SlideShare a Scribd company logo
1 of 50
Digital Graphic Narrative
Development
Robert Ryan
Shape Task
Evaluation
What did you like about your image?
I liked how I was able to make all the shapes work into
the nose and eyes as well as mouth to make it a lot more
life like.
What would you improve if you did it again?
I would put a little more effort into making the image
resemble more of a polar bear and not something that
looks completely different by working on the shapes to
blend well with the original image
Rotoscope
Evaluation
What did you like about your image?
I liked how I did the eyes. It makes the man who I am
working on resemble a lot more of a living human being.
If I did not add in the eyes it probably would look really
lifeless.
What would you improve if you did it again?
I might try and make the corners less sharp as I feel it
would bring the image one step further to looking a lot
more realistic and the celebrity a lot more recognisable.
Film Quotes
Evaluation
What did you like about your image?
I like how very little it tells the viewer about the film
but the dark grey look helps give off the dark tone
that is present in the actual film.
What would you improve if you did it again?
I would probably add in a title so that the viewer
can get a understanding on what the film is.
Text Based
Evaluation
What did you like about your image?
I like how wired and stylish the fonts on this
page are.
What would you improve if you did it again?
I would try and listen more because some of the
features on Photoshop where hard to find.
Comic Book
Evaluation
What did you like about your image?
I like how pretty it looks and it has a animated
look which is completely different to how it
looks originally
What would you improve if you did it again?
I would put all of the other features on
Photoshop to great effect.
Photo Story
Photo Story
Evaluation
What did you like about your image?
I like how it has a very easy to follow narrative and the presentation of each image is
not done in a confusing way. I feel like I have presented each frame in a way that
people can understand. All of the images look really good in terms of lighting and I feel
like I have made great use of location with this project. I like how there are no white
spaces in the image. It looks very complete without any spaces left waiting to be filled.
Illustration
Evaluation
What did you like about your image?
I liked how surreal and crazy the image is as I feel
being creative with a image is better than copying
and pasting pre existing ones.
What would you improve if you did it again?
If I had more time I would try and put a lot more
detail especially in the colour like how everyone of
my group members have done to their own images.
Narrative Environment
Evaluation
What did you like about your image?
I like how pretty the images look and how well the
images of both the cityscape and the desert are
blended together. It looks very seamless and the
line between the 2 images look lot less noticeable
when filtered.
What would you improve if you did it again?
I would try to put more effort in the image rather
just use filter gallery.
Initial Ideas
Idea Generation
Story information
• Title: The Story that never ends.
• Characters: The Sheppard, Sheep, Children,
Narrator.
• Locations. Field, footbridge. Classroom.
• Visual Style. Handrawn, Comic book,
Rotoscoping
Synopsis.
• Once upon a time there was a shepherd who had a great flock of sheep.
He used to pasture them in a meadow on the other side of a brook. One
day the sun had already set before he started home. Recent rains had
swollen the brook so that he and the sheep had to cross on a little
footbridge. The bridge was so narrow that the sheep had to pass over one
by one.
•
• Now we’ll wait until he drives them all over. Then I’ll go on with my story.
• (When the children grow impatient and beg for a continuation of the story,
they are told that there are many sheep and that up to this time only a few
have crossed. A little later when their impatience again breaks out, they
are told that the sheep are still crossing. And so on indefinitely. In
conclusion:)
• In fact there were so many sheep that when morning came they were still
crossing, and then it was time for the shepherd to turn around and drive
them back again to pasture!
Thoughts on story.
• It would be very simple to adapt this story in to a book
as the story is very simple and has no more than 2
locations and it has a simplistic but amusing message
that younger children can identify with. IE Patience. I
have also decided to instead of having a section of the
book blank for the reader to wait until the children
grow impatient I am going to add in more pages of the
sheep crossing the bridge so that the reader and
children can get a good sense of time passing. I am also
going to have the story take place in the progressing
day instead of night because doing that would lead to
bright and colourful images.
Story Information.
• Title: The Cat and the Mouse.
• Characters. Cat, Mouse, Cow, Baker, Butcher,
Farmer, Baker
• Locations. Malt-House
• Synopsis.
• Visual Style: Pixel art. Hand drawn
Synopsis
The cat and the mouse
Play'd in the malt-house:
The cat bit the mouse's tail off. "Pray, puss, give me my tail." "No," says the cat, "I'll not give you your tail, till you go to the cow, and fetch me some milk."
First she leapt and then she ran,
Till she came to the cow, and thus began:
Pray, Farmer, give me hay, that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "No," says
the farmer, "I'll give you no hay, till you go to the butcher and fetch me some meat."
First she leapt, and then she ran,
Till she came to the butcher, and thus began:
Pray, Butcher, give me meat, that I may give farmer meat, that farmer may give me hay, that I may give cow hay, that cow may give me milk, that I may give
cat milk, that cat may give me my own tail again." "No," says the butcher, "I'll give you no meat, till you go to the baker and fetch me some bread."
First she leapt and then she ran,
Till she came to the baker, and thus began:
