A Streetcar Named Desire

A Streetcar Named Desire
Streetcar and Students A Streetcar Named Desire by Tennessee Williams is an appropriate study for grade 12 students as it highlights one's need to
face reality. In addition, the play shows that the need to face reality inherently affects one's relationship with the world. It also exemplifies how the
past has a way of coming back with more fight and fury. For instance, and perhaps most powerfully, this play addresses heavy topics such as abuse
and trauma, though most interestingly how the characters cope with such issues. As already alluded to, one's view of the world inherently affects
one's relationship with it. The character Stella has seen the world for what it is, she is no longer a sheltered southern belle. Hence, she is aware of what
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Themes in A Streetcar Named Desire
A Streetcar Named Desire is a pessimistic work that is the "culmination of a view of life in which evil, or at least undiminished insensitivity, conquers
throughout no matter what the protagonistic forces do"(Szeliski 69). In other words, sensitive individuals all meet a similar fate–crushed under the heels
of those who lack sensitivity.
This play is about Blanche DuBois; therefore, the main themes of the drama concern her directly. In Blanche is seen the tragedy of an individual
caught between two worlds–the past world of the Southern gentlewoman and the present world of crudeness and decay–unwilling to let go of the past
and unable, because of her character, to come to any sort of terms with...show more content...
She knows she is an anachronism in an alien world and yet she will not compromise. She cannot and will not surrender the dream she has of herself,
and even though she wants desperately not to be lonely, it is precisely the clinging to this dream, the airs, mannerisms and sense of herself, which
alienate her further. She is trapped in a terrifying contradiction. Her need to be special, to adhere to codes and a tradition no longer valid, creates an
intense isolation, while simultaneously her desire to not be alone, to be loved, threatens to break through this isolation. It not only threatens, but does
break through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to
her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's
love–making and terms it "brutal desire". She feels guilt and a sense of sinfulness when she does surrender to it, and yet she does, out of intense
loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense
inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the
other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine

Characterization in A Streetcar named Desire
A Street Car Named Desire is a profound play. The play sparks thought and emotion within its audience and is intensely character driven. There are
many characters present throughout the play both dynamic and static. In this essay I intend to analyze the main character Blanche DuBois and Stanley
Kowalski, how their personalities differ, discuss which of them is the dynamic character and the static character and how the two character personalities
clash over who holds status in the household and of the other characters in the play. How the struggle for status between them affects their relationship
and brings about the crumbling of Blanche DuBois sanity.
At the beginning of the play, Blanche is already a damaged woman in the eyes of society. She is socially looked down upon due to her indiscrete
sexual behavior, she has lost her husband to suicide years earlier to which she blames herself and her family estate and money are gone. Blanche is
very insecure and seems to live in a state of constant panic about her fading beauty. Her insecurities show often through her behavior, displayed
through her actions of never wanting to be in full light, "and put a paper lantern over the light...it isn't enough to be soft. You have to be soft and
attractive" (Williams 113). Blanch steadily brings attention to superficial things such as how she looks, she often puts down her sister Stella to
compensate for her insecurities, for example she

In the decades after the WWI there was this concept of the 'American Dream' that most people tried to achieve; having a career, owning your own
home, and having a lot of money. The social norms consisted of a family with two parents and a child. Moreover, the father had to be the breadwinner
and the mother was a stay–at–home mom. Because of the concept of the 'American Dream' both Tennessee Williams andEdward Albee's plays criticize
the American ideals about relationships and family life.
A Streetcar Named Desire by Tennessee Williams criticizes theAmerican way of life. The story is about Blanche who flies her hometown in Laurel,
Mississippi to go and live with her sister in New Orleans. There Blanche finds out that her live is far from perfect. One of the critical points is the fact
that there was a homosexual character that killed himself, Blanche's late husband. In this period in time homosexuality was a taboo. Blanche was a
widow because her husband committed suicide and that is not an ideal of family life....show more content...
In Tennessee Williams' play it is clear that Blanche is represented as a woman who wants to fit in. She and her late husband did not fit in society
and Blanche lost her way when Allan committed suicide. Williams is trying to say that there is a whole hidden world with people who do not fit in,
and he is bringing these people forward. On the other hand there is the family of George and Martha, who try to be the perfect family for outsiders
but inside they are not so perfect, beginning with the fact that Martha cannot have children. So they can never live up to the dream of the 'perfect
family.' There are problems with the 'American Dream,' and both Williams and Albee criticize on the 'real' families. But the difference between the
plays is that Williams is criticizing the relationships between individual persons while Albee is more focused on the idea of

