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CULTURAL
ENTREPRENEURSHI
P:
AT THE CROSSROADS OF
PEOPLE, PLACE , AND
PROSPERITY



                                          Alice Loy, PhD
                       Co-founder & Director of Programs
A meaningful path to
prosperity




    Global Center for Cultural Entrepreneurship, 2013
Connecting us to our
past
Foretelling our
future?
Hawaiian Islands, USA
Bali, Indonesia
Suzhou, China
San Francisco, California
México
Nuevo México
Photo: Larry Lamsa
Entrepreneurship is
The pursuit of opportunity without regard to
resources currently under control.




        Marketing
                                                 Profitable
                         Risk                    Outcomes
        Finance
 Team




        Operations

                                    Global Center for Cultural Entrepreneurship, 2013
“Entrepreneurship
         is
self-determination.”


          ~ Lisa Little Chief, PhD
“Unless communities
 can think about what
    they have to offer
   themselves, they’ll
 either get stuck trying
  to be what another
place already is, or be
 held back trying to be
something they used to
           be.”

     ~ Nate Berg
Jonathan Sims
No Reservations Productions

                              Global Center for Cultural Entrepreneurship, 2013
FACTORY ECONOMY
CREATIVE ECONOMY
University of Minnesota:
Bachelor of Arts degree in
Cultural Entrepreneurship




                             Rachel
                              Vitko
The Cultural Industries:
• Performance arts
• Fine arts
• Film and music
• Publishing                Kathleen Fontaine
• Planning & architecture
• Food & agriculture
• Crafts
• Tourism & Recreation
• Media/journalism
                                    Global Center for Cultural Entrepreneurship, 2003
THE CREATIVE/CULTURAL ECONOMY


     Creative/Cultural
     Economy


                 Creative/Cultural
                 Clusters
                             Creative/Cultur
                                    al
                             Entrepreneurs
“Cultural entrepreneurs are functional
   navigators --skillful alchemists--
combining aspects and processes from
  multiple systems to create cultural
  balance and improved livelihoods
 for their families and communities.”


                           Global Center for Cultural Entrepreneurship, 2013
GCCE’s theory of change




27
OUR MISSION




              Creative/Cultura
              l Entrepreneurs
GCCE PROGRAMS
• GCCE Fellows
• PowerUp!
• Market Links
• Northern New Mexico Cultural Corridor
• Sustainable Native Communities
  Collaborative
• Research and Field Development
GCCE Fellow
“We do not exist solely, we exist together.”
           Patricia Michaels, GCCE Fellow
                     Taos Pueblo
                                    Global Center for Cultural Entrepreneurship, 2013
Rulan Tangen, GCCE Fellow
                    Global Center for Cultural Entrepreneurship, 2010
“The challenge for an economy is to
    move from isolated firms to an
  array of clusters, and upgrade the
 array of clusters to more advanced
               activities.”
~ Global Competitiveness Report, World Economic Forum
Northern New Mexico Cultural Corridor



 Pueblos
           *                       *    Taos
Los
Alamos*                     *   Santa Fe

                        *   Albuquerque


                *   Los Lunas
Rio Grande Agritourism
Corridor
SUSTAINABLE NATIVE COMMUNITIES
            COLLABORATIVE
                  &
INDIGENOUS DESIGN & PLANNING INSTITUTE
2010 CROSSROADS REPORT
Children living in families with cultural entrepreneurs:
• experience less poverty
• receive more education
• learn indigenous language
• live in two-parent households
“Cultural
 entrepreneurship
allows a community
 to take its unique
voice to the world.”



“Cultural enterprises
create a venue for an
 exchange of spirit.”



                        Global Center for Cultural Entrepreneurship, 2013
What’s next?
www.culturalentrepreneur.org
          Alice Loy, PhD
    alice@culturalentrepreneur.org
           505.263.5180

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Cultural entreprenurship

Editor's Notes

  1. This template is in widescreen format and demonstrates how transitions, animations, and multimedia choreography can be used to enrich a presentation.