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- 1. Creating A Platform For Traditional Handloom And Crafts Of Tangail Project Brief Project Name : Creating A Platform For Traditional Handloom and Crafts, at Tangail. Location : Nolsodha, Pathrail, Tangail . Site Area : 7.67 Acre ( 334,105 Sft ) Finantial Authority : UBINIG ID- 156009
- 12. Creating a platform for traditional handloom and crafts of Tangail UBINIG This project is lead by this organization UBINIG is a policy and action research organization in Bangladesh, formed in 1984 by a group of activists to support peoples' movement for social, economic, political and cultural transformation. UBINIG is an organization set up to promote and preserve traditional skills of Bangladesh and improving working possibilities for workers. UBINIG Aim and objectives for this project • To create a platform where Tangail traditional handloom and crafts represent and preserve their culture . • Where our new generation can gain knowledge about working process of handloom weavers and crafts . • Increasing the attraction about cultural costume and also increase awareness about culture . Fig :UBINIG Guest House Fig :UBINIG office UBINIG Work With some traditional Craft Community 1. Pathrail, Nakshibuti community 2. Gomjani, Clay craft community 3. Bohrni, Bamboo craft community 4. Mahmudpur, Nakshikatha community 5. Hinganagar, Shitolpati community Project background Tangail is a city with unique traditions, foods and music. Tangail is well known for its rich heritage of various crafts. One of its main attractions is handloom sarees. These crafts are part of our traditional heritage , but now a days all this traditional crafts are decreasing day by day . : Problem to be address significance of this project • No exposure • No support • No way to direct communicate Platform By this platform we can explore our crafts and tradition throughout the world and create direct communication Project Background
- 14. Site Location • Bangladesh map • District map • Upazillah map • Site location Tangail is a weavers’ village in Bangladesh famous for its handloom industry and its trademark Tangail sarees . originally from the Tangail District this handloom saree is testimony to the glorious history of a rich weaving heritage. .Dhaka to Pathrail 92.2 km from Dhaka 3h 11 mins .Tangail bus terminal to Pathrail 9 km from terminal 21 mins .Tangail Station to Pathrail 10.2 km from station 18 mins Joydebpur - Tangail - Jamalpur highway Norshad a Bazar Road Tagail - Delduar Road site entry Road Road network • Dhaka divisions Road network DHAKA -TANGAIL ROAD TANGAIL DELDUAR ROAD GHIOR-DOULATPUT TANGAIL ROAD Tangail Station Tangail bus terminal Tangail Sadar Site Site Analysis
- 15. Tant (nakshibuti ) 7-8 family and 5-6 members Mainly muslim religions Tant (tant ) 5-6 family Tant (tant ) 10-12 family and 5-6 members Mainly hindu religions Male (weavers) Female( spinning) Tant (jamdani ) 7-8 family and 4-5 members Mainly hindu religions Virpushia Bazar Nolshada Bazar Pathrail Bazar Site Korotia Bazar Agricultural Land Agricultural Land Ubinig office Ubinig Guest House Site view Site Surrounding (Demographic Pattern ) Site Analysis
- 16. Norshada kali mondir Baitul Mamur jame moshjid Pathrail high school Pathrail post office local family house ( tati) ) Korotia haat Local house Field view Ubinig office Field view Site Surrounding photograph • Site is surrounded by residential area and agricultural fields. • Site front road is 20 ft wide • And backside road is 16 ft wide Guest house Site Analysis
- 17. Site Information Fig- Trees location in the site Fig-sun Path Diagram North- West winter wind South-East summer wind Fig- Bazar and haat location in the site Fig - korotia haat temporary tent type space in the outer side . it is a 200 years old bazar of Tangail sarees Fig- existing section Site Analysis
- 19. • Site is surrounding by green field. • Traditional Tat polli ( tanti family ), kormokar para and clay craft communities are nearby the site. Strength • Site is far distant from tangail main town . Weakness • Tangail Handloom and other crafts tradition will get an opportunity to enrich. • Because of these locality this project will be get opportunity to stablished. • Local people will get work facility. Opportunit y Threat Positive : 1.The site is surrounded by local tant Polli. 2.Three main handloom bazar is located near the site. 3.Easy accessibility. 4.Noise free . Negative : 1.Site is far distant from Tangail town. Findi ngs SWOT Analysis • The site and its surrounding land can turn into a dense like Dhaka.
