1. Focus Notes – Yerma Stage Lighting Design-
# Type of Light Colour
#
Channel
#
Colour name What the
colour
does/means
Why I am using it Focusing
1 Source 4 JNR Zoom 009 1 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
The beam of this
light will light
area 1 with no
spill into area 2
(create
shadows). Use
shutters to
encompass the
stage shape.
2 Source 4 JNR Zoom 009 2 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
The beam of this
light will light
area 2 only from
the left hand
side. Use
shutters to
encompass the
stage shape.
3 Source 4 JNR Zoom 009 3 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
The beam of this
light will light
the right half of
area 2 only. Use
shutters to
encompass the
stage shape.
4 Source 4 JNR Zoom 009 4 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
The beam of this
light will light
will overlap light
1 slightly and will
only light area 1.
Use shutters to

2. Focus Notes – Yerma Stage Lighting Design-
encompass the
stage shape.
5 Source 4 JNR Zoom 009 5 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
light the bottom
half of area 2
only. Use
shutters to
encompass the
stage shape.
6 Source 4 JNR Zoom 009 6 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
overlap the
previous beam
but will spill into
the top of area 5
only. Use
shutters to
encompass the
stage shape.
7 Source 4 JNR Zoom 009 7 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
light the top of
area 5 only and
will spill into the
right of area 4
only. Use
shutters to
encompass the
stage shape.
8 Source 4 JNR Zoom 009 8 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
light the top of
area 6 only but
with a slight spill
in to area 5. Use
shutters to

3. Focus Notes – Yerma Stage Lighting Design-
encompass the
stage shape.
9 Source 4 JNR Zoom 009 9 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
light the top of
area 6 only with
slight spill into
the bottom of
area 3. Use
shutters to
encompass the
stage shape.
10 Source 4 JNR Zoom 009 10 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
light area 4 as
much as possible
with no spill into
any other area.
Use shutters to
encompass the
stage shape.
11 Source 4 JNR Zoom 009 11 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience.
This beam will
light the bottom
of area 5 as
much as possible
with no spill into
other areas.Use
shutters to
encompass the
stage shape.
12 Source 4 JNR Zoom 009 12 Pale Amber Gold Late
evening/
Early
Morning
Sunlight
Create a patchy warm sunlight effect
that that is abstract but still highlights
the audience. I have also changed the
angle of the light so it can capture the
bed slightly.
This beam will
light as much of
the right hand
bottom corner
as possible. It

4. Focus Notes – Yerma Stage Lighting Design-
will be angled
upwards so it
hits the bed very
slightly so it can
be doubled as a
very delicate
spot light on the
bed. Use
shutters to
encompass the
stage shape.
13 Source 4 JNR Zoom 075 13 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the top of
area 2 only. Use
shutters to
encompass the
stage shape.
14 Source 4 JNR Zoom 075 14 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the top of
area 3 only. Use
shutters to
encompass the
stage shape.
15 Source 4 JNR Zoom 075 15 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the top half
of area 3 and the
top of area 6
only. Use
shutters to
encompass the
stage shape.
16 Source 4 JNR Zoom 075 16 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the bottom

5. Focus Notes – Yerma Stage Lighting Design-
half of area 1
and the top half
of area 4 only.
Use shutters to
encompass the
stage shape.
17 Source 4 JNR Zoom 075 17 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the bottom
half of area 3
with spill into
the top of area
6. Use shutters
to encompass
the stage shape.
18 Source 4 JNR Zoom 075 18 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the top half
of area 6 as
much as possibly
only. Use
shutters to
encompass the
stage shape.
19 Source 4 JNR Zoom 075 19 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the bottom
half of area 4 as
much as possible
with no spill. Use
shutters to
encompass the
stage shape.
20 Source 4 JNR Zoom 075 20 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the top half
of area 5 as

6. Focus Notes – Yerma Stage Lighting Design-
much as possible
with no spill into
other areas. Use
shutters to
encompass the
stage shape.
21 Source 4 JNR Zoom 075 21 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the right
hand side of
area 5 and the
left hand side of
area 6 with
some spill into
area 2 and 3.
Use shutters to
encompass the
stage shape.
22 Source 4 JNR Zoom 075 22 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the right
hand side of
area 4 and the
left hand side of
area 5 with no
spill into other
areas. Use
shutters to
encompass the
stage shape.
23 Source 4 JNR Zoom 075 23 Evening Blue Romantic
Moonlight
To create a patchy moonlit effect that
is dreamy and romantic.
This beam will
light the right
hand side of
area 5 and the
left hand side of