"Pray, Baker, give me bread, that I may give butcher bread, that butcher may give me meat, that I may give farmer meat, that farmer may give me hay, that
I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again."
"Yes," says the baker, "I'll give you some bread,
But if you eat my meal, I'll cut off your head."
Then the baker gave mouse bread, and mouse gave butcher bread, and butcher gave mouse meat, and mouse gave farmer meat, and farmer gave mouse
hay, and mouse gave cow hay, and cow gave mouse milk, and mouse gave cat milk, and cat gave mouse her own tail again!
Thoughts on story
• This is a very basic story and one that has a similar
structure to other children’s books. What gives this
story appeal though is its use of rhyming which is very
catchy and that aspect can often help children follow
the story very nicely. The story is also very short which
can help because young kids have short attention
spans. I don’t know if I can do this story. The attention
to detail on every page seams like it would take a long
time to perfect every detail and keep characters
consistent on each page. Given our schedule I think I
am going to stick to something a lot more simple.
Story information.
• Title: The Three Billy Goats.
Characters. The Three Billy Goats, Troll.
• Locations. Hill side. Bridge
• Visual Style. Pixel art. Drawing
Synopsis.
Once upon on a time there were three Billy-goats, who were to go up to the hill-side to make themselves fat, and the name of all three was
“Gruff.”
On the way up was a bridge over a burn they had to cross; and under the bridge lived a great ugly Troll, with eyes as big as saucers, and a
nose as long as a poker.
So first of all came the youngest billy-goat Gruff to cross the bridge.
“Trip, trap! trip, trap!” went the bridge.
Who’s that tripping over my bridge?” roared the Troll.
“Oh! it is only I, the tiniest billy-goat Gruff; and I’m going up to the hill-side to make myself fat,” said the billy-goat, with such a small voice.
“Now, I’m coming to gobble you up,” said the Troll.
“Oh, no! pray don’t take me. I’m too little, that I am,” said the billy-goat; “wait a bit till the second billy-goat Gruff comes, he’s much bigger.”
“Well! be off with you,” said the Troll.
A little while after came the second billy-goat Gruff to cross the bridge.
“Trip, trap! trip, trap! trip, trap!” went the bridge.
“WHO’S THAT tripping over my bridge?” roared the Troll.
“Oh! It’s the second billy-goat Gruff, and I’m going up to the hill-side to make myself fat,” said the billy-goat, who hadn’t such a small voice.
“Now, I’m coming to gobble you up,” said the Troll.
“Oh, no! don’t take me, wait a little till the big billy-goat Gruff comes, he’s much bigger.”
“Very well! be off with you,” said the Troll. But just then up came the big billy-goat Gruff.
“TRIP, TRAP! TRIP, TRAP! TRIP, TRAP!” went the bridge, for the billy-goat was so heavy that the bridge creaked and groaned under him.
“WHO’S THAT tramping over my bridge?” roared the Troll.
“IT’S I! THE BIG BILLY-GOAT GRUFF,” said the billy-goat, who had an ugly hoarse voice of his own.
“Now, I’m coming to gobble you up,” roared the Troll.
“Well, come along! I’ve got two spears,
And I’ll poke your eyeballs out at your ears;
I’ve got besides two curling-stones,
And I’ll crush you to bits, body and bones.”
That was what the big billy-goat said; and so he flew at the Troll and poked his eyes out with his horns, and crushed him to bits, body and
bones, and tossed him out into the burn, and after that he went up to the hill-side. There the billy-goats got so fat they were scarce able to
walk home again; and if the fat hasn’t fallen off them, why they’re still fat; and so:
Snip,snap, snout,
This tale’s told out.
Thoughts on story.
• This is the one story that I am considering
doing along side The Story that never ends as
it’s a one location story so you don’t have to
spend too much time working on so many
different locations and making them look
perfect. Here you have one or 2 locations to
work with and it’s a story that kids are familiar
with and there for it will sell money.
Proposal
Dimensions
7-8 Pages. 21cm by 29 cm
Story Overview
The story follows who as a massive flock of sheep which he uses to pasture in his
meadow. One day when taking them back home they come across a narrow bridge so
narrow that the shepherd decides that his sheep need to cross one by one. The Story
then grinds to a halt as the sheep cross the bridge. By the time both sheep have
crossed the bridge night has fallen and its time to go back.
Export Format
JEPEG.
Advantages: They are very easy to save and are used for web formats.
Disadvantages: Loses compression after multiple edits.
Deadline
7th April
Audience
I am aiming for my target audience to be no older than 5 years old. Children who
are capable to have a good understanding of a simplistic story line but also reflect
when a message is being thrown at them. This story is perfect for them as its not
overcomplicated to where they cant follow everything and it is very short as well
which helps because kids have very short attention spans and can get very bored if
a story is overly long.
Production Methods
I am thinking of producing my images in a more rotoscope style as I feel as it makes
the images on the page a lot more surreal and detailed as opposed to a overly
cartoony drawing. I may do this by take already existing images of Sheppard and
sheep along with a narrator and children and manipulating them by using the
polygonal lasso tool. There are a few disadvantages to this as I might not get
permission to get already existing image for my own needs and I have had my own
troubles with this style in the past however this story is very short and would
require no more than 8 pages. If I can not do this then I may stick to other methods
such as illustrations or anything that Photoshop would allow.
What are the strengths of the proposal? What areas of the proposal need further work?
A strength of your proposal is that you have thought
out a good idea for the story and have a good idea
on how you would like the story to be designed