- 21. International case study Khamir artisan village Khumir artisan village is located at 16km from Bhuj, in Kutch, Gujarat. It is a place which promotes, expands and aids the traditional skills and knowledge of Kutch art, culture, heritage and national resources. The artisan communities include • Embroideries, • Leather works • Lacquer work, • Rogan work, • Copper Bell making, • traditional pottery, • wood carvings and much more. (Designed by neelkanth chaya ) Zoning Administration area Workshop area Residential area Circulation • Here interconnected between closed , semi open and open space for natural and fresh environment • Connect with narrow pathway • Courtyard are • In plan same modules repeat to form clusters which represent kutch village Material analysis 1. Wattle and daub panels • The walls of the first floor were made with Wattle and Daub Panels. • ‘Daub’ is a combination of material such as wet soil, clay, sand, lime, animal dung and dried grass. 2. Rammed earth • The ground floor of this Craft Facility is constructed in rammed earth. • Rammed earth is simple to construct, on – combustible, thermally massive, strong and durable. • Natural raw materials such as earth ,chalk ,lime and gravel are used. Detail of wattle and daub Wattle and daub panels used as partition wall • There are number of courtyards connected by pathways. • Trees are planted in front of windows to create proper screening. • Many levels are created for people to have interesting pathways. . Landscap e Literature Review • Using of courtyard • Using of local materials • Sufficient natural ventilation and lighting • Proper zoning between residential zone and Findi ngs
- 22. International case study Ganga textile studio Basic information : Location : Bhogpur , near Rishikesh , Uttarkhand , India Architect : Bijoy jain and his team , Studio Mumbai Area : 1400 sqm Weaving facility : Hnadmade textile COCEPT AND CONSIDERATION : 1. Combination of different material to produce a finely textured, functioning facility. 2. Rooted in craft , place and environment . 3. Jain explore the material of project which are shown in his work. Materials : 1. Local harvest bricks and lime 2. Stone and marble from Rajasthan 3. Bamboo Dyeing Workshop Maki’s Studio Guest Residence Service and Storage Workshop s 1. Four l-shaped studios where weavers and craftspeople make handwoven fabrics and garments. 2. Arranged around A courtyard, the simple rectangular boxes are narrow storage and service space, Material : 1.The main spaces are made of bricks, finished with lime, covered by asbestos-free cement sheet roofs, and paved with stone floors. 2. Adjacent work areas have stone slab roofs and lime floors. Interior space of workshop In this project coloring is done in the open courtyard. maki studio weaving workshop 1. Naturally ventilated room. 2. Long window 3. Sunlight used for lighting direct from the roof. 4. High window is used for ventilation. Findi ngs Literature Review • Use of courtyard • Rural residential layout formed in mass and space • The built form is kept low ranging from one to two floors as follow traditional, social, economical & cultural institutions.
