a suitable truth for the unreasonable. 
It is hard to truly say I wouldn’t have been involved in believing these myths, 
because time and science are so far more advanced now, I was never given 
the opportunity to be so consciously vulnerable. It seems so ridiculous now, 
but I’m sure if someone thought the myths were ridiculous back then, they 
would be the outsider, the strange. This is proof that beliefs change, that the 
Truth isn’t always stable, but mostly a reminder to not over analyze the absurd, 
learn to accept the parts of life you will never truly understand. It is a hard 
and difficult thing to do, but it can make life more enjoyable. Not to forget 
about these questions, in fact keep questioning the world more, but accept 
that a lot of those questions wont have one solid answer. 
054 
Reading review 
Sophie’s world
Fate 
the fortune teller is trying to foresee something that is really quite unforeseeable 
What governs the course of history? If it is a form of fate or acts of god, then 
this means that there is no free will. To accept that you have free will, you 
are accepting that people have the power over their lives and that there is no 
“fate” or predetermined life. 
Terms and meanings 101 
Superstition is a way to find a natural explanation for a transformation in 
nature. Fatalism is whatever happens is predestined. Materialism is believing 
in what is real to the senses, atoms and particles. 
It is natural to seek advice when needing to make a hard choice or when you 
are faced with a horrible situation. During your decision making your beliefs 
become a strong contender to how your choices play out. How and where you 
seek advice to justify your decisions determines the kind of person you are. 
If you fall into what is known as a superstition, which is another form of fate, 
you are ultimately believing that you do not have free will and that something 
more powerful than you is in control over the outcome of your life. With-standing 
from praying or claiming power in any form other than yourself 
over your choices and path of life gives you this free will. 
This concept of taking responsibility and pride in your decision making could 
benefit children at a young age when first faced with the idea of freedom. 
Informing them that they are responsible for their choices. 
055 
Reading review 
Sophie’s world
Working out the content of my kit 
Beginning my independent study in philosophy with Raymond, I wanted to 
narrow my concepts and ideas that I was interested in into solid themes for 
my BFA activity kit. My kits mission is to introduce basic concepts of 
philosophy into children’s lives through self-reflective creativity, including 
questions and crafts. So I needed to start thinking like a philosophical child, 
which led to a lot of questions that began with why. So I created a list of 
common hard questions that children ask about life that don’t have an easy 
answer if any at all. I then created a list of themes and concepts derived from 
those questions. I organized them and picked 5 that seemed the most important 
and universal to me as major concepts to work with. Attaching stories and 
philosophers along with them that represented this theme to me in some way. 
To further rough out how I would create an activity with one of these concepts, 
I took one and broke it down into components. 
056
057 
Questions 
How much longer? 
Where do we come from? 
Why are you crying? 
Why should I believe you? 
Why do people get sick? 
Why are there homeless people? 
Why do people wear clothes? 
Why do I have to go to bed so early? 
Why do I have to go to school? 
Why did my dog die? 
What is beyond the stars? 
How do I know something is bad? 
Why do I have to say sorry? 
Why do I have to do it all myself? 
Why do people get sick? 
Why do people go to church? 
Why do people believe in god? 
Why do bad things happen to good 
people? 
Why is the sky blue? 
Why do I have to pick up after 
myself? 
Why/how do I have dreams? 
Why do I have to be nice to them?
Themes and concepts 
Existence /reality / percepti ons 
How do you know what you know 
Plato’s cave 
Good/evil / right/wrong / morality 
What determines our morals  ethics ? 
Bein g thr own int o this world 
Makin g somethin g out of nothin g 
058 
Absurdity / truth 
Creatin g your own reality 
The myth of, camus 
Self reali zation/ know thyself 
Disc overy, actuality , authenticity . 
THE TWO ARTISTS, S.K. 
Time /space 
How we exist in our envir onment 
Capacity and the nature of knowled ge 
Trust / auth ority 
Privacy / respect 
LIBERTY/RESPONSIBILITY 
Appropriati on / limitati ons 
FAITH / RELIGION 
THE TAME GEESE, S.K. 
WEALTH/ STATUS/ MONEY 
THE KING AND THE MAIDEN, S.K.
059 
KIT #1 
Concept  theme: 
Existence /reality / percepti ons 
QUESTIONS: 
WHERE DID I COME FROM? 
WHAT IS BEYOND THE STARS? 
WHY DO MY FRIENDS LIVE and think DIFFERENTLY THAN ME? 
HOW DO YOU KNOW WHAT YOU KNOW? 
MY OBJECTIVE: 
REALITY IS HOW YOU PERCEIVE IT. OUR REALITY IS BASED OFF OF 
HOW WE PERCEIVE THE WORLD AND WE PERCEIVE THE WORLD 
THROUGH OUR FIVE SENSES. THERE ARE UNIQUELY COMFORTABLE 
WAYS FOR INDIVIDUALS TO EXIST BASED ON OUR KNOWLEDGE OF 
OUR SURROUNDINGS. 
PHILOSOPHICAL STORY: 
PLATO’S, THE ALLEGORY OF THE CAVE 
POSSIBLE ACTIVITIES: 
RANDOM PIECES TO CRAFT WITH, WHAT WILL YOU MAKE WITH YOU 
HAVE. CAN USE THE ONLINE GALLERY TO SEE WHAT OTHERS MADE 
OUT OF THE SAME MATERIALS 
CREATE A CHARACTER BASED OFF OF YOUR SENSES. DIFFERENT 
TRIGGERS IN THE KIT TO SPARK MEMORIES OR FEELINGS FROM ALL OF 
YOUR SENSES TO CONSTRUCT A CHARACTER WITH AN ENVIRONMENT, 
CREATE A BACKGROUND STORY FOR THIS CHARACTER. 
YOUR PERSONAL CAVE. A 3D MODEL OF YOUR WORLD
After the next meeting with Raymond and discussing my questions and concepts 
we realized that I needed to back up and really clarify my target audience. This 
way I could better narrow the concept and fully justify choosing to make a kit 
curated around the theme that I chose. Before I was thinking in a broad sense, of 
just general philosophical questions that are wondered at a young age. But, the 
mind of a 6 year old is going to wonder about the question very differently than 
the mind of a 12 year old. 
I decided that I would make my target age range be 9 to 12 year old children, this 
way I could have room for more abstract questioning. So I did some research 
and then remade a list of philosophical questions and a list of themes that were 
geared around the life of a 9 to 12 year old child. I then took five of the most 
relevant concepts and delved a little deeper into those. Coming up with possible 
questions, activities, and short stories that related with the theme. From there, 
I picked one out of the five concepts and expanded that out into components of 
a possible activity kit with 3 activities, a list of questions and a story. 
060
TARGETING 9-12 YE AR OLD CHILDREN . 
9-12 year old children are my main target audience because they show strong 
aspects of intellectual, emotional, social, and cognitive development that could 
benefit greatly from self-reflective creative philosophy. This allows for more 
abstract thinking. Deeper questions for the minds that desperately need a sense 
of direction. They show a need for independence and a curiousness for univer-sal 
truths, fairness, and what is right or wrong. They are at a point in their lives 
where they want to find these things out for themselves, not ask their parents but 
discover things directly. Having a personal place to read, create, and write will 
help organize thoughts and feelings to make better sense of life. Exercises the 
judgment of opinion at this age can benefit the growth of confidence in the self. 
“It is very easy to express an opinion, much harder to justify it.” 
- Philosophy for everyday life, pg. 6 
061 
Common themes 
Independence 
SELF CONSCIOUS 
Fairness 
Attitude 
Self discovery 
Normal / conformity 
Authority 
Right and wrong 
Universal truths 
Self reali zati on 
Personality 
Control / limitati ons 
Beliefs 
SELF ESTEEM / INSECURITY 
Embarrassment / pride 
Free will 
DECISION MAKING 
Relati onships 
Values and morals 
Change
5 ma jor themes 
Free will : INDEPENDENCE / authority 
How do you define your free will? 
List 5 ways in which you exercise your free will. 
List 5 ways in which you feel held back from being free. 
To what extent can I do what I want to do? 
The Ring of Gyges, Plato’s Republic 
Draw what you think the Ring of Gyges looks like. 
What would you do with the Ring of Gyges? 
Draw in the comic panels your first mission with the Ring. Create 
a beginning middle and end to your story. Why you chose to do this, how 
you did it, and what became of the actions? 
Self realization : attitude 
Who am I ? 
Who am I at home? Who am I at school? 
3D self portraits. Masks. How do you portray yourself to the world? 
With your appearance and your attitude? 
Do you have multiple masks? 
Different attitudes for different people or places? 
062 
Conformity / NORMAL 
What is normal? Do I fit in? 
Is being different a bad thing? 
The Pedestrian, Ray Bradbury 
How do different views on the way we should act in society create 
problems, can they bring people together? 
List things that you like to do, that you may find normal, that 
other friends or family might view as not normal. How does having 
someone else think that what you enjoy is strange, or out of the ordinary? 
Create a character that seems Normal to you, and a character 
that seems completely odd and out of (your) world
063 
FAIRNESS / control 
Why is life not fair? 
The Guest, Albert Camus 
Was Daru treated unfairly? How did he handle this situation? 
Do you think Daru was thinking of himself or of the prisoner? Could he have been 
concerned about both? Did his opinions change after the task was over, or were 
their different concerns on his mind? 
Are their different types of fairness? 
To what degree does the desire for fairness become selfish? 
Think about a time that you felt like you were being forced to do 
something that made you feel like life wasn’t fair, after doing the task did you feel 
differently on the matter? 
Where do fairness and control relate and differ? 
Draw different places you feel in control, and not in control. Draw a 
situation occurring in 2 different places where the environment changes the control. 
With the thread, create a fairness bracelet. You have total control over the 
outcome of the bracelet, it is yours. You can wear it to remind you that their are a 
lot of things out of your control that seem unfair, but remember that you can only 
be responsible for what is in your reach. 
Truth : UNIVERSAL TRUTHS / beliefs 
How do you decide what to believe and what not to believe? 
Why do others believe differently than me? 
The Two Artist, Soren K. 
Can you find beauty in the everyday? 
Draw people, places and objects in your life that you find especially 
beautiful and explain for what reasons you find that beautiful. Why might others 
see them differently? How can two or multiple opinions exist in the world?
Concept  theme 
Free will/justice/control 
MAIN PHILOSOPHICAL STORY 
The Ring of Gyges, Plato’s Republic 
The concept of community, being around others is a strong force in the 
exercise of our individual free will. We have the tendency to be more 
free when we are alone, or with those we are comfortable with. It is 
when we are around others, those we aren’t familiar with, or just a mass 
of people when we put our guard up and make choices based off of how 
you think others will react. 
Writings and concepts 
Heidegger’s “being thrown”, looking at freewill in the lens of what we 
can’t control about our existence. We can’t decide when, where, and 
to whom we are born into, but we have the power to control how our 
lives turn out. Sophie’s Choice, even under the most extreme situations 
were we seam powerless, there are still ways we can make an authentic 
choice, use our free will. 
MY OBJECTIVE 
Free will can be viewed from many different perspectives regarding 
ones life. How being aware of how your free will is effect by your 
environment, and how being aware of your free will can change the 
way you live. Maybe it just lies in how you think about things, your 
actions might stay the same, but it’s about how you view yourself in the 
world and your control over your existence. 
064 
Free will
Create Your Own Journal 
Writing is a great way to work out feelings, hard decisions, and keep memories. It is not 
only a way to discover yourself right now, but to look back on in the future and learn 
about your past, keep in touch with old thoughts and feelings. There are no boundaries 
in a personal journal, you have complete free will with your words and drawings. Explore 
how individual, personal free will is just as important as free will in society and your 
personal community. 
Tools: thread, needle, bees wax, paper, book board, book cloth, end paper, book glue, glue 
brush, ruler, scissors, pencil, exact-o knife, 
CANVAS COLLAGE 
Testing the limits of what free will is. Whether using others material, weather that be 
words or images, in a different way, can it still be original? Is anything original? 
Tools: canvas panel, paint, paint brush, glue stick, tacky glue, markers, magazine clippings 
MAKE YOUR OWN STAMP 
You can control the shape of the stamp but each print will come out uniquely different. 
Sometimes they are small and sometimes they are big, you never know exactly what will 
come your way but can you accept that their are things in life that you won’t be expecting 
even when you think you are in complete control? 
Tools: craft foam, wood, ink, roller, plastic slate 
IN BOOK 
Draw your ring, what would you’re ring of gyges look like? 
Think and list things that you would do with the ring. Pick your number one choice and 
create a short story with a beginning middle and end. What would you do, how would you 
do it and what would happen from it? Divide the story into 5 segments and create it into a 
short comic by filling in the panels. 
Draw whatever you want. Now color in the lines. Compare the experience of a controlled 
drawing compared to a free one. Is it easier having someone tell you what to do? Do you 
prefer to have complete freedom? 
065 
Activities
066 
Questions 
How do you define your free will? 
List five ways you exercise your free will and 5 ways you 
feel held back from being free? 
How are free will and justice related? How do they 
conflict with each other in our lives? 
Without the fear of punishment would use your free will 
more? 
Why do you think we hold ourselves back in the 
presence of others? Is it for the good of us or of them, or 
both? 
Would you say you make just choices because you feel 
like they are truly better or because you have been 
taught they are the better choices? 
Do you think anyone can be just all the time? 
Do you think just behavior is natural, 
What would you do with the ring? 
Do you think answering the question hypothetically of 
what you would do with the ring, would yield the same 
results if you were to actually have the chance to be 
invisible? 
What do you think would happen if everyone had a ring 
of Gyges?
Is there behavior that you consciously refrain from 
when you are among others/ in public? 