within Photoshop.
Overall the proposal is well done and the only thing
which could be improved is about the dimensions of
the book where you could go into further detail
explaining why you have chosen to choose the
dimensions being 21 by 29cm.
What are the strengths of the idea generation? What areas of idea generation could have been
further developed?
You have a good idea generation as you have
managed to cover a lot on what the story could be
like and the design etc.
The only thing which could be improved is the
layout of the spider diagram as it can be slightly
confusing on how to follow but the main thing is you
have managed to get the context in there.
What are the strengths of the proposal? What areas of the proposal need further work?
You have a general idea of what you wish for you
story to be about. You also have a good
understanding of how you want to make the story
look, in terms of the Photoshop tools you wish to
use to create the characters and narrative.
Your proposal explains your choices and reinforces
your idea generation mood board however you
could mention possibly about why you have chosen
to make you book 21cm by 29cm and then further
explain how you are going to make your story
simplistic via the language or text used.
What are the strengths of the idea generation? What areas of idea generation could have been
further developed?
Detailed mind-map that explains how you want your
overall book to look in terms of visual style and
characters which is then reinforced by your mood
board.
Included text examples on your mood board.
Rearrange your mood board as well so that all the
images are clear, as quite a few are over lapping
each other – you could add another page instead.
What are the strengths of the proposal? What areas of the proposal need further work?
A rotoscoping style is definitely ideal for having
detailing in two dimensional images.
The plan is well-structured and I can understand
clearly what you intend to do.
I would be a bit more specific as to how many
pages you intend to use.
What are the strengths of the idea generation? What areas of idea generation could have been
further developed?
The simplicity of the story would definitely appeal to
a younger audience, as you intend.
There is a wide range of media to work from to
create a compelling story.
I also like the sense of humour in this proposal. The
idea is very clever.
The sense of humour at the end more appeals to
older audiences than younger audiences.
Feedback Summary
Sum up your feedback.
My feedback is mostly positive however one of the biggest criticisms is I could have gone
into a little more detail about the dimensions of my book and the layout on the mind
maps could have been better. I have also gotten a criticism about the humour being out
of place for younger audiences.
Which parts of your feedback do you agree with and why?
Admittedly I am not an expert on dimensions but maybe if I did know a little bit more
about it I could have written about it and it was also down to the fact that I wasn’t sure
at the time on what dimensions to use. But the mind map could have looked a lot less
messy and more structured.
Which parts of your feedback do you disagree with and why?
I disagree on the last joke being aimed more at older audiences as it’s a joke that both
and kids and adults can understand.
Original Script
http://www.worldoftales.com/European_folktales/Czechoslovak_folktale_15.html
(To be told very seriously)
Once upon a time there was a shepherd who had a great flock of sheep. He used to
pasture them in a meadow on the other side of a brook. One day the sun had already set
before he started home. Recent rains had swollen the brook so that he and the sheep had
to cross on a little footbridge. The bridge was so narrow that the sheep had to pass over
one by one.
Now we’ll wait until he drives them all over. Then I’ll go on with my story.
(when the children grow impatient and beg for a continuation of the story, they are told that
there are many sheep and that up to this time only a few have crossed. A little later
impatience again breaks out, they are told that the sheep are still crossing. And so on
indefinitely.)
In fact there where so many sheep that when morning came they where still crossing and
then it was time for the shepherd to turn around and drive them back to the pasture.
Story Breakdown
1. Opens with the Shepherd flocking his sheep as the narrator narrates.
2. The Sheep and the Shepherd come across a narrow bridge.
3. The Shepherd decides the sheep go one by one.
4. The Sheep continue cross the bridge as very few have gotten past the other
side.
5. The sheep continue going on.
6. The Sheep continue going over
7 Still going over.
8. Morning comes and its time to drive them back to the pasture.
Page 1. Once upon a time there was a Shepherd who had a great flock of
sheep. He used to pasture them in the meadow on other side of the brook.
Page 2. One morning the sun was just rising. Recent rains had swollen the brook
so that he and his sheep had to cross on a little footbridge.
Page 3. The bridge was so narrow that the sheep had to pass over one by one.
Page 4. Sheep are still crossing.
Page 5 Sheep are still crossing
Page 6. Sheep are still crossing.
Page 7. In fact, there where so many sheep that when evening came they were
still crossing.
Page 8. It was then time for the shepherd to turn around and drive them back
again.
Final Script
(To Be Told Very Seriously)
Once upon a time, there was a Shepherd who had a great flock of sheep. He
used to pasture them in the meadow on other side of the brook. One morning the
sun was just rising. Recent rains had swollen the brook so that he and his sheep
had to cross on a little footbridge. The bridge was so narrow that the sheep had
to pass over one by one. In fact, there where so many sheep that when evening
came they were still crossing. It was then time for the shepherd to turn around
and drive them back again.
Digital Flat Plans
text text
text
text
text
Page 1
Page 2
Page 3
Page 4
Page 5
Page 6
Page 7
Page 8