- 23. National Case Study Dhamrai pottery village Dhamrai pottery Industry Is One Of The Renowned Pottery Industries In Bangladesh. There Are Several Pottery Villages In Dhamrai. Such As Kagozi Para (Pathantola), Shimulia Paal Para, Notun Bondor Paal Para Etc. These Villages Are Not Professionally Designed But The Users Have Modified Them To Suit Their Own Needs And To Better Suit Their Crafts. Fig: courtyard work space Fig: Mud house Fig: shaded work space Fig: courtyard use for drying craft • Beneath the same thatched roof are the kiln, storehouse and dwelling house Zoning • A free space in front of the door or the courtyard is used as a place to prepare the clay. Findi ngs • From the case study we know that courtyard is a central space where all works are done by people . • Functions are connected through courtyard . • Clay is a significant material for craft village • Housing pattern are same like Tangail handloom village • Entry courtyard workspace residence Literature Review
- 24. Tangail is a city with unique traditions, foods and music. Tangail is well known for its rich heritage of various crafts. One of its main attractions is Handloom Saree. Many different crafts has evolved in this very area. These crafts not only reflect the artistic personality of the craftsmen but also their history and traditions. The leading crafts are : Tangail craft and context study Handloom Saree: Tangail is famous for its handloom sarees. Tangail is the home of the weavers of world famous “Tangail Saree” a handloom saree made of both cotton and silk threads. Some of the Weavers have migrated to India after partition in 1947. Nakshibuti: Nakshibuti is unique because of its authentic designs. Each weavers of Nakshibuti are an individual artist themselves. They don’t follow any strict design. Every design is unique to its creation. Not everyone can become a weaver of Nakshibuti. It takes more time to weave a single saree. Due to the low production rate, the market fails to appreciate it’s value. Bamboo Craft: “Bamboo” is “green gold” of the future, with 60,000 species throughout the world, and literally millions of uses. No other plant seems to have as many possibilities. It is used for food, construction material, fuel, flooring, decoration, furniture, and more. Silver Craft: Silver smith villages are another attraction of Tangail. These silver smiths come up with various silver products, but mainly jewellery . They produce traditional ,modern and also innovative jewellery . The designs comes from many renowned boutiques of Dhaka. But many silver smith follows their own designs and patterns Clay craft: Clay craft has also developed its own distinct identity in Tangail. It more or less runs like a family tradition. Usually whole family of a craftsman gets involved in pottery or clay crafts. Tangail Craft Communities 1. Pathrail, Nakshibuti community 2. Gomjani, Clay craft community 3. Bohrni, Bamboo craft community 4. Mahmudpur, Nakshikatha community 5. Hinganagar, Shitolpati community 6. Nolsodha, Jacquard community, Nakshibuti 30% Clay craft 9% Bamboo craft 7% nakshikatha 10% Sitolpati 4% Jacquard 22% Silver craft 11% Bell and brass 7% Literature Review
- 26. Literature Review Fig : Weavers Performance চৈত্র সংক্রান্তি Fig : Pohela Boishak Mela Fig :Jamai Mela Traditional Mela of Tangail District BAISHAKH - Baishakhi Mela – 1st Baishakh - Jamai Mela – 11th – 13th Baishakh JOISTHO - Modhu Mela KARTIK – AGRAHAN - Mela For Nobanno Utshob POUSH – MAAGH - Pitha Puli Utshob - Traditional Tant Mela CHAITRA - Chaitra Songkrinti Mela FALGUN - Bosonto Boron Utshob -1st Falgun
