Political Influences Of Alexander Pope

Political Influences Of Alexander Pope
One of the most influential poets of the 17th and 18th centuries, Alexander Pope significantly influenced classical poetry through his didactic and
satirical works. Born in 1688, Pope began his life already facing many challenges through different facets of his life. Because his family were
practicing Catholics, the Pope's were forced to move onto the outskirts of town, and Alexander wasn't able to attend school any longer, which
challenged him to teach himself. Rising to the challenge, Pope taught himself different languages, and wrote his first poem, Ode on Solitude, at the age
of twelve (Masters in English). With his satiric style, Alexander Pope was able to write about his own experiences with Pott's disease, as well as his
well–known translations of plays such as Illiad and The Odyssey where he included some of his own ideas in their writing (notable biographies).
Alexander Pope shaped the writings of his time through the use of satire, drawing on his own life and the situations around him for inspiration and
support.
In 18th century England, poetry was mainly political and satirical. The main philosophical question was "whether the individual or society took
precedence as the subject of verse." (slideshare). This time period was led by Alexander Pope because of his early start into writing and his continued
works throughout his life. Pope and most poets/authors of the time wrote with reason over feelings and were typically written in rhymes and heroic
couplets.
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An Essay On Criticism Essay
Pope's An Essay on Criticism
When Samuel Johnson ascribed to a new work "such extent of comprehension, such nicety of distinction, such acquaintance with mankind, and such
knowledge both of both ancient and modern learning as not often attained by the maturest age and longest experience," he was speaking of young
Alexander Pope's An Essay on Criticism (1711), written when he was about twenty, and published when he was only twenty–three years old (in Mack
177).1 Others have not been as generous in their comments about the prodigy's efforts. One history of criticism textbook describes the work rather
ingloriously: "There are repetitions and inconsistencies, some conventional pronouncements along with injunctions of lasting value;...show more
content...
Also, De Quincey's remarks in the seventh edition of the Encyclopedia Britannica (1842) set the pace for many future diagnoses of the work: "It is a
collection of independent maxims, tied together into a fasciculus [small bundle] by the printer, but having no natural order or logical dependency:
generally so vague as to mean nothing" (in Morris 145). John Dennis' immediate and hostile response to Pope's contribution is perhaps the most
celebrated. Clark tells the story (30–31): "The `Essay' provoked an almost immediate attack and a vitriolic critique by John Dennis in his Reflections
Critical and Satyrical, upon a late Rhapsody , cal'd An Essay upon Criticism. This abusive monograph was apparently stands as a monument to the
principles of English neo–classical poetics which revered the works of the ancients, recognized the validity of classical criteria and genres, and desired
to see the ancient criteria and genres applied to the eighteenth century English literary scene (Isles 262). For this reason and others, many believe that
An Essay on Criticism makes an original and significant contribution to the history of critical theory (Morris 146).
Pope divided the work into three parts. Part one is an extended theoretical defense of the very possibility of valid criticism which draws on Nature and
the tradition of the ancients. The

Alexander Pope and Women Essay example
Alexander Pope may have been the adversary of female behavior the extent of this has long been in question. The writer's satirical style towards the
women of his era is evidence of his opinions. However, there are noticeable facts that generate a swaying effect on Pope's views and the meaning of
The Rape of the Lock. These details consist of the author's personal life and symbolism contained in his mock epic poem, including the voices of Bella
and Clarissa, which is an indication that he may not have had the hardened heart towards women that everyone assumed he had. While any evaluation
on Alexander Pope's personal opinion will conclude with a questioning of who he truly was behind his literary persona, a thorough research provides
solid...show more content...
Beauty was of utmost importance and to climb any social ladder, a pleasing outward appearance was to be achieved.
The Rape of the Lock does an excellent job of portraying this thoughtlessness that the women had during the Eighteenth Century. In the mock poem a
woman who has her hair cut off and stolen appears to be an action that expresses hilarious sarcastic wit. However this storyline was not just
humorous but has a sad underlying tone owing to the fact that a woman in the Eighteenth Century would have taken these circumstances to a serious
degree. Alexander Pope expressed his opinion of women in a frank and aggressive manner. As Elizabeth King put it in her notes about The Rape of
the Lock, "it styled woman a goddess and regarded her as little better than a doll"(77), this clarifies Pope's respect of women during his time.
The prime example of Pope's opinion is written through his character Belinda, in The Rape of the Lock. In the poem, Belinda is the epitome of
loveliness and femininity. The qualities she possesses are not of intellect or wholesome attitude, but the beauty she was born with overpowers any
need for intelligence. Due to this, a Sylph named Ariel who was once a woman of similar beauty and class as Belinda protects her, along with the
nymphs who were once too, of pleasing disposition in their human life. Throughout the story they keep watch over her and Ariel guards her heart from
being overtaken by