More Related Content

What's hot

1. Development Pro Forma Finished
1. Development Pro Forma Finished1. Development Pro Forma Finished
1. Development Pro Forma Finished
Rebecca Coughlin
 
Enid blyton-mystery-07-mystery-of-the-pantomime-cat
Enid blyton-mystery-07-mystery-of-the-pantomime-catEnid blyton-mystery-07-mystery-of-the-pantomime-cat
Enid blyton-mystery-07-mystery-of-the-pantomime-cat
Hardik Solanki
 
Evaluation 2 (with improvements)
Evaluation 2 (with improvements)Evaluation 2 (with improvements)
Evaluation 2 (with improvements)
cloestead
 

What's hot (19)

Development pro forma(3)
Development pro forma(3)Development pro forma(3)
Development pro forma(3)
 
Development pro forma(3)
Development pro forma(3)Development pro forma(3)
Development pro forma(3)
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development Pro Forma
Development Pro FormaDevelopment Pro Forma
Development Pro Forma
 
Planning and pre production
Planning and pre productionPlanning and pre production
Planning and pre production
 
Planning and pre production
Planning and pre productionPlanning and pre production
Planning and pre production
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma(3) joe
Development pro forma(3) joeDevelopment pro forma(3) joe
Development pro forma(3) joe
 
Development pro forma(3)
Development pro forma(3)Development pro forma(3)
Development pro forma(3)
 
Development pro forma 3 joe
Development pro forma 3 joe Development pro forma 3 joe
Development pro forma 3 joe
 
Development pro forma 3 joe
Development pro forma 3 joe Development pro forma 3 joe
Development pro forma 3 joe
 
1. Development Pro Forma Finished
1. Development Pro Forma Finished1. Development Pro Forma Finished
1. Development Pro Forma Finished
 
Audio pro forma
Audio pro formaAudio pro forma
Audio pro forma
 
Enid blyton-mystery-07-mystery-of-the-pantomime-cat
Enid blyton-mystery-07-mystery-of-the-pantomime-catEnid blyton-mystery-07-mystery-of-the-pantomime-cat
Enid blyton-mystery-07-mystery-of-the-pantomime-cat
 
handouts fable-1.docx
handouts fable-1.docxhandouts fable-1.docx
handouts fable-1.docx
 
Startaward 2017
Startaward 2017Startaward 2017
Startaward 2017
 
Evaluation 2 (with improvements)
Evaluation 2 (with improvements)Evaluation 2 (with improvements)
Evaluation 2 (with improvements)
 
Wowin gold news
Wowin gold newsWowin gold news
Wowin gold news
 
Audio pro forma
Audio pro formaAudio pro forma
Audio pro forma
 

Similar to Development pro forma(3) (2)

Digital narrative – folk tales
Digital narrative – folk talesDigital narrative – folk tales
Digital narrative – folk tales
Robert Ryan
 
Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01
James Wood
 
Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01
James Wood
 
Developmentproformanofeedbackppd
DevelopmentproformanofeedbackppdDevelopmentproformanofeedbackppd
Developmentproformanofeedbackppd
James Wood
 
Development pro forma (no feedback)
Development pro forma (no feedback)Development pro forma (no feedback)
Development pro forma (no feedback)
James Wood
 

Similar to Development pro forma(3) (2) (20)

Digital narrative – folk tales
Digital narrative – folk talesDigital narrative – folk tales
Digital narrative – folk tales
 
Digital narrative – folk tales
Digital narrative – folk talesDigital narrative – folk tales
Digital narrative – folk tales
 
Digital narrative – folk tales
Digital narrative – folk talesDigital narrative – folk tales
Digital narrative – folk tales
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01
 
Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01Developmentproformanofeedbackppd 150116175037-conversion-gate01
Developmentproformanofeedbackppd 150116175037-conversion-gate01
 
Development Pro Forma
Development Pro FormaDevelopment Pro Forma
Development Pro Forma
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma (no feedback) ppd
Development pro forma (no feedback) ppdDevelopment pro forma (no feedback) ppd
Development pro forma (no feedback) ppd
 
Developmentproformanofeedbackppd
DevelopmentproformanofeedbackppdDevelopmentproformanofeedbackppd
Developmentproformanofeedbackppd
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
WORK
WORK WORK
WORK
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma(3) (1)
Development pro forma(3) (1)Development pro forma(3) (1)
Development pro forma(3) (1)
 
Development pro forma(3)
Development pro forma(3)Development pro forma(3)
Development pro forma(3)
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma (no feedback)
Development pro forma (no feedback)Development pro forma (no feedback)
Development pro forma (no feedback)
 
Development pro forma
Development pro formaDevelopment pro forma
Development pro forma
 
Development pro forma(3) (1)
Development pro forma(3) (1)Development pro forma(3) (1)
Development pro forma(3) (1)
 

