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Presented By
Jyotipant
45827
M.Sc
(Clothing& Textiles)
1
HCT -600
2
 The Borders
1. upper border
2. lower border
 The Pallu
 The Main Body
 Blouse/Choli
 Petticoat
 Unstitched cloth, which is draped by Indian
women – it practically typifies Indian women and
showcases the vast diversity of Indian culture as a
whole.
 "Sari" is derived from the Sanskrit word which
means, "strip of fabric" and Six to nine yards in
length and can be worn in several ways, depending
upon the native of the wearer and outlook on current
fashion.
3
4
Definition
5
6
 Chanderi is a town of historical importance in
Ashoknagar District of the state of Madhya Pradesh
in India.
 Madhya Pradesh has earned name and fame for
traditional gossamer fine sarees from:
 Chanderi ,
 Maheshwari
 Chanderi - its uniqueness i.e. transparency and
permanent Buttis.
 Geographic Indication (GI)
7
8
Silver or
Golden threads in
Border & Pallu
Pallu Motifs
Cotton & silk
fabric
Transparency
C
H
A
N
D
E
R
I
S
A
R
E
E
 Angoori (grape green),
 Dalimbi (deep pink),
 GulBakshi(magenta),
 Jaamla (purple),
 Tapkeer (deep brown),
 Aamrak(golden),
 Rani(deep pink),
 Dhaani(green)
 Kaashi (light purple),
 Kassni (light violet),
 phalsa (maroon),
 katthai 9
 Coin, flowers , buds & leaves , Dots ,Lines & geometrical
patterns , Ashrafi, Churi, Bundi, Keri, Phul-Patti, Phul-
Buta (Sola,Aath,Cheyand Char Pankuri Ka Phul),
Baddi Ka Phul, Akhrot, Paan, Eeth, Suraj Buti, Meena
Buti, Kirkita, Rui Phul Kinar, Kalgi, Ghoongra,
Khajura, Dunaliya, Iknaliya Buti, Iknaliya Buti .
 Gold thread which was used for motifs.
 Advancement :
› Today also use silk and mercerised cotton to give the product an
innovative look.
› Now a days ,The tested zari buttis are common in use.
(Asharfi butti)
› The bright colour palette and the use of new motifs like the cypress trees
and lilies in his collection 'Mughal returns to Chanderi', has given it a
modern turnaround. 10
Buttis /Butta
motifs
11
 Taana Mechanism
 Rucch
 Handloom &Jacquard/Dobby loom
 Charkha
 Dyeing Apparatus
12
13
14
15
Process of Chanderi Weaving
Finishing
Weaving
Warping
Yarn Opening for Weft
Dyeing
Selection of raw materials
Designing
• Software is used
• JAC DRAW XP
• CAD
 is done by the
master weaver on
a graph paper.
16
17
Chanderi cotton
(Warp & weft -
100s or 120s )
Zari
Silk
(13/15 denier
silk)
18
19
6. Weaving in
chanderi
20
21
 Chanderi suits, along with
traditional saris are very popular in
the current scenario.
 Alongwith the chanderi woven suits,
Chanderi printed suits have also gone in
rage due to the availability of varied
designs and lesser prices.
 Contemporary Chanderi sarees is a
blend of modern fabrics .These sarees
range from INR 2000 to 10,000. 22
 As a part of the craft revival team, designers
are mixing crafts together to come up with
beautiful variations. Like this one is Chanderi
fabric with Madhubani art.
 Chanderi fabric is also popular with
traditional menswear. Chanderi kurtas
are highly popular in India.
 As usual, Chanderi has also used in the
interiors. Curtains made out of the
Chanderi fabric are beautiful as well as
inexpensive.
23
Maheshwari Sarees
24
 Maheshwar is a small town on the banks of the river
Narmada in the Dhar district of Madhya Pradesh.
 The origin of the Maheshwari sarees dates back to the
18th century, when the state of Indore in Madhya
Pradesh was ruled by Queen Ahilyabai Holkar.
