Formalists are often referred to as ______, because their self-expression is at least as important as the subject matter itself. These filmmakers are often concerned with spiritual and psychological truths, which they feel can be conveyed best by distorting the surface of the material world. Classicists Expressionists Realists Surrealists Most realists would claim that their major concern is with ____. In its most extreme form, the realistic cinema tends toward documentary, with its emphasis on photography of actual events and people. Technique Pure forms Content Form ____ tend to make people look powerless and trapped. Eye-level shots Low angle shots Oblique angle shots High angle shots There are a number of different styles of lighting. Usually designated as a lighting key, the style is geared to the theme and mood of the film, as well as its genre. Comedies and musicals, for example, tend to be lit in ______, with bright, even illumination and few conspicuous shadows. High concept Studio lighting High key Three point technique Color in film didn't become commercially widespread until _____. The 1960s The 1940s The 1930s The 1950s ____ lenses often flatten images, decreasing the sense of distance between depth planes. Wide-angle Telephoto Standard Selective focusing Digital technology has changed motion picture exhibition in all of the following ways EXCEPT: It provides greater flexibility for moving camera shots. It saves money in production costs. It makes editing more complicated. It makes movie distribution easier. The cinematographer has the choice of using several types of 'shots' in framing a scene. One can best describe a 'long shot' as: A shot that corresponds approximately to the distance between the audience and the stage in the live theater. A shot that has a wide appearance but focuses one's attention on a small area of space. A shot that will fill the screen with one very specific item, such as a face, a door or car. One that focuses on the knees or waist up. Good for dialogue and carrying movement. A shot that is at least 100 feet from the camera to the subject. A shot that requires a wide angle lens and captures objects at close, medium, and long ranges simultaneously and all in sharp focus is called: Deep focus or wide angle Wide open Medium close up Medium Focus A shot that is photographed from directly overhead is called a(n): Bird's eye view Deep Focus Pilot's Angle Low Angle Oblique Angle.