More from Robert Ryan

End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshow
Robert Ryan
 
End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshow
Robert Ryan
 
Production management stage 2 2015
Production management stage 2 2015Production management stage 2 2015
Production management stage 2 2015
Robert Ryan
 
Prod management production template stage 3 2015
Prod management production template  stage 3 2015Prod management production template  stage 3 2015
Prod management production template stage 3 2015
Robert Ryan
 
Production management evaluation 2015
Production management evaluation 2015Production management evaluation 2015
Production management evaluation 2015
Robert Ryan
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
Robert Ryan
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
Robert Ryan
 
[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2
Robert Ryan
 
[Pro forma] corporate - live project
[Pro forma] corporate - live project[Pro forma] corporate - live project
[Pro forma] corporate - live project
Robert Ryan
 
[Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000) [Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000)
Robert Ryan
 
Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.
Robert Ryan
 

More from Robert Ryan (20)

End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshow
 
End of the year highlights slideshow
End of the year highlights slideshowEnd of the year highlights slideshow
End of the year highlights slideshow
 
Production management stage 2 2015
Production management stage 2 2015Production management stage 2 2015
Production management stage 2 2015
 
Prod management production template stage 3 2015
Prod management production template  stage 3 2015Prod management production template  stage 3 2015
Prod management production template stage 3 2015
 
Production management evaluation 2015
Production management evaluation 2015Production management evaluation 2015
Production management evaluation 2015
 
Film theory pan's labryinth
Film theory pan's labryinthFilm theory pan's labryinth
Film theory pan's labryinth
 
Production management stage 1
Production management stage 1Production management stage 1
Production management stage 1
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
Production management stage 1
Production management stage 1Production management stage 1
Production management stage 1
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2[Pro forma] corporate - live project evaluation2
[Pro forma] corporate - live project evaluation2
 
[Pro forma] corporate - live project
[Pro forma] corporate - live project[Pro forma] corporate - live project
[Pro forma] corporate - live project
 
[Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000) [Pro forma] wtab theory lo1(1000)
[Pro forma] wtab theory lo1(1000)
 
Ident mogra comp assignment 2
Ident mogra comp assignment 2Ident mogra comp assignment 2
Ident mogra comp assignment 2
 
Assignment 3 pro forma
Assignment 3 pro formaAssignment 3 pro forma
Assignment 3 pro forma
 
Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.Unit 28 corporate and promotional programe production.
Unit 28 corporate and promotional programe production.
 
Ident mogra comp assignment 2
Ident mogra comp assignment 2Ident mogra comp assignment 2
Ident mogra comp assignment 2
 
[Pro forma] corporate lo1-lo2 (1)
[Pro forma] corporate lo1-lo2 (1)[Pro forma] corporate lo1-lo2 (1)
[Pro forma] corporate lo1-lo2 (1)
 
Film theory notes
Film theory notesFilm theory notes
Film theory notes
 
Film studies assignment
Film studies assignmentFilm studies assignment
Film studies assignment
 

Recently uploaded

Russian ℂall gIRLS In Goa 9316020077 ℂall gIRLS Service In Goa
Russian ℂall gIRLS In Goa 9316020077  ℂall gIRLS Service  In GoaRussian ℂall gIRLS In Goa 9316020077  ℂall gIRLS Service  In Goa
Russian ℂall gIRLS In Goa 9316020077 ℂall gIRLS Service In Goa
russian goa call girl and escorts service
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
russian goa call girl and escorts service
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
russian goa call girl and escorts service
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
sexy call girls service in goa
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
9953056974 Low Rate Call Girls In Saket, Delhi NCR
 

Recently uploaded (20)

Russian ℂall gIRLS In Goa 9316020077 ℂall gIRLS Service In Goa
Russian ℂall gIRLS In Goa 9316020077  ℂall gIRLS Service  In GoaRussian ℂall gIRLS In Goa 9316020077  ℂall gIRLS Service  In Goa
Russian ℂall gIRLS In Goa 9316020077 ℂall gIRLS Service In Goa
 
Borum Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
Borum Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort ServiceBorum Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
Borum Call Girls Service ☎ ️93326-06886 ❤️‍🔥 Enjoy 24/7 Escort Service
 
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
Independent Sonagachi Escorts ✔ 9332606886✔ Full Night With Room Online Booki...
 
Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...
Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...
Hotel And Home Service Available Kolkata Call Girls South End Park ✔ 62971435...
 
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
Model Call Girls In Velappanchavadi WhatsApp Booking 7427069034 call girl ser...
 
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
Top Rated Kolkata Call Girls Khardah ⟟ 6297143586 ⟟ Call Me For Genuine Sex S...
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
𓀤Call On 6297143586 𓀤 Sonagachi Call Girls In All Kolkata 24/7 Provide Call W...
 
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment BookingAlmora call girls 📞 8617697112 At Low Cost Cash Payment Booking
Almora call girls 📞 8617697112 At Low Cost Cash Payment Booking
 
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...Top Rated  Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
Top Rated Pune Call Girls Pimpri Chinchwad ⟟ 6297143586 ⟟ Call Me For Genuin...
 
