This is the Work Compiled by the Student Fashion Technology Diploma programme of Dezyne E'cole College.The Portfolio of Fashion Design is Developed by the Student … Poorti Khorwal Fashion Technology Diploma Programme

2. Project Report on
Women's Western Wear
Submitted to
Dezyne E’cole College
Towards the Partial Fulfillment for
Award of Diploma in Fashion Technology
As Technical Knowledge Development to
Women’s Wear
Included With Diploma Program Of
Fashion Technology
By
POORTI KHORWAL
Dezyne E’cole College Ajmer
Address, 106/10, civil lines, Ajmer
Tel. no.0145 2624679
www.dezyneecole.com
2014-2015

3. The Project of Ms. POORTI KHORWAL has been Checked &
has been graded as
Dezyne E’cole College
Civil Lines, Ajmer
www.dezyneecole.com
Thank you
Principal
(Seal &Signature)

4. ACKNOWLEDGEMENT
I am deeply grateful to all those whose guidance has been of
tremendous value and enabled me to complete this project
successfully.
I am thankful to all my mentors of Dezyne E’ cole who
gave me an opportunity to show my abilities by working on this
project on the esteem organization.
POORTI KHORWAL
1ST Year diploma in Fashion Technology

5. 1. Fashion as a Person’s Image
2. Fashion Industry
3. Learning Experience
4. Foundation Design
5. Corel Draw
6. Fashion illustration
7. Pattern Engineering
8. Measurement techniques
9. Draping
10.Fabric Manipulation
11.Element and Principle of
Design
12.Trible Art
CONTENT

6. Fashion is a more then wearing good clothes it is about presenting a
person’s image in Society , we generally see people accepting fashion
due to pee pressure, Image in the society and when a person wants a
change to brighten his life. There are many reasons behind what we wear.
• Protection from cold ,rain and snow :- Mountain climbers wear high –
tech outwear to avoid frostbite and over – exposure.
• Physical attention :- Many styles are worn to inspire “chemistry”.
• Emotions :- we dress “up” when we’re happy and “down” when we’re
upset.
• Religious expression :- Orthodox Jewish men wear long part of their
body except their eyes.
• Identification and tradition :- Judges wear robes ,people in the military
wear uniform, brides wear long white dresses.
Fashion as a Person’s Image

7. Within the sphere of Technology Industries , design technology is
perhaps the fastest growing today. with new technologies emerging
rapidly and industries changing complexion, more and more job
opportunities are up for the taking .It is estimated that India will have a
shortfall of five lakh people in the design sector by 2010-11 but not all
gradates will be employable .Thus bringing the gap between talent and
the skills required by the industry is important. only Today, one in every
four designers is employable and only 10% of the design graduates
manage to get employment in the design industry. Hence the student
should understand the basic requirement of the industry and exhibit that
ability .
Fashion industry

8. Learning Experience
This is what I learn here at Dezyne E’cole college creating fashion
doesn’t entail a vivid imagination and instinct for creativity. It also
involve many decisions and myriad techniques , focus on a central
idea. Dezyne E’cole Fashion design made me build a strong
foundation in terms of design sence, Conceptualisation
independent research ,creative application and artistic experience

9. As a part of fashion industry I am training my self through formal
education in Diploma programme in build with this study. During
the course duration of diploma programme I had an exposure
towards practical working in fashion design.

10. FOUNDATION DESIGN

11. COLOUR INPACT IN DESIGN
Colour is a most vital tool in the hands of fashion designer. It is the
most perceptible and hence is a central to success and failure of a
designer scheme.it is therefore very important designer that a
designer has a full knowledge and understanding of its tool

12. Warm and cool colours
Variation in Cool Color Blue
Variation in Cool Color Yellow
Variation in Cool Color Red

13. Comparing Value of Colors
The Yellow is lighter
value then Red
The Blue color is
Darker value then
Orange
The Green is lighter
value then Brown
The Dark Green is
equal in the value to
the Brown
Compare the Blue and Red Rectangles to the Grey
Rectangles or either side of each color. Which Grey is equal in
value to the color ? It may be helpful to stand at a distance
and blur your eyes. If the edge between the two area
disappears, the values are equal.