 According to legends, Queen Ahilyabai ordered
craftsmen from Surat and Malwa to design special 9-yard
sarees to be gifted to royal guests and relatives.
 Advancement : These sarees were originally worn by
the ladies of royal status, but nowadays, they are
available in both national and international markets.
25
26
M
A
H
E
S
H
W
A
R
I
S
A
R
E
E
Pure cotton or
in mixed silk
and cotton
thread
White colour
checks in Pallu
Coloured
Checks in Pallu
Narrow &
Reversible
Border
 The unique feature of a Maheshwari saree is
its reversible border. (Bugdi)
 Pure cotton or in mixed silk and cotton
thread, and generally found with stripes and
check designs and narrow border with gold
or coloured silk .
 Colours are invariably delicate and the pallav
may be in two bands – in white and
coloured.
 Kshatriyas, Bharuds, Muslims,
Kumhars and Kahars.
 Geographical indication for
maheshwar sarees and fabrics .
27
28
Geometrical designs on
its border carvings/
scriptures/paintings
and wall paintings
engraved on the walls
of Fort built by
Maharani Ahilyabai in
l8th Century.
1. Taana or Warp Machine:
2. Handloom
Pit Looms
Frame Looms
3. Charkha
4. Dyeing Apparatus
LOOMS/TOOLS USED
29
looms
30
Charkha
31
Designing
Raw Material Procurement
Dyeing
Yarn Opening for Weft and Warp
Warping
Weaving
Finishing
32
1. Designing :
• it
33
• One is the main design for the sari itself that contains various
aspects like the border, the kind of motifs to be used, color
combinations etc.
• The other is the more exquisite motif or booty designing
which is done by the master weaver on a graph paper .
34
Raw
Material
Cotton
Silk
Silk Zari
35
3.Dyeing :
• Both cotton and silk require dyeing before they can be
used on the loom.
• For cotton, a readymade fast color dye is used
• For silk special dyes called Sando Silk are used which are
also readymade dyes.
Warping
36
5.Weaving :
In these processes, two distinct sets
of yarns called the warp and the weft
are interlaced with each other to
form a fabric.
37
 Products : dupattas , salwar suits , shirts,
furnishing, like curtains and cushion covers
 Original technique used -natural dyes, but chemical dyes
being used today.
 Maheshwar Hathkargha Vikas Samiti
 The Rehwa society :
› Rehwa is a Non- profit organisation , started in 1979.
objectives:
› To sustain the hand weaving tradition of Maheshwar
› To empower the women weavers by givig employment and an income
which would improve their live
› To provide housing ,healthcare and education to the weaver,s families.
 Varieties : ‘Chandrakala’ and the ‘Baingani Chandrakala’ are
examples of plain Maheshwari sarees, while the ‘Chandratara’,
the ‘Beli’ and the ‘Parbi’ are examples of striped and checked
ones.
38
39
 It is variants of Sambalpuri saree.
 Pasapalli Sari (pasā or gambling =Chess board)is a
handloom sari weaved mainly in the Bargarh district of
Orissa, India .
 Main source of inspiration as far as colors and patterns are
concerned is the main lord of Puri, Lord Jagannatha.
 The Bandhkala originated somewhere in the early years of
19th Century.
 The borders of this sari are usually decorative and the
`aanchal` is designed in various patterns.
 Borders are painted with the various geometric patterns
involved in creating shankha, and chakra designs.40
41
Geometric
designs
(Chess
board)
Shankh
&
chakar
motifs
V
I
C
I
T
R
A
P
U
R
I
saree
Ikat
technique
Cotton &
silk
threads
(Advancement )
• Pasapalli saree with its distinctive orange and
white small squares on an alternate of black
and maroon big squares is a replica of a chess
board but people can customize any colour
with their own choice.
• The earlier yarns of coarse cotton have been
replaced with fine cotton, silks, tussar and a
cotton-silk mix called ‘bapta’. Gold thread
and tissues are also used to enhance the
patterns.
• sari are comes in various designs.