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
 
Goa Call "Girls Service 9316020077 Call "Girls in Goa
Goa Call "Girls  Service   9316020077 Call "Girls in GoaGoa Call "Girls  Service   9316020077 Call "Girls in Goa
Goa Call "Girls Service 9316020077 Call "Girls in Goa
 
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
 
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls📞 Contact Number 8617697112 VIP Ganderbal Call Girls
📞 Contact Number 8617697112 VIP Ganderbal Call Girls
 
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
 
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
Model Call Girls In Ariyalur WhatsApp Booking 7427069034 call girl service 24...
 
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
 

Development pro forma(3) (2)

  • 3. Evaluation What did you like about your image? I liked how I was able to make all the shapes work into the nose and eyes as well as mouth to make it a lot more life like. What would you improve if you did it again? I would put a little more effort into making the image resemble more of a polar bear and not something that looks completely different by working on the shapes to blend well with the original image
  • 5. Evaluation What did you like about your image? I liked how I did the eyes. It makes the man who I am working on resemble a lot more of a living human being. If I did not add in the eyes it probably would look really lifeless. What would you improve if you did it again? I might try and make the corners less sharp as I feel it would bring the image one step further to looking a lot more realistic and the celebrity a lot more recognisable.
  • 7. Evaluation What did you like about your image? I like how very little it tells the viewer about the film but the dark grey look helps give off the dark tone that is present in the actual film. What would you improve if you did it again? I would probably add in a title so that the viewer can get a understanding on what the film is.
  • 9. Evaluation What did you like about your image? I like how wired and stylish the fonts on this page are. What would you improve if you did it again? I would try and listen more because some of the features on Photoshop where hard to find.
  • 11. Evaluation What did you like about your image? I like how pretty it looks and it has a animated look which is completely different to how it looks originally What would you improve if you did it again? I would put all of the other features on Photoshop to great effect.
  • 14. Evaluation What did you like about your image? I like how it has a very easy to follow narrative and the presentation of each image is not done in a confusing way. I feel like I have presented each frame in a way that people can understand. All of the images look really good in terms of lighting and I feel like I have made great use of location with this project. I like how there are no white spaces in the image. It looks very complete without any spaces left waiting to be filled.
  • 16. Evaluation What did you like about your image? I liked how surreal and crazy the image is as I feel being creative with a image is better than copying and pasting pre existing ones. What would you improve if you did it again? If I had more time I would try and put a lot more detail especially in the colour like how everyone of my group members have done to their own images.
  • 18. Evaluation What did you like about your image? I like how pretty the images look and how well the images of both the cityscape and the desert are blended together. It looks very seamless and the line between the 2 images look lot less noticeable when filtered. What would you improve if you did it again? I would try to put more effort in the image rather just use filter gallery.
  • 21.
  • 22.
  • 23. Story information • Title: The Story that never ends. • Characters: The Sheppard, Sheep, Children, Narrator. • Locations. Field, footbridge. Classroom. • Visual Style. Handrawn, Comic book, Rotoscoping
  • 24. Synopsis. • Once upon a time there was a shepherd who had a great flock of sheep. He used to pasture them in a meadow on the other side of a brook. One day the sun had already set before he started home. Recent rains had swollen the brook so that he and the sheep had to cross on a little footbridge. The bridge was so narrow that the sheep had to pass over one by one. • • Now we’ll wait until he drives them all over. Then I’ll go on with my story. • (When the children grow impatient and beg for a continuation of the story, they are told that there are many sheep and that up to this time only a few have crossed. A little later when their impatience again breaks out, they are told that the sheep are still crossing. And so on indefinitely. In conclusion:) • In fact there were so many sheep that when morning came they were still crossing, and then it was time for the shepherd to turn around and drive them back again to pasture!
  • 25. Thoughts on story. • It would be very simple to adapt this story in to a book as the story is very simple and has no more than 2 locations and it has a simplistic but amusing message that younger children can identify with. IE Patience. I have also decided to instead of having a section of the book blank for the reader to wait until the children grow impatient I am going to add in more pages of the sheep crossing the bridge so that the reader and children can get a good sense of time passing. I am also going to have the story take place in the progressing day instead of night because doing that would lead to bright and colourful images.
  • 26. Story Information. • Title: The Cat and the Mouse. • Characters. Cat, Mouse, Cow, Baker, Butcher, Farmer, Baker • Locations. Malt-House • Synopsis. • Visual Style: Pixel art. Hand drawn
