SlideShare a Scribd company logo
1 of 1
PROD.#: 5 minute drama                                       PRODUCTION TITLE: 5 Minute Drama
Director: Matt Wheeler                                       Producer: Josh Mclean
DP: Vicky Silver                                             Faculty Mentor: Elliot Jones
Location Manager:



                         CINEMATOGRAPHY LOCATION INFORMATION FORM
                         This form to be completed by the cinematographer when evaluating each location for shooting



SCRIPT LOCATION NAME: Henley College                                                              SCENE NUMBERS:
ACTUAL LOCATION NAME:
ADDRESS:The HENLEY College, Deanfield Avenue, Henley-on-                     DAY      Y                   NIGHT    □
Thames, Oxfordshire RG9 1UH                                                  INTERIOR □                   EXTERIOR □
CONTACT NAME: Tom Espley                                                     TELEPHONE:+44 (0)1491 579988


             TYPE AND QUALITY OF EXISTING LIGHT                                           EXISTING ELECTRICAL SUPPLY
What is the most predominant type of light at this location at the time      □ I have examined the circuit breaker box and made
you will be shooting? (If mixed, mark multiple)                              arrangements for access during shooting, if needed.
                                                                             Y I will not be using any power from outlets at this location.
Y   Daylight (Day Exterior / interior with many windows)
                                                                             NUMBER OF AVAILABLE CIRCUITS: 16
□   Household Tungsten (less than 2800° K)
□   Studio Tungsten (3200° K)                                                AVAILABLE AMPS PER CIRCUIT: ______(15,20,30)
□   Fluorescent Lighting: (List fixture type from bulb)                      DISTANCE OF OUTLETS FROM SET:
                                                                             OUTLETS ARE GROUNDED:
Natural Light
                                                                             YES Y    NO □
□ Other: (Describe type and colour temperature)
                                                                             OUTLETS ARE 2K CAPABLE:
                                                                             YES □    NO □
□ None: (there is no existing light, the location is dark)




                                            ELECTRICAL CONCLUSIONS
How will you be getting power at this location?            Total Amps available when shooting:
□ Existing power outlets
□ Electrical Tie-In or Drop box                            Total Amps required for shooting:
□ Generator


                                         HOW WILL YOU DEAL WITH THE EXISTING LIGHT?
I WONT use the existing ambient light during filming because:
□ There is no existing light. I must light this set from scratch.
□ I will turn the existing lights off and light this set from scratch. (Make certain you have already located the switches or breakers and
that you have permission to access and turn off during the shoot)
□ I will actively eliminate the existing light by rigging. (This includes such things as covering or tenting windows, removing bulbs or
covering light fixtures that cannot be turned off, such as streetlights. Be sure you have both permission and resources to do this.)

I WILL use the existing ambient light during photography by….
□ balancing my lights to the existing colour ambient temperature
□ correcting the existing ambient lights to TUNGSTEN □ or DAYLIGHT □
□ using ‘as is’. The temperature of the existing light closely matches what I am already shooting.
□ not correcting anything and allowing the colour temperatures to mix
□ Other:



□On the back of this form draw a preliminary set lighting diagram. Be sure to indicate power outlets, practical sources and other items that
could be of importance to you in your role as DP on the project. If you are using a generator you should also draw a distribution diagram. Use
this to estimate the power you will need at this location by adding up the total amps of all the units you expect to use.

More Related Content

More from JoshGmanMcLean (20)

Prsmusiclogsheet
PrsmusiclogsheetPrsmusiclogsheet
Prsmusiclogsheet
 
Poster Design Process
Poster Design ProcessPoster Design Process
Poster Design Process
 
T-Shirt Making Process
T-Shirt Making ProcessT-Shirt Making Process
T-Shirt Making Process
 
2
22
2
 
1
11
1
 
Recce
RecceRecce
Recce
 
Production schedule
Production scheduleProduction schedule
Production schedule
 
Korg D1200mkii manual
Korg D1200mkii manualKorg D1200mkii manual
Korg D1200mkii manual
 