- 27. Tangail handloom is popular all over the world for its uniqueness. The workers need to have special skills to weave and design Tangail saree. The Basak community of Patrail union of Tangail is community of weavers who is still continuing the original making process of Tangail Saree. The weavers sell the saree in temporary bazaars that sit only twice a week in Bazitpur and Korotia. Traders come to these bazaars to purchase saree. Tangail handloom sharee Year Number of handloom number of weavers 1992 100,000 1,50,000 2008 37,222 70,000 2013 60,000 Tangail clay craft Fig :Clay craft community at gomjani Clay craft community are also suffer from many problem . they have no proper space and also financial conditions are not good . they have proper skills and knowledge but they have no opportunity to explore their skills throughout the world and have not benefited to sell their product . Fig :storage material Fig :mud oven ,preparation for burning Courtyard storage Kitchen Residential space Literature Review
- 28. House pattern analysis Jamdani Literature Review Built form Home stead Mud plinth Weaving Storage Residence Courtyard Courtyard Weaving Residence Storage Weaving Residence Weaving Courtyard ( used for spinning and coloring ) Drying yarn in courtyard Spinning yarn in courtyard High window Kacha road
- 29. House pattern analysis Tant Literature Review Built form Mud plinth Long window Weaving Outer courtyard Inner courtyard Coloring shade Main entry Residence Home stead
- 30. Stitchin g Store Weaving Coloring Residen ce Temple Residen ce Nakshibuti Literature Review House pattern analysis Home stead Using for cutting on season when weaving is done . During weaving this space use for house hold Weaving Outer court spinning Residence
- 31. Literature Review House pattern analysis Bamboo and shitolpati community Outer court Bamboo work space Residence
- 32. Tangail building analysis Mud is one of the main material for weaver house because they need mud plinth for their machine, boiling process, weaving . In previous year mud is the main element of their house . Weavers are feeling comfortable for these . Now a days 35% of house made of mud . Mud is suitable for the making of saree to keep its moisture perfect. • Dhamrai ,pathrail and madhupur house are made of mud • Because of jamuna river soil is available in this area . • Weavers choose mud because of their plinth and availability • Ubinig also has firm project ,so cow dung is also available here , which will be used as mixture with mud for building material . Tangail pathrail house • Plinth high • Plinth is made with mud • Weaving space also made wit Long window Pitch roof Mud plinth Literature Review
- 34. Concept and Issue to be address Issue to be address The project should be design on the local basic context which is represent their culture Using lightweight material Creating a central axis where all crafts connect together and experience the journey of their culture Concept Experience of culture By creating of • Traditional haat in the central space that is a heart of this place which is connected to all crafts • By the exhibition space we can preserve and revive our crafts. By creating of the • Expose Tangail traditional housing pattern for weaving and other crafts that connected with central space • All people can meet together and experience artisans journey of daily life Conceptual section Mud building courtyard Pond side clay work space
- 36. Broad program analysis Function Area Of (Sft ) Reception And Lobby 436 Sft Administration 2161 Sft Workshop 44392 Sft Library 3497 Sft Research Facility 2017 Sft Exhibition Space 9191 Sft Multipurpose Hall 6240 Sft Cafeteria 4144 Sft Display Center And Shop 5000 Sft Training Facility 3114 Sft Guest House Annual Fair 5317 Sft 5000 Sft Clay Work Bamboo Work Sitolpati 11800 Sft 9100 Sft 9100 Sft Parking 2560 Sft 1, 1% 2, 2% 20, 23% 3, 4% 2, 2% 12, 14% 5, 6% 10, 11% 3, 3% 7, 8% 15, 17% 6, 7% 2, 2% Reception & lobby administratio n workshop Library Research facility Exhibition multipurpose cafeteria Total 1,23,069 sft Program Analysis
- 37. Reception Program Analysis Function Detail Oualit y No Of Person Require d Area Reception Lobby 1 50 (50x2) =100 Sft Waiting 30 (30x1.2) =36 Sft Desk 1 200 Sft Sub Total 336 Sft Circulat ion 30% 100.8 Sft Total 436.8 Sft Function No Of Person Area Per Person Quenti ty Total Area Lobby And Waiting 30 6.5 Sft 195 Sft Toilet 8 30 Sft 240 Sft Director Room+ Toilet 89sft 30 Sft 1 119 Sft Account Section 2 1 200 Sft Maintenan ce Sec. 2 1 200 Sft Service 100 Sft 100 Sft Conferenc e 15 1 500 Sft Sub Total 1663 Sft Circulation 30% 498 Sft Total 2161 Sft Administration Fig : Office Room Area Page-786
