4. NO. 45
[issue]
Obscénité florissante : Art Intervene Space, Space Intervene Art
004 Hun-yi CHEN Art Intervene Space, or Space Intervene Art
006 Hun-yi CHEN Aesthetic and Topos in the “Public Sphere” of Taiwan
016 Wen-chieh CHIU
Imagine the Multilayers-Context of Site: An Interview with Wen-chieh Chiu
Hun-yi CHEN
022 Sheng-yuan HUANG
The Space Reading and Practices for City: Talking from The Bundle of City - Yilan
Hun-yi CHEN
028 Kuan-min HUANG A Contemporary Challenge to Landscape Thinking:
Connection and Location within the Rupture
034 Hsu-cheng TSENG The Way of Rural Rehibilitation and Rebirth
038 Jow-jiun GONG BOT the Mountain, BOT the Sea, But We Cannot BOT the Friendship:
On the Spatial Aesthetics' Economic Model of Friend Society
045 Rita CHANG
Intervene, Conservation: Rita Chang’s Curation Strategy and Imagination of Site
Hun-yi CHEN
050 Pei-yi LU The Roles of Contemporary Art Exhibitions
in Urban Development and Regeneration
057 Fabian Heubel On Body and Mountain-Water (shanshui): Facing the Contemporary Significance of “Nature”
064 Philippe Mairot
L’objet de l’écomusée (Object of Eco-museum)
Trans. by Yun-yu WANG
072 Kuo-ning CHEN Dwelling, Participation and Identification of Value:
Hun-yi CHEN Rethink the Urban Space and Planning Policy in Taiwan with the Idea of Eco-museum
001 Kai-pei KAO The Dawn Go Away, We Haven’t Finished Editting yet
077 Song-yong SING Vertical Eyes or When the Hidden Bodies Become Impossible:
On Contemporary Catastrophe-landscape’s Imminent Figure
083 Cheng-chang WU Vision of Taiwan
096 Shih-lun CHANG The Absence and Rebirth of the Portrait in Taiwan:
On Cheng-chang WU's Vision of Taiwan
098 Chun-hsiung WANG After Architecture
104 Editors and Staff Spatial Logic of Music: An Interview with Chao-hsiu Lee
107 Shih-fang MA The Walkman in My Memory
110 Jui-wen CHEN Deleuze’s Discourse of Cinema and His Characteristic of Philosophy of Art
119 Yi-chi LIAO The Relationships between Danto’s After the End of Art
Contemporary Art and the Pale of History and Hegel’s Aesthetics
122 Hans Ulrich Obrist
Interview with Teching Hsieh
Trans. by Jow-jiun GONG
132 Wei-feng CHEN I and the Animal that Therefore We Are
138 Yu-hsien SU Heaven
144 Chi-ling HSU Memo-Montage; Memontage; Moment / Age
147 Chien-hui KAO High Art / Low Source v.s. Low Art / High Source: The Productive Laughing of Da-Fen Lisa
154 Huai-en CHEN A Wanderer’s View of Art History Old Masters’ Books
