SlideShare a Scribd company logo
1 of 36
Download to read offline
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Gold Coast Independent Screen Production
Mark David Ryan, m3.ryan@qut.edu.au
Associate Professor, Film, Screen, Animation
21 September, 2020, Home of The Arts, Gold Coast
For the Gold Coast Independent Screen Production Survey -
Consultation Event
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Project length
8 month study – roughly August 2019 to June 2020
Commissioned by
Department of Economy, Planning and Environment of the Council of the City of Gold
Coast
Research team
• Mark David Ryan (Project lead)
• Phoebe Macrossan
• Stuart Cunningham
• Marion McCutcheon
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
The Gold Coast is:
• Home to the Village Roadshow film and television studios
• A significant location for international blockbuster and
Australian feature film productions.
Since the late 1980s, GC has developed:
• World-class production facilities
• A large workforce of skilled technical screen workers
• A concentration of specialised production services
GC screen industry principally as a service industry rather
than a producer of local screen content
Background: Gold Coast film and television industry
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Previous research has focussed on Village Roadshow studio
production
No major study of film & television production occurring outside
the studios
Since 2000, a small group of content creators based in GC have
produced local content both in and outside the region.
But, before 2009:
• Small number of GC-based writers, directors and producers
creating original IP and developing projects
• Production infrequent
• Talent-drain common
Why the need for this study?
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Research focus
The report investigates industry’s size, activities and structure:
• Independent screen industry’s size, value chain and workforce.
• Screen business ecology and content formats created.
• Views of above-the-line content creators on state of the industry.
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
• A large volume of foreign and Australian production film in the region
• Mobility of GC freelancers and production companies
• Who exactly are Gold Coast content creators? People live outside region but work in GC.
Complexities in defining Gold Coast screen
production
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
GC content creators = screen workers who live and work on the Gold Coast, or
those who may live outside the region but whose primary place of work or
business is the Gold Coast.
Independence = that which is independent of Hollywood, but also that
which is independent of, and occurs outside of the Village Roadshow Studios.
Survey focus: above-the-line creatives (producers, writers, directors)
Statistical focus: whole screen workforce (camera operators, production
designers, lighting etc)
Gold Coast Content creators and independence
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Core screen content & commercial corporate content
Core screen content
(priority areas for public screen agencies)
Narrative-based:
• Feature film
• Television series (including SVOD)
• Documentaries
• VR and AR production
• Narrative-based online screen content
(YouTube, web series).
Commercial corporate content
(Scripted and unscripted content)
Short-form content commissioned by a commercial
or corporate client for a fee-for-service.
• TVCs
• Music videos
• Promotional videos
• Branded content
• Lifestyle videos
• Social media marketing content
• Tourism, travel and event videos, real-estate,
training and safety videos, and customer
testimonials.
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Methods and data sources
1) Creative Industries Trident (CIT) analysis of population-level data
• ABS Census data (2011 and 2016)
• Australian Business Register (ABR) data (2015 and 2019)
2) Data mining of screen crew directories
• Screen Queensland’s Crew directory and IF Production Book
3) Data mining IMDB.com
4) Online environmental scan for production companies
5) Online survey (n=100): business activities, employment and production practices
6) Semi-structured key-informant interviews
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
As of the 2016 ABS census, 1,274 people working on the Gold Coast reported the film and
television industry as their primary source of income.
• 162 Film and Television Specialists, including Producers, Directors, Stage Directors, Art
Directors, Directors of Photography, Editors and TV Program Directors.
• 260 Other Creative Specialists including Actors, Dancers and Other Entertainers, Music
Composers, Music Directors, Artistic Directors, Make-Up Artists, Camera Operators, Light
Technicians, Sound Technicians and Television Equipment Operators.
• 856 people employed as Support Workers (Information Officers, Sales Representatives,
Carpenters and Joiners, Telecommunications Trades Workers, Accounting Clerks).
Workforce
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Screen employment:
Gold Coast compared with greater capital city areas, 2016
Film,TV&Radiospecialists
employedinthefilm&TV
industry
Othercreativespecialists
employedinthefilm&TV
industry
Supportworkersemployedin
thefilm&TVindustry
Film,TV&Radiospecialists
employedinothercreative
industries
Film,TV&Radiospecialists
employedinotherindustries
TotalFilm&TVtrident
employment
Totalemployment
Gold Coast 162 257 856 82 125 1,481 235,526
Greater Adelaide 348 390 425 318 183 1,664 560,316
Greater Brisbane 584 586 580 472 312 2,534 1,037,901
Greater Hobart 71 81 61 74 33 320 99,361
Greater Melbourne 2,187 1,690 2,118 1,824 945 8,764 2,046,163
Greater Perth 403 343 331 419 235 1,731 850,158
Greater Sydney 4,983 3,616 5,729 2,716 1,384 18,428 2,209,296
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Screen employment intensity:
Gold Coast compared with greater capital city areas, 2016
Film,TVandradio
specialistsemployedin
thefilm&TVindustry
Othercreativespecialists
employedinthefilm&TV
industry
Supportworkers
employedinthefilm&TV
industry
Film,TVandradio
specialistsemployedin
othercreativeindustries
Film,TVandradio
specialistsemployedin
otherindustries
TotalfilmandTVtrident
employment
Gold Coast 0.07% 0.11% 0.36% 0.03% 0.05% 0.63%
Greater Adelaide 0.06% 0.07% 0.08% 0.06% 0.03% 0.30%
Greater Brisbane 0.06% 0.06% 0.06% 0.05% 0.03% 0.24%
Greater Hobart 0.07% 0.08% 0.06% 0.07% 0.03% 0.32%
Greater Melbourne 0.11% 0.08% 0.10% 0.09% 0.05% 0.43%
Greater Perth 0.05% 0.04% 0.04% 0.05% 0.03% 0.20%
Greater Sydney 0.23% 0.16% 0.26% 0.12% 0.06% 0.83%
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
GST-registered and non-GST registered ABN
companies
Active GST registrations Active ABNs with no GST
2015 2016 2017 2018 2019 2015 2016 2017 2018 2019
Cable and Other
Subscription
Broadcasting 3 3 3 3 2 3 2 3 3 2
Free-to-air
Television
Broadcasting 4 6 6 6 6 13 12 13 15 13
Motion Picture and
Video Production 245 243 253 283 308 268 283 322 389 466
Post-production
Services and Other
Motion Picture and
Video Activities 31 33 38 41 42 41 49 65 83 82
