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Break Songwriter’s Block
Using Reference Tracks
Learn more: http://eartra.in/a14
All songwriters experience
writer’s block at some point
• Listening to music with an analytical
approach is the key to finding
inspiration.
• Apply active listening to reference
tracks to internalize how elements are
used.
Learn more: http://eartra.in/a14
Set technical and emotional goals for
your song before you start composing
• Emotional goals: completely up to you, you are
speaking for yourself.
• What songwriting techniques will you use? (e.g.
genre, tempo and key).
• Conceptualize the purpose of your record. Why is it
being made?
• Technical goals: These can come from other artists’
recordings.
Learn more: http://eartra.in/a14
Choose and actively listen to
“reference tracks” by other artists
• Artists and producers surgically dissect pre-existing
songs when composing.
• Choose a track similar to what you want to compose as
a reference.
• To find suitable reference tracks you will need to
employ active listening.
• As you listen, label each section and the number of
bars to get your song structure.
Learn more: http://eartra.in/a14
Analyze instrumentation to
ignite your inspiration
• Typically, certain groups of instruments represent each
genre of music, for example:
• Rock music: drums, guitars, vocals, bass and keys
• String quartets: two violins, a viola and a cello
• Bass house: vocals, drums, FX, and wobble and growl
basses
• Write down what instruments you hear in each section of the
structure and use these as inspiration for your own track
Learn more: http://eartra.in/a14
“Call and response” is the
key to melodic ideas
• Once you have structure and instrumentation, listen for
“call and response”.
• “Call and response” = two phrases where the second
phrase is a direct response to the first.
• This technique occurs frequently in all styles of Western
music and allows you to create interacting musical ideas.
• It takes on many forms and doesn’t necessarily require
two different instruments.
Learn more: http://eartra.in/a14
Don’t ignore what other fantastic
musicians have accomplished -
learn from them!
• Actively listening to tracks of other
artists as references will give you great
musical ideas.
• The passing down of musical ideas
through generations is all part of
universal knowledge for us to grow on.
Learn more: http://eartra.in/a14
Learn More
Learn more: http://eartra.in/a14

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Break songwriter’s block using reference tracks

  • 1. Break Songwriter’s Block Using Reference Tracks Learn more: http://eartra.in/a14
  • 2. All songwriters experience writer’s block at some point • Listening to music with an analytical approach is the key to finding inspiration. • Apply active listening to reference tracks to internalize how elements are used. Learn more: http://eartra.in/a14
  • 3. Set technical and emotional goals for your song before you start composing • Emotional goals: completely up to you, you are speaking for yourself. • What songwriting techniques will you use? (e.g. genre, tempo and key). • Conceptualize the purpose of your record. Why is it being made? • Technical goals: These can come from other artists’ recordings. Learn more: http://eartra.in/a14
  • 4. Choose and actively listen to “reference tracks” by other artists • Artists and producers surgically dissect pre-existing songs when composing. • Choose a track similar to what you want to compose as a reference. • To find suitable reference tracks you will need to employ active listening. • As you listen, label each section and the number of bars to get your song structure. Learn more: http://eartra.in/a14
  • 5. Analyze instrumentation to ignite your inspiration • Typically, certain groups of instruments represent each genre of music, for example: • Rock music: drums, guitars, vocals, bass and keys • String quartets: two violins, a viola and a cello • Bass house: vocals, drums, FX, and wobble and growl basses • Write down what instruments you hear in each section of the structure and use these as inspiration for your own track Learn more: http://eartra.in/a14
  • 6. “Call and response” is the key to melodic ideas • Once you have structure and instrumentation, listen for “call and response”. • “Call and response” = two phrases where the second phrase is a direct response to the first. • This technique occurs frequently in all styles of Western music and allows you to create interacting musical ideas. • It takes on many forms and doesn’t necessarily require two different instruments. Learn more: http://eartra.in/a14
  • 7. Don’t ignore what other fantastic musicians have accomplished - learn from them! • Actively listening to tracks of other artists as references will give you great musical ideas. • The passing down of musical ideas through generations is all part of universal knowledge for us to grow on. Learn more: http://eartra.in/a14
  • 8. Learn More Learn more: http://eartra.in/a14