Explain different behavior types that you have in 
various places you visit in your life. Why do you think 
this happens? 
Do you think that it is true that unjustness is far more 
profitable for an individual over justice? 
Do you think that words alone could be a way to 
exercise your free will? Or do you need action? 
Are words necessary to find and resolve the action? 
Do you have someone to share your deepest feelings to? 
Do you find that by answering these questions you are 
discovering more about your existence? Are you feeling 
more connected with yourself? 
How does writing your thoughts down effect your 
feelings? 
067
After this weeks meeting with Raymond I realized a few things. First, that my 
kit was obviously going to get slightly complex so I could foresee only making 
one solid kit for the show. If this ends up being the case, then I want that theme 
to be something that not only am I really interested in, but one that would be 
an appropriate starting point for the exploration in creative philosophy. After 
some contemplation, it occurred to me that there is a concept that I learned 
in a previous class with Raymond that comes to my mind quite often. It is the 
concept of Martin Heidegger’s, of being thrown into the world and falling 
towards the average. 
You can’t change the facts of your life as they are, but you can aspire to who 
you want to be with what you are given and how you interact with the world 
around you. If I could have been presented with this concept at this age it might 
have made things easier. The concern of status regarding your wealth, intellect, 
athleticism, are all very relevant and new concerns during this time of your life. 
Most of the activities I have curated all have this theme of making something 
out of what you have, seeing things through a different light, not following the 
normal that all tie into this concept of Heidegger’s throwness. So my next step is 
to revisit Heidegger’s concept and think about it in a new light. 
Another thing that was realized after this meeting, was the there could be a 
structure to approaching making these concepts into activities. Because this kit 
addresses philosophical questions and also asks questions throughout the book, 
the structure naturally began with questions. There needs to be a main question 
to guide the overall kit. Following that there needs to be three sub questions for 
each individual activity to be derived from. The activity book will then guide 
you through the box using the three activities as sections. I will create multiple 
questions to start the sections and end the section with the craft. 
Following researching Heidegger’s concept of being thrown and falling, I will 
apply the concept to the structure of the kit. 
068
Heidegger’s thrown and fa lling 
Heidegger describes Facticity as Mans condition of being, who he is, 
where he is born his circumstances of life. Children are constantly 
questioning things about life that are part of their Facticity. This is an 
ideal learning objective for making activities in my kits. To sum up 
questions regarding the facticity of ones life such as “why am I short? 
Why do I have this family?” The main question being asked is, why 
am I me? This is a question without a straight forward answer like 
many that children ask and often leads to more questions. There are 
some things that can be beneficial about knowing why you are you at 
a 6-9 year old perspective. To understand you were thrown into this 
world without control over your existence and what makes up your 
environment. As well as to realize that the parts that really make up 
who you are, aren’t really your facticities (although that does effect it) 
it is the choices you make that make up how you exist. Breaking down 
these concepts into ideas like chance and choice and reflecting them 
through hands on activities will provoke these ideas and concepts into 
the children’s lives. 
“Man is always falling into the world, into the they, or 
the One, the crowd, the herd; a faceless power that 
governs us all. It is a shared abstraction and it exerts 
a force against one’s individuality, tends to pull the 
individual towards mediocrity and averageness. “ 
Heidegger views mas as falling towards death, which is the truth but 
I wouldn’t want this to be a focus in children’s craft activities. I think 
that the same concept that Heidegger is making can be shown in a 
lighter way for children. The falling is simple towards the crowd, those 
at school that make you feel like you aren’t normal. Pointing out that 
breaking away from this concept of needing to fit in, accepting your 
facticity and doing what you can with what you have in life. By not 
focusing on being who others think you should be, and being your true 
self you can find authenticity and happiness in individuality. 
069
THERE ARE FACTS IN YOUR LIFE THAT YOU HAD AND HAVE NO CONTROL OVER. YOU 
ARE THROWN INTO THIS WORLD, IT IS UP TO YOU TO ASPIRE TO YOUR GREATEST 
POTENTIAL THE WAY YOU CHOSE TO EXIST IN THE ENVIRONMENT AROUND YOU IS 
HOW YOU CHOSE TO CONNECT TO IT. THERE IS ALWAYS GOING TO BE A UNIVERSAL 
FACELESS CROWD TO ASPIRE TO, BUT THAT DISTRACTS FROM ONES INDIVIDUALITY. 
HOLDS YOU BACK FROM FINDING INNER HAPPINESS. YOU HAVE UNLIMITED 
POSSIBILITIES IT’S UP TO YOU TO CHOSE YOUR PATH 
070 
The main questi on 
Why am I me? 
Sub questi ons 
Why do I have to live here? 
Do I have this family? 
I short/tall? 
Thrown 
How do you feel held back 
from attempting to fit into 
what is determined normal 
in society? 
What do you love to do? 
What makes you happy? 
What do you love about 
yourself? Can you appreciate 
this everyday? 
There are facts in life you 
have no control over. The 
choice of your existence, your 
family, where you live, what 
you look like. 
What are the facts of your 
life that you have no control 
over? How do they effect 
your life? 
You are always being faced 
with the possibilities of 
who you could be. There is 
always going to be a “they” 
a normal that pulls you 
from individuality towards 
averageness. 
There is an authentic 
individual in us all. It is 
only when you break from 
the They and realize your 
own possibilities. You can 
find happiness in being your 
authentic self. 
Why can’t I look like them? 
Don’t I fit in? 
Can’t I run fast? 
How can I be happy being me? 
Do I fit in this world? 
Falling 
The objectives 
My questi ons 
Projection 
LEARNING OBJE CTIVES
NEW RE ALI ZATION 
I am going to now lower my target audience to 6-9 year old children. This is because I 
have made the kit more about the crafts and they are better suited for this age range. I 
don’t want the book to be straight forwardly teaching them philosophy, it will just be 
rooted around the question, Why am I me? Maybe never using the word philosophy, 
but giving them the tools to ask their own questions. 
Who are you, gettin g to know you type questi ons 
What’s your name 
How old are you 
What is your favorite food 
What is your favorite book 
Who are you’re friends 
What qualities do you like to have in your friends 
Talk about your school 
What are your favorite subjects 
What makes you happy 
What makes you upset 
Make a list of different parts about your life that make you, you, but you 
had and have no control over. (i.e., girl, short, blonde, glasses) 
Make a list of different parts about your life that make you, you, that you 
do have control over. (i.e., funny, nice, studious, responsible, careful, etc) 
071 
Unit #1 / intro
After exploring Heidegger and breaking down the concept, as well as changing 
my age range to 6 to 9 year old children, I realized I had to take a slightly 
different approach. I need to look at the concept in the eyes of a 6 year old child. 
Use his concept as inspiration and not directly teach it to the children, but let 
them come up with the questions. 
Moving forward I need to create a main question that is inspired by the main 
objectives I took from Heidegger. Use the three sections I previously made 
of thrown, falling, and projection as the grounds for building the kids sub 
questions and crafts. Constantly keeping in mind that these are questions for 
children, be clear, concise and direct. 
072
Explorin g the concept of choice 
Who are you? Personality and Individuality 
General opening questions and facts that make up you as a person. 
Then moving into questions that make up your individual personality. 
Seeing the difference between the facts of your life and the qualities 
of your life. 
How do you choose? Chance and Choice 
Some parts of your life are out of your control but a large part of what 
makes you who you are, are the choices that you make. Each choice 
determines something about your self. Discover how your choices 
create your existence. 
Who do you want to be? Goals and Ambitions 
Creating goals and having ambitions can show how you can make a 
difference in your own life. Making it a point to smile, say you are 
thankful, create something meaningful, keeping productive, happy 
and engaged with life can be beneficial to any ones life. 
073 
why am I me? 
Inquire 
Discover 
Aspire
I have my main question now, Why am I me? Which I thought was the very basic 
question of the thoughts that Heidegger was bring about as well as is approachable 
to children. When someone wonders about the fact that they are in this world 
without any choice of existence and circumstances, they are basically wondering, 
why am I me? Or at least this is the way I connected the question to the theme. 
Following the main question I came up with the three sections with sub questions, 
Inquire: who are you? Which connects with being thrown into the world addresses 
the facts of your life. Then Discover: How do you choose? Which connects with 
falling towards the average and addresses chance and choice. Then there is 
Aspire: Who do you want to be? Which connects with projecting your authentic 
self and being the best you can with who you are. 
These are now going to be used as guides and the framing for my book of questions 
with crafts. I need to connect the three sections with a flow of multiple small 
questions to fill out in the activity book that brings about the concept and theme 
of Why am I me. While continuing to work that out, I have to come up with 
three activities that are inspired by the three sections and further teach these 
concepts to the user. 
074
See how the facts of your life and your personal favorites work 
together to make you the unique individual that you are. 
Fill in the accordion book with different aspects that make up you as an individ-ual. 
A mixture between your facts and your favorites. The book can expand to 
show all of your aspects at once, or you can flip through looking at one at a time. 
See how your choices on how to handle your chances work out 
to create an authentic piece of art. 
Understand how chance and choice work together. If you are given a random 
collection of things what will you create with it? In the box will be an 
assortment of crafting supplies, it is up to you on what will come out of it! 
075 
Activities 
Accordion book 
Mystery box 
Shadow frame 
See how by reminding yourself with personal crafts and 
inspiring messages everyday makes your day a little happier. 
Create your own shadow box that frames a personal memory or something you 
aspire to do. Paint it your favorite colors, add a motto banner, pictures, anything 
that inspires and reminds you of your authentic self.
Target 
audience
CHILDREN AGES 6-9 
6-9 year old children are my main target audience because they are new 
to abstract thought. They show a need for independence and a curiosity 
for universal truths, fairness, and what is right or wrong. They are at a 
point in their lives where they want to find these things out for themselves, 
not ask their parents but discover things directly. Having a personal 
place to read, create, and write will help organize thoughts and feelings 
to make better sense of themselves and their life. 
Going deeper, there are particular types of children ages 6-9 that would 
find a special connection with my product. Those who want to know it 
all, those excited to create, and those destined to find out the meaning 
of life. Introducing philosophy into children’s lives at this drastic time 
of eagerness to learn, create, and search can help guide and ground 
them making some sort of sense out of their millions of thoughts. 
078
079 
smarty pants 
Wants to know it all and let 
everyone know it. Eager to 
learn about the world to 
better relate to it. 
Creatives 
Love for the arts, creates 
constantly, running 
imagination and ready to 
create something new out of 
something different everyday. 
Parents are most likely artists. 
Curious minds 
Constant desire to find 
out what the point of life 
is, always asking questions 
about things that can’t be 
answered.
Growth and Development 
What kinds of development occur between ages 6 and 10? 
They are more independent, physically active, involved with 
friends, and are learning to think in more complex ways. 
This is the kind of reader that I am targeting. Someone curious 
to find things out themselves and able to think in more 
abstract situations. 
How will my child change physically? 
Strength and muscle coordination improve rapidly in these years. 
They learn basic active skills like throwing, hitting, and kicking. 
Some children may even develop skills in more complex 
activities, such as playing basketball or dancing. 
This could be adapted in crafts as well, learning complex 
things like cutting paper, gluing, sewing, and overall attention 
to detail. 
How will my child change intellectually? 
Develops a more mature and logical way of thinking. He or she 
gradually becomes able to consider several parts to a problem 
or situation. This is a change from the simplistic thinking of a 
preschooler. Even though their thinking becomes more complex, 
children in this age group still think in concrete terms. This 
means they are most concerned with things that are real rather 
than with ideas. In general, these things are those that can be 
identified with the senses. For example, actually touching the 
soft fur of a rabbit is more meaningful to a child than being 
told that an object is soft like a rabbit. Because they still can 
mostly consider only one part of a situation or perspective at a 
time, children of this age have difficulty fully understanding 
how things are connected. 
080 
CHILDREN AGES 6-9
Having simply written questions that are broken up by hands 
on activities addresses this issue of needing to be in contact 
with the subject. Rather than telling them these philosophical 
concepts I am giving them the opportunity to come to them 
themselves while creating. 
How will my child change emotionally and socially? 
When children enter school, they leave the security of home 
and family. Here, they learn some crucial skills-including how 
to make friends-that they can use for the rest of their lives. 
Children's self-esteem, which is their sense of worth and 
belonging, is fragile and can change rapidly depending on 
what is happening around them. 
Bringing the concepts of authenticity, self worth, and 
individuality, roots the question Why am I me? And addresses 
this self esteem issue that is common to children at this age 
that are being entered into a larger world of people. 
www.webmd.com/children/tc/growth-and-development-ages-6-to-10-years-topic-overview 
081
082 
Fam ilies 
Families of the 6-9 year old children are my secondary target audience 
because they are the ones purchasing and approving the use of the 
product. Getting them sold on the idea of self growth through conceptual 
creative philosophy is just as important as hooking the children who 
are using the product themselves. The aesthetics must also be appealing 
to the adults of the family. 
Going deeper, there are specific relatives that are apart of a child’s family 
that are inclined to provide them with engaging knowledge and fun 
productive creativity. The first being the child’s parents, those directly 
influencing and teaching them about life, providing them with the tools 
to learn and create. Next is the grandparents, who don’t have to worry 
to much about taking care of the children which allows for more time 
providing knowledge and entertainment. Then there are the aunt’s 
and uncle’s who maybe don’t have children themselves, and direct their 
eagerness to provide for children towards their nieces and nephews. 
A child with a large caring family has a wider opportunity for more 
channels of knowledge and creative entertainment.
083 
Parents 
The providers for the child, the 
final decision makers and the 
persuasion over what forms of 
education and creativity are 
in the child’s life. 