Total 283 285 300 333 358 325 346 403 490 563
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
42 independent feature films shot on the Gold Coast between 2009 and 2019:
• 35 independent films shot on the Gold Coast outside the Village Roadshow Studios from 2009
to 2019.
• 17 GC-originated features (two per year; 49%).
• 18 features produced by Brisbane or NSW-based production entities, sometimes with
partners from elsewhere.
7 independent GC-originated features filmed at Village Roadshow Studios.
5+ GC-originated features filmed outside QLD
Gold Coast-originated production between 2009 and 2019
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
GC-originated feature films
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
GC-originated
Features filmed at
the Village
Roadshow studios
(wholly or partly)
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Films created by non-Gold Coast companies filmed in the
Gold Coast (some with GC prod. partners)
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Gender of respondents
Survey demographics
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Experienced practitioners
How long have you worked in the screen industry?
Which of the following best describes your degree of
experience as a screen content creator?
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
What was your pathway to working in the screen industry? Select as many as relevant.
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Content formats
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Between 2009 and 2019:
• Shifting away from being largely a service industry
• Marked increase in the volume of local production
• low-budget features, online content and commercial corporate
production. Scripted web series and online content activity is also
growing.
• Growth a result of: growing concentration of content creators living and
working in the city & development in local production capacity.
• + Growth in freelances; lowering of production barriers; growth in online
platforms stimulating greater levels of production in digital/social media
content
Big picture findings: a growing hub for local production
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Two tiers of production
Two distinct tiers of Gold Coast core content production activity:
1) Screen production that is part of the formal screen industry and is
supported largely by public funding
-award wages, fully-funded
-public funding a key source of finance
-budgets range from $1 mil to $30 mil
-big producers try to film at studios
2) ‘Indie’ self-funded or privately funded ‘guerrilla’ screen production.
- do-it-your-self filmmaking
- self-funded or private sources of finance for production
- Wages deferred fees, professional-amateur creatives
- 66% of respondents had not received any government sources of
funding for production
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Different industry segments and types of
production activities
Film crews
and service
companies
Commercial
corporate
prod.
companies
Indie
production
Formal
screen
industry
production
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
79 commercial corporate production companies + a significant cluster of 32 wedding
videographers
Producing short-from screen content as commercial services for most sectors of the
economy: i.e. advertising, education, accommodation and health industries.
BUT also produce narrative-based short-form online, social media content, short films
Overlaps with indie production:
• Indie producers raise finance for production from the money they earn from commercial
video work.
• Large companies looking to develop core content production arms
Corporate commercial production
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Survey responses: barriers facing industry
• A lack of established producers involved in the formal screen industry
• Lack of a large production companies with ongoing production slates
• Indies: Need for more professionalisation of business and financing practices
• Weak networks
• Lack of post-production facilities
• Confusion around communication around permits and zoning
• Low-awareness of council incentives
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
GC Value Chain
Weaknesses in script
development and
financing, cast attraction.
Few barriers to physical
production
Limited post-production
facilities and VFX
specialists
Development/financing
weakness impacts
releases; some
unreleased others SVOD
only
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Ø A producer development and mentorship program
• Enterprise funds for established producers to grow production.
• Especially projects led by mid-career female producers.
• Attach indie or emerging producers to established A-list producers.
• Mentorship program to transition experienced line producers into core screen
content creation.
• Mentorship scheme for emerging female screen producers.
Recommendations
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Ø Mid-career mentorship program designed to transition commercial corporate
producers into core screen content production
• Attachment scheme with producers with established core content production
companies
OR
• Funding assistance for script development
Recommendations
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Ø A targeted mentorship program to increase professionalisation in the industry
• A program to pair talented key creatives with A-listers from around Australia to
increase high-quality of talent pool.
Ø Networking, community building and skills workshops
• More business and financing skills development workshops for indie producers
• More regular and ongoing industry events
Recommendations
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Ø Lower the Council’s film attraction $1.5 million production threshold to support
independent production
• Qualifying threshold of $1.5 million for the City of Gold Coast Film Attraction
Program too high for independent filmmakers. Screen Australia’s Producer
Offset’s qualifying budget threshold is $500,000.
Recommendations
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Ø Rebranding or reconceptualising how the Council positions the screen industry.
• This would involve launching a public information campaign to rebrand the
Gold Coast as both a popular filming location and a vibrant region for an
increasing volume of local production.
Recommendations
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Full report
Ryan, Mark David, Macrossan, Phoebe, Cunningham, Stuart, & McCutcheon, Marion
(2020) Gold Coast Independent Screen Production. Digital Media Research Centre,
Queensland University of Technology, Brisbane.
Summary of research findings
Ryan, Mark David, Macrossan, Phoebe, Cunningham, Stuart, & McCutcheon, Marion
(2020) Gold Coast Independent Screen Production: Summary of Research Findings.
Digital Media Research Centre, Queensland University of Technology, Brisbane.
Final report details
CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J
Thanks
CRICOS No.00213JCRICOS No.00213J
Presentation followed by: Industry Consultation Q&A panel