42
Variations of
vichitrapuri saree
43
44
 Brocades known as “Kin-Khabs” that means
“cloth of gold”.
 Banaras Brocade are woven in silk, profuse use of
metal threads on the ‘pallavs’ (endpieces) and
the field of the sari .
 The weavers- Muslim
 Brocade workshops -‘karkhanahs ’
 In 2009 , Uttar Pradesh , secured Geographical
indication (GI ) rights for the ‘banaras
Brocades and sari.
45
46
Zari
work
Bright
colours
B
R
O
C
A
D
E
S
A
R
E
E
Cotton &
Silk
Fabric
Butti
motifs
Banaras brocades
Zari brocades (patterning
is in zari )
Kincab : more Zari than
underlying silk visible
Bafta : more underlying
silk than Zari visible
Amru brocades
(patterning is in silk & not
in zari)
Abrawans
(ground material is a
transparent muslin silk or
organza )
1. Cut work : pattering in
heavier fiber than ground
2. Tarnana: weft threads
are zari not silk , creating
a metallic sheen
47
 Sarees were embellished with threads made from
real gold and silver for use by the royal family.
 In modern times, this has been replaced by gold and
silver coloured thread, making the saris affordable
for the general population.
48
49
KONIA
CHARKHANA
PHULWAR
BULBUL
CHASHM
Khanjari
KERRY MOTIF
RUNNING PATTERN OF FLOWER AND
LEAVES
PATTERN IN CHECK, SQUARE AND
RECTANGLE
PATTERN IN DIAMOND SHAPE WITH
DOTS AT CENTER
PATTERN IN DIAMOND SHAPE WITH
DOTS AT CENTER
M
O
T
I
F
S
Geometric
Lines , circle , squares
50
ADA DORIYA SMALL FLOWER MOTIF
Butti
Floral
Animals
&
birds
Bel
RUNNING FLORAL PATTERN REPEATED
ELEPHANT, PARROT ETC
Buds, leafs
SMALL FLOWER MOTIF
Motifs 51
KALGHA MANGO MOTIF
JAAL NET LIKE MOTIF
ASHARFI PATTERN IN COIN FORM
Violet-
Baijni
Orange-
Narangi
Dark
green-
Kahi
Gray-
Khaky
Red or
magenta-
Lal
Pink-
Gulabi
Lemon-
yellow-
Nimbu
Sky blue-
Asmani
black,
red
52
 designing the
motifs.(Kalka,
Buti and
flower and
foliage)
 Advancement
: incorporation
of geometrical
designs
Preparatory
Process
Weaving
process
Finishing
Process
• Reeling
• Dyeing (coloring)
• Warping
• Denting and Drawing
• Weaving (Jacquard
Loom)
• Karchupi
• Cutting
• Making Naksha-patta
53
Advancement
54
1. Karchupi
2. Cutting
55
 Introduced in Gujarat to start with in 1940s, weavers
from Banaras started making cheaper versions of
Tanchoi sarees.
 Are famous for the intricate and small weaving
patterns over the entire surface
 Background has a satin finish.
56
 Gujarati brocade sarees are interwoven with rich, raised
design.
 Gujarat in India- “Manchester Of the East", has a rich
heritage of textile crafts, one popular among them is the
Brocade Saree.
 There are two main distinguishing characteristics of the
Gujarati Brocade Sari:
› Butis (circular designs)
› Floral designs
57
 Gharchola sari is marked by the large zari checks,
› 12 section patterns -‘bar bagh’
› 52 square saris -‘baavan bagh’.
 Motifs- Peacocks, lotus, human figures, floral patterns
,phulwari ,shikari.
 Main color - red, with white and yellow dots.
 Advancement : Green Gharcholas are also fabricated
based on personal request of the client
58
Zari
check
Red
colour
fabric
Small
Motifs
G
A
R
C
O
L
A
S
A
R
E
E
59
60
 are traditionally created by weavers
residing in Kanchipuram, Tamil
 Materials used - pure, heavy silk,
zari, gold and silver thread.
 Main features among them are Korvai
and Petni.