MIX 3 Printscreens
MIX 3 PrintscreensMIX 3 Printscreens
MIX 3 Printscreens
 
MIX 2 printscreens
MIX 2 printscreensMIX 2 printscreens
MIX 2 printscreens
 
MIX 1 screen shots
MIX 1 screen shotsMIX 1 screen shots
MIX 1 screen shots
 
Proposal
ProposalProposal
Proposal
 
Moodboard
MoodboardMoodboard
Moodboard
 
Research into market
Research into marketResearch into market
Research into market
 
Questionaire
QuestionaireQuestionaire
Questionaire
 
Audience research
Audience researchAudience research
Audience research
 
Mindmap LO1
Mindmap LO1Mindmap LO1
Mindmap LO1
 
LO2
LO2LO2
LO2
 
Song deconstruction
Song deconstructionSong deconstruction
Song deconstruction
 
Shooting schedule complete
Shooting schedule completeShooting schedule complete
Shooting schedule complete
 

Cinematography location form

  • 1. PROD.#: 5 minute drama PRODUCTION TITLE: 5 Minute Drama Director: Matt Wheeler Producer: Josh Mclean DP: Vicky Silver Faculty Mentor: Elliot Jones Location Manager: CINEMATOGRAPHY LOCATION INFORMATION FORM This form to be completed by the cinematographer when evaluating each location for shooting SCRIPT LOCATION NAME: Henley College SCENE NUMBERS: ACTUAL LOCATION NAME: ADDRESS:The HENLEY College, Deanfield Avenue, Henley-on- DAY Y NIGHT □ Thames, Oxfordshire RG9 1UH INTERIOR □ EXTERIOR □ CONTACT NAME: Tom Espley TELEPHONE:+44 (0)1491 579988 TYPE AND QUALITY OF EXISTING LIGHT EXISTING ELECTRICAL SUPPLY What is the most predominant type of light at this location at the time □ I have examined the circuit breaker box and made you will be shooting? (If mixed, mark multiple) arrangements for access during shooting, if needed. Y I will not be using any power from outlets at this location. Y Daylight (Day Exterior / interior with many windows) NUMBER OF AVAILABLE CIRCUITS: 16 □ Household Tungsten (less than 2800° K) □ Studio Tungsten (3200° K) AVAILABLE AMPS PER CIRCUIT: ______(15,20,30) □ Fluorescent Lighting: (List fixture type from bulb) DISTANCE OF OUTLETS FROM SET: OUTLETS ARE GROUNDED: Natural Light YES Y NO □ □ Other: (Describe type and colour temperature) OUTLETS ARE 2K CAPABLE: YES □ NO □ □ None: (there is no existing light, the location is dark) ELECTRICAL CONCLUSIONS How will you be getting power at this location? Total Amps available when shooting: □ Existing power outlets □ Electrical Tie-In or Drop box Total Amps required for shooting: □ Generator HOW WILL YOU DEAL WITH THE EXISTING LIGHT? I WONT use the existing ambient light during filming because: □ There is no existing light. I must light this set from scratch. □ I will turn the existing lights off and light this set from scratch. (Make certain you have already located the switches or breakers and that you have permission to access and turn off during the shoot) □ I will actively eliminate the existing light by rigging. (This includes such things as covering or tenting windows, removing bulbs or covering light fixtures that cannot be turned off, such as streetlights. Be sure you have both permission and resources to do this.) I WILL use the existing ambient light during photography by…. □ balancing my lights to the existing colour ambient temperature □ correcting the existing ambient lights to TUNGSTEN □ or DAYLIGHT □ □ using ‘as is’. The temperature of the existing light closely matches what I am already shooting. □ not correcting anything and allowing the colour temperatures to mix □ Other: □On the back of this form draw a preliminary set lighting diagram. Be sure to indicate power outlets, practical sources and other items that could be of importance to you in your role as DP on the project. If you are using a generator you should also draw a distribution diagram. Use this to estimate the power you will need at this location by adding up the total amps of all the units you expect to use.