Grandparents 
Provides the child with an 
excess of entertainment, 
knowledge and love. Not 
the main caregivers, so 
less of an authority role 
and more of a giver. 
Aunts and 
uncles 
Also not the main caregivers, 
so still less of an authority 
role but more like an older 
friend. Maybe they don’t 
have children of their own 
and have lots of love and 
generosity to give to those 
closest to them.
Employers 
The final layer of my audience is potential employers. This project is 
intended to get myself a job after graduation so everything I make 
should reflect a career path that I would desire. 
My first target is book publishers. I would love to layout and illustrate 
for the exterior and interior of books. The main part of my project is a 
kit but the kit is controlled by the book inside and demonstrates layout 
and overall extension of a publication. The next target is small design 
studios that focus on brand, product, and web design. I am going to be 
creating a cohesive brand system that runs through the product and 
website as well as a structured brand guidelines booklet. There will 
be a lot of attention paid to the craft and execution of my design and 
product, which attracts more to the smaller studio. My final target for 
potential employers is the emphasis on user experience. My product is 
driven by the user and created for them to connect with. 
084
085 
Book 
publishers 
The kits main part is a 
publication and the whole 
kit shows the application 
of a theme extended 
through a product. 
Product 
design  
Branding 
The whole project will be 
a consistent brand that is 
expressed in all elements. 
User 
experience 
The kit is based around user 
experience. From opening 
and handling the product, 
writing your thoughts, 
creating the project, and 
sharing online.
Brand 
Research
What has 
been done? 
A detailed look at brands with similar 
missions, products, and target audiences. 
089 
Brands 
Art with heart 
Highlights 
Land of nod 
Products 
Philosophy book covers 
Postal packa ging 
Elements 
Photography 
Colors 
Typography
Art with heart 
A non-profit company that creates activity books targeting 
children going through traumatic times. 
This brand is similar to my brand because it is using creativity and 
self reflection to connect with individual children. This brand differs 
from mine because it is specifically targeting children going through 
sickness, loss, or coping with tragedies in life. They emphasize on 
emotional and social issues, where I am reflecting on personal values 
and the mindful concepts about understanding life. Overall it is the 
most relatable product and brand to my project. It targets the same 
age range of audience and has similar brand values and goals. 
090
091 
Photography 
Up close and personal. 
User included with product. 
Eyes directly looking at audience. 
Natural humanistic shots. 
Item in action.
For children 6+ dealing 
with grief and loss. 
Natural brown brings a 
solid wholesome feeling. A 
connection with the earth 
bringing a sense of stability, 
orderliness and convention. 
A therapeutic self discovery 
activity book for teens. 
One main color. Blue allows 
you to look beyond and 
increase your perspective 
outward. Lots of white to let 
the user fill in themselves. 
For tweens facing crisis. 
Muted warm red increases 
interest and encourages 
those to go after their dreams. 
The muted blend of colors 
emphasise the change and 
how things in life can be 
unclear. 
092 
Color
093 
Typography 
Title is bold, all 
connected, and 
slightly futuristic. 
Bold lettering for 
headlines. Clear 
sans serif type for 
questions that are 
directed to the reader. 
Abstract hand done 
headers. Paired with 
a friendly clean 
sans serif body copy 
typeface. 
Hand done title and 
headlines. Same 
color as background 
contained in a darker 
shade of that color. 
Expressive and various 
different hand done 
typography.
Highlights 
A creative educational brand that creates activities for 
learning and development while targeting children and families. 
This brand is similar to my brand because it is using creativity to educate. 
They create activity books and kits that involve reading, writing, drawing 
and crafting. This brand differs from mine because it has a large range 
of topics, ideas and crafts that are aimed at many different children ages. 
Where as my brand will be uniquely philosophical topics aimed at 6-9 
year old children that already are beginning to refine their hand skills 
and the ability for abstract thinking. 
094
095 
Photography 
Happy children that are the 
same age using the product. 
Illustrated surreal background 
setting context, mood, and 
type of user. 
Stand alone product shot. 
Using white space to focus on 
the products .
096 
Color 
The title being in bright red 
brings direct attention and 
interest to the book. The bold 
secondary colors are common 
with children products to 
engage the reader. 
A combination of various flat 
colors the familiarize the type 
of book with the type of 
activities it has inside. 
Natural brown brings 
a solid wholesome 
feeling combined with 
blue as an influences 
to be open minded. 
Along with hints of red 
to increase interest in 
those focused areas.
097 
Typography 
Bolder and more unique letter 
for the tiles. Serif type for 
instructions with use of bold 
type to emphasise key parts. 
The logo uses a suggested 
hand done marker lettering. 
Rounded tips and low x-height 
giving off a friendly vibe. 
On the website where the 
parents are most likely the 
user, there is standard cased 
sans serif type, all in same 
size using different colors 
and weights to distinguish 
hierarchy.
La nd of nod 
A creative youthful brand that focuses on children’s crafting 
and home products targeting children and families. 
This brand is similar to my brand because they have a wide variety of 
user experienced based products, such as educational and creative 
activity kits for children. They have a similar target audience and present 
themselves as an honest, uplifting, and fun company. This brand differs 
from mine because they are targeting a higher class and also provide 
products for a younger age group of children. They are mainly designing 
for the women of the family that want their children to be part of this 
look and feeling. Where as I am branding mine to target all status’s of 
families and those that think for themselves. 
098
099 
Photography 
Using grids on the website to 
showcase products in their 
natural environment. Styled 
and staged bedroom shots 
with and without children. 
Informational product shots 
are out of environment, laid 
out on white surface in a 
neatly manner to show what is 
included. Bright lit and from 
birds eye view.
100 
colors 
Website uses white and gray 
combined with blues and 
corals. They are references 
both genders while also 
being neutral. Creating a 
clean and solid look with 
just a few colors. 
Using slightly muted 
primary and secondary 
colors on product 
packaging. One main color 
on each product with white 
as a common secondary 
color.
101 
Typography 
Bold caps sans serifs 
combined with small capped 
thin sans serifs. Use of 
condensed combined with 
one word in script type. 
Hand done script lettering 
combined with thin sans serif 
humanistic type. 
The website product 
information for parents 
use. The same sans serif 
humanistic type as subheads 
and a standard book 
sans serif for the detailed 
information. Select type that 
has its own function is a solid 
color.
Book covers 
When creating an activity book that is geared towards introducing 
philosophy into children’s lives it makes sense that I look at the design 
of philosophy book covers. There are beyond numerous amounts of 
philosophy books but there seems to be a trend in both simplicity and 
abstraction. There is a trend of simple use of hand done illustration and 
photography. As well as a strong use of flat muted colors and bold all 
caps sans serif. There is also a use of simple shapes, repetition, 
patterning, and overlaid colors. 
The penguin Great Idea Series is a great example of a set of book cover 
designs that are cohesive yet unique by themselves. They use white 
space and creative typography in an engaging and unique way. 
102
Using purely type and flat 
colors lots of negative spac e 
103
Using ab strac t patterning, 
design, or type 
104
Using one main photo or 
illustration with type 
105
Penguin great idea series 
106
107
Postal packaging 
This activity kit is going to be packaged and sent in the mail so I need 
to look at various types of boxes and packaging for mailing. I need to 
explore the different materials, colors, and shapes that my package can 
take. I know I want the natural craft material of the cardboard shipping 
container and kit boxes to be used as a visual element. Letting everything 
pretty natural with hints of brand colors and the logo stamped. 
108
109
logo process
Logo target audience 
mostly type, unique clear lettering, contrast and definition 
112
113
Logo target audience 
unique logo mark, hand done elements, friendly, colorful 
114
115
Logo st yle inspiration 
hand done elements, texture, simple 
116
117
118 
Brand name 
wonder 
Ta g line 
activities for curious minds
I want my logo to be mostly hand done. From looking at the similar 
brands that are both educational and targeting children, the main 
element that connects them all is the simple use of type as the logo. 
It is defined, legible, but unique to the brand. I want the logo to be 
simple, clear, and engaging for the youthful audience. Texture and 
hand done elements adds a layer of human to the brand, allowing 
it to be inviting, relatable, and comforting. The following pages are 
logo explorations and options for the final. It is in order of thought 
process and shows how I arrived at my final logo. 
119
120
121
122
123
124 
W 
N D E R 
W NDER
wo n d e r wonder 
125 
wo n d e r 
WONDER 
WONDER
activities for curious minds 
126
127
128
129
130 
wo n d e r 
w n d e r 
W O N D E R 
w n d e r
activities for curious minds 
131
WOND E R WONDE R 
wonder w o n d e r 
132
wonder  
133 
 
     
wonder 
wonder
wonder wonder 
wonder wonder 
wonder wonder 
134
wonder 
CRAFTS FOR THE MIND 
wonder 
CRAFTS FOR THE MIND 
135 
wonder 
wonder
Branding 
Guidelines
138
139
Branding 
guidelines 
MI S S ION 
THE LOGO 
COLOR 
T Y POG R APHY 
IMAGE RY 
1 
2 
3 
4 
5
wonder’s mission 
To bring basic concepts of philosophy into 
children’s daily lives through self-reflective 
creativity. Inspire authenticity and personal 
growth during important physical and 
intellectual developmental stages in life. 
To encourage hands-on learning while 
provoking abstract thought to better connect 
with the individual self. To explore visual 
aesthetics through crafting while opening 
minds to each individuals many possibilities. 
To invite children to look within for reason, 
guidance, and inspiration. Most importantly, 
remind everyone to keep wondering why 
142
the content 
inquire 
who are you? 
Inquire about the facts and choices 
of your life that make you, you. 
discover 
how do you choose? 
Discover how your individual choices 
determines and create your life. 
aspire 
who do you want to be? 
Aspire to be your best, happiest, and 
most original self that you can. 
143
144
THE LOGO 
145
LOGO MARK 
min. width: 0.5 in
LOGO WITH TYPE 
min. width: 0.75 in
TYPE MARK 
min. width: 1 in
WHEN TO USE WH AT 
Logo ma rk 
Standard go to logo to use. Smallest 
size logo. Use for individual product 
parts where name is already 
mentioned. 
Logo with t ype 
Use on independent pieces, post card, 
ads, posters, etc. Where name needs to 
be included for more information. 
TYPE MARK 
For more formal situations like credits 
and footers. Use for horizontal spaces.
HOW TO USE 
must be 
Centered with 1/8 of an inch of 
white space surrounding the logo.
HOW NOT TO USE 
do not 
Stretch, over shrink, break up, or distort in anyway. 
Cover, crowd, or cram into unfit space 
Use any off branding colors or typography. 
wonder
152
COLOR 
153
PRIMARY COLORS 
Yellow 
Pantone 
Cmyk 
Rgb 
Seafoam 
Pantone 
Cmyk 
Rgb 
115 m 351 m 
0, 9, 80, 0 17, 0, 16, 0 
255, 225, 79 211, 235, 219 
WAYS TO USE 
The yellow and seafoam are both mainly used 
for background colors, and bigger details.
Olive 
Pantone 
Cmyk 
Rgb 
SE COND ARY COLORS 
Light Gray 
Pantone 
cm yk 
rgb 
Da rk Gray 
Pantone 
cm yk 
Rgb 
5767 m cool gray 5 m cool gray 9 m 
15, 0, 68, 39 0, 0, 0, 29 0, 0, 0, 51 
148, 155, 80 190, 192, 194 145, 145, 149 
WAYS TO USE 
Olive, light gray, and dark gray are used for 
illustrations, text color, and small details.
156
TYPOGR APHY 
157
knock out 
A B C D E F G H I J K L M N O 
P Q R S T U V W X Y Z 
1 2 3 4 5 6 7 8 9 0 , . ? ! 
TITLES, headers and footers 
JuniorFeatherweight with 75 point letter spacing.
Archer 
abcdefghijklmnopqrstuvqxyz 
abcdef ghijklmno 
pqrstuvq xyz 
1234567890 , . ? ! 
BODY COPY , sma ll ca ptions, subheads 
Book and light italic, with 20 point letter spacing.
160
Ima gery 
161
Photography 
Children using product, muted colors, 
bright lighting. 
Clear table product shots, 
bright light, arranged neatly.
Hand done illustration 
pen outline with thick lines. 
Illustrations 
Layered flat colors under the thick 
outlined illustrations. Slight use of half 
tone texture, and off setting the color.
craft day 
These last few spread are pictures from my crafting day. The 
day was intended to test out the craft activities I curated with 
children in the targetted age range. I was lucky enough to have 
a great teacher lend me his seven your old daughter for a day 
to craft with. She also brought along her friend so we had some 
company. She was a great crafting buddy, very excited to make 
things so she fit perfectly into my target audience. She went 
through the activities smoothly and made very interesting adn 
unique pieces, just as I was hoping for. Her friend, even though 
he was the same age, was not so much into the crafts so he just 
kept us company cracking jokes here and there. Overall this 
craft day was a sucess, it showed me that my crafts actually 
work and are entertaining for children who have the interest to 
craft. The done crafts are also going to be used at the show to 
give visual examples of the crafts. 
165
166
167
168
169
Conclusion 
This is the end of the summary of my process. From here I take 
on the completion of my project. Making my research come to 
life creating a physical project for the show. I will be using my 
knew and old knowledge, and skills along with my completed 
branding guidelines to create the pieces for my show. In the 
end, the physical items I will have created for the show will be 
what the audience sees and takes away from it all. But this book 
is what I have taken away from this project. It has been the 
grounding place to organize my thoughts and a place to create 
a time line of the research and exploration that led me to my 
final project. It is a small fragment of my mind that I have 
developed over the mast few months. 