14. Simultaneous Contrast

15. Gradation

16. Corel Draw

22. ILLUSTRATION

23. COLLARS
Bertha deep
neckline Bertha Tie
Bertha Buster
Brown Style
Bertha Knotted
Ends
Bertha Yoke
style
Bertha - Braid
Edge Trim

24. POKKETS
Bellow Cargo
Cargo front
KangarooFlap Shape Stitched
Patch Button Flap

25. SLEEVES
Layered Sleeve Layered Sleeve Tulip Sleeve
Bushirt Sleeve Puff Sleeve

46. PATTERN ENGINEERING

47. Garment Construction
Fashion Designing runs the garment from eveningwear to sportswear,
Women’s wear to Men’s wear and Kids wear to knitwear. Garment
Construction is popularly called Pattern Engineering has a great
importance in fashion design industry. The Companies like van
heuson,dockers levis, adidas etc. are the providers of perfect fit and
this is what we learn at Dezyne E’cole through the art of pattern
making.
A slop pattern [ home sewing ] and block pattern [ industrial
production ] is custom – fitted basic pattern from which pattern for
many different styles can be developed.
The Draping method involves creating a Maslin mock up by pinning
fabric directly on a form then transferring the muslin outline and
makings onto a paper pattern or using the muslin as the pattern it self.
The flat pattern Draping method is the most commonly used method in
Menswear.

48. Tools & Equipment
The Flat pattern method where the entire pattern is drafted on a flat
surface from measurements ,using the ruler and curve and straight
Edges. As a fashion designer I use various tools and measuring
devices to create a toil pattern on dummy.
Measuring Tape Seam Ripper
Scissor
Drafting Scale Tailoring Chalk French curve

49. Pattern Making Symbols
Various signs & symbol of Pattern
Making Which I Generally use on pattern
:-

50. Various signs & symbol of Pattern Making
Which I Generally use on pattern :-
Pattern Making Symbols

51. Pattern Making Symbols
Various signs & symbol of Pattern Making
Which I Generally use on pattern :-

52. Notches
Notches :-
•Seam allowance
•Center Line
•Ease $ Gather Control
•Dart Legs
•Identification of Front & Back
•Identification of Joining Parts
•Zipper Placement
•Facing
•Hemline
•Waistline
•Shoulder Tip
•Sleeve Cap
Punch / Circle :-
•Dart intake
•Corners
•Buttons / Buttonholes
•Trimmings
•Pocket placement
Jog Seam :- A jog seam is used to indicate a
change in the seam allowance. ¼ inch :
•All faced areas
•Narrow spacing
•Extreme curve
•Sleeveless armhole ½ inch :
•Side seam
•Waist line
•Center line
•Styline 1 inch :
•Shoulder 2 inch :
•Straight Hemline

53. LANDMARKS
Number refers to both front & back
wherever indicated :-
1. Center Front Neck Center
Back Neck
2. Center Front Waist Center
Back Waist
3. Bust Point
4. Center Bus Level
5. Center Front [Princess line] Center
Back [Princess line
6. Mid Armhole front Mid Armhole
Back
7. Shoulder Tip
8. Shoulder at Neck
9. Armhole Ridged or Roll Line
10.Plate Screw
11.Armhole Plate

54. Measurements
The flat- pattern method is where the entire pattern is drafted on the
flat surface measurement . Under garment construction we learn about
the measuring techniques on the dress form. That can be seen here:-
Different ways to taking measurements:-
• Circumference measurements
• Horizontal measurements
• Vertical measurements

55. Circumference Measurements

56. Circumference Measurements
SIZE = 34”
Round Bust
measurement
Round Waist measurement
Round Abdomen
measurement

57. Vertical Measurements

58. SIZE = 34’’
Front length
Measurement
Shoulder Slope
Measurement
Full length
Measurement
Vertical Measurements

59. Horizontal Measurement

60. Horizontal Measurement
SIZE = 34”
Across shoulder Measurement
Across Chest Measurement
Abdomen Arc Measurement

61. Women’s basic bodices Block
Back part Front part

62. Women’s Basic Sleeve Block

63. Women’s simple blouse (front )

64. Kameej (Kurta)

65. Churidaar Paijama

66. 6 panel petticoat

67. 4 panel petticoat

68. Belted kalidar salwar

69. Women’s Basic
Bodice Block
Women’s
Simple Blouse

70. Kameez (Kurta)
Churidar pajama

71. 4 Panel petticoat
6 Panel petticoat

72. Belted Kalidar Salwar
Patiyala Salwar

73. Haulter Neck Top
Choli Blouse

74. Night Suit Top
Night Suit Pajama

75. My Creation in Garment construction

77. Dart Manipulation
Dart Manipulation is a slash spread and pivotal transfer making
technique to transfer dart excess to one location to another for
design variation .It is a beginning of pattern manipulation for
generating design patterns. It require both artistic and technical
skills to manage and control the pattern.
PRINCIPLE 1
 One Dart Series
 Two Dart Series
A Dart may be transfer to any
location around the pattern
outlines from the designated
pivotal point without affecting
the size or fit of the garment.
PRINCIPLE 2 Added fullness
To increase garment to an amount
greater then that provided by the
dart excess of working pattern.
The length and the width within
the pattern’s outline must be
increased.
PRINCIPLE 3 Contouring
To fit the contour of the upper torso closer then the basic garment
the pattern must be reduced within its frame to fit the dimension of
the body above, below and between the bust mounds and shoulder
blades.