More Related Content

Similar to Gold coast independent film

GSA_Booklet_Nationwide_IDIQ_Contracts
GSA_Booklet_Nationwide_IDIQ_ContractsGSA_Booklet_Nationwide_IDIQ_Contracts
GSA_Booklet_Nationwide_IDIQ_Contracts
Jeremy Jones
 
Productos de nuestra División Multimaq
Productos de nuestra División MultimaqProductos de nuestra División Multimaq
Productos de nuestra División Multimaq
Multifrio S.A.
 
Laura - Construction Manager (Main), June 2016
Laura - Construction Manager (Main), June 2016Laura - Construction Manager (Main), June 2016
Laura - Construction Manager (Main), June 2016
Laura Lintott (Teodorescu)
 
Offshore Guys Presentation
Offshore Guys PresentationOffshore Guys Presentation
Offshore Guys Presentation
César Trujillo
 

Similar to Gold coast independent film (20)

TTV Sales Presentation J Rv3 (Nx Power Lite)
TTV Sales Presentation J Rv3 (Nx Power Lite)TTV Sales Presentation J Rv3 (Nx Power Lite)
TTV Sales Presentation J Rv3 (Nx Power Lite)
 
Monthly Economic Update | September 2014
Monthly Economic Update | September 2014Monthly Economic Update | September 2014
Monthly Economic Update | September 2014
 
Broadcasting and Media - What is happening
Broadcasting and Media - What is happeningBroadcasting and Media - What is happening
Broadcasting and Media - What is happening
 