Streetcar Named Desire
A Streetcar named Desire is a play written by Tennessee Williams in which there are many symbols that point the reader towards a character's true
nature. The play is about Blanche DuBois, who is an individual trapped between the world of the past and the world of the present. She cannot face
the realities of her life and eventually her desire drives her to insanity. In this play Williams shows where desire can drive a person and explains that
desire fills a person's emptiness when no one is affectionate towards them. In the beginning of the play, Blanche is seen speaking to Eunice and a
Negro woman as she arrives to Elysian Fields. She took a streetcar and states "They told me to take a street–car named Desire, and transfer to one
called Cemeteries,...show more content...
Blanche tries to explain to Stella that after all the violence she has suffered from Stanley she should not be with him. Blanche would always find
negative aspects in Stella's life because she was in denial of her own life. By finding negative aspects in others lives, she believed that the life she
wanted was better. Stella was happy in her relationship with Stanly and says to Blanche "I am not in anything that I have a desire to get out of"
(65). Throughout the play Stanley has been seen as an abusive man towards Stella, but Stella acts as if he is the perfect man. Their relationship is
mainly based on sexual desire instead of love. Stella is drawn to Stanley's brute sexuality and he is drawn to her traditional sexuality. Even though
Stanley is violent towards Stella, their sexual relationship keeps them together which happens when there is no love in the heart. Many relationships
during that time period were based on physical desire and Williams shows that sexual fulfillment was the center of life. While describing their
relationship, Williams uses different language choices; for example he uses discourse when Stanley speaks to Stella to show that he is always in
control. Williams also uses dramatic techniques to explain their relationship and he uses specific adjectives to show the characters state of mind. The
relationship depicted by Tennessee Williams is showing a male dominating over the female, which was common in society back then. Stella's
submission and obedience to Stanley explains the treatment of woman back then in the South. Back then when a husband abused their wife, they
would get back together, have sex, and act as if nothing had happened. With Stanley's and Stella's relationship, Williams shows that sex is the answer to
all

Scene One of A Streetcar Named Desire Essay
Scene One of A Streetcar Named Desire
What is the dramatic significance of scene one of the play A Streetcar named Desire?
Scene 1 of this play has great dramatic significance. In this essay, I will be looking at key points throughout the scene that reveal the key features of
the plot, characters, theme and imagery plus how it is used to give the audience a taster for what is to come.
Scene one is set in New Orleans, I feel this is used because in peoples mind beforehand it has a strong emotional presence and is often associated
with many types of genres such as music. Sight and smell are often used in plays to help people get a sense of atmosphere and this is no exception.
Cleverly as always to make something stand
out...show more content...
Stanley does not fall for her intimidating and self – pitying ways from the death of her husband and the lies of her wealth, the use of polka is
premeditated to knowingly be brought to the audience that only they and Blanche hear it due to her change in mood and actions. The contrast between
Stanley and Blanche is immediate, due to their opposition of childhood backgrounds, Blanche coming from an aristocratic background to the less well
off Stanley who is a relaxed man with strong beliefs and up until the arrival of
Blanche he knew the true meaning of living(loving and caring for those you love) which when Blanche arrived made him take out his stress on
Stella.
There is already a lot of things to take in for the audience, even though it can be broken down quite simply, they soon realise the contrasting opposites
of Blanche and Stanley and the current and future rifts it is likely to cause between Stanley and Stella. We see that Stella is becoming the middle–link
between these two characters.
On top of the contrast between Stanley and Stella there is now an extra aspect of Blanche's true deception. This is first shown when
Blanche, who is offered whiskey from Stanley, comments that she does not like to touch a glass, even though the audience have clearly seen her drink
a glass alone while Stanley is not in the room. They realise her misleading self – I say this

