This document discusses the history of cinema from its origins to modern developments. It begins by noting that film technology has evolved significantly since movies first began in 1895 when the Lumiere brothers developed the cinematograph. Early cinema relied on principles like persistence of vision to create the illusion of movement. The document then examines key figures and developments in early cinema like D.W. Griffith and F.W. Murnau and their contributions to advancing the art of filmmaking. In conclusion, the document notes that the history of cinema is complex as it has adapted over time with technological changes.

1. NAME: VERONICA ALEJANDRA MORENO ALBAN
TEACHER: MSC. TERESA LLUMIQUINGA
CINEMA APRECIATION
ACADEMIC FORUM 1
SECOND PARTICIPATION

2. HISTORY OF CINEMA
Film technology has
evolved a lot since the film
began
The kinetoscope is
considered as the first film
machine
The cinema was developed
from the scientific point of
view before its artistic or
commercial possibilities were
known and explored.

3. The book examines
ways to address film
and film experience
beyond the study of
the audience
HISTORY OF CINEMA

4. INTRODUCTION
Cinema began in 1895 By two French brothers, the
Lumiere's.
They had a machine
that projected pictures
Parkinson describes
cinemas as the most
modern
Technologically dependent and Westerm of all the arts
Cinema is that it was the
convergence of several long
term-process
The appeal of visual
stimulation for humans
A nineteenth century interest
in technology
Machinery and spectacle.
An awareness of certain
peculiarities of vision
And some financial acumen
by specific individuals

5. INTRODUCTION
There are some numerous
books on history of
cinema
We need to investigate
threes aspects of
cinema
Production. Exhibition.
Distribution.

6. PRECURSORS
It introduces all those who took part in the creation of the
movement and its reconstruction

7. PRECURSORS
Cinema is one of the
most successful optical
illusions of all time.
Film works because the human
brain has a threshold for
perception above which a
series of still images will
appear to continuous.
Persistence of vision
has been know since
at least the ancient
Egyptians

8. EARLY CINEMAOne cinema got its
metaphoric. “foot in the
door”

9. EARLY CINEMA
CASE STUDY: D.W GRIFFITH
His introduction
to film was in
1907
Griffith cuts
between a shot
of black man
(actually a
white actor
“blacked up”
CASE STUDY: F.W MURNAU
One of the silent
film era´s most
gifted artist
He made only twenty
one films before his
premature death in a
car accident.

10. CONCLUSION
I THINK SO THAT IT WAS VERY INTERESTING THEME, THE
HISTORY OF CINEMA IS VERY COMPLEX AS IT IS TREATED
FROM THE PAST UNTIL THE ACTUALITY AND PROCESSES
THAT HAVE IDO ADAPTED WITH TECHNOLOGY.