  • 27. Synopsis The cat and the mouse Play'd in the malt-house: The cat bit the mouse's tail off. "Pray, puss, give me my tail." "No," says the cat, "I'll not give you your tail, till you go to the cow, and fetch me some milk." First she leapt and then she ran, Till she came to the cow, and thus began: Pray, Farmer, give me hay, that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "No," says the farmer, "I'll give you no hay, till you go to the butcher and fetch me some meat." First she leapt, and then she ran, Till she came to the butcher, and thus began: Pray, Butcher, give me meat, that I may give farmer meat, that farmer may give me hay, that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "No," says the butcher, "I'll give you no meat, till you go to the baker and fetch me some bread." First she leapt and then she ran, Till she came to the baker, and thus began: "Pray, Baker, give me bread, that I may give butcher bread, that butcher may give me meat, that I may give farmer meat, that farmer may give me hay, that I may give cow hay, that cow may give me milk, that I may give cat milk, that cat may give me my own tail again." "Yes," says the baker, "I'll give you some bread, But if you eat my meal, I'll cut off your head." Then the baker gave mouse bread, and mouse gave butcher bread, and butcher gave mouse meat, and mouse gave farmer meat, and farmer gave mouse hay, and mouse gave cow hay, and cow gave mouse milk, and mouse gave cat milk, and cat gave mouse her own tail again!
  • 28. Thoughts on story • This is a very basic story and one that has a similar structure to other children’s books. What gives this story appeal though is its use of rhyming which is very catchy and that aspect can often help children follow the story very nicely. The story is also very short which can help because young kids have short attention spans. I don’t know if I can do this story. The attention to detail on every page seams like it would take a long time to perfect every detail and keep characters consistent on each page. Given our schedule I think I am going to stick to something a lot more simple.
  • 29. Story information. • Title: The Three Billy Goats. Characters. The Three Billy Goats, Troll. • Locations. Hill side. Bridge • Visual Style. Pixel art. Drawing
  • 30. Synopsis. Once upon on a time there were three Billy-goats, who were to go up to the hill-side to make themselves fat, and the name of all three was “Gruff.” On the way up was a bridge over a burn they had to cross; and under the bridge lived a great ugly Troll, with eyes as big as saucers, and a nose as long as a poker. So first of all came the youngest billy-goat Gruff to cross the bridge. “Trip, trap! trip, trap!” went the bridge. Who’s that tripping over my bridge?” roared the Troll. “Oh! it is only I, the tiniest billy-goat Gruff; and I’m going up to the hill-side to make myself fat,” said the billy-goat, with such a small voice. “Now, I’m coming to gobble you up,” said the Troll. “Oh, no! pray don’t take me. I’m too little, that I am,” said the billy-goat; “wait a bit till the second billy-goat Gruff comes, he’s much bigger.” “Well! be off with you,” said the Troll. A little while after came the second billy-goat Gruff to cross the bridge. “Trip, trap! trip, trap! trip, trap!” went the bridge. “WHO’S THAT tripping over my bridge?” roared the Troll. “Oh! It’s the second billy-goat Gruff, and I’m going up to the hill-side to make myself fat,” said the billy-goat, who hadn’t such a small voice. “Now, I’m coming to gobble you up,” said the Troll. “Oh, no! don’t take me, wait a little till the big billy-goat Gruff comes, he’s much bigger.” “Very well! be off with you,” said the Troll. But just then up came the big billy-goat Gruff. “TRIP, TRAP! TRIP, TRAP! TRIP, TRAP!” went the bridge, for the billy-goat was so heavy that the bridge creaked and groaned under him. “WHO’S THAT tramping over my bridge?” roared the Troll. “IT’S I! THE BIG BILLY-GOAT GRUFF,” said the billy-goat, who had an ugly hoarse voice of his own. “Now, I’m coming to gobble you up,” roared the Troll. “Well, come along! I’ve got two spears, And I’ll poke your eyeballs out at your ears; I’ve got besides two curling-stones, And I’ll crush you to bits, body and bones.” That was what the big billy-goat said; and so he flew at the Troll and poked his eyes out with his horns, and crushed him to bits, body and bones, and tossed him out into the burn, and after that he went up to the hill-side. There the billy-goats got so fat they were scarce able to walk home again; and if the fat hasn’t fallen off them, why they’re still fat; and so: Snip,snap, snout, This tale’s told out.
  • 31. Thoughts on story. • This is the one story that I am considering doing along side The Story that never ends as it’s a one location story so you don’t have to spend too much time working on so many different locations and making them look perfect. Here you have one or 2 locations to work with and it’s a story that kids are familiar with and there for it will sell money.
  • 32. Proposal Dimensions 7-8 Pages. 21cm by 29 cm Story Overview The story follows who as a massive flock of sheep which he uses to pasture in his meadow. One day when taking them back home they come across a narrow bridge so narrow that the shepherd decides that his sheep need to cross one by one. The Story then grinds to a halt as the sheep cross the bridge. By the time both sheep have crossed the bridge night has fallen and its time to go back. Export Format JEPEG. Advantages: They are very easy to save and are used for web formats. Disadvantages: Loses compression after multiple edits.
  • 33. Deadline 7th April Audience I am aiming for my target audience to be no older than 5 years old. Children who are capable to have a good understanding of a simplistic story line but also reflect when a message is being thrown at them. This story is perfect for them as its not overcomplicated to where they cant follow everything and it is very short as well which helps because kids have very short attention spans and can get very bored if a story is overly long. Production Methods I am thinking of producing my images in a more rotoscope style as I feel as it makes the images on the page a lot more surreal and detailed as opposed to a overly cartoony drawing. I may do this by take already existing images of Sheppard and sheep along with a narrator and children and manipulating them by using the polygonal lasso tool. There are a few disadvantages to this as I might not get permission to get already existing image for my own needs and I have had my own troubles with this style in the past however this story is very short and would require no more than 8 pages. If I can not do this then I may stick to other methods such as illustrations or anything that Photoshop would allow.