171
BFA Process Book
BFA Process Book

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BFA Process Book

  • 1. B FA research & process andie richardson Cornish college of the arts BFA 2014 1
  • 2.
  • 3. andie richardson Cornish college of the arts BFA 2014
  • 4.
  • 5. PERSON AL MANI FESTO To enjoy the work I create and how I create it. Appreciate what I have and not dwell on what I do not have. Carefully observe the problems at hand and create an organized solution with good intentions. To not over think or overwork, but to find that beautiful spot in between. Be meaningful and inspire those around me. Bring myself into my work. Realize what is necessary and what is not. Avoid harmful and unnecessary distraction and focus on my creativity. To not bring suffering upon myself but to accept all situations and learn from them. Be open, aware, and listen. Always remember who I am and where I came from. Communicate well and speak my mind. Make myself heard and show my true potential. Find peace in everyday. Thoroughly research, reflect, and discover. Be kind, respectful, and intentional. Be happy, satisfied, and constantly challenged. Surround myself with people and places that bring out the best in me. To not repress stress, fear, or any strong emotions, but to notice observe and reflect on them. Never stop creating. Always keep in touch with close ones. Clean up after myself. Drink a lot of water everyday. Read new and different things. Listen. Share insight. Seek insight. Try new things. Bring art into more children’s lives. Visit nature often. See the ocean often. Write to others. Keep a journal. Stretch more. Slow down and breathe. Travel and see as much of the world as possible. Use what I have to it’s fullest potential. Agree and disagree, but make solid points and listen to others views. Thank people and let them know I mean it. Stop holding myself back because of status. Put myself in vulnerable situations that make me think in different ways. Stay true to myself. Always work hard. Always remember I have room to grow.
  • 6. The most organized I can make of the process of my exploration, research, writings, and findings that lead me to my senior project. Concluded with a branding guidelines section that I used to create and produce the finalized elements for the show. Two semesters worth of work to back up my reason for creating this project.
  • 7. Content Proposal Exploration From here 001 005 039 Philosophy study Ta rget audience Brand research LOGO PRO CESS BRANDING GUIDELINES craf t day Conclusion 045 077 087 111 137 165 171
  • 8.
  • 10. We live in a highly structured society that holds us back from connecting with our authentic selves. Each of us has the power to make this personal connection. By finding a way to access and listen to our inner selves, it can strongly impact our lives. I want to use design to bring philosophy into the everyday life. As children become more independent they start questioning why and who they are. They are surrounded by the external world telling them who to be, when they can and should discover this themselves. For my BFA project, I want to help children find a sense of self to honestly relate to the world they live in. I will provoke self discovery by creating a versatile publication that influences meaningful time spent in engaged thought through creative activity. 002 preci
  • 11. Long form The subject of my BFA project is to influence connection with ourselves to better relate honestly to the external world. As well as an exploration in combining philosophy and design to better the individual. This interests me because I always valued my personal journal as a kid and loved looking back on what I had to say years later. It was a place to explain my thoughts to myself, to really understand what it was I was feeling and why I was feeling that way. It was a safe place to think out loud, organize my thoughts and emotions, a place I could come to when I wasn’t sure of myself. There is a unique individual inside all of us, most of us just aren’t taught to connect with it. We have the power to make this connection and by creating a way to access our inner selves, it can strongly impact our lives. The problem is that we live in a highly structured society that holds us back from connecting with our authentic selves. Children ages 6-12 will benefit from a publication that influences meaningful time spent in engaged thought through creative activity. This is a time where individuality is formed, where children question why and who they are. While at the same time the world is constantly telling them who to be, when they can discover this themselves. People who embrace individuality and mindfulness will engage directly with this project. As well as those who have or know children that they would like to help live up to their full potential and find inner guidance or just inspire creativity. My BFA will be remembered as a way to discover a personal sense of self, beliefs, and ideals. A diverse and uplifting publication that uses design to explore bringing philosophy into the every day life. 003
  • 12.
  • 14. Imagination kit 006 project one Starting out I knew I wanted to make a project that was aimed towards children. I am intrigued by their imaginations and realms of creative possibilities they have within their minds. I wanted to create a physical space to harness their creativity, a space they can call their own and keep their personal tools to create with. All of the items are meant to be standard useful crafting tools for various projects. Not trying to structure the outcome, but to provide the opportunities to create whatever is on your mind.
  • 15. 007
  • 16. 008
  • 17. 009
  • 18. Mindful moments A journal to reflect inward and think about hard personal questions in life. The questions are intended to be stickers and meant to use as you wish at your own pace throughout the journal. There is a mixture of both questions and drawing prompts that all relate to the individual self. It can be hard to open up a blank journal but the blank page is a magical space, and with the right questions can open the mind. 010 project two
  • 19. 011
  • 20. 012
  • 21. 013
  • 22. Pocket philosophy 014 project three A time line of research on five philosophers and an exploration in conveying and simplifying philosophical ideas. I broke down their main concepts and ideas into what I believed personally reflected their philosophical stance. I also chose to include a quote that inspired me the most and encompassed their values and three writings of theirs that did the same. The final was made into a small book. It not only allowed me to organize these ideas and get a clearer understanding of the philosophy of these particular men, but it also was a way to teach others simply what these guys were all about.
  • 23. PLATO 427 - 3 47 B C 015
  • 24. 016 RENE DESCARTES 1596 -1650 QUOTE “I think therefore I am.” “It’s not enough to have a good mind. The main thing is to use it well.” CONCEPTS Seeked the knowledge of truth by adopting a moral code consisting of three conducts; obey the custom laws of the country act accordingly to the most probable opinion whenever there is a lack of time. try to subordinate one’s wishes to the world, not the world to your wishes. Freed reason from traditional authority. By arguing that any anyone with proper training can become educated and independent. You choose your path in life. A FEW WRITINGS Meditations on First Philosophy 1641 Principles of Philosophy 1644 The Passions of the souls 1649
  • 25. 017 IMMANUEL KANT 1724 -1804 QUOTE “Space and time are the framework within which the mind is constrained to construct its experience of reality.” CONCEPTS Examined the limits of human knowledge and the minds ability to reason. The principle of universalization. Are you okay with everyone acting this way? Treat others as you would like to be treated. Not as a means to gain, but as an ends. The Categorical Imperative; ones own moral duties to their own excellence. Good is good, regardless of the ends or consequences of actions. Your decisions are made purely on your instinctual good natured mind. A FEW WRITINGS Critique of Pure Reason 1781 The Contest of Faculties 1794 The Metaphysics of Morals 1797
  • 26. 018 FRIEDRICH NIETZSCHE 1844 -1900 QUOTE “ The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.” CONCEPTS Quest for individuality, opposed to the heard mentality. The Superman or Overman; the potential in human beings in rising to their greatest heights. Philosophy shouldn’t just be about great ideas but how people really live and experience life. Tragedy depicts the absurdity of life. The tension of paradox and absurdity can only be overcome through creative activity. The institution of Christianity had brought about the corruption of man. A FEW WRITINGS Beyond Good and Evil 1966 The Will to Power 1967 The Antichrist 1968
  • 27. 019 BERTRAND RUSSELL 1872 -1970 QUOTE “It is a preoccupation with possession more than anything else that prevents men from living freely and nobly.” CONCEPTS Human instinct is never completely self centered. Vanity passed at a certain point kills pleasure in every activity. A certain power of enduring boredom is essential to a happy life. Saw the suffering and unhappiness in the ordinary day-to-day of civilized countries. Analytical Philosophy; using analysis and logic to discover your world. Realism over Idealism, facts over symbols. A FEW WRITINGS The Conquest to Happiness 1930 An Inquiry Into Meaning and Truth 1941 The History of Western Philosophy 1945
  • 28. Activity book 020 project four Combining a little bit from each of my first three projects, I created an activity book. The first sections on Why Philosophy and How to Use This Book explain the ideas that are involved through this project. The back of the book is mean to be a sketchbook to record the process of your activities and use as a journal. The top of the sketch book page is bordered with a header that records the date, project number, and items used. Allowing for a simple way to help keep track of your process and overtime develop a stronger connection with yourself.
  • 29. ACTIVITY BOOK A philosophical approach to creativity #001 021
  • 30. 022 WHY PHILOSOPHY? We live in a highly structured society that can hold us back from connecting with our individual selves. We are constantly pushed to focus on the external world, we can easily forget to remember why we are here and who are authentic being is. Even in a busy world we still find those times were we stop and question life. There is a deep mystery to being alive and as commonly rational humans it’s inevitable that we try to reason life. Philosophy is a way to sort out your ideas and find pathways for these questions. There is no right or wrong answers, just dierent outlooks on living life. It can be a way to get in touch with the inner self that each of us has the power to connection with. By finding a way to access and listen to our inner selves, it can strongly impact our lives. Through creative activities the mind becomes engaged in reflective inward thought. Looking inward to inspiration and advice rather than looking outward to find the right answers. Knowing where we stand on ethical and personal situations is a valuable tool for enjoying life. You can seeing your thoughts clearer and know how to ask your self how to get through tough situations.
  • 31. 023 HOW TO USE THIS BOOK The book starts with a short philosophical story, providing an uplifting outlook to begin your crafting. The main part of the book is guided activities to do around the house and outside to influence creativity in the every day life. The steps involve recording the process and thoughts along the way, thoroughly involving your sketchbook as you go. They are guides to creative findings and explorations. Turing a gray afternoon into a one filled with imagination. You can follow them as you wish, add or subtract as you go. The point is to create and these are just suggestions to help you be creative. Following the acclivities is a sketchbook section for you to record your creativity. There are journal questions and drawing prompts for when you aren’t up to a full activity or just need to reflect inward. Record the dates in your sketchbook for future inquiries. This book if for you so use it as you best see fit.
  • 32. 024
  • 33. LESSONS ON LIFE seeing life through the seasons 025 There was a man who had four sons. He wanted his sons to learn not to judge things too quickly. So he sent them each on a quest, in turn, to go and look at a pear tree that was a great distance away. The first son went in the winter, the second in the spring, the third in summer, and the youngest son in the fall. When they had all gone and come back, he called them together to describe what they had seen. The first son said that the tree was ugly, bent, and twisted. The second son said no it was covered with green buds and full of promise. The third son disagreed; he said it was laden with blossoms that smelled so sweet and looked so beautiful, it was the most graceful thing he had ever seen. The last son disagreed with all of them; he said it was ripe and drooping with fruit, full of life and fulfillment. The man then explained to his sons that they were all right, because they had each seen but only one season in the tree’s life. He told them that you cannot judge a tree, or a person, by only one season, and that the essence of who they are and the pleasure, joy, and love that come from that life can only be measured at the end, when all the seasons are up. If you give up when it’s winter, you will miss the promise of your spring, the beauty of your summer, fulfillment of your fall.
  • 34. EXPERIMENTAL NATURE SCULPTURES OUTSIDE & INSIDE ACTIVITY find a new meaning in something. 026 Go on a hike and gather materials as you go. Notice what is around you, take your time and have a mindful walk. Bring a bag with you to carry your findings. Look for rocks of all sizes and leaves of dierent shapes. Once you return home, check out your new treasures, lay them out and see them as a whole. Take pictures, draw, and record what you have found. Take some time to imagine what you could make with what you have. Using paint to decorate and define your sculptures, and glue to construct them if needed. #001 you will need A BAG TO CARRY FINDINGS, PAINT, BRUSHES, TWINE, AND NEEDLE. WORKBOOK 001 | PG . 7
  • 35. 027 ALPHABET ROCKS Make multiples of each letter to spell out words. PLAY A GAME Make dominoes or X’s and O’s for a game of tic tac toe! PATTERN LEAVES Thread some twine through the leaves and make a banner.
  • 36. PIPE CLEANER CREATURES make something out of one thing. 028 For this activity you will use one main object, pipe cleaners. They are a simple and flexible material that can be manipulated into many forms. Start by drawing small creatures, plants, anything you can think of while keeping in mind of this simple form. Look at your creatures, imagine how you could make them with your pipe cleaners. How many would you need to use, and what colors could they be? Draw over your sketches with colors to see the dierent sections. Try to gage how long each piece would need to be for each part and how they could connect. Begin bending, twisting, and experimenting with what you can do with the pipe cleaners. #002 INSIDE ACTIVITY you will need VARIOUS COLORED PIPE CLEANERS AND SCISSORS. Start attaching them by twisting the ends together and begin to sculpt your creatures. Remember they can easily be taken apart and remolded so just keep experimenting to figure out what works best. Once you have your creatures, take pictures and redraw them as their completed forms. Give them names and write a small note describing how you made them. WORKBOOK 001 | PG . 9
  • 37. OUTLINE Start with simple shapes to discover what the pipe cleaner can do. 029 PETALS AND WINGS Common forms that use multiple colors and lengths. CATERPILLAR Twist short pieces of various colors around one core piece. Attach legs every few rings!
  • 38. 030 PLANT A NEW FRIEND watch your creativity grow #003 OUTSIDE INSIDE ACTIVITY you will need SEEDS, SMALL CLAY POT, SOIL, PAINT, BRUSHES, HEAVY PAPER. Take a moment and think about the seed you are going to plant, consider what it might look like. Draw and write down your ideas and thoughts. How do I relate to plants in my life? What does it mean to plant something? Use paint to decorate around the outside of the pot giving your plant a personality to grow into. Create a planters tag indicating the species and any other personality markings you want to give it. Name, age, goals, dreams, fears, etc. Make this by cutting a rectangle with heavy paper about 5 inches long with a pointed end to stick into the soil. Remember to water your new friend every day. Draw and record the growth of the plants life. Once the plant gets too big for the pot, you will need to move it to a larger pot, or into the ground! WORKBOOK 001 | PG . 11
  • 39. 031 THE EXTERIOR Paint letters, faces, or patterns on the outside of the pot. MARKING A descriptive plant tag will keep the gardener informed.