Rhetorical Analysis Of Pope Francis's Speech
Listen. The Pope has something to say. The year 2015 will always be remembered as Pope Francis' first visit to the White House during his papal post.
This was a rather historic time as His Holiness traveled from Washington, to New York, to the historic city of Philadelphia, Pennsylvania. During this
visit, the Pope delivered many powerful words of wisdom to the American people, including an address to a joint session of Congress. On
September 23, one day after his arrival, he addressed over 11,000 Americans on the South Lawn of the White House. The third pope to do so, Pope
Francis spoke on love, unity, and the importance of mending broken relationships. Via his use of the rhetorical appeals and other stylistic devices, the
Pope conveys a timely message to the American people that goodwill and support are the key to a prosperous nation.
Pope Francis is viewed as a spiritual father figure to Catholics around the world. He is even addressed as "Most Holy Father." Throughout the
entire speech, the Pope speaks from this place of fatherliness. While he is a political figure and head of the state of the Vatican, he is a man of God
first. As a result of these things, His Holiness relies rather heavily on his ethos and pathos during this speech. There are many instances of ethos, or a
good man speaking well, during this response to the welcome. In his opening, he says, "As a son of an immigrant family, I am happy to be a guest in
this country, which was largely built by such families" (Francis). Born in Argentina, Pope Francis was the son of an Italian immigrant. Here, he uses
that connection to relate to many immigrants in America. The country itself was built by immigrants––physically and culturally. The railroads and
many of the buildings that exist in this nation are the result of immigrant labor. Pope Francis, however, is also talking about the figurative things built
by immigrants. The entire American way of life and culture is the result of immigrants. No one originated here except for pure Native Americans.
Everything else and everyone else is a foreigner by origin. In this introduction, the Pope also makes one more emotional appeal. Unlike Pope John Paul
II and Pope Benedict XVI before him, Francis is the

Poe and Psychoanalytic Criticism Essay
The School of Psychoanalytic Criticism "The Cask of Amontillado" and its author Edgar Allan Poe are excellent references for applying
psychoanalytic interpretations to an author and his work. Psychoanalytic criticism uses a Freudian theory of a three level psyche, the ego, the
super–ego, and the id to gain a better understanding of the deeper or hidden meaning within literature and an understanding of the psychological
identity of the author, the characters or the reader. Freud theorized that our psyche has three levels. The ego is the rational part of our psyche known as
the consciousness. The super–ego is the part of our psyche that is dictated by the values of first our parents and then later society known as the
conscience. The...show more content...
Poe lost his mother at a young age and then was abandoned by his father. He then was adopted by a wealthy merchant with an iron fist. Taking this
into account critics might theorize that his inner competition to please his father but also be a writer was repressed and then manifested itself in
this short story, where his father is Fortunato, walled away leaving him free to pursue his literary career. This could also be a metaphor for when
he broke all ties to his adopted father. Freudian theory deals with the premise that some of our desires, wishes, fears and memories may be hard to
cope with and so we eliminate it from our conscious mind through repression. "But this doesn't make it go away: it remains alive in the unconscious,
like radioactive matter buried beneath the ocean" (Barry 96). Fortunato is buried alive deep in the catacombs beneath the river where poisonous nitre
grows. This is a clever use of symbolism and metaphors to demonstrate the burying of our darkest human motives, walling them up to hide from our
ego or conscious being, hence repression is born. "My heart grew sick–on account of the dampness of the catacombs. I hastened to make an end of my
labour. I forced the last stone into its position; I plastered it up. Against the new masonry I reerected the old ramport of bones. For half a century no
mortal has disturbed them" (Poe 62) Infantile sexuality is a Freudian concept