 Korvai :Joining the border to body
of the saree
 Petni process: Mending the Pallu
portion of warp with the existing
portion of the body in each saree
61
 sandalwood, crafts and most
importantly, silk sarees, especially the
Mysore Crepe silk sarees.
 specialty :most minimum in design,
are elegant and famous for their
purity.
 Body is usually made up of one single
color, flanked by gold zari borders.
The pallav can have anything ranging
from a very simple to a very elaborate
design.
62
 Kerala is most famous for its
Kasavu Mundus and saris, which
are basically handloom, off-
white or ivory pure cotton
fabrics, bordered with brilliant
golden brocade.
 The gold kasavu.
 Non-kasavu mundu.
63
Recent Advancement in Brocades :
• Handloom are being replaced by power loom
• Traditional textile motifs -stylized form in new patterns to
diversify the products.
• Intricacy of zari design that was earlier in the saree of
Varanasi has been reduced to render it cost low , and to
make saree wearable in casual wears.
• Low priced saree are made with the use of artificial zari.
64
• Handloom are being replaced by power loom
• Traditional textile motifs -stylized form in new patterns to
diversify the products.
• Intricacy of zari design that was earlier in the saree of
Varanasi has been reduced to render it cost low , and to
make saree wearable in casual wears.
• Low priced saree are made with the use of artificial zari.
Recent Advancement
• Fabrics are dyed in a wide range of colours as compared to about
20 years ago, when limited colors were available .
• Hand loom embroidery has been replaced by CAD embroidery
for many low cost textile articles .
• Use of Zardozi embroidery by hand has minimized in today’s
• Saree and other products are made with combination of pure silk
and artificial silk (rayon , polyester) yarns with same motifs ,
to reduce the cost and to increase the traders’ incentives.
65
66



67
Plan of work
Locale of the study
Sample selection and sample size
Tool preparation for data collection
Pivot survey
Survey
Data collection
Data analysis 68
Age groups of Respondents 69
Religion of Respondents 70
89
5
4
1.2
In what time do you like to wear the traditional sarees
occasionally
casually
seasonlly
any other
71
The Preferred to wear traditional saree
Traditional craft articles
used by respondents 72
Findings of the study are as
follows:
• All the respondents have not much detail knowledge about the
traditional saris.
• All the respondents affirmed that traditional saris such as Chanderi ,
Maheshwari , Vichitrapuri and Brocades are still used in India in its
traditional form.
• Contemporary look of these saris are mostly preferred by consumers
these days.
• The entire respondent reported that they wear traditional sari some
special occasion (80 per cent )rather than casual and seasonal.
73
Conclusion
74
 Agarwal, B.L. 2006. Basic statistics. 4th ed. New Delhi, New Age International Publishers. 763p.
 Anonymous3. 2014. Education. Retrieved on February 7, 2014 from
http://dictionary.reference.com/browse/education
 Anonymous4. 2014. Occupation. Retrieved on May 21, 2014 from
http://www.thefreedictionary.com/occupation
 Anonymous5. 2014. Family income. Retrieved on March 17, 2014 from
http://www.businessdictionary.com/definition/family-income.html
 Anonymous5. 2014. Siblings. Retrieved on March 17, 2014 from http://www.thefreedictionary.com/sibling
 Anonymous5. 2014. Knowledge. Retrieved on February 7, 2014 from
http://en.wikipedia.org/wiki/Knowledge
 Bhavani , E, 1969. Decorative designs and craftsmanship of India. Bombay , D.B. taraporevala Sons
and Co. Pvt. Ltd p 16-21
 Bhavani , E, 1969. Folk and tribal designs of India. Bombay , D, B. Taraporevala , 215p
 Cherry, K. 2014. What is a dependent variable? Retrieved on February 7, 2014 from
http://psychology.about.com/od/dindex/g/dependvar.htm
 Cherry, K. 2014. What is an independent variable? Retrieved on February 7, 2014 from
http://psychology.about.com/od/iindex/g/independent-variable.htm