20th June Marketing Birmingham Partners Event Presentation
20th June Marketing Birmingham Partners Event Presentation20th June Marketing Birmingham Partners Event Presentation
20th June Marketing Birmingham Partners Event Presentation
 
GSA_Booklet_Nationwide_IDIQ_Contracts
GSA_Booklet_Nationwide_IDIQ_ContractsGSA_Booklet_Nationwide_IDIQ_Contracts
GSA_Booklet_Nationwide_IDIQ_Contracts
 
Big Data LDN 2017: Managing the Explosion of Data With Qlik- Big Data & IoT
Big Data LDN 2017: Managing the Explosion of Data With Qlik- Big Data & IoTBig Data LDN 2017: Managing the Explosion of Data With Qlik- Big Data & IoT
Big Data LDN 2017: Managing the Explosion of Data With Qlik- Big Data & IoT
 
Team Ramen, SellSation'19. Final Round
Team Ramen, SellSation'19. Final RoundTeam Ramen, SellSation'19. Final Round
Team Ramen, SellSation'19. Final Round
 
SOBR Safe First Quarter 2020 Investor Presentation
SOBR Safe First Quarter 2020 Investor Presentation SOBR Safe First Quarter 2020 Investor Presentation
SOBR Safe First Quarter 2020 Investor Presentation
 
Productos de nuestra División Multimaq
Productos de nuestra División MultimaqProductos de nuestra División Multimaq
Productos de nuestra División Multimaq
 
Samsung presentation
Samsung presentationSamsung presentation
Samsung presentation
 
Jeff Verhoef 2015 Resume
Jeff Verhoef 2015 ResumeJeff Verhoef 2015 Resume
Jeff Verhoef 2015 Resume
 
WSMM_Media_January.pdf
WSMM_Media_January.pdfWSMM_Media_January.pdf
WSMM_Media_January.pdf
 
BIM and trends in construction | Empowering you in a BIM World
BIM and trends in construction | Empowering you in a BIM WorldBIM and trends in construction | Empowering you in a BIM World
BIM and trends in construction | Empowering you in a BIM World
 
Construction Technology Quarterly, Q3, 2021
Construction Technology Quarterly, Q3, 2021Construction Technology Quarterly, Q3, 2021
Construction Technology Quarterly, Q3, 2021
 
Corning_Cornell_EMI_Case_Competition_2023 (1).pdf
Corning_Cornell_EMI_Case_Competition_2023 (1).pdfCorning_Cornell_EMI_Case_Competition_2023 (1).pdf
Corning_Cornell_EMI_Case_Competition_2023 (1).pdf
 
Industrial Tech Startups In The SF Bay Area
Industrial Tech Startups In The SF Bay AreaIndustrial Tech Startups In The SF Bay Area
Industrial Tech Startups In The SF Bay Area
 
ORBCOMM Investor Overview
ORBCOMM Investor OverviewORBCOMM Investor Overview
ORBCOMM Investor Overview
 
ORBCOMM Investor Overview
ORBCOMM Investor OverviewORBCOMM Investor Overview
ORBCOMM Investor Overview
 
Laura - Construction Manager (Main), June 2016
Laura - Construction Manager (Main), June 2016Laura - Construction Manager (Main), June 2016
Laura - Construction Manager (Main), June 2016
 
Offshore Guys Presentation
Offshore Guys PresentationOffshore Guys Presentation
Offshore Guys Presentation
 

More from Mark David Ryan

More from Mark David Ryan (8)

Unearthing the total value of web series the economic, industrial, cultural a...
Unearthing the total value of web series the economic, industrial, cultural a...Unearthing the total value of web series the economic, industrial, cultural a...
Unearthing the total value of web series the economic, industrial, cultural a...
 
A dangerous place the function of the beach as a setting in australian horror...
A dangerous place the function of the beach as a setting in australian horror...A dangerous place the function of the beach as a setting in australian horror...
A dangerous place the function of the beach as a setting in australian horror...
 
The Australian screen producer in transition
The Australian screen producer in transitionThe Australian screen producer in transition
The Australian screen producer in transition
 
Pedagogical uses of Australian screen content in tertiary education
Pedagogical uses of Australian screen content in tertiary educationPedagogical uses of Australian screen content in tertiary education
Pedagogical uses of Australian screen content in tertiary education
 
Nuts and bolts of writing for publication and creating a publication pipeline.
Nuts and bolts of writing for publication and creating a publication pipeline.Nuts and bolts of writing for publication and creating a publication pipeline.
Nuts and bolts of writing for publication and creating a publication pipeline.
 