  • 40. 032 Start collecting the paper tubes at the end of your toilet paper and paper towel rolls. And any other various paper scraps you can find. While you collect paper tubes over the next couple days or once you have all your materials first sketch some ideas of what to make. Start with the paper tubes as the body of your sculpture. Experiment with your materials, how can they connect, how can you alter them to look like arms, hair, wings, antennas, etc. Make as many as you can, or see how intricate of a piece you can make with only paper. Once your done, line them all up, take pictures and enjoy what you have created! #004 Draw your finished sculptures, write a small paragraph about how you made each of them. If they are a creature, give them backgrounds, characteristics, friends, hobbies, and talents. PAPER TUBE DUDES a dierent a to recycle INSIDE ACTIVITY you will need PAPER TUBES, CONSTRUCTION PAPER, GLUE, PAINT, MARKERS, SCISSORS. WORKBOOK 001 | PG . 13
  • 41. 033 USEFUL CRAFTS You can simple paint the tubes in scenes or patterns, the can be used to hold pens or as figurines. WHISKERS The tubes are sturdy enough to poke holes into and stick materials through. FEATHERS AND BEAKS Cutting your tubes into smaller pieces will give you more material for your creatures!
  • 42. Answering hard questions about your own life is dicult, but it opens your eyes. Writing and can be a powerful outlet to discover ideas and feelings more solid. These are questions to consider to reflect on your own life and help dig deeper. Clarifying these ideas will help make more sense of your self as an individual in this world. Writing down your thoughts not only can benefit you right now, but it can be a place to look back on in the future. Revisiting old thoughts connects you with a past self that can open your present mind to reflect on what may have been long forgotten. Journalizing can impact your life when you ask the right questions. 034 JOURNAL QUESTIONS dig a little deeper WORKBOOK 001 | PG . 15
  • 43. HOW ARE YOU FEELING? WHAT MAKES YOU HAPPY? RECALL A DRAMATIC CHANGE IN Y OUR LIFE. HOW DID YOU COPE WITH THIS? WHO ARE YOUR CLOSEST FRIENDS? WHAT QUALITIES DO YOU ADMIRE IN OTHERS THE MOST? RECALL A DREAM. WHAT ARE YOUR BIGGEST FEARS? WHAT ARE YOUR GOALS? WHAT CHALLENGES DO YOU SEE YOURSELF FACING? HOW CAN YOU PREPARE FOR THEM? WHEN DO YOU DO THE BE ST WORK? WHAT ARE YOUR BEST QUALITIES? WHAT ARE YOUR WORST? HOW CAN YOU IMPROVE YOUR LIFE? WHAT ARE YOUR FAVORITE ACTIVITIES? WHAT ARE SOME ACTIVITIES YOU WOULD LIKE TO TRY? WHAT ARE YOUR FAVORITE TOPICS AND SUBJECTS? HOW DO YOU CONNECT WITH YOUR FAMILY? HOW DO YOU HANDLE LIFE WHEN THINGS DON’T GO Y OUR WAY? IS THIS THE W AY YOU FEEL YOU SHOULD REACT? IS THERE ANYTHING IN YOUR LIFE YOU DON’T AGREE WITH? WHY AND HOW CAN YOU CHANGE THAT? 035
  • 44. A blank page can be intimidating because of all the possibilities that could take place, and it is all up to you! But don’t worry, there are always more blank pages to fill, so don’t think too hard and draw away. Although, if you need some inspiration and a way to start moving around on the page, let these prompts help you begin filling the pages! 036 DRAWING PROMPTS watch your creativity grow WORKBOOK 001 | PG . 17
  • 45. BLIND DRAWING Get in a comfortable standing or sitting pose and make sure your sketchbook is propped up. Look to your left or right and draw what you see by looking at it and not the paper. Once you think you have gotten a good sketch take a look and check out your blind creation. Doing this over and over in the same spot on the same page with dierent colored pencils or markers can create a very abstract and interesting eect! You can see how dierent you drew things every time, and how they changed. IMAGINARY ELEMENT Look at a space around your house, draw the scene first as it is. Make a list of objects or people that you could use as an additional imaginary element to the space. Draw a few sketches of a few of your favorite options, experiment with how they are placed on the page and interact with the environment. Pick one to redraw to the same scale and detail of your first drawing. Look at the two completed drawings together. Create a story related the two scenes together, what situation occurred for this to happen? DRAW A DREAM DRAW WHAT YOU SEE OUTSIDE YOUR WINDOW DRAW A MAP OF YOUR NEIGHBORHOOD DRAW YOUR FAMILY AND FRIENDS DRAW YOUR FAVORITE CHILDHOOD MEMORY DRAW OBJECTS IN YOUR ROOM DRAW YOUR FAVORITE PLACE DRAW THINGS THAT MAKE YOU SMILE DRAW YOUR FAVORITE ANIMAL DRAW A DISTINCT MEMORY DRAW YOUR SOURCES OF INSPIRATION 037
  • 46.
  • 47. From here Looking at my process of exploration so far I see a solid theme to inspire creativity and individual growth in children’s lives. From here there are many directions and outlets that could form. Knowing that the form is crucial to what the overall project becomes, and should also be a direction that I would want to spend the next semester devoted to, plus one that would dictate what sort of career path I would potentially go down. I knew I wanted a publication to be part of the scope, as well as product packaging, branding, and an element of web, to show my interest to learn. After brainstorming routes, I decided on creating a kit that comes with a publication, either monthly or just once, that is individually curated around a philosophical idea combined with activities that tie in with the theme. The website would be a place to subscribe to the kit as well as create an online portfolio and gallery of your crafts. I settled on this form because it will allow me to show my versatility in design application as well as keep my inspired while I create it.
  • 48. Project brief To introduce philosophy into children’s lives through self reflective creativity. Taking away the structured idea of what their final piece should look like, and focusing more on the process and the growing aspect of creating. I plan on making a kit that comes in a package monthly that children can interact with at home. Each kit would be curated around a philosophical idea that would be expressed through the included craft activities, adding a self reflective aspect to the creative process. My idea is to create a company that is sourced through a website. You can subscribe for a monthly kit to come, or just chose them one at a time. First timers get a starter kit that include essential creating tools. Kits that require specific tools for the activities will come in the individual packaged kits. Each kit will be curated around a philosophical theme and contain a story to start the process followed by activities. The kits will contain unique supplies to craft with that go along with the individual activity book. The website will have a section for children and parents to create an online gallery to post and record their projects and crafts, they can keep in private or share it with their friends and family. I foresee creating an overall brand, small website, a starter kit, 3 to 5 individual philosophical kits, and a promo giveaway item for the show. 040
  • 49. Project elements 041 Brand Logo Website Guidelines Postal packa ging Kit + product packaging Publicati on Individual kit Postal packa ge 3 activity boxes Book Poster Pamphlet Extras Website Pencils Journal
  • 50. Dead Lines 4th week review Feb. 4th at noon 8th week review All assets due Show time March 4th at noon Program Coordinator Art with Heart, non-profit Seattle , WA 042 April 30th May 9th Mentors Katie choate Drew hamlet Lead Designer Hum Creative, design studio Seattle, WA
  • 51. Projected goals and time line to current project plan. Subject to change through research and development. 4th week review 5 solid themes for kits 1 kits fully conceptuali zed Site map planned out Namin g options Mood board / brandin g styles 8th week review Brandin g guidelines done One complete physical kit to show, 3-5 in works Website comps , close to done Give away item decided 1-5 kits completed to show Website complete to interact with Give away item ready 043 All assets due Show time Shelves up Kits presentable Monitor with site Give away items in place
  • 52.
  • 53. Philosophy Study A combination of research, readings, and reflections in my independent study with Raymond Maxwell and in my senior studio class with Tiffany De Mott.
  • 54. 046 Reading review James mcguire Creative story tellin g for children James McGuire presents storytelling as part of human nature, an innate behavioral quality to pass on knowledge, influence listeners, and share imaginations with each other. McGuire highlights that storytelling is especially important to children. They use storytelling themselves as they grow and play as a way to interpret their feelings and surroundings. As well as listening to many stories from families and friends, they are constantly learning history, morals, and ethics in an engaging form. Storytelling is an interesting way to present practical knowledge to children, bringing things to life and making a more vivid image for them to grasp. In relating this article to my BFA project, it helps bring to light one major element. That is, I need to have a structured flow to the process of each kit. To treat each kit as a physical story, engaging the children through a creative process of learning. Although I will be having a small story in each kit that is selected to construct what the kit will be, I need to have a flow to how the kit will be used and engaged with. My initial thoughts are to start with have an beginning, middle, and an end. First introduce the child to the story then ask them a few questions regarding the story and themselves to bridge the story and the activities. The middle would be the activities themselves, then to end would be questions to conclude what has been learned by the activities personally. If I can, it would make sense to have a finishing element to each kit that builds on each other, a way to wrap up each activity kit, but to show that their is no end to the nature of your knowledge, philosophy, and the why questions.
  • 55. 047 Reading review Leo tolstoy Two brothers Tolstoy illuminates the idea of individual happiness in this story about two brothers. He presents the idea that is hard to understand, especially at a young age, and that is that your idea of perfect happiness in life is very different from anyone else, even that of those closest to you such as your brother. You might think someone has a poor life because of the way they live, but this might be the way they choose to live. Just because you think and feel certain ways about things, doesn’t mean that holds for everyone else. Being aware of this indifference in life as well as being able to accept it is a beautiful and challenging thing. It is easy to think less of someone because they don’t have the same standards as you, but being able to see them as they and being aware that they mad their choices is a skill to have in life. It makes it easier to see the world for what it is, rather than what you think it should be. Having this awareness and acceptance in ones life can greatly benefit their well being and day to day interactions with others. This is a strong and useful idea to present into children’s lives.
  • 56.
  • 57. The following passages are from the novel of philosophy, Sophie’s World, by Jostein Gaarder. I started reading this novel after Raymond Maxwell gave me a copy about half way through the semester. It immediately sparked my interest, it takes you through the journey of a young girl who is being introduced to philosophy. This translates so perfectly with my project I decided to read it chapter by chapter giving a writing reflection after each read. I briefly try to explain all of the points made in the chapter, all of the learning objectives, and bigger questions being asked. As well as relating the individual chapter to my project and seeing how it backs up or expands my concepts and reasons. Each chapter brought something new to light, and helped me clarify my reasoning towards making this activity kit for children. 049
  • 58. Our own time man is condemned to be free “...we are free individuals, and this freedom condemns us to make choices throughout our live. There are no eternal values or norms we can adhere to, which makes our choices even more significant... On the other hand our freedom obliges us to make something of ourselves, to live ‘authentically’ or ‘truly’... But it is we ourselves that must create this meaning in our own lives ” (pg. 458). 050 Reading review Sophie’s world Freedom is a large and vague concept that is intertwined into many parts of our lives. It is an idea that is brought into focus at a young age when we are discovering out who we are in the world. We test the boundaries and try to understand how free we truly are and the choices we make create the person we are. Growing up we can listen to everything that our parents say, but we still wonder about what is truly right, wrong, normal, and strange. Yet, most of the time things aren’t just black and white, the gray areas of life are the where we find ourselves wondering about. Wondering questions like why there is something rather than nothing, how something came from nothing, and whether nothing matters. We can’t answer these broad questions with concrete answers, but we can address them with outlooks on how to life ones life. We can’t know that anything of our lives matters to the world as a whole, but we do know it matters to us as individuals and the ones we share it with. All we can truly do is what matters to us and be true to ourselves. If we create our own meaningful life it all matters in the end. If we live ours lives trying to be something we are not or not giving it your all, there will be no meaning to that life.
  • 59. 051 Reading review Sophie’s world Democritus the most ingenious toy in the world This chapter starts out questioning the ingeniousness of the toys Legos. This question helps the philosopher introduce the concept of the Atom Theory to Sophie. It is a visual, physical, and relatable way for the complex idea of Atoms to resonate with a child. Backing up the way I am approaching to introduce philosophical concepts to children through crafting activities and questions. Democritus and the Atom Theory. Unlike Heraclitus believing that the world is constantly in flux, Democritus believed that transformations in nature are not actual “change”. He believed that everything breaks down into small particles that are eternal and immutable. These atoms come in various shapes, sizes, and colors and attached to each other to transform into different things. But these atoms, the smallest units that exist, themselves can never change. When the atoms disperse and reorganize to transform into something new, this isn’t a random process, but one that follows the laws of nature. “Everything that happens has a natural cause, one that is inherent to itself.” (pg 45). When it came to the Soul, Democritus believed that their were “soul atoms” that were different and smoother. He believed that when a person or animal dies, these soul atoms disperse into the world to create other souls. Democritus was a natural philosopher and also a Materialist, believing in nothing but material things that exist. He didn’t believe in a spiritual element to nature, he only went but what he could perceive with his senses and reason with his mind. This chapter takes on the over arching question of, do things change? It seems that yes they do change. I watch bananas rot in my kitchen after not eating them for over a week. I watch my cat grow, my dog die, my shoes fall apart, my toast burn. Things change, whether it’s over time or with force, there is no denying a force of change. What is the difference change and transformation? Because I think this where Democritus fails to explain, I think they are two of the same thing. He cannot say things don’t change, but they transform into something else. I get that he is saying at the root of it all, there are small physical elements called Atoms that don’t ever change, but that is almost too technical for this situation. To our perception, which excludes Atoms, things change.