 Dhanabhakyam, M. and Shanthi, A. 2013. Indian textile industry - An overview. San Blue Enterprises
Pvt. Ltd. Retrieved on 20 July, 2013 from http://www.fibre2fashion.com/industry-article/2/104/indian-
textile-industry-an-overview 1.asp
 Chattopadhay . K 185 Handicrafts of India. New Delhi , Indian Council for cultural relation . 146p
 G. Savithri, P. Sujathamma & CH. Ramanamma, GLORY OF INDIAN TRADITIONAL SILK
SAREE.International Journal of Textile and Fashion Technology (IJTFT) Retrieved on 20 January,
2013
 http://www.sareetimes.com/2008/10/types-of-sarees-from-andhra-pradesh.html
75

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Jyoti

  • 2. 2
  • 3.  The Borders 1. upper border 2. lower border  The Pallu  The Main Body  Blouse/Choli  Petticoat  Unstitched cloth, which is draped by Indian women – it practically typifies Indian women and showcases the vast diversity of Indian culture as a whole.  "Sari" is derived from the Sanskrit word which means, "strip of fabric" and Six to nine yards in length and can be worn in several ways, depending upon the native of the wearer and outlook on current fashion. 3
  • 5. 5
  • 6. 6
  • 7.  Chanderi is a town of historical importance in Ashoknagar District of the state of Madhya Pradesh in India.  Madhya Pradesh has earned name and fame for traditional gossamer fine sarees from:  Chanderi ,  Maheshwari  Chanderi - its uniqueness i.e. transparency and permanent Buttis.  Geographic Indication (GI) 7
  • 8. 8 Silver or Golden threads in Border & Pallu Pallu Motifs Cotton & silk fabric Transparency C H A N D E R I S A R E E
  • 9.  Angoori (grape green),  Dalimbi (deep pink),  GulBakshi(magenta),  Jaamla (purple),  Tapkeer (deep brown),  Aamrak(golden),  Rani(deep pink),  Dhaani(green)  Kaashi (light purple),  Kassni (light violet),  phalsa (maroon),  katthai 9
  • 10.  Coin, flowers , buds & leaves , Dots ,Lines & geometrical patterns , Ashrafi, Churi, Bundi, Keri, Phul-Patti, Phul- Buta (Sola,Aath,Cheyand Char Pankuri Ka Phul), Baddi Ka Phul, Akhrot, Paan, Eeth, Suraj Buti, Meena Buti, Kirkita, Rui Phul Kinar, Kalgi, Ghoongra, Khajura, Dunaliya, Iknaliya Buti, Iknaliya Buti .  Gold thread which was used for motifs.  Advancement : › Today also use silk and mercerised cotton to give the product an innovative look. › Now a days ,The tested zari buttis are common in use. (Asharfi butti) › The bright colour palette and the use of new motifs like the cypress trees and lilies in his collection 'Mughal returns to Chanderi', has given it a modern turnaround. 10
  • 12.  Taana Mechanism  Rucch  Handloom &Jacquard/Dobby loom  Charkha  Dyeing Apparatus 12
  • 13. 13
  • 14. 14
  • 15. 15 Process of Chanderi Weaving Finishing Weaving Warping Yarn Opening for Weft Dyeing Selection of raw materials Designing
  • 16. • Software is used • JAC DRAW XP • CAD  is done by the master weaver on a graph paper. 16
  • 17. 17 Chanderi cotton (Warp & weft - 100s or 120s ) Zari Silk (13/15 denier silk)
  • 18. 18
  • 19. 19
  • 21. 21
  • 22.  Chanderi suits, along with traditional saris are very popular in the current scenario.  Alongwith the chanderi woven suits, Chanderi printed suits have also gone in rage due to the availability of varied designs and lesser prices.  Contemporary Chanderi sarees is a blend of modern fabrics .These sarees range from INR 2000 to 10,000. 22
  • 23.  As a part of the craft revival team, designers are mixing crafts together to come up with beautiful variations. Like this one is Chanderi fabric with Madhubani art.  Chanderi fabric is also popular with traditional menswear. Chanderi kurtas are highly popular in India.  As usual, Chanderi has also used in the interiors. Curtains made out of the Chanderi fabric are beautiful as well as inexpensive. 23
  • 25.  Maheshwar is a small town on the banks of the river Narmada in the Dhar district of Madhya Pradesh.  The origin of the Maheshwari sarees dates back to the 18th century, when the state of Indore in Madhya Pradesh was ruled by Queen Ahilyabai Holkar.  According to legends, Queen Ahilyabai ordered craftsmen from Surat and Malwa to design special 9-yard sarees to be gifted to royal guests and relatives.  Advancement : These sarees were originally worn by the ladies of royal status, but nowadays, they are available in both national and international markets. 25