7. Focus Notes – Yerma Stage Lighting Design-
area 6 it can
overlap light 22
if possible. Use
shutters to
encompass the
stage shape.
24 30 X Bulbs 0/W 24/54 Bulbs Frosted Light
Bulb 100w
I am using these lights to create a
dramatic abstract feature but also to
add meaning for the audience. As
Yerma hopes and dreams for a child
her hatred towards her husband
becomes more and more intense. In
the end scene I want these lights to
come into the centre and drop down.
I would like to use a frosted white
bulb for these light that will be
encased in a blown glass tube.
I would light the
lights to be hung
in a somewhat
evenly spaced
manor that is
still in reference
to my shape I
have drawn on
the lighting plan
and in the key. A
more detailed
image of this can
also be found
with the lighting
plan.
55 Parcan 017 55 Skin Tone Mood
Lighting
To create a dramatic and dense
pigment to the skin.
This light should
be rigged on a
boon at average
height head
level. (Around 5
foot or 1.52
meters.)
56 Parcan 017 56 Skin Tone Mood
Lighting
To create a dramatic and dense
pigment to the skin.
This light should
be rigged on a
boon at average
height head
level. (Around 5

8. Focus Notes – Yerma Stage Lighting Design-
foot or 1.52
meters.)
57 Parcan 017 57 Skin Tone Mood
Lighting
To create a dramatic and dense
pigment to the skin.
This light should
be rigged on a
boon at average
height head
level. (Around 5
foot or 1.52
meters.)
58 Parcan 017 58 Skin Tone Mood
Lighting
To create a dramatic and dense
pigment to the skin.
This light should
be rigged on a
boon at average
height head
level. (Around 5
foot or 1.52
meters.)
59 Parcan Lee
U.V
59 Pure White U.V Light
50%
Transmission
I have added this light to add a bright
white highlight to the end scene as it
has spiritual and religious themes.
Yerma is committing a sin.
This light should
be rigged as
close as possible
on the boon to
the top light.
60 Parcan Lee
U.V
60 Pure White U.V Light
50%
Transmission
I have added this light to add a bright
white highlight to the end scene as it
has spiritual and religious themes.
Yerma is committing a sin.
This light should
be rigged as
close as possible
on the boon to
the top light.
61 Parcan Lee
U.V
61 Pure White U.V Light
50%
Transmission
I have added this light to add a bright
white highlight to the end scene as it
has spiritual and religious themes.
Yerma is committing a sin.
This light should
be rigged as
close as possible
on the boon to
the top light.
62 Parcan Lee
U.V
62 Pure White U.V Light
50%
I have added this light to add a bright
white highlight to the end scene as it
This light should
be rigged as

9. Focus Notes – Yerma Stage Lighting Design-
Transmission has spiritual and religious themes.
Yerma is committing a sin.
close as possible
on the boon to
the top light.
63 Parcan 109 63 Light Salmon Interesting
Backlight
I have added in this colour because I
am not using back light however I
would still like some depth to the
scenes. This light is to be used at
moments of intensity in the script. I
have picked this shade because it is
an unusual ‘back light’.
This light should
be rigged as
close as possible
on the boon to
the middle light.
64 Parcan 109 64 Light Salmon Interesting
Backlight
I have added in this colour because I
am not using back light however I
would still like some depth to the
scenes. This light is to be used at
moments of intensity in the script. I
have picked this shade because it is
an unusual ‘back light’.
This light should
be rigged as
close as possible
on the boon to
the middle light.
65 Parcan 109 65 Light Salmon Interesting
Backlight
I have added in this colour because I
am not using back light however I
would still like some depth to the
scenes. This light is to be used at
moments of intensity in the script. I
have picked this shade because it is
an unusual ‘back light’.
This light should
be rigged as
close as possible
on the boon to
the middle light.
66 Parcan 109 66 Light Salmon Interesting
Backlight
I have added in this colour because I
am not using back light however I
would still like some depth to the
scenes. This light is to be used at
moments of intensity in the script. I
have picked this shade because it is
an unusual ‘back light’.
This light should
be rigged as
close as possible
on the boon to
the middle light.

10. Focus Notes – Yerma Stage Lighting Design-
67 Fresnel o/w 67 o/w Warm off
white light
This light is used to create a shaft of
light that will shine from behind any
actor who enters through that specific
door. I have added this light in
response to the dancers and singers
that are in the play so they have a
more poignant entrance.
This light will be
rigged as far
right as possible
on the
designated bar.
The light will spill
only through the
door/walkway in
areas three and
six but no more
than half way in
each area. Use
barn doors on
the right and left
to narrow beam
to the width of
the door.
68 Profile 079 68 Just Blue River Effect To create a river pattern on the floor
that is clear for the audience to
understand its intentions but still
abstract in some form.
This light will
also have an
Effects Wheel.