Reading Something Once Is Like Only Eating the Appetizer
In the poem An Essay on Man, Alexander Pope combines clever wordplay with common sense in an attempt to justify the actions of God to man. In
his poem pope argues that God does not operate in a way in which only humanities interests are considered. He questions the reasoning behind the
doubtfulness of man and argues that we only think of ourselves and refuse to grasp the bigger picture. The way of thinking that Pope displays in his
poem is a brilliant perspective on faith and his simple yet thoughtful poetry is infinitely engaging to the theologically curious, like myself.
The first time I read An Essay on Man I was very intrigued by the amount of thought Pope put into some of his arguments in the defense of God.
"Destroy all creatures for thy sport or gust, Yet cry, if man's unhappy, God's unjust." (263) This quote left a big impression on me the first time I
read Pope's poem. Pope is using man's own actions to justify God's. To take the life of a living being is to assume a Godlike privilege, yet man is
selfish. Man doubts God and becomes angry with God should what they do to animals happen to them. He is showing humanity that by being angry
at God whenever something bad befalls them they are setting a double standard for God. When I think of this quote I think of the circle of life and I
feel like Pope considered God to be an active part of it, a force which kept order and maintains fairness for all.
The

Critical Analysis Of Olivia Pope's 'Scandal'
Introduction
Intersectionality can be referred to as a sociological theory that describes multiple threats of discrimination when a person's identity overlaps with a
number of minority classes in terms of gender, age, race, health, ethnicity, and many other features (Vardeman
–Winter & Tindall, 2010). In essence,
intersectionality is a framework employed in conceptualizing an individual, group of people, or social problem as affected by a myriad of
discriminations and disadvantages. The intersectionality theory posits that people are usually disadvantaged by multiple sources of oppression and
other identity markers which do not exist independently of each other but rather informs the others creating a complex convergence of oppression
...show more content...
Therefore, Olivia Pope is a manifestation that a black woman, like any other woman, can be a high achieving entrepreneur, capable of breaking
cultural barriers and male chauvinism, and excel in fields general perceived to be male–dominated such as politics. To this extent, Olivia Pope is a
great character for analyzing intersectionality.
In Olivia Pope, we observe the intersection of race, gender, class, and even surrounding, which are important ingredients that give rise to the
intersectionality theory. Olivia is a black woman from a humble background who finds herself in the middle of most powerful politicians, bureaucrats,
and chauvinistic men in Washington D.C. Ideally, this offers the multiple sources of oppression as argued in the Intersectionality theory and you
expect Olivia to go through a similar fate. However, Olivia's character goes against the status quo because she manages to thrive and establish herself
as a successful entrepreneur who helps U.S. President Fitzgerald Grant (played by Tony Goldwyn) win office regardless of all the things that should
supposedly make her vulnerable to oppression. Nonetheless, there is a stereotypical characterization of black women as promiscuous through her
involvement in President Grant's infidelity (Evans, 2014). This is a historically problematic representation of black women as was explained by Cho,
Crenshaw, and McCall (2013). They argued that the dominant white population always regarded

Rhetorical Analysis Of Pope Francis
I will be analyzing the speech of Pope Francis to a Joint Session of Congress from September of 2015 in Washington, D.C. for my final rhetorical
analysis. This speech is important because it addresses societal issues in the United States and the whole world such as poverty, religion, war, the
environment, immigration, and gun laws. The pope not only addresses the issues, but also acknowledges many of the marvelous features of
America. In this paper, I will provide a summary of research I found on the context of the speech, the speaker, the audience, and the effects the
speech had on society. Pope Francis is the present day spiritual leader of the Catholic Church, also known as the bishop of Rome or pontiff. He is
the very first pope from Latin American, Argentina specifically, and is now known as the first pope ever that has addressed Congress. According to
the guardian.com, Pope Francis, "electrified Congress with a call for action on climate change, immigration, poverty and capital punishment, laying
down a challenge for the United States to transcend division and rediscover its ideals" (Carroll 1). He addressed these issues and drew a great interest
from the audience for fifty–one minutes in the chamber of the House of Representatives. The audience of the speech consisted of a large number of
lawmakers, aides, and invited guests. The New York Times, referenced some of the people that attended: "Sitting behind Francis were Vice President
Joseph R. Biden Jr. and House Speaker John A. Boehner, both Catholics. Flanking the aisle at the front were Secretary of State John Kerry and Chief
Justice John G. Roberts Jr., and not far behind them was Nancy Pelosi, the House Democratic leader, all Catholics" (Baker, Yardley 17). Others in the
audience included three other Supreme Court associate justices, Justice Anthony Kennedy, JusticeRuth Bader Ginsburg, and Justice Sonia Sotomayor,
other cabinet members, senators, House members, presidential candidates, a few four–star generals, priests, nuns, and bishops. According to the New
York Times, the lawmakers interrupted Pope Francis about thirty times applauding him, causing the speech to run fifty–one minutes when originally
scheduled for thirty. *****add