Passion In A Streetcar Named Desire
The passion between Stanley and Stella is palpable. That kind of passion that burns hot and intense, makes people weak with desire. These emotions
generate the friction that the couple uses to repeat their bad behavior throughout the play. Stanley over indulges and becomes drunk, whereas Stella
becomes angry and loud. Stanley then punishes Stella violently, with his fists. Stella retreats to the neighbor's apartment, only to return to Stanley, and
thus, the cycle continues. Blanche is Stella's sister who is visiting from Mississippi. Blanche has a mental condition that she is trying to hide from
Stanley and Stella. As the story unfolds, Stanley learns several hard truths about Blanche. After investigating, Stanley tells Stella the truth of

The play A Streetcar Named Desire by Tennessee Williams examines the theme of both death and desire. Williams presents the only options of life as
being one of these two options. Either you choose to figuratively die or you succumb to your desires. You must make to choice and life and battle
death and go towards desire. These themes are antitheses of one another and are often times intertwined together. Williams uses the characters actions
and thoughts as well as contrasts between them to develop this central theme. The theme of death vs desire can clearly be seen in several quotes
throughout the play. Early on in scene one is where the theme of death and desire is first presented. When Blanche first arrives she says that she took,
"a street–car named Desire,...show more content...
1). The meaning of this quote is that the streetcar which is named desire led her to Elysian Fields which is the heaven after death. We can see that
this quote is explaining that desire led brought her to death. It represents Blanche following her desires sexually to this point in life and was then
exiled from her hometown because of it which will now cause her to live in a pagan heaven with Stanley and Stella where she must reflect on her
life and view the repercussions of her actions back in Laurel. Another example of desire leading to death in this play is when Blanche is explaining
what happened to Belle Reve. She explains that, "improvident grandfathers and father and uncles and brothers exchanged the land for their epic
fornications," which eventually led to the loss of the plantation (44; sc. 2). Again we can see the sexual desires of her ancestors was the cause of the
loss or death of their plantation. A large driving force for Blanche's actions was the death of her husband which can also be related back to this theme.
When Blanche found her husband with another man, her husband, "stuck the revolver into his mouth, and fired–so that the back of his head had
been–blown away!" (115; sc.

A Streetcar Named Desire Extract Essay
The extract I have chosen is from the play – "A Streetcar Named Desire" by Tennessee Williams. It was published in 1947 and is based in New
Orleans, LA. Blanche DuBois is the protagonist and Stanley Kowalski is the antagonist. The genre of the play is Psychological Drama. I will be
analyzing the opening scene, and present how the characters and their relationships have a social or aesthetic significance. Scene one is vital as it
brings the entire play into context and introduces us to the characters, hence giving us an initial impression of them. It also provides a vivid description
of the setting that helps the audience understand the lifestyle of the characters. 1947, the time period where women were expected to have delicate
angel like...show more content...
Blanche and Stella's exchange in scene one shows Blanche's disapproval for Stella's living choices. Her first comment on the house – "This – can this
be – her home?" instantly shows her disbelief and shock. She considers herself to be of a higher standard than Stella's modest accommodation.
Although, the situation is ironic since Blanche herself is now broke and living off of promiscuity, but in order to increase her superiority and
self–confidence, Blanche constantly puts Stella down. When she says – "Why didn't you let me know", "Why, that you had to live in these
conditions!" she assumes Stella is unhappy with her life just because she isn't living a materialistic life like herself. All her life, Blanche has been
living an upper–class life, and hence finds the idea of having something even a little less posh as appalling. She also creates the idea of difference in
class while interacting with Eunice. She replies to her in a very clipped and impolite manner in order to get rid of her. She could consider herself to
be superior to Eunice due to their difference in upbringing. We also see this difference when Eunice describes Belle Reve (The plantation Stella and
Blanche grew up at) as ' A great big place with big white columns'– her awe and admiration brings out the class