  • 26. 26 M A H E S H W A R I S A R E E Pure cotton or in mixed silk and cotton thread White colour checks in Pallu Coloured Checks in Pallu Narrow & Reversible Border
  • 27.  The unique feature of a Maheshwari saree is its reversible border. (Bugdi)  Pure cotton or in mixed silk and cotton thread, and generally found with stripes and check designs and narrow border with gold or coloured silk .  Colours are invariably delicate and the pallav may be in two bands – in white and coloured.  Kshatriyas, Bharuds, Muslims, Kumhars and Kahars.  Geographical indication for maheshwar sarees and fabrics . 27
  • 28. 28 Geometrical designs on its border carvings/ scriptures/paintings and wall paintings engraved on the walls of Fort built by Maharani Ahilyabai in l8th Century.
  • 29. 1. Taana or Warp Machine: 2. Handloom Pit Looms Frame Looms 3. Charkha 4. Dyeing Apparatus LOOMS/TOOLS USED 29
  • 32. Designing Raw Material Procurement Dyeing Yarn Opening for Weft and Warp Warping Weaving Finishing 32
  • 33. 1. Designing : • it 33 • One is the main design for the sari itself that contains various aspects like the border, the kind of motifs to be used, color combinations etc. • The other is the more exquisite motif or booty designing which is done by the master weaver on a graph paper .
  • 35. 35 3.Dyeing : • Both cotton and silk require dyeing before they can be used on the loom. • For cotton, a readymade fast color dye is used • For silk special dyes called Sando Silk are used which are also readymade dyes.
  • 37. 5.Weaving : In these processes, two distinct sets of yarns called the warp and the weft are interlaced with each other to form a fabric. 37
  • 38.  Products : dupattas , salwar suits , shirts, furnishing, like curtains and cushion covers  Original technique used -natural dyes, but chemical dyes being used today.  Maheshwar Hathkargha Vikas Samiti  The Rehwa society : › Rehwa is a Non- profit organisation , started in 1979. objectives: › To sustain the hand weaving tradition of Maheshwar › To empower the women weavers by givig employment and an income which would improve their live › To provide housing ,healthcare and education to the weaver,s families.  Varieties : ‘Chandrakala’ and the ‘Baingani Chandrakala’ are examples of plain Maheshwari sarees, while the ‘Chandratara’, the ‘Beli’ and the ‘Parbi’ are examples of striped and checked ones. 38
  • 39. 39
  • 40.  It is variants of Sambalpuri saree.  Pasapalli Sari (pasā or gambling =Chess board)is a handloom sari weaved mainly in the Bargarh district of Orissa, India .  Main source of inspiration as far as colors and patterns are concerned is the main lord of Puri, Lord Jagannatha.  The Bandhkala originated somewhere in the early years of 19th Century.  The borders of this sari are usually decorative and the `aanchal` is designed in various patterns.  Borders are painted with the various geometric patterns involved in creating shankha, and chakra designs.40
  • 42. (Advancement ) • Pasapalli saree with its distinctive orange and white small squares on an alternate of black and maroon big squares is a replica of a chess board but people can customize any colour with their own choice. • The earlier yarns of coarse cotton have been replaced with fine cotton, silks, tussar and a cotton-silk mix called ‘bapta’. Gold thread and tissues are also used to enhance the patterns. • sari are comes in various designs. 42
  • 44. 44
  • 45.  Brocades known as “Kin-Khabs” that means “cloth of gold”.  Banaras Brocade are woven in silk, profuse use of metal threads on the ‘pallavs’ (endpieces) and the field of the sari .  The weavers- Muslim  Brocade workshops -‘karkhanahs ’  In 2009 , Uttar Pradesh , secured Geographical indication (GI ) rights for the ‘banaras Brocades and sari. 45