Alexander Pope was a British poet well known for his very meaningful pieces that try to reach out to the world and change it on of them is the
essay on criticism which was a very impactful piece. We can see this cling out to Ode to solitude on how he writes about solitude being so great
and so wonderful to him.Ode to solitude really describes the wonders of a relaxing, calm and solitary live where a man can live in bliss. He
instantly goes into a pleasant mood with "Happy the man," probably because he thinks the same way about solitude and wants to express his
feelings about this subject.All throughout the poem, he describes how someone can life in solitude wanting to spread his opinions about it as well as
praising it. He is able to write about the life of men in solitude in such a wonderful way in makes the reader feel somewhat appreciation towards it.
The first two stanzas show the reader that the man living in bliss and happiness doesn't own much and was mostly inherited by family in his birthplace,
as well that he can live a humble life with just enough food and attire but that solitude can really make it wonderful. The first stanza describes where he
lives while the second describes what he owns which altogether comes to just essentials.We can see how the use of the words like "own" and "his"

In the book Candide, by Voltaire and in the "Essay On Man" by Alexander Pope, both authors write about similar ideas. However, they also have
some drastic differences, such as Voltaire's sarcastic over exaggeration of ideas that oppose his to make a point. Both Voltaire and Pope make
conflicting arguments for a general ideology but Voltaire depicts in opinion much stronger. In the Essay on Man, Pope brings up many theories
about the universe, Earth, and The Great Chain of Being. One of the most significant ideas he brings up is the idea that "All partial evil, (is)
universal good"(293). What Pope is trying to say here is that perhaps the suffering of a few benefits everyone in the long run. However, the true
meaning of this quote isn't extremely clear to the eye from the reading, and leaves the reader's mind open. Another one of Pope's ideas is the great
chain of being, and everything's position on it. He believes it is a law of the world and that breaking it would be nearly impossible. He states that:
"Men would be angels, angels would be gods.
Aspiring to be gods, if angels fell,
Aspiring to be angels, men rebel:
And who but wishes to invert the laws
Of order, sins against the Eternal Cause"(125–130).
Pope is essentially saying that if anyone breaks, or tries to break the great chain of being, they are committing a sin against the "Eternal Cause", or the
cause of God. Also, he is saying that all parts of the chain are necessary. If angels didn't exist, men would try to

Rhetorical Analysis Essay On Pope Francis
On Friday, April 10, Pope Francis announced an extraordinary Holy Year of Mercy,he wants to make it evident that the Church's mission is to be a
witness of compassion.said"Let us not forget that God forgives and God forgives always," Francis said. "Let us never tire of asking for forgiveness."
There are lots of response

Alexander Pope – a poet, landscape gardener, translator, and a satirist– is a famous public figure of the Enlightenment Era. One of his famous satires
would be "An Essay on Criticism" where Pope rebukingly criticizes people who wrongly criticize. The work of a satire which has a blend of humor and
wit for the improvement of humanity and the use of these characteristics were a very popular way of writing literature in the Enlightenment Era and
the use of it was intended to inspire remodeling of society (Johnathan J. Szwec). Although satires may vex some people, for others, it may be seen as
an observation and a suggestive way to fix a problem in society. The poem written by Alexander Pope, "From an Essay Criticism," Pope expresses the
idea that if one does not obtain enough knowledge on a subject, then that person is not allowed to criticize. Written as heroic couplets, Pope reveals
that... shown through a mixture of diction, personification, and irony.
As Pope was writing his poem, he tends to use words that are more straightforward and doesn't intend on mollifying any of his thoughts and ideas. An
example of this is when Pope states that some poets make up "dull rhymes" and are "languishingly slow" (lines 22 and 23). The use of the word "dull"
shows that

