Trabajo Emergente presentado en CoSECiVi'14. Resumen: El articulo parte de los conceptos de juego creativo y juego instrumental descritos por autores del ámbito de los estudios de juegos como Bernie DeKoven y Miguel Sicart. Teniendo en cuenta cierto paralelismo entre la corriente de pensamiento actual en torno al papel del público de proyectos de creación artística contemporánea y el concepto de juego creativo planteamos la opción de repensar al jugador como co-creador de la experiencia lúdica. Para ello proponemos un ejercicio práctico; el diseño de un audiojuego multijugador local, titulado They Are, y analizamos los errores y aciertos a la hora de plantear el proyecto desde este tipo de postura centrada en ceder parte de la autoría al jugador.

1. Lara Sánchez Coterón
@laracoteron
El jugador como co-creador de
experiencias: el caso de
They Are

2. www.YOCTOBIT.com

3. GAME DESIGN
NEW MEDIA AND PERFORMING ARTS
HUMAN-DRIVEN INTERFACES
Dressed with socio-cultural or artistic considerations and
LOTS OF HUMOR
}
GAMES BEYOND THE SCREEN

5. October 2009: Performing Arts and New Technologies
February 2010: Experimentation with Games
COLLABORATIVE
WORKSHOPS
Medialab-Prado Madrid

6. 07/02/2010
description
GAMEFORMANCE:
HOMEWARD JOURNEYS
Early Prototype

7. HOMEWARD JOURNEYS
=
GRAPHIC ADVENTURE
+
GAME CHARACTER / ACTRESS
+
MAPPING SCENOGRAPHY

8. Intermediæ. Matadero Madrid. Contemporary Art Center
PROTOTYPE RE-RUN: Homeward Journeys
07/05/2011
video

9. “MATA LA REINA”
Game-played Theater
AN EXPLORATION AND STRATEGY
COLLABORATIVE GAME
+
FIRST PERSON ACTION THEATER

10. THE QUEEN
THE ESTABLISHED POWER

11. THE DROIDS
QUEEN'S HENCHMEN

12. SUBJECTED
PEOPLE

13. A GOAL

14. ¿What do we mean by
GAME-PLAYED THEATER ?

15. Theater
=
Dramatic Text
+
Scenic Apparatus
+
Acting

16. Game-Played Theater
=
Dramatic Text Game Design
+
Scenic Apparatus
+
Acting

17. FLOW DIAGRAM
Graphical representation of an algorithm or process

18. *...how to relate to your players and
learn from them...

20. "Games offer a dynamic language for
cultural expression that involves
interactivity, repetition, process and
performance"
Helen Stuckey
GAMES PROGRAMMER AND CURATOR OF THE GAMES LAB, AUSTRALIAN
CENTRE OF THE MOVING IMAGE

21. process and
performance"

22. process and
performance"
Games as
OBJETS
Games as
ACTIONS

24. ARTISTIC PURPOSES
EARLY CONCEPTUAL PREMISES

25. BOSCH'S SATIRE
BOSCH'S IRONY
BOSCH'S BOLD DISCOURSE
WE'VE BEEN SEDUCED BY:

26. TEMPTATION SOUNDTRACK

27. 2nd
ARTISTIC PURPOSE

29. GAME DESIGN PREMISES

30. Human to Human Interaction

31. The players' mind

32. Players' ability to acting

33. AESTHETICS:
THE GAME EXPERIENCE
KEYWORDS: delight, sensual, forbidden,
garden, party, fun, laughter.

35. Collective and individual

36. From mystery to joke

37. BOSCH’S ESPRITS

39. Special Staging Version

40. Gameplay and Rules
MECHANICS:
HOW DOES IT WORKS

41. Meaningful Diegetic Data

42. TEMPTATION STAGE: A
Duel as basic Mechanic

43. A Duel as basic Mechanic
TEMPTATION STAGE: With
a Temptation Aesthetic

44. PUNISHMENT STAGE:
Leading players can lose

45. SHUFFLING STAGE:
Swaping players's places

46. SOME REFLEXIONS ABOUT
THE CURRRENT STATE OF
THE DESIGN

47. Without Tutorial?

48. The final countdown

49. Paternalistic failure

50. SOME REMARKS ...

51. Layered designs

52. PLAYER-CENTRIC DESIGN

53. THANK YOU
www.YOCTOBIT.com
@laracoteron