  • 34. What are the strengths of the proposal? What areas of the proposal need further work? A strength of your proposal is that you have thought out a good idea for the story and have a good idea on how you would like the story to be designed within Photoshop. Overall the proposal is well done and the only thing which could be improved is about the dimensions of the book where you could go into further detail explaining why you have chosen to choose the dimensions being 21 by 29cm. What are the strengths of the idea generation? What areas of idea generation could have been further developed? You have a good idea generation as you have managed to cover a lot on what the story could be like and the design etc. The only thing which could be improved is the layout of the spider diagram as it can be slightly confusing on how to follow but the main thing is you have managed to get the context in there.
  • 35. What are the strengths of the proposal? What areas of the proposal need further work? You have a general idea of what you wish for you story to be about. You also have a good understanding of how you want to make the story look, in terms of the Photoshop tools you wish to use to create the characters and narrative. Your proposal explains your choices and reinforces your idea generation mood board however you could mention possibly about why you have chosen to make you book 21cm by 29cm and then further explain how you are going to make your story simplistic via the language or text used. What are the strengths of the idea generation? What areas of idea generation could have been further developed? Detailed mind-map that explains how you want your overall book to look in terms of visual style and characters which is then reinforced by your mood board. Included text examples on your mood board. Rearrange your mood board as well so that all the images are clear, as quite a few are over lapping each other – you could add another page instead.
  • 36. What are the strengths of the proposal? What areas of the proposal need further work? A rotoscoping style is definitely ideal for having detailing in two dimensional images. The plan is well-structured and I can understand clearly what you intend to do. I would be a bit more specific as to how many pages you intend to use. What are the strengths of the idea generation? What areas of idea generation could have been further developed? The simplicity of the story would definitely appeal to a younger audience, as you intend. There is a wide range of media to work from to create a compelling story. I also like the sense of humour in this proposal. The idea is very clever. The sense of humour at the end more appeals to older audiences than younger audiences.
  • 37. Feedback Summary Sum up your feedback. My feedback is mostly positive however one of the biggest criticisms is I could have gone into a little more detail about the dimensions of my book and the layout on the mind maps could have been better. I have also gotten a criticism about the humour being out of place for younger audiences. Which parts of your feedback do you agree with and why? Admittedly I am not an expert on dimensions but maybe if I did know a little bit more about it I could have written about it and it was also down to the fact that I wasn’t sure at the time on what dimensions to use. But the mind map could have looked a lot less messy and more structured. Which parts of your feedback do you disagree with and why? I disagree on the last joke being aimed more at older audiences as it’s a joke that both and kids and adults can understand.
  • 38. Original Script http://www.worldoftales.com/European_folktales/Czechoslovak_folktale_15.html (To be told very seriously) Once upon a time there was a shepherd who had a great flock of sheep. He used to pasture them in a meadow on the other side of a brook. One day the sun had already set before he started home. Recent rains had swollen the brook so that he and the sheep had to cross on a little footbridge. The bridge was so narrow that the sheep had to pass over one by one. Now we’ll wait until he drives them all over. Then I’ll go on with my story. (when the children grow impatient and beg for a continuation of the story, they are told that there are many sheep and that up to this time only a few have crossed. A little later impatience again breaks out, they are told that the sheep are still crossing. And so on indefinitely.) In fact there where so many sheep that when morning came they where still crossing and then it was time for the shepherd to turn around and drive them back to the pasture.
  • 39. Story Breakdown 1. Opens with the Shepherd flocking his sheep as the narrator narrates. 2. The Sheep and the Shepherd come across a narrow bridge. 3. The Shepherd decides the sheep go one by one. 4. The Sheep continue cross the bridge as very few have gotten past the other side. 5. The sheep continue going on. 6. The Sheep continue going over 7 Still going over. 8. Morning comes and its time to drive them back to the pasture.
  • 40. Page 1. Once upon a time there was a Shepherd who had a great flock of sheep. He used to pasture them in the meadow on other side of the brook. Page 2. One morning the sun was just rising. Recent rains had swollen the brook so that he and his sheep had to cross on a little footbridge. Page 3. The bridge was so narrow that the sheep had to pass over one by one. Page 4. Sheep are still crossing. Page 5 Sheep are still crossing Page 6. Sheep are still crossing. Page 7. In fact, there where so many sheep that when evening came they were still crossing. Page 8. It was then time for the shepherd to turn around and drive them back again.
  • 41. Final Script (To Be Told Very Seriously) Once upon a time, there was a Shepherd who had a great flock of sheep. He used to pasture them in the meadow on other side of the brook. One morning the sun was just rising. Recent rains had swollen the brook so that he and his sheep had to cross on a little footbridge. The bridge was so narrow that the sheep had to pass over one by one. In fact, there where so many sheep that when evening came they were still crossing. It was then time for the shepherd to turn around and drive them back again.
  • 42. Digital Flat Plans text text text text text