An essay is, generally, a piece of writing that gives the author 's own argument – but the definition is vague, overlapping with those of an article, a
pamphlet, and a short story. Essays have traditionally been sub–classified as formal and informal. Formal essays are characterized by "serious purpose,
dignity, logical organization, length," whereas the informal essay is characterized by "the personal element (self–revelation, individual tastes and
experiences, confidential manner), humor, graceful style, rambling structure, unconventionality or novelty of theme," etc.[1]
Essays are commonly used as literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the
author. Almost...show more content...
An essay has been defined in a variety of ways. One definition is a "prose composition with a focused subject of discussion" or a "long, systematic
discourse".[2] It is difficult to define the genre into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[3] He notes
that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a
short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a
three–poled frame of reference". These three poles (or worlds in which the essay may exist) are:
The personal and the autobiographical: The essayists that feel most comfortable in this pole "write fragments of reflective autobiography and look at
the world through the keyhole of anecdote and description".
The objective, the factual, and the concrete particular: The essayists that write from this pole "do not speak directly of themselves, but turn their
attention outward to some literary or scientific or political theme. Their art consists of setting forth,

Literary Criticism In Poetry
Formalist criticism is the literary theory that takes a look into works of literature for the message and meaning, but gives a special focus on the form
and structure, as well as the literary devices it utilizes. This form of criticism is has a very straightforward approach, breaking down the text into
different component parts. Imagery, language, point of view, structure, motivation are all elements this group examines when reading the text. The
thing that differs this approach from other literary schools of criticism, is its focus on the internal components, instead of the outside influences. The
critic must pay no attention the authors intent and read the text with a neutral or unemotionally. The reader is interesting in determining who the
protagonist is, the protagonist's conflicts, the climax, setting, and theme of the literary works. This essay will discuss three poems "Wild Iris", "Lady
Lazarus", and "Aunt Jennifer's Tigers" and apply the Formalist literary criticism towards each of the poem's text. "Wild Iris" is a poem by Louise
GlГјck, that doesn't display its meaning clearly and makes the reader work to find answers and understand the message of the poem. The part I
noticed first was that the protagonist and speaker of the poem was the flower itself. As said in an article written by The Editors of EncyclopГ¦dia
Britannica, personification is, "a type of metaphor and a common literary tool. It is when you assign the qualities of a person to something that isn't

The destruction of the grand style of the epic is just what Pope was after in his mock epic, 'The Rape of the Lock.' Pope had no such universal
goal, or moral pronouncements to make as did Milton. His purpose was merely to expose the life of the nobility of his time. While Milton chose
blank verse to express the immensity of the landscape of his epic, Pope chose to utilize the heroic couplet to trivialize this grandeur. Pope's quick wit
bounces the reader along his detailed description of his parlor–room epic. His content is purposefully trivial, his scope purposefully thin, his style
purposefully light–hearted, and therefore his choice of form purposefully geared toward the smooth, natural rhythm of the heroic couplet. The caesura,
the...show more content...
The stakes in this mock–heroic epic are Belinda's maidenhood, and the convention of the epic warning comes by way of Ariel's reading of bad omens:
'Late as I ranged the crystal wilds of air,/ In the clear mirror of thy ruling star/ I saw, alas! some dread event impend/ . . . Beware of all, but most
beware of Man!' (105–114). Belinda's performance of her toilette, assisted by Betty, her 'inferior priestess' (127), is described as the arming of the
epic hero: 'Now awful Beauty put on all its arms' (138), and the images evoked in Pope's description of the various creams and perfumes on Belinda's
vanity invests them with a value and exoticism they don't deserve: 'Unnumbered treasures,' 'glittering spoil,' 'India's glowing gems,' 'all Arabia breathes
from yonder box,' 'The tortoise here and
elephant unite' (129–135) By means of hyperbole, Pope manages to reveal the true worthlessness of these substances.
Pope advocates the use of concrete, Saxonate words over abstract, Latinate ones in poetry, and offers numerous examples from eighteenth century
poetry of how the effect of abstraction is to show a lack