  • 47. Banaras brocades Zari brocades (patterning is in zari ) Kincab : more Zari than underlying silk visible Bafta : more underlying silk than Zari visible Amru brocades (patterning is in silk & not in zari) Abrawans (ground material is a transparent muslin silk or organza ) 1. Cut work : pattering in heavier fiber than ground 2. Tarnana: weft threads are zari not silk , creating a metallic sheen 47
  • 48.  Sarees were embellished with threads made from real gold and silver for use by the royal family.  In modern times, this has been replaced by gold and silver coloured thread, making the saris affordable for the general population. 48
  • 49. 49 KONIA CHARKHANA PHULWAR BULBUL CHASHM Khanjari KERRY MOTIF RUNNING PATTERN OF FLOWER AND LEAVES PATTERN IN CHECK, SQUARE AND RECTANGLE PATTERN IN DIAMOND SHAPE WITH DOTS AT CENTER PATTERN IN DIAMOND SHAPE WITH DOTS AT CENTER M O T I F S Geometric Lines , circle , squares
  • 50. 50 ADA DORIYA SMALL FLOWER MOTIF Butti Floral Animals & birds Bel RUNNING FLORAL PATTERN REPEATED ELEPHANT, PARROT ETC Buds, leafs SMALL FLOWER MOTIF
  • 51. Motifs 51 KALGHA MANGO MOTIF JAAL NET LIKE MOTIF ASHARFI PATTERN IN COIN FORM
  • 53.  designing the motifs.(Kalka, Buti and flower and foliage)  Advancement : incorporation of geometrical designs Preparatory Process Weaving process Finishing Process • Reeling • Dyeing (coloring) • Warping • Denting and Drawing • Weaving (Jacquard Loom) • Karchupi • Cutting • Making Naksha-patta 53
  • 56.  Introduced in Gujarat to start with in 1940s, weavers from Banaras started making cheaper versions of Tanchoi sarees.  Are famous for the intricate and small weaving patterns over the entire surface  Background has a satin finish. 56
  • 57.  Gujarati brocade sarees are interwoven with rich, raised design.  Gujarat in India- “Manchester Of the East", has a rich heritage of textile crafts, one popular among them is the Brocade Saree.  There are two main distinguishing characteristics of the Gujarati Brocade Sari: › Butis (circular designs) › Floral designs 57
  • 58.  Gharchola sari is marked by the large zari checks, › 12 section patterns -‘bar bagh’ › 52 square saris -‘baavan bagh’.  Motifs- Peacocks, lotus, human figures, floral patterns ,phulwari ,shikari.  Main color - red, with white and yellow dots.  Advancement : Green Gharcholas are also fabricated based on personal request of the client 58
  • 60. 60
  • 61.  are traditionally created by weavers residing in Kanchipuram, Tamil  Materials used - pure, heavy silk, zari, gold and silver thread.  Main features among them are Korvai and Petni.  Korvai :Joining the border to body of the saree  Petni process: Mending the Pallu portion of warp with the existing portion of the body in each saree 61
  • 62.  sandalwood, crafts and most importantly, silk sarees, especially the Mysore Crepe silk sarees.  specialty :most minimum in design, are elegant and famous for their purity.  Body is usually made up of one single color, flanked by gold zari borders. The pallav can have anything ranging from a very simple to a very elaborate design. 62
  • 63.  Kerala is most famous for its Kasavu Mundus and saris, which are basically handloom, off- white or ivory pure cotton fabrics, bordered with brilliant golden brocade.  The gold kasavu.  Non-kasavu mundu. 63
  • 64. Recent Advancement in Brocades : • Handloom are being replaced by power loom • Traditional textile motifs -stylized form in new patterns to diversify the products. • Intricacy of zari design that was earlier in the saree of Varanasi has been reduced to render it cost low , and to make saree wearable in casual wears. • Low priced saree are made with the use of artificial zari. 64 • Handloom are being replaced by power loom • Traditional textile motifs -stylized form in new patterns to diversify the products. • Intricacy of zari design that was earlier in the saree of Varanasi has been reduced to render it cost low , and to make saree wearable in casual wears. • Low priced saree are made with the use of artificial zari.