- 38. Library [50 user] Fig : Reading Room Area Page-266 Fig : Display Area Page-339 Exhibition Program analysis Program Analysis Function Detail Quantity user Total area Library Lobby 1 10 200 sft Counter 1 200 sft Reading space 50 (50x36) =1800 sft Shelf area 5 270 sft Librarian 1 200 sft Store 200 sft Sub total 2690 sft Circulatio n 30% 807 sft Total 3497 sft Function Visitors User Staff Total Area Lobby 80 800 sft Ticket counter 2 person 150 sft Toilet 120 sft Permanen t gallery 2000 sft Temporar y gallery 2000 sft Technical support room 500 sft Workshop 500 sft Storage 1000 sft Sub .total 7070 sft Circulatio n 30% 2121 sft Total 9191 sft
- 39. Program Analysis Guest house Multipurpose hall Training center Program Analysis Function No of room Area Lobby 200 sft Administration 400 sft Single room + toilet 5 (150 x 5)+ 100 sft = 850 sft Double room + toilet 5 ( 300 x 5)+100 = 1600 sft Dining 200 sft Kitchen 840 sft Sub total 4090 sft Circulation 30% 1227 sft Total 5317 sft Function User total Area Lobby 150 ( 10x150) =1500 sft Waiting 80 (10x80) = 800 sft Hall area 2000 sft Stage 500 sft Sub total 4800 sft Circulation 30% 1440 sft Total 6240 sft Function User Net area Total Lobby 10 (6x10) 60 sft Lounge 15 (14.4x 15) 216 sft Trainer room (10x12 ) 120 sft Workshop 1000 sft Computer application 500 sft Motif desigh 500 sft Sub total 2396 sft Circulation 30% 718 sft Total 3114 sft
- 40. Program analysis Research facility Program AnalysisFunction User deta il User no Area Lobby 200 sft Research co. room 1 200 sft Research room Toilet (384+50) =434 sft Books space (54x2) =108 sft Study area 12 (30x12) =360 sft Store 100 sft Conferenc e room 10 250 sft Sub total 1552 sft Circulatio n 30% 465 sft Total 2017 sft Functio n total Quanti ty Total area Shops 10 (252x10) = 2520 sft Display area 1 for 50 person (50x50) = 2500 sft Staff area 200 sft Toilet 200 sft Public toilet 800 sft Sub total 6220 sft Circulat ion 30% 1866 sft total 8086 sft Shop and display area
- 41. Yarn Cone to hangs ( kon vangano ) Market Hangs ready for dye (ghati koron ) Boiling or washing Dyeing Flow chart for weaving making Drying yarn Hand spinning (charka ) Making bobbin Warping ( dram from bobbin ) Pulling Beam or natai Sana bow
- 42. Weaving Cutting Stitching Marketing Work Flow chart for pottery Clay preparation Shape making Drying Burning Dying Glazing Outdoor requirement Indoor and semi outdoor requirement Clay preparation Shape making Drying Burning Glazing Dying
- 43. Raw material bamboo preparation Sun Drying Product making Glazing Raw material Fiber preparation Fiber Drying Mat preparation Dying Outdoor requirement Drying Work Flow Chart For Sitolpati Craft Raw material bamboo preparation Sun Drying Product making Glazing Outdoor requirement Indoor and semi outdoor requirement Work Flow chart for bamboo craft Raw material Fiber preparation Fiber Drying Mat preparation Dying Drying
- 44. workshops ( Tant + jamdani ) spining and warping coloring weaving karu vangano - 3 room - 8 workers - total user 24 - 42 sft per person ghati koron - 3room - 10 workers - total user 30 - 10sft boiling - 3 room - 10 workers - total user 30 - 10sft coloring - 4 room - 10 workers - total user 40 - 20 sft pulling - 4 room - 10 workers - total user 40 - 30 sft spooling - 4 room - 10 workers - total user 40 - 30 sft weaving - 4 room - 12 workers - total user 48 - 60 sft cutting and finishing - 3 room - 10 workers - total user 30 - 42 sft warping - 1 room - 10 workers - total user 10 - 248 sft Weaving ( nakshibuti ) weaving - 4 room - 12 workers - total user 48 - 60 sft Stitching - 3 room - 10 workers - total user 30 - 10 sft Program Analysis