Themes in A Streetcar Named Desire Essay
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen
the tragedy of an individual caught between two worlds–the world of the past and the world of the present–unwilling to let go of the past and unable,
because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with
Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her
disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe...show
more content...
It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her
promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the
animalism of Stanley's lovemaking and terms it "brutal desire". She feels guilt and a sense of sin when she does surrender to it, and yet she does, out
of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of
an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely
by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a
beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.
Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as
protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for
life at any cost. Her masquerade may

A Streetcar Named Desire Essay
Lovedeep Ghotra
ENG4U
Mrs. Valdez
Monday January 5th, 2014
Desire, Death, and the Afterlife The 1951 play A Streetcar Named Desire explores the fate of the principle characters to which desire leads, as
indicated in the title. Desire, in reference to sex is displayed as a destructive force by the author Tennessee Williams, which leads to a series of tragic
events in the life of Blanche Dubois, the protagonist. She is the character of focus in this play and has an interesting personality as she uses sex as a
means to get away from her haunting past and keep her sane in terms of suppressing her guilt about her late husband. In addition to the tragic events
that occur in Blanche 's life as a result of her sexual relations, Stanley and Stella Kowalski is a married couple that share a very sexual relationship and
is displayed as the root of success in maintaining their healthy relationship. Tennessee Williams uses the sexual relationship of Stanley and Stella
Kowalski in comparison to Blanche Dubois to show the duality of sex in the characters lives. Blanche, a character whose personality is driven by
desire is a victim of destruction through her own sanity and sexual relations; however, Stanley and Stella's relationship explores the likeness and
pleasures of engaging in sex. Their sexual relationship comes into conflict when Blanche, Stella's sister goes to visit her, ultimately disrupting their
relationship in terms of their sex life. Early on in the play sex is portrayed

A Streetcar Named Desire Analysis Essay
An outcome in the life of Blanche DuBois in A Streetcar Named Desire that is most obvious to the audience is her psychological downfall and her
subsequent admittance into a mental asylum; however, the chain reaction of events that occur for her arrive at this outcome are very important to
Blanche's behavior in the story and must be examined in great detail. To begin with, Blanche grows up as one of two daughters of a French settler
living in the southern state of Louisiana, and happens to be a wealthy plantation owner. Therefore, she was bought up in an aristocraticfamily and was
taught how to live with upper class manners, and as discussed previously, was expected to live according to the Southern Belle figure. By the time she
had reached 16 years of age, Blanche had already fulfilled the main goal of a Southern Belle by marrying her young love, Allan Grey. However, this
marriage did not last long as through some unfortunate circumstances, she came to find out that he was a homosexual man. Blanche did not take this
news well and condemned his behavior and sexual orientation, leading to Allan committing suicide, and leaving a psychological wound in her mind.
Following the suicide of Allan, Blanche had to deal with many more unfortunate events such as the many deaths of relatives, including her parents,
abandonment by her sister, and poor decisions by her distant family which eventually caused her to lose ownership of the family plantation in the town
of Laurel. After all

In "A Streetcar Named Desire", Tennessee Williams leaves a large amount of stage direction to the actor and the director. The choices in the
performance made by the latter can neither be right nor wrong, as there are so many options open for artistic interpretation. The extract from Scene
three is no exception and within the dialogue there are numerous suggestions for explanation of characters, music, setting and forewarning for the
audience.
"The game is still going on" (page 144). The opening quote of this extract is key in foreshadowing the events of the poker night scene. It refers not only
to the game Blanche plays with Stanley by belittling and flirting with him but also makes reference to Scene two ..."Lay...her cards on...show more
content...
These differing personalities haul the two characters into a combat of determination, and should be captured by the highly conflicting styles of the two
actors.
The self–interested and pretentious discussion prior to Stella and Blanche's entry, too foreshadows cultural conflict and chaos. Stella's entrance into her
house is done with a new found confidence, one essentially derived from her outing with Blanche, and her time away from Stanley. Immediately as
Blanche and Stella enter the room, a gruff atmosphere is imminent, and it feels as though Stella is not welcome, even in her own home.
Blanche's comment "Please don't get up" (page 145) is laughable. It is such a prima donna statement to make. If she was in fact as superior to the rest
as she insinuates, she would not even bother to be so high and mighty considering the type of people she is dealing with.
More often than not, Stanley is the one in total control of the space and the situation. I see him as both taller and stronger than Blanche and Stella. In
terms of physicality of the characters, the power arrangement and spatial relationship has switched, and explains some of the confidence that Stella
discharged. Blanche and Stella are outnumbered by the men, but it is only Stanley who is involved in the conversation, and he becomes increasingly
aggressive. He is seated and involved in his poker game, his dominance is not

