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THE
DINER
PARTY
By: Mona Gardner
OBJECTIVES
UNLOC
K
New vocabulary
words
1
IDENTI
FY
The general
theme in the
literature
2
ANALYZ
E
Literature as a
means to
discovering the
self
3
Hi, I am
Mhelly
Ramos
Demo
teacher
CLASSROOM RULES
ENGLIS
H ONLY
PLEAS
E
LISTEN
TO THE
TEACH
ER
CHITCHA
T TO
ZERO
DEGREE
S
WHAT IS
LITERATURE?
WOMEN’S WORK or MEN’S WORK
NATURALIST
● n. a person who studies
living things by observing
directly
SPIRITED
● adj. lively; vigorous
ATTACHÉS
● n. people who work at an
embassy as experts on a
particular subject
VERANDA
● n. a long, open structure on
the outside of a building
that has a roof
UNFAILING
● adj. never changing
COMMOTION
● n. noisy excitement and
confusion
THE
DINER
PARTY
By: Mona Gardner
The country is India. A colonial
official and his wife are giving a large
dinner party.
They are seated with their guests—
army officers and government
attachés and their wives, and a
visiting American naturalist—in their
spacious dining room, which has a
bare marble floor, open rafters and
wide glass doors opening onto a
veranda.
A spirited discussion springs up
between a young girl who insists that
women have outgrown the jumping-
on-a-chair-at-the-sight-of-a-mouse era
and a colonel who says that they
haven’t.
“A woman’s unfailing reaction in any
crisis,” the colonel says, “is to
scream. And while a man may feel like
it, he has that ounce more of nerve
control than a woman has. And that
last ounce is what counts.”
The American does not join in the
argument but watches the other
guests. As he looks, he sees a strange
expression come over the face of the
hostess. She is staring straight ahead,
her muscles contracting slightly. With
a slight gesture she summons the
native boy standing behind her chair
and whispers to him. The boy’s eyes
Of the guests, none except the
American notices this or sees the boy
place a bowl of milk on the veranda
just outside the open doors.
In India, milk in a bowl means only
one thing—bait for a snake. He
realizes there must be a cobra in the
room. He looks up at the rafters—the
likeliest place—but they are bare.
Three corners of the room are empty,
and in the fourth the servants are
waiting to serve the next course.
There is only one place left—under
His first impulse is to jump back and
warn the others, but he knows the
commotion would frighten the cobra
into striking. He speaks quickly, the
tone of his voice so arresting that it
sobers everyone.
“I want to know just what control
everyone at this table has. I will count
to three hundred—that’s five
minutes—and not one of you is to
move a muscle. Those who move will
forfeit fifty rupees. Ready!”
The twenty people sit like stone
images while he counts. He is saying
“. . . two hundred and eighty. . .”
when, out of the corner of his eye, he
sees the cobra emerge and make for
the bowl of milk. Screams ring out as
he jumps to slam the veranda doors
safely shut.
“You were right, Colonel!” the host
exclaims. “A man has just shown us
an example of perfect control.”
“Just a minute,” the American says,
turning to his hostess. “Mrs. Wynnes,
how did you know that cobra was in
the room?”
A faint smile lights up the woman’s
face as she replies: “Because it was
crawling across my foot.”
QUESTION
TIME
WHO ARE THE CHARACTERS OF
THE STORY
WHERE DID THE STORY
TAKE PLACE?
BASED ON THE STORY DESCRIBE THE
WOMEN’S DISCUSSION
What is the colonel’s
opinion regarding
women?
What does the
American
notice about the
hostess’
sudden
What does the
young boy
bring? What
does this
mean?
Where does the
American
conclude the
snake is?
What is the
American’s plan
to keep the
guests calm?
Who showed
better control,
the American or
the colonel’s
wife?
SHARE YOUR THOUGHTS

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The dinner Party by mona Gardner