  • 60. 052 Reading review Sophie’s world Socrates wisest is she who knows she doesn’t know Is there such a thing as natural modesty? Wisest is she who knows she does not know. True insight comes from within. He who knows what is right will do right. These were Sophie’s starting points for her lesson on Socrates. They each hold a larger lesson within them and together create a solid view point on societies basic outlook on philosophy. Athens society rejected Socrates because he was to self liberated with his ideas, he was unfit for the masses. Yet her we are thousands of years later, we aren’t killing people directly for their philosophies, but we aren’t accepting everyone either. People still look strangely at the person who questions the normal, the outcast the one who speaks the harsh truth, and punish those who don’t abide by the law. We may think we can be whoever we want to be, but there is a limit. Most people, once they have gone to the limit, they recede and conform slightly so save their lives, but not Socrates. He held on to his beliefs to the very end, where he was forced to death because he did not agree to conform but continued to question. Later in this chapter, Socrates courage is compared to Jesus’s. It is presented that they both looked within for guidance and believed in their reason in over their lives. They are also both men that didn’t leave any written documentation, but legacies have been passed down by others. This idea really fascinated me, I am not a religious person and am not too familiar with the stories of Jesus but to think that Jesus was a philosopher of his days standing up for a higher reason against the society is an interesting one. This makes me also wonder, why isn’t their a religious following for Socrates, now that is something I might get into. Socrates was known for hanging out daily at the public market starting up conversations to the passersby. He wanted to awaken the wonder in others by questioning them and showing them that there is a lot that is unknown. He was known to be the wisest of men of his time, but he did not believe this. He also believed that he didn’t know everything, or even a lot, he was aware that the origins of life are unknown and wanted to question everything with everyone. This connects again with children, the fascination in wonder and the ability to question yourself and others without the restrictions of society. This is just an illustration of how society slowly conforms us as we age. We are born with fresh eyes, but as we grow we develop boundaries to relate to the society we live in. This is a natural occurrence, one that is hard to avoid when in a community of people. The more secluded you become, the more independent your thoughts, but then the more lucid or delusional they could become. Society is there conforming us, but it is at our own will and awareness to how much we will be conformed. It is also there keeping us on in touch with reality, so it is the individual balance of how in touch and how conformed you are to become.
  • 61. In this chapter when Sophie confronts her mother with some philosophical comments, her mom becomes irritated and angry with Sophie for speaking back to her. This shows how Sophie’s mother is already so conformed she doesn’t have the patience or awareness for these thoughts that Sophie is having and sharing with her. This is where the conformity of society is saddening, when awareness to reason is closed off this disconnection happens between individuals and the results of the relationships can be detrimental. Sophie is now at a point where she could believe in her mother, that she is being foolish with her thoughts, or she could keep an open mind and continue her search for reason. Finally, Sophie is left with some questions from the philosopher. “Can you live a happy life if you continually do things you know deep down are wrong? There are lots of people who lie and cheat and speak ill of others. Are they aware that these things are not right— or fair, if you prefer? Do you think these people are happy?” (pg 69). It would be really hard for me to believe that people who lie and cheat do not know that what they are doing is not right. There are basic levels of right and wrong such as lying and cheating that are universal to all, we may not all follow them, but these common rules are in our conscious. They are told to us through stories, teachings, or in encounters in our everyday lives. It is not to say that these liars and cheaters, aren’t aware, because they are, given that they are sane and in a civilized community. They merely aren’t in touch with these social standards, they either disapprove of the structure of society and want to rebel against it, or they just don’t care. The first is disruptive, but passionate about reason, the later is without reason and any self respect. So there aren’t obvious reasons for why one would lie or cheat, but I believe they are aware of the wrong they are doing. If someone doing the wrong truly knows and believes in the right, they will feel guilt, and in doing so won’t be happy for some time. If someone does wrong without this connection to the self and the sense of rightness, they won’t feel this guilt, but this also means they don’t have that self of self connection and will never be able to be truly happy. I get pretty angry with myself when I do something that I later think back and realize I knew I shouldn’t have done. They are small acts of temporary relief, where I am not in touch with myself but get caught in the moment where I don’t think about my actions. As I have grown up they slowly lessen, but there is always something to learn about myself in these moments. 053
  • 62. The myths a precarious balance between the forces of good and evil It is shown to be a natural habit of humans to search for reason amongst the mysterious forces of nature. The myths are examples of strong beliefs that are so far fetched into the imagination to form a structure around what seemed like chaos in their world. These myths, which now seem more ridiculous than rain itself, were believed as Truth and passed on for thousands of years. Proof of human nature not allowing absurdities and mystery to just be, but to find a suitable truth for the unreasonable. It is hard to truly say I wouldn’t have been involved in believing these myths, because time and science are so far more advanced now, I was never given the opportunity to be so consciously vulnerable. It seems so ridiculous now, but I’m sure if someone thought the myths were ridiculous back then, they would be the outsider, the strange. This is proof that beliefs change, that the Truth isn’t always stable, but mostly a reminder to not over analyze the absurd, learn to accept the parts of life you will never truly understand. It is a hard and difficult thing to do, but it can make life more enjoyable. Not to forget about these questions, in fact keep questioning the world more, but accept that a lot of those questions wont have one solid answer. 054 Reading review Sophie’s world
  • 63. Fate the fortune teller is trying to foresee something that is really quite unforeseeable What governs the course of history? If it is a form of fate or acts of god, then this means that there is no free will. To accept that you have free will, you are accepting that people have the power over their lives and that there is no “fate” or predetermined life. Terms and meanings 101 Superstition is a way to find a natural explanation for a transformation in nature. Fatalism is whatever happens is predestined. Materialism is believing in what is real to the senses, atoms and particles. It is natural to seek advice when needing to make a hard choice or when you are faced with a horrible situation. During your decision making your beliefs become a strong contender to how your choices play out. How and where you seek advice to justify your decisions determines the kind of person you are. If you fall into what is known as a superstition, which is another form of fate, you are ultimately believing that you do not have free will and that something more powerful than you is in control over the outcome of your life. With-standing from praying or claiming power in any form other than yourself over your choices and path of life gives you this free will. This concept of taking responsibility and pride in your decision making could benefit children at a young age when first faced with the idea of freedom. Informing them that they are responsible for their choices. 055 Reading review Sophie’s world
  • 64. Working out the content of my kit Beginning my independent study in philosophy with Raymond, I wanted to narrow my concepts and ideas that I was interested in into solid themes for my BFA activity kit. My kits mission is to introduce basic concepts of philosophy into children’s lives through self-reflective creativity, including questions and crafts. So I needed to start thinking like a philosophical child, which led to a lot of questions that began with why. So I created a list of common hard questions that children ask about life that don’t have an easy answer if any at all. I then created a list of themes and concepts derived from those questions. I organized them and picked 5 that seemed the most important and universal to me as major concepts to work with. Attaching stories and philosophers along with them that represented this theme to me in some way. To further rough out how I would create an activity with one of these concepts, I took one and broke it down into components. 056
  • 65. 057 Questions How much longer? Where do we come from? Why are you crying? Why should I believe you? Why do people get sick? Why are there homeless people? Why do people wear clothes? Why do I have to go to bed so early? Why do I have to go to school? Why did my dog die? What is beyond the stars? How do I know something is bad? Why do I have to say sorry? Why do I have to do it all myself? Why do people get sick? Why do people go to church? Why do people believe in god? Why do bad things happen to good people? Why is the sky blue? Why do I have to pick up after myself? Why/how do I have dreams? Why do I have to be nice to them?
  • 66. Themes and concepts Existence /reality / percepti ons How do you know what you know Plato’s cave Good/evil / right/wrong / morality What determines our morals ethics ? Bein g thr own int o this world Makin g somethin g out of nothin g 058 Absurdity / truth Creatin g your own reality The myth of, camus Self reali zation/ know thyself Disc overy, actuality , authenticity . THE TWO ARTISTS, S.K. Time /space How we exist in our envir onment Capacity and the nature of knowled ge Trust / auth ority Privacy / respect LIBERTY/RESPONSIBILITY Appropriati on / limitati ons FAITH / RELIGION THE TAME GEESE, S.K. WEALTH/ STATUS/ MONEY THE KING AND THE MAIDEN, S.K.
  • 67. 059 KIT #1 Concept theme: Existence /reality / percepti ons QUESTIONS: WHERE DID I COME FROM? WHAT IS BEYOND THE STARS? WHY DO MY FRIENDS LIVE and think DIFFERENTLY THAN ME? HOW DO YOU KNOW WHAT YOU KNOW? MY OBJECTIVE: REALITY IS HOW YOU PERCEIVE IT. OUR REALITY IS BASED OFF OF HOW WE PERCEIVE THE WORLD AND WE PERCEIVE THE WORLD THROUGH OUR FIVE SENSES. THERE ARE UNIQUELY COMFORTABLE WAYS FOR INDIVIDUALS TO EXIST BASED ON OUR KNOWLEDGE OF OUR SURROUNDINGS. PHILOSOPHICAL STORY: PLATO’S, THE ALLEGORY OF THE CAVE POSSIBLE ACTIVITIES: RANDOM PIECES TO CRAFT WITH, WHAT WILL YOU MAKE WITH YOU HAVE. CAN USE THE ONLINE GALLERY TO SEE WHAT OTHERS MADE OUT OF THE SAME MATERIALS CREATE A CHARACTER BASED OFF OF YOUR SENSES. DIFFERENT TRIGGERS IN THE KIT TO SPARK MEMORIES OR FEELINGS FROM ALL OF YOUR SENSES TO CONSTRUCT A CHARACTER WITH AN ENVIRONMENT, CREATE A BACKGROUND STORY FOR THIS CHARACTER. YOUR PERSONAL CAVE. A 3D MODEL OF YOUR WORLD
  • 68. After the next meeting with Raymond and discussing my questions and concepts we realized that I needed to back up and really clarify my target audience. This way I could better narrow the concept and fully justify choosing to make a kit curated around the theme that I chose. Before I was thinking in a broad sense, of just general philosophical questions that are wondered at a young age. But, the mind of a 6 year old is going to wonder about the question very differently than the mind of a 12 year old. I decided that I would make my target age range be 9 to 12 year old children, this way I could have room for more abstract questioning. So I did some research and then remade a list of philosophical questions and a list of themes that were geared around the life of a 9 to 12 year old child. I then took five of the most relevant concepts and delved a little deeper into those. Coming up with possible questions, activities, and short stories that related with the theme. From there, I picked one out of the five concepts and expanded that out into components of a possible activity kit with 3 activities, a list of questions and a story. 060
  • 69. TARGETING 9-12 YE AR OLD CHILDREN . 9-12 year old children are my main target audience because they show strong aspects of intellectual, emotional, social, and cognitive development that could benefit greatly from self-reflective creative philosophy. This allows for more abstract thinking. Deeper questions for the minds that desperately need a sense of direction. They show a need for independence and a curiousness for univer-sal truths, fairness, and what is right or wrong. They are at a point in their lives where they want to find these things out for themselves, not ask their parents but discover things directly. Having a personal place to read, create, and write will help organize thoughts and feelings to make better sense of life. Exercises the judgment of opinion at this age can benefit the growth of confidence in the self. “It is very easy to express an opinion, much harder to justify it.” - Philosophy for everyday life, pg. 6 061 Common themes Independence SELF CONSCIOUS Fairness Attitude Self discovery Normal / conformity Authority Right and wrong Universal truths Self reali zati on Personality Control / limitati ons Beliefs SELF ESTEEM / INSECURITY Embarrassment / pride Free will DECISION MAKING Relati onships Values and morals Change
  • 70. 5 ma jor themes Free will : INDEPENDENCE / authority How do you define your free will? List 5 ways in which you exercise your free will. List 5 ways in which you feel held back from being free. To what extent can I do what I want to do? The Ring of Gyges, Plato’s Republic Draw what you think the Ring of Gyges looks like. What would you do with the Ring of Gyges? Draw in the comic panels your first mission with the Ring. Create a beginning middle and end to your story. Why you chose to do this, how you did it, and what became of the actions? Self realization : attitude Who am I ? Who am I at home? Who am I at school? 3D self portraits. Masks. How do you portray yourself to the world? With your appearance and your attitude? Do you have multiple masks? Different attitudes for different people or places? 062 Conformity / NORMAL What is normal? Do I fit in? Is being different a bad thing? The Pedestrian, Ray Bradbury How do different views on the way we should act in society create problems, can they bring people together? List things that you like to do, that you may find normal, that other friends or family might view as not normal. How does having someone else think that what you enjoy is strange, or out of the ordinary? Create a character that seems Normal to you, and a character that seems completely odd and out of (your) world
  • 71. 063 FAIRNESS / control Why is life not fair? The Guest, Albert Camus Was Daru treated unfairly? How did he handle this situation? Do you think Daru was thinking of himself or of the prisoner? Could he have been concerned about both? Did his opinions change after the task was over, or were their different concerns on his mind? Are their different types of fairness? To what degree does the desire for fairness become selfish? Think about a time that you felt like you were being forced to do something that made you feel like life wasn’t fair, after doing the task did you feel differently on the matter? Where do fairness and control relate and differ? Draw different places you feel in control, and not in control. Draw a situation occurring in 2 different places where the environment changes the control. With the thread, create a fairness bracelet. You have total control over the outcome of the bracelet, it is yours. You can wear it to remind you that their are a lot of things out of your control that seem unfair, but remember that you can only be responsible for what is in your reach. Truth : UNIVERSAL TRUTHS / beliefs How do you decide what to believe and what not to believe? Why do others believe differently than me? The Two Artist, Soren K. Can you find beauty in the everyday? Draw people, places and objects in your life that you find especially beautiful and explain for what reasons you find that beautiful. Why might others see them differently? How can two or multiple opinions exist in the world?