Independent from everyone! Producing Australian horror movies for global markets
Independent from everyone! Producing Australian horror movies for global marketsIndependent from everyone! Producing Australian horror movies for global markets
Independent from everyone! Producing Australian horror movies for global markets
 
Existing systems, new languages: prototyping blockchain models for the book p...
Existing systems, new languages: prototyping blockchain models for the book p...Existing systems, new languages: prototyping blockchain models for the book p...
Existing systems, new languages: prototyping blockchain models for the book p...
 
Australia cinema studies: how the subject is taught in Australian universities
Australia cinema studies: how the subject is taught in Australian universitiesAustralia cinema studies: how the subject is taught in Australian universities
Australia cinema studies: how the subject is taught in Australian universities
 

Recently uploaded

Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
ciinovamais
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
kauryashika82
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
SoniaTolstoy
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
QucHHunhnh
 

Recently uploaded (20)

The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17Advanced Views - Calendar View in Odoo 17
Advanced Views - Calendar View in Odoo 17
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdfBASLIQ CURRENT LOOKBOOK  LOOKBOOK(1) (1).pdf
BASLIQ CURRENT LOOKBOOK LOOKBOOK(1) (1).pdf
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
Mattingly "AI & Prompt Design: Structured Data, Assistants, & RAG"
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdf
 
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptxSOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
SOCIAL AND HISTORICAL CONTEXT - LFTVD.pptx
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
Disha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdfDisha NEET Physics Guide for classes 11 and 12.pdf
Disha NEET Physics Guide for classes 11 and 12.pdf
 
social pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajansocial pharmacy d-pharm 1st year by Pragati K. Mahajan
social pharmacy d-pharm 1st year by Pragati K. Mahajan
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 