- 45. Program analysis Tant (spinning ) Fig – spinning Program Analysis Function No Of Room No Of User Per Roo m Total User Per Person Space Req. Total Karu Vangano 3 8 24 42 Sft 1008 Sft Ghati Koron 3 10 30 10 Sft 300 Sft Boiling 3 10 30 10 Sft 300 Sft Warping Room 1 10 10 248 Sft 2480 Sft Instructor Room 1 1000 Sft Maintena nce Room 2 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 7288 Sft Circulatio n 30% 2186 Sft Fig - Warping Fig –Ghati Koron
- 46. Program analysis Tant (coloring ) Fig - coloring Program Analysis Functi on No of roo m No of user per room Total user Per person space req. Total Colorin g 3 10 30 20sft 600 sft Pulling 3 10 30 30 sft 900 sft Spoolin g / natai 3 10 30 30 sft 900 sft Instruct or room 1 1000 sft Toilet 600 sft store 1000 sft Sub total 5800 sft Circula tion 30% 1740 sft Total 7540 sft Fig – pulling
- 47. Program analysis Tant + jamdani (weaving ) Fig – weaving Program Analysis Functi on No Of Room No Of User Per Room Tota l User Per Person Sft Total Sft Weavin g 4 12 48 60 Sft 2880 Sft Cutting And Finishin g 3 10 30 42 Sft 1260 Sft Instruc tor Room 1 1000 Sft Commo n Room 1 20 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 7340 Sft Circula tion 30% 2202 Sft
- 48. Function No Of Room No Of User Per Roo m Tot al Use r Per Perso n Sft Total Sft Weaving 4 12 48 60 Sft 2880 Sft Stitching 3 10 30 10 Sft 300 Sft Instructor Room 1 1000 Sft Common Room 1 20 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 6380 Sft Circulation 30% 1914 Sft Toilet 8294 Nakshibuti (weaving )
- 49. Program Analysis Clay workshop Function Quanti ty Total area Clay preservation area 2000 sft Clay preparation area 2000 sft Craft making area 2500 sft Mud oven 900 sft Making place for god 2000 sft Store 1800 sft Toilet 600 sft Sub total 11800 sft Circulation 30% 3540 sft Total 15340 sft 4’-0’’ 3’-6’’ 6’-0’’
- 50. Function No of user total area Store for Raw material 2000 sft Store for craft 1000 sft Workshop 2000 sft courtyard 2000 sft Sub total 7000 sft Circulation 30% 2100 sft Total 9100 sft Bamboo Workshop And Sitolpati Workshop Program Analysis
- 51. My site is located in a village ,almost all users are coming here by walking ,there is no need of such 65 car parking area . 20 car parking is enough for this place So , 1 car is need -128 sft for 20 car = (20x128) = 2560 sft Parking Zone Total built area = 1,23,069 sft Program Analysis Private zone • Admin • Research facility • Service • Guest house Semi public zone • Multipurpose hall • Training facility • Workshops Public zone • Library • Exhibition space • Cafeteria • Reception • Display center • Annual fair
- 53. structure Analysis Mud is one of the main material for weaver house because they need mud plinth for their machine, boiling process, weaving . In previous year mud is the main element of their house . Weavers are feeling comfortable for these . Now a days 35% of house made of mud . Mud is suitable for the making of saree to keep its moisture perfect. • Dhamrai ,pathrail and madhupur house are made of mud • Because of jamuna river soil is available in this area . • Weavers choose mud because of their plinth and availability • Ubinig also has firm project ,so cow dung is also available here , which will be used as mixture with mud for building material . Tangail traditional housing material structure Analysis Living with tradition is our culture Mud house is one of the traditional housing type in This building type is typically one or two stories an for single family housing. (মাটির ঘর) Considerations in mud house 1. Mud house is cool in summer (inside building temperature is about 24°c to 26°c ) and warm in winter 2. Automatic control temperature by passive colling system ,which is most important for weavers. 3. Suck external dry air and throw the humidified cool air into interior . 4. Bamboo is use as a material of post in building . Design aspect Foundation and plinth : 1. Whenever possible, earthen wall should be build on brick or concrete foundation and plinth. 2. Should be build house on the raised homestead and slightly sloping for ground drainage .