  • 72. Concept theme Free will/justice/control MAIN PHILOSOPHICAL STORY The Ring of Gyges, Plato’s Republic The concept of community, being around others is a strong force in the exercise of our individual free will. We have the tendency to be more free when we are alone, or with those we are comfortable with. It is when we are around others, those we aren’t familiar with, or just a mass of people when we put our guard up and make choices based off of how you think others will react. Writings and concepts Heidegger’s “being thrown”, looking at freewill in the lens of what we can’t control about our existence. We can’t decide when, where, and to whom we are born into, but we have the power to control how our lives turn out. Sophie’s Choice, even under the most extreme situations were we seam powerless, there are still ways we can make an authentic choice, use our free will. MY OBJECTIVE Free will can be viewed from many different perspectives regarding ones life. How being aware of how your free will is effect by your environment, and how being aware of your free will can change the way you live. Maybe it just lies in how you think about things, your actions might stay the same, but it’s about how you view yourself in the world and your control over your existence. 064 Free will
  • 73. Create Your Own Journal Writing is a great way to work out feelings, hard decisions, and keep memories. It is not only a way to discover yourself right now, but to look back on in the future and learn about your past, keep in touch with old thoughts and feelings. There are no boundaries in a personal journal, you have complete free will with your words and drawings. Explore how individual, personal free will is just as important as free will in society and your personal community. Tools: thread, needle, bees wax, paper, book board, book cloth, end paper, book glue, glue brush, ruler, scissors, pencil, exact-o knife, CANVAS COLLAGE Testing the limits of what free will is. Whether using others material, weather that be words or images, in a different way, can it still be original? Is anything original? Tools: canvas panel, paint, paint brush, glue stick, tacky glue, markers, magazine clippings MAKE YOUR OWN STAMP You can control the shape of the stamp but each print will come out uniquely different. Sometimes they are small and sometimes they are big, you never know exactly what will come your way but can you accept that their are things in life that you won’t be expecting even when you think you are in complete control? Tools: craft foam, wood, ink, roller, plastic slate IN BOOK Draw your ring, what would you’re ring of gyges look like? Think and list things that you would do with the ring. Pick your number one choice and create a short story with a beginning middle and end. What would you do, how would you do it and what would happen from it? Divide the story into 5 segments and create it into a short comic by filling in the panels. Draw whatever you want. Now color in the lines. Compare the experience of a controlled drawing compared to a free one. Is it easier having someone tell you what to do? Do you prefer to have complete freedom? 065 Activities
  • 74. 066 Questions How do you define your free will? List five ways you exercise your free will and 5 ways you feel held back from being free? How are free will and justice related? How do they conflict with each other in our lives? Without the fear of punishment would use your free will more? Why do you think we hold ourselves back in the presence of others? Is it for the good of us or of them, or both? Would you say you make just choices because you feel like they are truly better or because you have been taught they are the better choices? Do you think anyone can be just all the time? Do you think just behavior is natural, What would you do with the ring? Do you think answering the question hypothetically of what you would do with the ring, would yield the same results if you were to actually have the chance to be invisible? What do you think would happen if everyone had a ring of Gyges?
  • 75. Is there behavior that you consciously refrain from when you are among others/ in public? Explain different behavior types that you have in various places you visit in your life. Why do you think this happens? Do you think that it is true that unjustness is far more profitable for an individual over justice? Do you think that words alone could be a way to exercise your free will? Or do you need action? Are words necessary to find and resolve the action? Do you have someone to share your deepest feelings to? Do you find that by answering these questions you are discovering more about your existence? Are you feeling more connected with yourself? How does writing your thoughts down effect your feelings? 067
  • 76. After this weeks meeting with Raymond I realized a few things. First, that my kit was obviously going to get slightly complex so I could foresee only making one solid kit for the show. If this ends up being the case, then I want that theme to be something that not only am I really interested in, but one that would be an appropriate starting point for the exploration in creative philosophy. After some contemplation, it occurred to me that there is a concept that I learned in a previous class with Raymond that comes to my mind quite often. It is the concept of Martin Heidegger’s, of being thrown into the world and falling towards the average. You can’t change the facts of your life as they are, but you can aspire to who you want to be with what you are given and how you interact with the world around you. If I could have been presented with this concept at this age it might have made things easier. The concern of status regarding your wealth, intellect, athleticism, are all very relevant and new concerns during this time of your life. Most of the activities I have curated all have this theme of making something out of what you have, seeing things through a different light, not following the normal that all tie into this concept of Heidegger’s throwness. So my next step is to revisit Heidegger’s concept and think about it in a new light. Another thing that was realized after this meeting, was the there could be a structure to approaching making these concepts into activities. Because this kit addresses philosophical questions and also asks questions throughout the book, the structure naturally began with questions. There needs to be a main question to guide the overall kit. Following that there needs to be three sub questions for each individual activity to be derived from. The activity book will then guide you through the box using the three activities as sections. I will create multiple questions to start the sections and end the section with the craft. Following researching Heidegger’s concept of being thrown and falling, I will apply the concept to the structure of the kit. 068
  • 77. Heidegger’s thrown and fa lling Heidegger describes Facticity as Mans condition of being, who he is, where he is born his circumstances of life. Children are constantly questioning things about life that are part of their Facticity. This is an ideal learning objective for making activities in my kits. To sum up questions regarding the facticity of ones life such as “why am I short? Why do I have this family?” The main question being asked is, why am I me? This is a question without a straight forward answer like many that children ask and often leads to more questions. There are some things that can be beneficial about knowing why you are you at a 6-9 year old perspective. To understand you were thrown into this world without control over your existence and what makes up your environment. As well as to realize that the parts that really make up who you are, aren’t really your facticities (although that does effect it) it is the choices you make that make up how you exist. Breaking down these concepts into ideas like chance and choice and reflecting them through hands on activities will provoke these ideas and concepts into the children’s lives. “Man is always falling into the world, into the they, or the One, the crowd, the herd; a faceless power that governs us all. It is a shared abstraction and it exerts a force against one’s individuality, tends to pull the individual towards mediocrity and averageness. “ Heidegger views mas as falling towards death, which is the truth but I wouldn’t want this to be a focus in children’s craft activities. I think that the same concept that Heidegger is making can be shown in a lighter way for children. The falling is simple towards the crowd, those at school that make you feel like you aren’t normal. Pointing out that breaking away from this concept of needing to fit in, accepting your facticity and doing what you can with what you have in life. By not focusing on being who others think you should be, and being your true self you can find authenticity and happiness in individuality. 069
  • 78. THERE ARE FACTS IN YOUR LIFE THAT YOU HAD AND HAVE NO CONTROL OVER. YOU ARE THROWN INTO THIS WORLD, IT IS UP TO YOU TO ASPIRE TO YOUR GREATEST POTENTIAL THE WAY YOU CHOSE TO EXIST IN THE ENVIRONMENT AROUND YOU IS HOW YOU CHOSE TO CONNECT TO IT. THERE IS ALWAYS GOING TO BE A UNIVERSAL FACELESS CROWD TO ASPIRE TO, BUT THAT DISTRACTS FROM ONES INDIVIDUALITY. HOLDS YOU BACK FROM FINDING INNER HAPPINESS. YOU HAVE UNLIMITED POSSIBILITIES IT’S UP TO YOU TO CHOSE YOUR PATH 070 The main questi on Why am I me? Sub questi ons Why do I have to live here? Do I have this family? I short/tall? Thrown How do you feel held back from attempting to fit into what is determined normal in society? What do you love to do? What makes you happy? What do you love about yourself? Can you appreciate this everyday? There are facts in life you have no control over. The choice of your existence, your family, where you live, what you look like. What are the facts of your life that you have no control over? How do they effect your life? You are always being faced with the possibilities of who you could be. There is always going to be a “they” a normal that pulls you from individuality towards averageness. There is an authentic individual in us all. It is only when you break from the They and realize your own possibilities. You can find happiness in being your authentic self. Why can’t I look like them? Don’t I fit in? Can’t I run fast? How can I be happy being me? Do I fit in this world? Falling The objectives My questi ons Projection LEARNING OBJE CTIVES
  • 79. NEW RE ALI ZATION I am going to now lower my target audience to 6-9 year old children. This is because I have made the kit more about the crafts and they are better suited for this age range. I don’t want the book to be straight forwardly teaching them philosophy, it will just be rooted around the question, Why am I me? Maybe never using the word philosophy, but giving them the tools to ask their own questions. Who are you, gettin g to know you type questi ons What’s your name How old are you What is your favorite food What is your favorite book Who are you’re friends What qualities do you like to have in your friends Talk about your school What are your favorite subjects What makes you happy What makes you upset Make a list of different parts about your life that make you, you, but you had and have no control over. (i.e., girl, short, blonde, glasses) Make a list of different parts about your life that make you, you, that you do have control over. (i.e., funny, nice, studious, responsible, careful, etc) 071 Unit #1 / intro
  • 80. After exploring Heidegger and breaking down the concept, as well as changing my age range to 6 to 9 year old children, I realized I had to take a slightly different approach. I need to look at the concept in the eyes of a 6 year old child. Use his concept as inspiration and not directly teach it to the children, but let them come up with the questions. Moving forward I need to create a main question that is inspired by the main objectives I took from Heidegger. Use the three sections I previously made of thrown, falling, and projection as the grounds for building the kids sub questions and crafts. Constantly keeping in mind that these are questions for children, be clear, concise and direct. 072
  • 81. Explorin g the concept of choice Who are you? Personality and Individuality General opening questions and facts that make up you as a person. Then moving into questions that make up your individual personality. Seeing the difference between the facts of your life and the qualities of your life. How do you choose? Chance and Choice Some parts of your life are out of your control but a large part of what makes you who you are, are the choices that you make. Each choice determines something about your self. Discover how your choices create your existence. Who do you want to be? Goals and Ambitions Creating goals and having ambitions can show how you can make a difference in your own life. Making it a point to smile, say you are thankful, create something meaningful, keeping productive, happy and engaged with life can be beneficial to any ones life. 073 why am I me? Inquire Discover Aspire
  • 82. I have my main question now, Why am I me? Which I thought was the very basic question of the thoughts that Heidegger was bring about as well as is approachable to children. When someone wonders about the fact that they are in this world without any choice of existence and circumstances, they are basically wondering, why am I me? Or at least this is the way I connected the question to the theme. Following the main question I came up with the three sections with sub questions, Inquire: who are you? Which connects with being thrown into the world addresses the facts of your life. Then Discover: How do you choose? Which connects with falling towards the average and addresses chance and choice. Then there is Aspire: Who do you want to be? Which connects with projecting your authentic self and being the best you can with who you are. These are now going to be used as guides and the framing for my book of questions with crafts. I need to connect the three sections with a flow of multiple small questions to fill out in the activity book that brings about the concept and theme of Why am I me. While continuing to work that out, I have to come up with three activities that are inspired by the three sections and further teach these concepts to the user. 074
  • 83. See how the facts of your life and your personal favorites work together to make you the unique individual that you are. Fill in the accordion book with different aspects that make up you as an individ-ual. A mixture between your facts and your favorites. The book can expand to show all of your aspects at once, or you can flip through looking at one at a time. See how your choices on how to handle your chances work out to create an authentic piece of art. Understand how chance and choice work together. If you are given a random collection of things what will you create with it? In the box will be an assortment of crafting supplies, it is up to you on what will come out of it! 075 Activities Accordion book Mystery box Shadow frame See how by reminding yourself with personal crafts and inspiring messages everyday makes your day a little happier. Create your own shadow box that frames a personal memory or something you aspire to do. Paint it your favorite colors, add a motto banner, pictures, anything that inspires and reminds you of your authentic self.
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  • 86. CHILDREN AGES 6-9 6-9 year old children are my main target audience because they are new to abstract thought. They show a need for independence and a curiosity for universal truths, fairness, and what is right or wrong. They are at a point in their lives where they want to find these things out for themselves, not ask their parents but discover things directly. Having a personal place to read, create, and write will help organize thoughts and feelings to make better sense of themselves and their life. Going deeper, there are particular types of children ages 6-9 that would find a special connection with my product. Those who want to know it all, those excited to create, and those destined to find out the meaning of life. Introducing philosophy into children’s lives at this drastic time of eagerness to learn, create, and search can help guide and ground them making some sort of sense out of their millions of thoughts. 078
  • 87. 079 smarty pants Wants to know it all and let everyone know it. Eager to learn about the world to better relate to it. Creatives Love for the arts, creates constantly, running imagination and ready to create something new out of something different everyday. Parents are most likely artists. Curious minds Constant desire to find out what the point of life is, always asking questions about things that can’t be answered.