The Voice In A Streetcar Named Desire
Voices: The voices heard at the beginning of the scene are very calm. The actors are enjoying themselves, but are unaware of the shocking events
that are about to take place. As soon as the car lands in their path, there is a sudden change in the actors' voices. The voices go from being calm and
relaxed, to panicked and terrified. This is amplified even more when one of the girls get shot by the motorcyclist.

A Streetcar Named Desire: A Short Story
"No," he said, a calm to his voice not unlike that at the centre of a storm. Desire, akin to a howling, vengeful wind, raged at the periphery, threatening
to break in, eager to corrupt. But his mind, for some reason, wouldn't allow it. And so, bestowed with a remarkably even temper, Marco saw through
the trick that had duped him before. The disapproval she wanted to batter him with, thorough as it was, did not exist in the one place where it could
have made the most impact. Eva might have wrenched the heat of her core away and lashed at him with unkind sentiments but she had forgotten to let
her eyes be apprised of her plans. And so they were excellent mirrors, reflecting an impure, seething intent. With distance now between them, Marco set
out to exploit it. He didn't particularly like it, couldn't help but feel it, even though it was truly small enough that most might not even have registered,
and so decided to do something about it. And besides, he had just received instruction that his hand needed to go. Fortunately, it didn't include the
specifics of where....show more content...
She can savour freedom, though secretly he hoped it was despised with unmatched fervour. After all, the entire point behind sending him a country or
two away was to test his resolve, and upon his return, it had seemed like he had learnt his lesson. He'd defied, and defiled, authority oh so very well.
Right up to this very point where his cock had been foraging for the entrance to the most forbidden pussy. And that is where he placed his unwelcome
touch now. On her pretty, bare flesh. "Is that better, mummy?" he asked, with a bit of a crude little

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived
through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother–in–law, Stanley Kowalski. Various moral and
ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true
to yourself and Don't judge a book by its cover. A very important moral lesson that I gained fromA Streetcar Named Desire is to always tell the truth.
Telling lies ultimately got Blanche Dubois nowhere. She was lonelier than ever at the end of the play. She starts off lying intentionally. For...show more
content...
She even tells Mitch that she doesn't tell the truth, she tells what ought to be truth. So Blanche is aware that she is lying and continues to do it, which
end the end causes grief for her.
Never abuse anyone is another moral and ethical lesson that I discovered in this play. Stanley is very abusive towards Stella. Stella forgives
Stanley and she feels as if nothing is wrong with going back to an abusive man. During one of Stanley's poker nights, he is so drunk that when he
becomes mad, he charges after Stella. She makes excuses for this act by saying, "He didn't know what he was doing... He was as good as a lamb
when I came back and he's really very, very ashamed of himself" (Williams 72). By Stella going back to Stanley every time he abuses her, she will
never grow as a person. We learn that this is not the first time this kind of thing has happened when Eunice, their neighbor yells to Stanley, "I hope
they do haul you in and turn the fire hose on you, same as the last time" (Williams 66). Stanley is also abusive towards Blanche when he rapes her.
Stanley's abusiveness and alcoholism is a major problem, yet it is never cured. Blanche tries to talk to Stella about it the night after he beats her by
saying "You're married to a madman", but she just brushes it off (Williams 73). Stella tells Blanche, "I am not in anything that I have a desire to get
out of" (Williams 74). The fact that nobody wants to

"Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint
when they sometimes collide with a bit of reality against which they are dashed to pieces" (Sigmund Freud). Illusion can be a part of our lives;
however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with
illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and
desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's
...show more content...
Stella, too, is a major character who lives in a world of hopes and fantasies. Stella's tears over her sister as Blanche was taken away at the end of play
reveals that Stella's fantasies have been crushed by Stanley's brutality. Stella calls her sister, "Blanche! Blanche! Blanche!"(142) , as if she does notwant
to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had
banished. She knows that her happy and humble world and her sister's hopes had gone. Through her fantasy world, she thinks she could keep her sister
for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a
gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying,
"Whoever you are–I have always depended on the kindness of strangers" (142). Blanche's irony is demonstrated for two reasons. First of all, the
doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex.
Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger's kindness as something that people
take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted

The Use of Language in A Streetcar Named Desire
Analyse how Tennessee Williams uses language and dramatic techniques to explore attitudes to identity in 'A Streetcar Named Desire'. Make close
reference Analyse how Tennessee Williams uses language and dramatic techniques to explore attitudes toidentity in 'A Streetcar Named Desire'. Make
close reference to an extract in the play. Go on to show your understanding of the significance of attitudes to identity in the play as a whole.
Williams' play 'A Streetcar Named Desire' has a full variety of attitudes to identity which are demonstrated through the various characters. Attitudes to
identity are important in the play as it gives us a background to the character's lives...show more content...
Ideas around the identity of Stanley's character are explored in scene eight. The lexis used in this scene explores how he sees himself and how he is
seen by the other characters. The vocative used by Blanche and Stella to address Stanley conveys their, especially Blanche's feelings towards him,
'Mr. Kowalski' they say. This vocative seems quite formal spoken in such an informal setting as their house, and quite out of place, this could show
that the women maybe see Stanley as superior, in the way that he is a man and they feel that they should look up to him. As well as presenting
attitudes to identity, this could also show attitudes to gender and the differences between the roles of males and females. In this scene, some of
Stanley's utterances contain many exclamatories and interrogatives which seem to make firm statements of what he is saying. For example he says
'that's how I'll clear the table! Don't ever talk that way to me!', it seems as though he is shouting these words and this could show his dominating and
intimidating character perhaps. Phonology used in
Stanley's utterances could also show his dominating male authority that he feels he has over others, he seems to shout at Blanche; 'QUIET
IN THERE!', this is intonation of his voice is shown by the use of capital letters.
Stella uses a metaphor to describe Stanley's undesirable behaviour and says that he is 'too busy making a pig of himself'; this could show that he is not a

Film Analysis Of A Streetcar Named Desire
Gustavo Martinez
10/3/17
Period 3
Streetcar Film Analysis Elia Kazan directed the film A Streetcar Named Desire and produce by Warner Brothers in 1951. The novel was originally
written by Tennessee Williams and promoted as a play in 1947 and turned into a film later through out its success . The awards received were the
Pulitzer price award in 1948 and was nominated for best motion picture, best writing and screen play. The novel was basically about a former English
school teacher named Blanche Dubois (played by Vivien Leigh), who decided to join her sister at her house, Stella Kowalski (Kim Hunter) and her
husband Stanley Kowalski (Marlon Brando) in New Orleans. During Blanche is at Stanley's and Stella's home, Blanche is trying to...show more
content...
Movie acting is different than stage acting because they have to be prepared to cut scenes out and from couple different angles and voice directly
into the camera. The actors only learn the lines from the scene they are doing at the time instead of knowing them all. It is also not shot in the
order it is seen in because they don't want to be going back and forth from location to location, so they shoot all the scenes that is needed at a
certain location. They also have to take more than one shot per scene because maybe they want different angles or someone may have messed up. A
perfect example of movie vs. stage acting is the scene where Stanley yells out STELLA! Because he harmed her so she left with Eunice and he goes
after her to apologize but has to get her attention by screaming her name out until she came out to talk to him. This scene must have been much easier
for the film because the director and actors don't have to worry about messing up they can just retake a scene and they can adjust it to their desire.
While stage acting the actors have to deal with an audience watching their every move and if they mess up they don't have another chance. Maybe the
actor didn't project their voice enough for everyone to hear them. They also might lose their voice from the very intense screaming. As well as
forgetting a line on stage and embarrassing

A Streetcar Named Desire

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