Notes

1. 1
Most films use a system of editing known as continuity editing. Its
sole aim is to get the story moving along and get the audience
completely immersedin the plot and characters.
In drama sequences,the purpose of editing is often:
 identification
 conflict
 intensification
The function of this system is to make the drama as fluid as possible,
so that the audience are not aware of the construction process
therefore,you need to be especiallyaware to spotthe techniques of
editing employed during a textual analysis. Rememberalso that
sometimessound is used to ‘bridge’the cut and make it less
noticeable on screen.
The process of editing is more concerned with the ‘creation’ of
meaning rather than the taking away of material.
Editing Pace:
-This is the speed and tempo of the cuts- slow could suggest
emotion, fast cuts could suggests emotionand fast can suggest
tension, action or uncontrollable events
-This is the first mostobvious thing to look for as it gives an insight
into the tempo and feel of the sequence.
Editing often works through the juxtaposition of differentshots to
create meaning.
There are a huge number of editing techniques which filmmakers can
employ.
The most commonof these is the cut.
The cut is the most basic tool of an editor. Editing trims the footage
down but also helps to create/maintain the logic of a start, middle and
end (narrative)
The cut is a change of shot from one viewpoint or location to another.

2. 2
Always ask yourself why a cut has occurred – there is always a
reason.
Match on action:
Is where the editor cuts from one shot to another viewthat
matches the first shots action, cutting on action gives you the
impression of continuoustime when watching the edited film. By
having a subjectbegin an action in one shot and carry it through to
completionin the next, the editor creates a visual bridge,which
distracts the viewer from noticing the cut or noticing any slight
continuity error between the two shots.
Jump cut:
An abrupt switch from one scene to another used to make a dramatic
point, or mark a period of time passing.
Cross-cut
A cut from one narrative or line of action to another. Mostly used in
films to establish action occurring at the same time in two different
locations.
Remember alsothat sometimessound isused to ‘bridge’the cut
and make it less noticeable one.
Cutaways
This is when the shot ‘cuts away’ too often to a reaction shot of
another character or piece of action, often reinforces a mood of
togetherness or confrontation.
Reaction shot
Any shot in which a participant reacts to events/action. Often used to
guide the audiences reaction to a scene.
Matched Cutor Graphic Cut
Is a cut between either two differentobjects,two differentspaces,or
two differentcompositions in which an objectin the two shots
graphically match, oftenhelping to establish strong relationship
between two scenes.
Other forms of transition are also possible:
Fade

3. 3
A transition to or from a blank scene (normally black)
Dissolve
A slow transition as one image merges into another.
Both are used to suggestdifferencesin time or place or a strong
connection betweenthe two scenes involved.
Wipe
An optical effectin which one shot ‘wipes’ another off the screen for
dramatic effect.
Superimposition
Two or more images placed directly on top of each other.
Montage:
A series 9od shots that are connected togetherto reinforce/create
meaning – intensifies and controls the emotionthrough collection.
Slow-motion:
The action literally slows down with the text – this connotes
seriousness or a past events. Helps to prolong tension, add style, or
dramatic effectto the film.
Long take:
This is a shot that does not cut away but lingers on one piece of the
action. It is the equivalent of staring – connotes intensity.
Split screen
Division of screen in order to show two or more lines of action
simultaneously – this can be referred to as parallel action.
Effects are also added as part of the editing process – eg; slow
motion or fast motion.