80. SINGLE DART SERIES
French Dart
Front view
Side View
Back view

81. SINGLE DART SERIES
Mid Shoulder Dart

82. SINGLE DART SERIES
Mid Armhole Dart

83. SINGLE DART SERIES
Mid Shoulder and Waist Dart

84. SINGLE DART SERIES
Mid Armhole and Waist Dart

85. SINGLE DART SERIES
Side and Waist Dart

86. Tuck Dart

87. Pleat Dart

88. RADIATING DART
Neck Radiating Dart

89. Parallel Dart

90. PRINCESS PANEL
Mid Shoulder Princess Panel (Waist)

91. PRINCESS PANEL
Mid Shoulder Princess Panel (Torso)
Front view

92. PRINCESS PANEL
Mid Armhole Princess Panel (Torso)

93. DART CLUSTERS
Shoulder Dart Cluster
Front View Back view
Side View Top View

94. DART CLUSTERS
Waist Dart Cluster

95. GATHERS
Gathers At Neck

96. GATHERS
Gathers At Princess Line

97. Haulter Neck Line

98. FABRIC MANIPULATION

99. For any Fashion Designer fabric first
needs to be prepared with textures and
then used for style and design
development. Style requires plain
textures and sometimes textured fabric to
be create better style. Presenting few
best ideas of textures which I learnt at
my study of Fashion Design at Dezyne
E‟cole College

100. Fabric Manipulation

101. Fabric Manipulation

102. Fabric Manipulation

103. Fabric Manipulation

104. Fabric Manipulation

105. Fabric Manipulation

106. Fabric Manipulation

107. Fabric Manipulation

108. Fabric Manipulation

109. Fabric Manipulation

110. ELEMENTS
AND
PRINCIPLES
OF
DESIGN

111. NEW LOOK IN MEN’S WEAR

112. CONTENTS
• Introduction
• Color Blocking
• Floral
• Tie & Die
• Tribal
• Checks
• Strips

113. • During summer season a craze is set it’s eyes on
techniques prints and patters in fashion men’s
wear.
• The two major trend of TIE & DIE and COLOR
BLOCKING of women’s wear has now also
launched in men's wear fashion technology.
• Now world accepted this major trends of
checks, strips, floral and tribal with a global
unsexes wear.
INTRODUCTION

114. Color Blocking
• Under color blocking bright and contrasting
colors like blue , yellow, green and red and
other soft and neutral tone like light blue , and
baize has now made glamour’s world for men’s
wear fashion technology.
• With a right attitude and accersiers every
tom dick and herry can easily carry out this
outfit.

115. FLORAL
• After successfully accepted a trend of floral in
women’s wear.
• Now it is also launched in men’s wear fashion
technology
• This trend is almost comes in outfits of
trouser, shirts and also on jackets.

116. TIE & DIE
• After being strongly popular the TIE & DIE
trends in women’s wear. This is also comes in
western fashion technology.
• And now this trends comes with blazer and
floral cut shirt.

117. TRIBAL
• Tribal collection mean’s “AADI-WASI-TOUCH
• This collection has shows its cultural
activities

118. Old fashion black & white checks now comes
again with a more colored and with a small size
to big one on shirts, blazer and scarf.
CHECKS

119. STRIPS
Now horizontal,vertical,dart,thin and colorful
strips along with black & white has come a
revolution in fashion technology.

120. Tribal art

121. •Line: straight lines
•Shapes: triangles and
diamonds
•Colors: Black color is
used and white
background to balance
bright.
•Line: straight lines and
curved lines
•Shapes: geometric shapes
are used to symbolize human
figures.
•Colors: warm colors

122. Tribal people used to wear colorful
accessories to show themselves attractive .
The use of lots of bright colors and color
combinations
As the mostly use straight lines and geometric
shapes in
Their compositions.

123. Tribal people has many different kind of motifs
They use those motifs in their fabric prints,
accessories, tattoos ,etc.