Gold coast independent film

  • 1. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Gold Coast Independent Screen Production Mark David Ryan, m3.ryan@qut.edu.au Associate Professor, Film, Screen, Animation 21 September, 2020, Home of The Arts, Gold Coast For the Gold Coast Independent Screen Production Survey - Consultation Event
  • 2. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Project length 8 month study – roughly August 2019 to June 2020 Commissioned by Department of Economy, Planning and Environment of the Council of the City of Gold Coast Research team • Mark David Ryan (Project lead) • Phoebe Macrossan • Stuart Cunningham • Marion McCutcheon
  • 3. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J The Gold Coast is: • Home to the Village Roadshow film and television studios • A significant location for international blockbuster and Australian feature film productions. Since the late 1980s, GC has developed: • World-class production facilities • A large workforce of skilled technical screen workers • A concentration of specialised production services GC screen industry principally as a service industry rather than a producer of local screen content Background: Gold Coast film and television industry
  • 4. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Previous research has focussed on Village Roadshow studio production No major study of film & television production occurring outside the studios Since 2000, a small group of content creators based in GC have produced local content both in and outside the region. But, before 2009: • Small number of GC-based writers, directors and producers creating original IP and developing projects • Production infrequent • Talent-drain common Why the need for this study?
  • 5. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Research focus The report investigates industry’s size, activities and structure: • Independent screen industry’s size, value chain and workforce. • Screen business ecology and content formats created. • Views of above-the-line content creators on state of the industry.
  • 6. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J • A large volume of foreign and Australian production film in the region • Mobility of GC freelancers and production companies • Who exactly are Gold Coast content creators? People live outside region but work in GC. Complexities in defining Gold Coast screen production
  • 7. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J GC content creators = screen workers who live and work on the Gold Coast, or those who may live outside the region but whose primary place of work or business is the Gold Coast. Independence = that which is independent of Hollywood, but also that which is independent of, and occurs outside of the Village Roadshow Studios. Survey focus: above-the-line creatives (producers, writers, directors) Statistical focus: whole screen workforce (camera operators, production designers, lighting etc) Gold Coast Content creators and independence
  • 8. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Core screen content & commercial corporate content Core screen content (priority areas for public screen agencies) Narrative-based: • Feature film • Television series (including SVOD) • Documentaries • VR and AR production • Narrative-based online screen content (YouTube, web series). Commercial corporate content (Scripted and unscripted content) Short-form content commissioned by a commercial or corporate client for a fee-for-service. • TVCs • Music videos • Promotional videos • Branded content • Lifestyle videos • Social media marketing content • Tourism, travel and event videos, real-estate, training and safety videos, and customer testimonials.
  • 9. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Methods and data sources 1) Creative Industries Trident (CIT) analysis of population-level data • ABS Census data (2011 and 2016) • Australian Business Register (ABR) data (2015 and 2019) 2) Data mining of screen crew directories • Screen Queensland’s Crew directory and IF Production Book 3) Data mining IMDB.com 4) Online environmental scan for production companies 5) Online survey (n=100): business activities, employment and production practices 6) Semi-structured key-informant interviews
  • 10. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J As of the 2016 ABS census, 1,274 people working on the Gold Coast reported the film and television industry as their primary source of income. • 162 Film and Television Specialists, including Producers, Directors, Stage Directors, Art Directors, Directors of Photography, Editors and TV Program Directors. • 260 Other Creative Specialists including Actors, Dancers and Other Entertainers, Music Composers, Music Directors, Artistic Directors, Make-Up Artists, Camera Operators, Light Technicians, Sound Technicians and Television Equipment Operators. • 856 people employed as Support Workers (Information Officers, Sales Representatives, Carpenters and Joiners, Telecommunications Trades Workers, Accounting Clerks). Workforce
  • 11. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Screen employment: Gold Coast compared with greater capital city areas, 2016 Film,TV&Radiospecialists employedinthefilm&TV industry Othercreativespecialists employedinthefilm&TV industry Supportworkersemployedin thefilm&TVindustry Film,TV&Radiospecialists employedinothercreative industries Film,TV&Radiospecialists employedinotherindustries TotalFilm&TVtrident employment Totalemployment Gold Coast 162 257 856 82 125 1,481 235,526 Greater Adelaide 348 390 425 318 183 1,664 560,316 Greater Brisbane 584 586 580 472 312 2,534 1,037,901 Greater Hobart 71 81 61 74 33 320 99,361 Greater Melbourne 2,187 1,690 2,118 1,824 945 8,764 2,046,163 Greater Perth 403 343 331 419 235 1,731 850,158 Greater Sydney 4,983 3,616 5,729 2,716 1,384 18,428 2,209,296
  • 12. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Screen employment intensity: Gold Coast compared with greater capital city areas, 2016 Film,TVandradio specialistsemployedin thefilm&TVindustry Othercreativespecialists employedinthefilm&TV industry Supportworkers employedinthefilm&TV industry Film,TVandradio specialistsemployedin othercreativeindustries Film,TVandradio specialistsemployedin otherindustries TotalfilmandTVtrident employment Gold Coast 0.07% 0.11% 0.36% 0.03% 0.05% 0.63% Greater Adelaide 0.06% 0.07% 0.08% 0.06% 0.03% 0.30% Greater Brisbane 0.06% 0.06% 0.06% 0.05% 0.03% 0.24% Greater Hobart 0.07% 0.08% 0.06% 0.07% 0.03% 0.32% Greater Melbourne 0.11% 0.08% 0.10% 0.09% 0.05% 0.43% Greater Perth 0.05% 0.04% 0.04% 0.05% 0.03% 0.20% Greater Sydney 0.23% 0.16% 0.26% 0.12% 0.06% 0.83%
  • 14. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J GST-registered and non-GST registered ABN companies Active GST registrations Active ABNs with no GST 2015 2016 2017 2018 2019 2015 2016 2017 2018 2019 Cable and Other Subscription Broadcasting 3 3 3 3 2 3 2 3 3 2 Free-to-air Television Broadcasting 4 6 6 6 6 13 12 13 15 13 Motion Picture and Video Production 245 243 253 283 308 268 283 322 389 466 Post-production Services and Other Motion Picture and Video Activities 31 33 38 41 42 41 49 65 83 82 Total 283 285 300 333 358 325 346 403 490 563