  • 65. Recent Advancement • Fabrics are dyed in a wide range of colours as compared to about 20 years ago, when limited colors were available . • Hand loom embroidery has been replaced by CAD embroidery for many low cost textile articles . • Use of Zardozi embroidery by hand has minimized in today’s • Saree and other products are made with combination of pure silk and artificial silk (rayon , polyester) yarns with same motifs , to reduce the cost and to increase the traders’ incentives. 65
  • 67. 67
  • 68. Plan of work Locale of the study Sample selection and sample size Tool preparation for data collection Pivot survey Survey Data collection Data analysis 68
  • 69. Age groups of Respondents 69
  • 71. 89 5 4 1.2 In what time do you like to wear the traditional sarees occasionally casually seasonlly any other 71 The Preferred to wear traditional saree
  • 72. Traditional craft articles used by respondents 72
  • 73. Findings of the study are as follows: • All the respondents have not much detail knowledge about the traditional saris. • All the respondents affirmed that traditional saris such as Chanderi , Maheshwari , Vichitrapuri and Brocades are still used in India in its traditional form. • Contemporary look of these saris are mostly preferred by consumers these days. • The entire respondent reported that they wear traditional sari some special occasion (80 per cent )rather than casual and seasonal. 73
  • 75.  Agarwal, B.L. 2006. Basic statistics. 4th ed. New Delhi, New Age International Publishers. 763p.  Anonymous3. 2014. Education. Retrieved on February 7, 2014 from http://dictionary.reference.com/browse/education  Anonymous4. 2014. Occupation. Retrieved on May 21, 2014 from http://www.thefreedictionary.com/occupation  Anonymous5. 2014. Family income. Retrieved on March 17, 2014 from http://www.businessdictionary.com/definition/family-income.html  Anonymous5. 2014. Siblings. Retrieved on March 17, 2014 from http://www.thefreedictionary.com/sibling  Anonymous5. 2014. Knowledge. Retrieved on February 7, 2014 from http://en.wikipedia.org/wiki/Knowledge  Bhavani , E, 1969. Decorative designs and craftsmanship of India. Bombay , D.B. taraporevala Sons and Co. Pvt. Ltd p 16-21  Bhavani , E, 1969. Folk and tribal designs of India. Bombay , D, B. Taraporevala , 215p  Cherry, K. 2014. What is a dependent variable? Retrieved on February 7, 2014 from http://psychology.about.com/od/dindex/g/dependvar.htm  Cherry, K. 2014. What is an independent variable? Retrieved on February 7, 2014 from http://psychology.about.com/od/iindex/g/independent-variable.htm  Dhanabhakyam, M. and Shanthi, A. 2013. Indian textile industry - An overview. San Blue Enterprises Pvt. Ltd. Retrieved on 20 July, 2013 from http://www.fibre2fashion.com/industry-article/2/104/indian- textile-industry-an-overview 1.asp  Chattopadhay . K 185 Handicrafts of India. New Delhi , Indian Council for cultural relation . 146p  G. Savithri, P. Sujathamma & CH. Ramanamma, GLORY OF INDIAN TRADITIONAL SILK SAREE.International Journal of Textile and Fashion Technology (IJTFT) Retrieved on 20 January, 2013  http://www.sareetimes.com/2008/10/types-of-sarees-from-andhra-pradesh.html 75