  • 88. Growth and Development What kinds of development occur between ages 6 and 10? They are more independent, physically active, involved with friends, and are learning to think in more complex ways. This is the kind of reader that I am targeting. Someone curious to find things out themselves and able to think in more abstract situations. How will my child change physically? Strength and muscle coordination improve rapidly in these years. They learn basic active skills like throwing, hitting, and kicking. Some children may even develop skills in more complex activities, such as playing basketball or dancing. This could be adapted in crafts as well, learning complex things like cutting paper, gluing, sewing, and overall attention to detail. How will my child change intellectually? Develops a more mature and logical way of thinking. He or she gradually becomes able to consider several parts to a problem or situation. This is a change from the simplistic thinking of a preschooler. Even though their thinking becomes more complex, children in this age group still think in concrete terms. This means they are most concerned with things that are real rather than with ideas. In general, these things are those that can be identified with the senses. For example, actually touching the soft fur of a rabbit is more meaningful to a child than being told that an object is soft like a rabbit. Because they still can mostly consider only one part of a situation or perspective at a time, children of this age have difficulty fully understanding how things are connected. 080 CHILDREN AGES 6-9
  • 89. Having simply written questions that are broken up by hands on activities addresses this issue of needing to be in contact with the subject. Rather than telling them these philosophical concepts I am giving them the opportunity to come to them themselves while creating. How will my child change emotionally and socially? When children enter school, they leave the security of home and family. Here, they learn some crucial skills-including how to make friends-that they can use for the rest of their lives. Children's self-esteem, which is their sense of worth and belonging, is fragile and can change rapidly depending on what is happening around them. Bringing the concepts of authenticity, self worth, and individuality, roots the question Why am I me? And addresses this self esteem issue that is common to children at this age that are being entered into a larger world of people. www.webmd.com/children/tc/growth-and-development-ages-6-to-10-years-topic-overview 081
  • 90. 082 Fam ilies Families of the 6-9 year old children are my secondary target audience because they are the ones purchasing and approving the use of the product. Getting them sold on the idea of self growth through conceptual creative philosophy is just as important as hooking the children who are using the product themselves. The aesthetics must also be appealing to the adults of the family. Going deeper, there are specific relatives that are apart of a child’s family that are inclined to provide them with engaging knowledge and fun productive creativity. The first being the child’s parents, those directly influencing and teaching them about life, providing them with the tools to learn and create. Next is the grandparents, who don’t have to worry to much about taking care of the children which allows for more time providing knowledge and entertainment. Then there are the aunt’s and uncle’s who maybe don’t have children themselves, and direct their eagerness to provide for children towards their nieces and nephews. A child with a large caring family has a wider opportunity for more channels of knowledge and creative entertainment.
  • 91. 083 Parents The providers for the child, the final decision makers and the persuasion over what forms of education and creativity are in the child’s life. Grandparents Provides the child with an excess of entertainment, knowledge and love. Not the main caregivers, so less of an authority role and more of a giver. Aunts and uncles Also not the main caregivers, so still less of an authority role but more like an older friend. Maybe they don’t have children of their own and have lots of love and generosity to give to those closest to them.
  • 92. Employers The final layer of my audience is potential employers. This project is intended to get myself a job after graduation so everything I make should reflect a career path that I would desire. My first target is book publishers. I would love to layout and illustrate for the exterior and interior of books. The main part of my project is a kit but the kit is controlled by the book inside and demonstrates layout and overall extension of a publication. The next target is small design studios that focus on brand, product, and web design. I am going to be creating a cohesive brand system that runs through the product and website as well as a structured brand guidelines booklet. There will be a lot of attention paid to the craft and execution of my design and product, which attracts more to the smaller studio. My final target for potential employers is the emphasis on user experience. My product is driven by the user and created for them to connect with. 084
  • 93. 085 Book publishers The kits main part is a publication and the whole kit shows the application of a theme extended through a product. Product design Branding The whole project will be a consistent brand that is expressed in all elements. User experience The kit is based around user experience. From opening and handling the product, writing your thoughts, creating the project, and sharing online.
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  • 96.
  • 97. What has been done? A detailed look at brands with similar missions, products, and target audiences. 089 Brands Art with heart Highlights Land of nod Products Philosophy book covers Postal packa ging Elements Photography Colors Typography
  • 98. Art with heart A non-profit company that creates activity books targeting children going through traumatic times. This brand is similar to my brand because it is using creativity and self reflection to connect with individual children. This brand differs from mine because it is specifically targeting children going through sickness, loss, or coping with tragedies in life. They emphasize on emotional and social issues, where I am reflecting on personal values and the mindful concepts about understanding life. Overall it is the most relatable product and brand to my project. It targets the same age range of audience and has similar brand values and goals. 090
  • 99. 091 Photography Up close and personal. User included with product. Eyes directly looking at audience. Natural humanistic shots. Item in action.
  • 100. For children 6+ dealing with grief and loss. Natural brown brings a solid wholesome feeling. A connection with the earth bringing a sense of stability, orderliness and convention. A therapeutic self discovery activity book for teens. One main color. Blue allows you to look beyond and increase your perspective outward. Lots of white to let the user fill in themselves. For tweens facing crisis. Muted warm red increases interest and encourages those to go after their dreams. The muted blend of colors emphasise the change and how things in life can be unclear. 092 Color
  • 101. 093 Typography Title is bold, all connected, and slightly futuristic. Bold lettering for headlines. Clear sans serif type for questions that are directed to the reader. Abstract hand done headers. Paired with a friendly clean sans serif body copy typeface. Hand done title and headlines. Same color as background contained in a darker shade of that color. Expressive and various different hand done typography.
  • 102. Highlights A creative educational brand that creates activities for learning and development while targeting children and families. This brand is similar to my brand because it is using creativity to educate. They create activity books and kits that involve reading, writing, drawing and crafting. This brand differs from mine because it has a large range of topics, ideas and crafts that are aimed at many different children ages. Where as my brand will be uniquely philosophical topics aimed at 6-9 year old children that already are beginning to refine their hand skills and the ability for abstract thinking. 094
  • 103. 095 Photography Happy children that are the same age using the product. Illustrated surreal background setting context, mood, and type of user. Stand alone product shot. Using white space to focus on the products .
  • 104. 096 Color The title being in bright red brings direct attention and interest to the book. The bold secondary colors are common with children products to engage the reader. A combination of various flat colors the familiarize the type of book with the type of activities it has inside. Natural brown brings a solid wholesome feeling combined with blue as an influences to be open minded. Along with hints of red to increase interest in those focused areas.
  • 105. 097 Typography Bolder and more unique letter for the tiles. Serif type for instructions with use of bold type to emphasise key parts. The logo uses a suggested hand done marker lettering. Rounded tips and low x-height giving off a friendly vibe. On the website where the parents are most likely the user, there is standard cased sans serif type, all in same size using different colors and weights to distinguish hierarchy.
  • 106. La nd of nod A creative youthful brand that focuses on children’s crafting and home products targeting children and families. This brand is similar to my brand because they have a wide variety of user experienced based products, such as educational and creative activity kits for children. They have a similar target audience and present themselves as an honest, uplifting, and fun company. This brand differs from mine because they are targeting a higher class and also provide products for a younger age group of children. They are mainly designing for the women of the family that want their children to be part of this look and feeling. Where as I am branding mine to target all status’s of families and those that think for themselves. 098
  • 107. 099 Photography Using grids on the website to showcase products in their natural environment. Styled and staged bedroom shots with and without children. Informational product shots are out of environment, laid out on white surface in a neatly manner to show what is included. Bright lit and from birds eye view.
  • 108. 100 colors Website uses white and gray combined with blues and corals. They are references both genders while also being neutral. Creating a clean and solid look with just a few colors. Using slightly muted primary and secondary colors on product packaging. One main color on each product with white as a common secondary color.
  • 109. 101 Typography Bold caps sans serifs combined with small capped thin sans serifs. Use of condensed combined with one word in script type. Hand done script lettering combined with thin sans serif humanistic type. The website product information for parents use. The same sans serif humanistic type as subheads and a standard book sans serif for the detailed information. Select type that has its own function is a solid color.
  • 110. Book covers When creating an activity book that is geared towards introducing philosophy into children’s lives it makes sense that I look at the design of philosophy book covers. There are beyond numerous amounts of philosophy books but there seems to be a trend in both simplicity and abstraction. There is a trend of simple use of hand done illustration and photography. As well as a strong use of flat muted colors and bold all caps sans serif. There is also a use of simple shapes, repetition, patterning, and overlaid colors. The penguin Great Idea Series is a great example of a set of book cover designs that are cohesive yet unique by themselves. They use white space and creative typography in an engaging and unique way. 102
  • 111. Using purely type and flat colors lots of negative spac e 103
  • 112. Using ab strac t patterning, design, or type 104
  • 113. Using one main photo or illustration with type 105
  • 114. Penguin great idea series 106
  • 115. 107
  • 116. Postal packaging This activity kit is going to be packaged and sent in the mail so I need to look at various types of boxes and packaging for mailing. I need to explore the different materials, colors, and shapes that my package can take. I know I want the natural craft material of the cardboard shipping container and kit boxes to be used as a visual element. Letting everything pretty natural with hints of brand colors and the logo stamped. 108
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  • 120. Logo target audience mostly type, unique clear lettering, contrast and definition 112
  • 121. 113
  • 122. Logo target audience unique logo mark, hand done elements, friendly, colorful 114
  • 123. 115
  • 124. Logo st yle inspiration hand done elements, texture, simple 116
  • 125. 117
  • 126. 118 Brand name wonder Ta g line activities for curious minds
  • 127. I want my logo to be mostly hand done. From looking at the similar brands that are both educational and targeting children, the main element that connects them all is the simple use of type as the logo. It is defined, legible, but unique to the brand. I want the logo to be simple, clear, and engaging for the youthful audience. Texture and hand done elements adds a layer of human to the brand, allowing it to be inviting, relatable, and comforting. The following pages are logo explorations and options for the final. It is in order of thought process and shows how I arrived at my final logo. 119
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  • 132. 124 W N D E R W NDER
  • 133. wo n d e r wonder 125 wo n d e r WONDER WONDER
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  • 138. 130 wo n d e r w n d e r W O N D E R w n d e r
  • 140. WOND E R WONDE R wonder w o n d e r 132
  • 141. wonder 133 wonder wonder
  • 142. wonder wonder wonder wonder wonder wonder 134
  • 143. wonder CRAFTS FOR THE MIND wonder CRAFTS FOR THE MIND 135 wonder wonder
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  • 150. Branding guidelines MI S S ION THE LOGO COLOR T Y POG R APHY IMAGE RY 1 2 3 4 5
  • 151. wonder’s mission To bring basic concepts of philosophy into children’s daily lives through self-reflective creativity. Inspire authenticity and personal growth during important physical and intellectual developmental stages in life. To encourage hands-on learning while provoking abstract thought to better connect with the individual self. To explore visual aesthetics through crafting while opening minds to each individuals many possibilities. To invite children to look within for reason, guidance, and inspiration. Most importantly, remind everyone to keep wondering why 142
  • 152. the content inquire who are you? Inquire about the facts and choices of your life that make you, you. discover how do you choose? Discover how your individual choices determines and create your life. aspire who do you want to be? Aspire to be your best, happiest, and most original self that you can. 143
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  • 155. LOGO MARK min. width: 0.5 in
  • 156. LOGO WITH TYPE min. width: 0.75 in
  • 157. TYPE MARK min. width: 1 in
  • 158. WHEN TO USE WH AT Logo ma rk Standard go to logo to use. Smallest size logo. Use for individual product parts where name is already mentioned. Logo with t ype Use on independent pieces, post card, ads, posters, etc. Where name needs to be included for more information. TYPE MARK For more formal situations like credits and footers. Use for horizontal spaces.
  • 159. HOW TO USE must be Centered with 1/8 of an inch of white space surrounding the logo.
  • 160. HOW NOT TO USE do not Stretch, over shrink, break up, or distort in anyway. Cover, crowd, or cram into unfit space Use any off branding colors or typography. wonder
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  • 163. PRIMARY COLORS Yellow Pantone Cmyk Rgb Seafoam Pantone Cmyk Rgb 115 m 351 m 0, 9, 80, 0 17, 0, 16, 0 255, 225, 79 211, 235, 219 WAYS TO USE The yellow and seafoam are both mainly used for background colors, and bigger details.
  • 164. Olive Pantone Cmyk Rgb SE COND ARY COLORS Light Gray Pantone cm yk rgb Da rk Gray Pantone cm yk Rgb 5767 m cool gray 5 m cool gray 9 m 15, 0, 68, 39 0, 0, 0, 29 0, 0, 0, 51 148, 155, 80 190, 192, 194 145, 145, 149 WAYS TO USE Olive, light gray, and dark gray are used for illustrations, text color, and small details.
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  • 167. knock out A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 1 2 3 4 5 6 7 8 9 0 , . ? ! TITLES, headers and footers JuniorFeatherweight with 75 point letter spacing.
  • 168. Archer abcdefghijklmnopqrstuvqxyz abcdef ghijklmno pqrstuvq xyz 1234567890 , . ? ! BODY COPY , sma ll ca ptions, subheads Book and light italic, with 20 point letter spacing.
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  • 171. Photography Children using product, muted colors, bright lighting. Clear table product shots, bright light, arranged neatly.
  • 172. Hand done illustration pen outline with thick lines. Illustrations Layered flat colors under the thick outlined illustrations. Slight use of half tone texture, and off setting the color.
  • 173.
  • 174. craft day These last few spread are pictures from my crafting day. The day was intended to test out the craft activities I curated with children in the targetted age range. I was lucky enough to have a great teacher lend me his seven your old daughter for a day to craft with. She also brought along her friend so we had some company. She was a great crafting buddy, very excited to make things so she fit perfectly into my target audience. She went through the activities smoothly and made very interesting adn unique pieces, just as I was hoping for. Her friend, even though he was the same age, was not so much into the crafts so he just kept us company cracking jokes here and there. Overall this craft day was a sucess, it showed me that my crafts actually work and are entertaining for children who have the interest to craft. The done crafts are also going to be used at the show to give visual examples of the crafts. 165
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  • 180. Conclusion This is the end of the summary of my process. From here I take on the completion of my project. Making my research come to life creating a physical project for the show. I will be using my knew and old knowledge, and skills along with my completed branding guidelines to create the pieces for my show. In the end, the physical items I will have created for the show will be what the audience sees and takes away from it all. But this book is what I have taken away from this project. It has been the grounding place to organize my thoughts and a place to create a time line of the research and exploration that led me to my final project. It is a small fragment of my mind that I have developed over the mast few months. 171