  • 15. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J 42 independent feature films shot on the Gold Coast between 2009 and 2019: • 35 independent films shot on the Gold Coast outside the Village Roadshow Studios from 2009 to 2019. • 17 GC-originated features (two per year; 49%). • 18 features produced by Brisbane or NSW-based production entities, sometimes with partners from elsewhere. 7 independent GC-originated features filmed at Village Roadshow Studios. 5+ GC-originated features filmed outside QLD Gold Coast-originated production between 2009 and 2019
  • 16. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J GC-originated feature films
  • 17. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J GC-originated Features filmed at the Village Roadshow studios (wholly or partly)
  • 18. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Films created by non-Gold Coast companies filmed in the Gold Coast (some with GC prod. partners)
  • 19. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Gender of respondents Survey demographics
  • 20. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Experienced practitioners How long have you worked in the screen industry? Which of the following best describes your degree of experience as a screen content creator?
  • 21. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J What was your pathway to working in the screen industry? Select as many as relevant.
  • 22. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Content formats
  • 23. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Between 2009 and 2019: • Shifting away from being largely a service industry • Marked increase in the volume of local production • low-budget features, online content and commercial corporate production. Scripted web series and online content activity is also growing. • Growth a result of: growing concentration of content creators living and working in the city & development in local production capacity. • + Growth in freelances; lowering of production barriers; growth in online platforms stimulating greater levels of production in digital/social media content Big picture findings: a growing hub for local production
  • 24. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Two tiers of production Two distinct tiers of Gold Coast core content production activity: 1) Screen production that is part of the formal screen industry and is supported largely by public funding -award wages, fully-funded -public funding a key source of finance -budgets range from $1 mil to $30 mil -big producers try to film at studios 2) ‘Indie’ self-funded or privately funded ‘guerrilla’ screen production. - do-it-your-self filmmaking - self-funded or private sources of finance for production - Wages deferred fees, professional-amateur creatives - 66% of respondents had not received any government sources of funding for production
  • 25. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Different industry segments and types of production activities Film crews and service companies Commercial corporate prod. companies Indie production Formal screen industry production
  • 26. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J 79 commercial corporate production companies + a significant cluster of 32 wedding videographers Producing short-from screen content as commercial services for most sectors of the economy: i.e. advertising, education, accommodation and health industries. BUT also produce narrative-based short-form online, social media content, short films Overlaps with indie production: • Indie producers raise finance for production from the money they earn from commercial video work. • Large companies looking to develop core content production arms Corporate commercial production
  • 27. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Survey responses: barriers facing industry • A lack of established producers involved in the formal screen industry • Lack of a large production companies with ongoing production slates • Indies: Need for more professionalisation of business and financing practices • Weak networks • Lack of post-production facilities • Confusion around communication around permits and zoning • Low-awareness of council incentives
  • 28. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J GC Value Chain Weaknesses in script development and financing, cast attraction. Few barriers to physical production Limited post-production facilities and VFX specialists Development/financing weakness impacts releases; some unreleased others SVOD only
  • 29. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Ø A producer development and mentorship program • Enterprise funds for established producers to grow production. • Especially projects led by mid-career female producers. • Attach indie or emerging producers to established A-list producers. • Mentorship program to transition experienced line producers into core screen content creation. • Mentorship scheme for emerging female screen producers. Recommendations
  • 30. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Ø Mid-career mentorship program designed to transition commercial corporate producers into core screen content production • Attachment scheme with producers with established core content production companies OR • Funding assistance for script development Recommendations
  • 31. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Ø A targeted mentorship program to increase professionalisation in the industry • A program to pair talented key creatives with A-listers from around Australia to increase high-quality of talent pool. Ø Networking, community building and skills workshops • More business and financing skills development workshops for indie producers • More regular and ongoing industry events Recommendations
  • 32. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Ø Lower the Council’s film attraction $1.5 million production threshold to support independent production • Qualifying threshold of $1.5 million for the City of Gold Coast Film Attraction Program too high for independent filmmakers. Screen Australia’s Producer Offset’s qualifying budget threshold is $500,000. Recommendations
  • 33. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Ø Rebranding or reconceptualising how the Council positions the screen industry. • This would involve launching a public information campaign to rebrand the Gold Coast as both a popular filming location and a vibrant region for an increasing volume of local production. Recommendations
  • 34. CRICOS No.00213JCRICOS No.00213JCRICOS No.00213J Full report Ryan, Mark David, Macrossan, Phoebe, Cunningham, Stuart, & McCutcheon, Marion (2020) Gold Coast Independent Screen Production. Digital Media Research Centre, Queensland University of Technology, Brisbane. Summary of research findings Ryan, Mark David, Macrossan, Phoebe, Cunningham, Stuart, & McCutcheon, Marion (2020) Gold Coast Independent Screen Production: Summary of Research Findings. Digital Media Research Centre, Queensland University of Technology, Brisbane. Final report details
  • 36. CRICOS No.00213JCRICOS No.00213J Presentation followed by: Industry Consultation Q&A panel