28. FORM
Shape that has become
3 - Dimensional
Elements
of Arts
WIDTH
HEIGHT
DEPTH
29. TURNING SHAPES INTO FORM
A triangle becomes a
CONE or a PYRAMID
A square
becomes a CUBE
30. TURNING SHAPES INTO FORM
A rectangle can become
a BOX or a CYLINDER
A circle into a
SPHERE
31. VALUE
Lightness or darkness of
a color
Elements
of Arts
More REAL
imitates
natural light LIGHT SOURCE
A light source is
the place where
the light is
coming from, the
darkest areas are
always on the
opposite side of
the light.
LIGHT SOURCE
32. In order to have a successful drawing,
you will need to show a full value range
which means that there are:
Very light areas
Middle tones
Very dark areas
This is a way of giving a work
of art CONTRAST.
Elements
of Arts
33. WAYS VALUE CAN BE ADDED IN DRAWING
CROSS - HATCHING
Use of irregular
lengths of parallel
lines that cross
over each other
diagonally
34. WAYS VALUE CAN BE ADDED IN DRAWING
STIPPLING
The use of DOTS
to create shades
35. WAYS VALUE CAN BE ADDED IN DRAWING
SOFT- SHADING
When you use your
pencil to create soft
gradual movements
from one value to the
next using full value
range
36. COLOR
Adds interest and
reality to work
Elements
of Arts
Can be seen when light
is reflected through a
prism
Red
Orange
Y
G
B
I
V
ellow
reen
lue
ndigo
iolet
37. A Picture Is Worth a
Thousand Words
COLOR WHEEL
Chart representing the
relationships between colors.
It was developed by sir Isaac
Newton in 1666 and served as
the basis of all color
theories
38. PRIMARY COLORS (Red, Blue and Yellow)
These colors are primary
for two reasons:
1. They can’t be
mixed to be made
2. They make all the
other colors in the
color wheel
40. TERTIARY COLORS
When we mix a
primary color and
a secondary color,
we get an
intermediate color
(Tertiary colors)
+ =
+ =
+ =
41. COLORS SCHEMES
3 – 4 colors
“next-door
neighbors” to each
other create an
analogous color
scheme
Complimentary
Color Scheme
Split -Complimentary
Color Scheme
Triadic
Color Scheme
42. A Picture Is Worth a
Thousand Words
MONOCHROMATIC COLOR SCHEME
Use of one color plus its
TINTS and SHADE
A tint is a color plus white
A shade is a color plus black
43. COLOR TEMPERATURE
WARM COLORS
Those that have reds,
yellows and oranges.
These colors seem to
advance (or come
forward) in an
artwork Jasper Cropsey (1823-1900)
44. COLOR TEMPERATURE
COOL COLORS
Those that have blues,
greens and violets.
These colors seem to
recede (or go back
into) in an artwork
Vincent Van Gogh
45. TEXTURE
The way the surface of
an object actually feels
Elements
of Arts
TACTILE IMPLIED
48. SPACE
Distance between or an
area around and within
shapes, forms, colors
and lines
Elements
of Arts
FOREGROUND
MIDDLE GROUND
BACKGROUND
BACKGROUND
MIDDLE GROUND
FOREGROUND
53. PERSPECTIVE
Perspective is when the
artist uses a vanishing
point on the horizon and
then creates a sense of
deep space by showing
objects getting
progressively smaller as
they get closer to the
vanishing point.
54. OVERLAP
Objects may overlap as
well. When objects are
overlapped it is obvious
that enough space had
to be in the picture to
contain all the objects
that have been included
55. ELEMENTS OF ARTS IN REVIEW
COLOR
SHAPE
TEXTURE
LINE FORM
Section 1
Elements
of Arts
Section 2
Section 3
Section 4
Credits
VALUE
SPACE
56. A Picture Is Worth a
Thousand Words
SHAPE
FORM
COLOR
VALUE
TEXTURE
SPACE
LINE
Basic foundation of a Good Composition