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Grade 9-Quarter 1-Week 1
Learning Competency:
•Describes the musical elements of
selected vocal and instrumental
music of Medieval, Renaissance and
Baroque music; (MU9MRB-Ib-f-5)
Write the word(s) associated to the word
“grandiosity”
PROCESS QUESTIONS:
•What can you say about the
Baroque music?
•What is its distinction from the
two previous music eras
discussed?
BAROQUE
“barroco” “Pearl of Irregular
Shape”
New instrumental techniques and changes in musical
notation were developed.
Major and minor tonality was also created in this
period.
A lot of musical terms and concepts that evolved in
this era are still used today.
CHARACTERISTICS
• Melodies sound elaborate and ornamental
• Melodies are not easy to sing or remember
• Primarily contrapuntal textures with some homophony
• Dynamic contrast – alternation between loud and soft
• Music genres – operas, oratorios, suites, toccatas, concerto
grosso, fugue.
• Orchestra consists of strings and continuo
• Harpsichord and organ are the keyboard instruments that are
commonly used.
• New forms music forms developed.
GENRES OF BAROQUE
MUSIC
1.CONCERTO
2.CONCERTO GROSSO
3.FUGUE
4.ORATORIO
5.CHORALE
1.CONCERTO
A form of orchestral music that employs a solo
instrument accompanied by an orchestra
2. CONCERTO GROSSO
A form of orchestral music during the Baroque
Period wherein the music is between a small
group of solo instruments called concertino
and the whole orchestra called tutti.
3. FUGUE
A contrapuntal piece, developed mainly by
imitative counterpoint. It is usually written in 3
or 4 parts, with a main theme called “subject”
4. CHORALE
Musical compositions that resemble a
harmonized version of hymnal tunes of the
Protestant Church during the Baroque era.
5. ORATORIO
A large scale musical composition for orchestra
and voices that incorporates narratives on
religious themes.
Examples:
a. Handel’s “Messiah,” “Samson,” “Israel,” and
“Egypt”
b. Bach’s “Christmas Oratorio”
c. Haydn’s “The Creation”
COMPOSERS OF
BAROQUE PERIOD
JOHANN
SEBASTIAN BACH
(1685-1750)
He is known for his
compositions for ORGAN,
ORCHESTRA and ORATORIO.
His personal and deep faith
is shown in his sacred
music.
His most important and
long-term position was as
contor at St. Thomas
ANTONIO VIVALDI
(1678-1741)
Nicknamed “The Red
Priest” because of his red
hair.
A virtuoso violinist and
considered one of the
greatest Baroque
composers.
He is well known for giving
the strings a major role in
FRIEDRICH
HANDEL (1685-
1759)
At the very young age, he
taught himself to play
harpsichord.
He is remembered for his
operas and oratorios.
The “Messiah” is Handel’s
most famous creation and
the very well known
“Hallelujah” chorus.
On your own word(s) describe the
following:
BAROQUE
MUSIC
GENRES
Concerto
Fugue
chorale
oratorio
Concerto
Grosso
Listening Activity:
ELEMENTS OBSERVATION
(Characteristi
cs)
Melody
Dynamic
Form
Quarter One -MUSIC Nine -BAROQUE MUSIC.pptx

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Quarter One -MUSIC Nine -BAROQUE MUSIC.pptx

  • 2. Learning Competency: •Describes the musical elements of selected vocal and instrumental music of Medieval, Renaissance and Baroque music; (MU9MRB-Ib-f-5)
  • 3. Write the word(s) associated to the word “grandiosity”
  • 4.
  • 5. PROCESS QUESTIONS: •What can you say about the Baroque music? •What is its distinction from the two previous music eras discussed?
  • 6.
  • 7. BAROQUE “barroco” “Pearl of Irregular Shape” New instrumental techniques and changes in musical notation were developed. Major and minor tonality was also created in this period. A lot of musical terms and concepts that evolved in this era are still used today.
  • 8. CHARACTERISTICS • Melodies sound elaborate and ornamental • Melodies are not easy to sing or remember • Primarily contrapuntal textures with some homophony • Dynamic contrast – alternation between loud and soft • Music genres – operas, oratorios, suites, toccatas, concerto grosso, fugue. • Orchestra consists of strings and continuo • Harpsichord and organ are the keyboard instruments that are commonly used. • New forms music forms developed.
  • 11. 1.CONCERTO A form of orchestral music that employs a solo instrument accompanied by an orchestra 2. CONCERTO GROSSO A form of orchestral music during the Baroque Period wherein the music is between a small group of solo instruments called concertino and the whole orchestra called tutti.
  • 12. 3. FUGUE A contrapuntal piece, developed mainly by imitative counterpoint. It is usually written in 3 or 4 parts, with a main theme called “subject” 4. CHORALE Musical compositions that resemble a harmonized version of hymnal tunes of the Protestant Church during the Baroque era.
  • 13. 5. ORATORIO A large scale musical composition for orchestra and voices that incorporates narratives on religious themes. Examples: a. Handel’s “Messiah,” “Samson,” “Israel,” and “Egypt” b. Bach’s “Christmas Oratorio” c. Haydn’s “The Creation”
  • 15. JOHANN SEBASTIAN BACH (1685-1750) He is known for his compositions for ORGAN, ORCHESTRA and ORATORIO. His personal and deep faith is shown in his sacred music. His most important and long-term position was as contor at St. Thomas
  • 16. ANTONIO VIVALDI (1678-1741) Nicknamed “The Red Priest” because of his red hair. A virtuoso violinist and considered one of the greatest Baroque composers. He is well known for giving the strings a major role in
  • 17. FRIEDRICH HANDEL (1685- 1759) At the very young age, he taught himself to play harpsichord. He is remembered for his operas and oratorios. The “Messiah” is Handel’s most famous creation and the very well known “Hallelujah” chorus.
  • 18.
  • 19. On your own word(s) describe the following: BAROQUE MUSIC GENRES Concerto Fugue chorale oratorio Concerto Grosso

Editor's Notes

  1. The word baroque is derived from the Portuguese word “barroco” which means “pearl of irregular shape”