- 54. structure Analysis structure Analysis Design aspect Ventilations : 1. Basic principle for good ventilation should be followed: exposed roof space , accessible loft space 2. Adequate ventilation is essential for earthen house otherwise leads the dampness and which can weaken the wall . Mud preparation and wall making • Wet earth mixed with straw and 5% cement • For better strength mixture is improve by adding RHA (Rice husk Ash),jute and straw , • Applied in a layer in a cob system • Each layer will be at 50 to 70 cm in height . • mud is dried for few days • Finally the wall thickness will be 18 inch Wall polishing and finishing • After a couple of days mud walls are drying and then trimmed the wall in a shape that will be expose and create a smooth surface • If thickness of the wall is 20” after trimming it become 18’’. • Plastering is essential for the protection from rain ,rat and insects • Mixture is made with clay + grass+ 15% boric acid + glue Step -1 Step -2 Step -3 Step -4 Step -5 Step -1( plaster with clay and grass mixture ) Step -2( clay paint with water ) Step -3( clay liquids) Step -4( fine sand ) Step -5( mixture of clay ,sand and glue)
- 55. structure Analysis structure Analysis Bamboo Curing Or Dipping Design aspect • First of all store bamboo in a tank with water .but it is highly recommended to add chemical in the tank to cure and preserve bamboo for long lasting. • When immersing the bamboo nodes should be punching before curing , that way water can run easily through out the bamboo cane • Bundle the bamboo splits and store them in running water or tank • Then change the water weekly to prevent growth of becteria • For Complete immersion wood – 5 days bamboo- 3 days straw leaf- 1 days • After these , it is needed to be dried in shead . Advantages: • Low cost for materials • Simple, easy to learn, • requires little or no experience • Produces beautiful buildings • Strong and sturdy Long lasting • High thermal mass Disadvantages: • Labor intensive • Slow building process • More subject to cracking than other earth building techniques • Lacks the convenience of modular bricks or forms Poor insulation value
- 56. Anandaloy Building,Rudrapur Anna Heringer structure Analysis (case study ) structure Analysis •TYPOLOGIES - Health center •MATERIAL - wood ceramic and bamboo •DATE- 2019 •CITY - Rudrapur •COUNTRY- Bangladesh In Rudrapur, a village in the Dinajpur District of northern Bangladesh, stands this mud and bamboo construction that houses a therapy center for people with disabilities and a workshop for Dipdii Textiles, a clothes-making project for local women that Anna Heringer and Veronika Lang launched with the NGO Dipshikha in this project , the German architect explored the plasticity and beauty of mud, Material • Use of local material local source of energy including manual lab • Mainly built out of mud bamboo and local farmers
- 57. Work process • Firstly Made Of Mud Mixture With Straw , Grass, Clay Sand • Then create mud cob • Create a curve ramp and rectangular plan • Mud cob are placed in a layer and create a wall of room • Walls has larger thickness when cob are placed after that cut the walls and create a surface • Finally polish with clay and glue mixture Mud cob place in layer by layer Trimmed the wall and finishing Bamboo post are placed for verandah and roof support
- 59. Master Plan Development 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 15 16 17 18 19 20 21 22 23 24 1. Cultural/ display courtyard 2. Exhibition 3. Clay finish product 4. Clay indoor workshop 5. Glazing and policing room +tools store 6. Sitalpati indoor+semi outdoor work space 7. Bamboo workshop 8. Storage for bamboo craft 18. Multipurpose 19. Admin 20. Library 21. Research and training 22. Dining 23. Guest house 24. Haat space 9.Khabar ghor 10. Coloring 11.Spining 12. design card ( jacquaed) 13. Warping 14. Pulling field 15. Weaving 16. Cutting 17. finish product sarees Ground floor plan
- 60. 1st floor plan 1. Temporary exhibition 2. Clay craft instructor room 3. Bamboo and sitalpati instructor room 4. Khabar ghor 5. Coloring instructor 6. Spining 7. Design making and instructor room 8. Weave instructor 1 2 3 4 5 6 7 8
- 61. + 2’-0’’ + 0’-0’’ + 4’-0’’ + 4’-0’’ + 0’-0’’ Ground floor plan
- 62. 1st floor plan
- 64. 1st floor plan
- 66. 1st floor plan
- 67. Ground floor plan (bamboo and sitalpati community)
- 68. 1st floor plan ( bamboo and sitalpati crafts)
- 73. Thank you