Jessie Pope was a journalist who wrote recruitment poems for the Daily Mail during the First World War. The poems she did write were positive
propaganda poems for the war; her objective was to stimulate patriotism in the readers so that the men would join the forces. Pope wrote a
persuasive poem where she compared war to a game. This is illustrated in the title 'Who's for the game?' It shows that her attitude toward war was
that it was a great big event that everyone should take part in one way or another. The title is a short and punchy question inviting anyone to answer.
This gives the wrong impression of the war, it is misleading. Pope was ridiculed for doing this, but if she did write the...show more content...
This is compared to a game like rugby, which was a popular sport amongst men at this time, whilst meaning who will rise to this duty with no fear,
again appealing to masculine instinct and encouraging men to recruit. The final line: 'And who thinks he'd rather sit tight?' In other words she is asking
who would rather be a coward and not do anything – the purpose of this line is to evoke quilt within the men so when it comes to making the decision
the questions will linger in their minds. The 'quilt trip' was not uncommon at this time and was a useful strategy of putting them in awkward positions
felling embarrassed if they do choose not to fight but stay at home taking the easy route. This corresponds with poetry such as 'For the Fallen' by
Laurence Binyon.
The second verse talks of patriotism, 'who'll give his country a hand' in fighting against the enemy. This was known as xenophobic or jingoistic poetry
– a very popular form of poetry at the time as posters such as the Kitchener appeal and other poets were alongside this. This is again is in reference
to the cowardice of those who do not join in comparison with those willing to give their lives to their country. The cowards are the man with a 'seat in
the stand' that are compared with the men 'who want a turn to himself in the show'. The reference to war

Analysis Of Alexander Pope 's ' Frankenstein '
Throughout history, humans have been fascinated the inherent bond that exists between ourselves and Nature. During the eighteenth century, known
also as "the Reformation" period, there was a push in European society towards science and reason being the epicenter of culture. During this time,
Alexander Pope wrote the poem 'Essay on Man' which was intended to be an outline of perennial, universal truths. The emphasis was primarily on the
nature of reason rather than Nature itself. After this time period came the Romantic period, lasting from 1785–1832. It was in 1818 that Mary Shelley
wrote 'Frankenstein', also known as 'The Modern Prometheus', an imaginative tale about a monster created by man. The relationships between Nature
and the characters are dynamic in that they change frequently. They appear, in many instances, to be a vehicle for expressingemotion. By examining and
writing about the way humans interact with the Nature surrounding them, Pope and Shelley made it possible to analyze and highlight common
relationships between humans and Nature during their lifetime; for Pope and his peers, it was more about reason and ___ (word for only coming to
conclusions based on ur five senses), while during Shelley's time period, people tended to have a more emotional relationship with Nature.
Shelley utilized imagery, metaphor, simile, and personification relative to Nature, frequently paired with tone, in many scenes throughout Frankenstein.
Whether it be to uplift or depress

The aim of this essay is to analyse the literary devices used in An Essay on Man by Alexander Pope, which lead to the literariness of the text– its
artistry, what makes it literary. To this purpose, I will make use of Victor Skhlovsky's notion of defamiliarization, which he explains in "Art as
Technique", written in the first phase of the Russian Formalism. Defamiliariation is the process by which ordinary language is modified in order to
achieve an effect of "artificiality" and strangeness, drawing attention not to the meaning, but to "the way it says that it has to say" (Bertens 27). Thus,
the formalist approach leaves aside the refferential function of a literary text ("the way it reflects the world we live in" – Bertens 26) and focuses...show
more content...
The symmetrical, circular character of the world is emphasised in an antimetabole in the third Epistle: "Made beast in aid of man, and man of beast."
(L 24) – by the means of inverting the two opposed terms, they actually come in each other's completion. The entire world is ordered by a rigorous
plan, and similes underline the idea of the universe as a continuing flow of matter and ideas ("the nature of creation is unity" – Clark 87), in perfect
balance: "Like Bubbles on the sea of matter borne, / They rise, they break, and to that sea return." The world is intriguingly called "Mighty maze! but
not without a plan", the metaphor defamiliarizing the way in which the world appears, making it appear complex and above everyday reality and casual

Political Influences Of Alexander Pope

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Political Influences Of Alexander Pope