4.2 Thesis Pre-Production Book.pdf

THE BIKE
Table of Contents:
1. Master Checklist – p. 3
2. Directors Vision – p. 6
3. Screenplay – p. 19
• Locked Script – p. 20
• Lined Script – p. 23
4. Breakdown Sheets – p. 26
5. Schedule – p. 29
• One Line Schedule – p. 30
• Shooting Schedule – p. 32
• 1st AD Schedule – p. 34
6. Budget – p. 36
• Top Sheet – p. 37
• Detail Sheets – p. 40
7. Camera Department – p. 57
• Shot List – p. 58
• Story Boards – p. 61
• Camera and Lighting Plots – p. 69
8. Art Department – p. 84
• Prop List – p. 85
• Set Dressing List – p. 87
• Wardrobe List – p. 89
• Make-Up List – p. 91
9. Crew – p. 93
• Crew List – p. 94
• Crew Deal Memos – p. 96
• Hold Harmless Agreements – p. 105
• Personal Release – p. 108
• Key Crew Bios and Pictures – p. 111
10. Cast – p. 113
• Cast List – p. 114
• Actor Agreements – p. 116
• Hold Harmless Agreements – p. 123
• Personal Release – p. 126
• Key Cast Bios and Pictures – p. 129
11. Locations – p. 131
• Locations List – p. 132
• Locations Agreement – p. 134
• Shooting Location Checklist – p. 137
• Location Pictures – p. 140
12. Call Sheet – p. 144
13. Thesis Sign-Off Sheet – p. 147

FPMFA MASTER PRODUCTION CHECK LIST
FILM TITLE: THE BIKE
PRODUCTION MONTH/DATES: SEPTEMBER 18th
Director: JOSH BING Producer: JOSH BING
Email: hjbing@student.fullsail.edu Email: hjbing@student.fullsail.edu
Phone: 843-941-0214 Phone: 843-941-0214
SCREENPLAY
LOCKED SCRIPT LINED SCRIPT
X X
BREAKDOWN
BREAKDOWN SHEETS
X
SCHEDULE
ONE-LINER SHOOTING SCHEDULE
X X
BUDGET
TOP SHEET DETAIL SHEET
X X
CAMERA DEPARTMENT
SHOT LIST STORYBOARDS CAMERA PLOTS LIGHTING PLOTS
X X X X
1

ART DEPARTMENT (MASTER LISTS)
PROPS LIST SET DRESSING LIST WARDROBE LIST MAKE-UP LIST
X X X X
CREW
TITLE, NAME CREW LIST DEAL MEMO HOLD HARMLESS BIOS
Director - Josh Bing X X X X
Camera - Nate Madden X X X X
CAST
ROLE, NAME CAST LIST ACTOR AGREEMENT HOLD HARMLESS CHILD LABOR / BIOS
Tyrone Morris - Parker Wing X X X X
Shaquan Morris - Chris Bing X X X X
LOCATIONS
NAME LOCATIONS LIST AGREEMENT INSURANCE PERMIT
Mint Farm Drive House X X X N/A
CALL SHEETS
DAY 1
X
EQUIPMENT*
NAME CAMERA* SOUND* SPECIALITY*
Josh Bing Sony A6400 Rhode Microphone N/A
Nate Madden Black Magic 6k N/A N/A
2

THE BIKE
THE BIKE
Director’s Vision
Josh Bing
1. Log Line and General Information
2. Visual References
3. Color Palette
4. Essential Prop References
5. Visual Effects References
6. Set Design References
7. Sound
8. Editing
9. Cinematography
10. Audience Takeaways
This film is about a seven-year-old kid black child named Tyrone, his bike, and his father.
Tyrone wants to learn how to ride his bike, and he’s been trying but he keeps falling off. He
can’t do it by himself and he’s trying to do it alone. Almost every child has that moment where
their father helps them learn how to ride their bike. It’s like a tradition between father and son.
The story of this film is found within that short moment of a father teaching their son how to ride
his bike. More specifically, it’s found in the lives of a black father and his son. The key takeaway
from this film will be that, often in life, you see a child without their father because he is a
terrible father, in jail, or just a deadbeat dad. But that’s not always the case. Most black families
teach their children the importance of family, and that relationship with your father is a crucial
thing in black communities.
The Bike is a story that is crafted to show that sometimes fathers and sons don’t get that choice.
Sometimes that relationship between them is disrupted for reasons beyond their control. But
despite that, children can still carry their fathers with them. In their mind and in their hearts.

THE BIKE
The following pages give an in-depth look at the Director's Vision of the film. Using references
and analyses, the film’s aesthetics, tone, production designs, characters, sound, and music will
be shown.
1. Log Line and General Information
Logline:
The story of seven-year-old Tyrone, his Air-Force enlisted father Shaquan, and Tyrone’s
bike reveals a genuine, often unacknowledged truth about the relationship between African
American fathers and sons.
Genre: Action/Comedy
Theme:
Even if they're gone, your loved ones are always with you.
Tone:
This film will have a very lighthearted, happy tone that will be reflected in the character
moments between father and son. It will then be juxtaposed by the somber image of Tyrone
riding his bike alone, and the folded American flag with a customized plaque at the end.
Plot Summary:
Tyrone sits on the ground, sniffling. He’s just fallen off his bike and he’s frustrated because he
can’t figure out how to ride it by himself. He calls for his father, and Shaquan shows up and lifts
Tyrone up off the ground. Tyrone is reminded he has to be strong, and Shaquan picks up the
bike and helps his son learn how to ride it but disappears. Ty runs inside to let his mother know
he learned how to ride the bike, and the folded American flag with a plaque dedicated to
Shaquan is revealed.
Audience Takeaway:
You carry your loved ones with you, everywhere you go. No one is ever really gone.

THE BIKE
2. Visual References
Figure 1: “Raising Dion” (2019)
Figure 2: “Raising Dion” (2019)

THE BIKE
Figure 3: “Today’s Parent – How to teach your child to ride a bike”
Figure 4: “Alamy – Father Teaching Son to Ride Bicycle”

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Figure 5: “iStock – Black Military Man”
Figure 6: “Alamy – Folded American Flag”

THE BIKE
Figure 7: “Etsy – United States Air Force plaque”
3. Color Palette
This film will have complementary colors, combining contrasting, cool colors to create a
technical and emotional tone to the film that will pull us into the happy moments of the film and
contrast that to the more solemn moment at the end of the film.
Color Examples:

THE BIKE
Figure 8: Knives Out (2019)
Figure 9: Man of Steel (2013)

THE BIKE
4. Essential Prop References
The Bike
Figure 10: The Bike
The Folded American Flag
Figure 11: A Folded American Flag on the mantle
United States Air Force Coins

THE BIKE
Figure 12: United States Air Force Hero’s Valor Prayer
Military Dog Tags
Figure 13: Military Dog Tags
United States Air Force Plaque

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Figure 14: United States Air Force plaque
5. Set Design
Figure 15: House in Beaufort, South Carolina

THE BIKE
6. Sound
The score I utilize for this film will be an emotional one, that will touch on the heart-warming
moments in the film and add to the depth of those beginning scenes and the relationship between
father and son. The final moments of the film will be somber. Once Shaquan disappears, the
music will change into a more patriotic, emotional theme that will underscore the scenes of Ty’s
triumph of riding the bike and the symbolism of the folded American flag and what it means.
7. Editing
The editing in this film will be utilize tripod, stabilized shots with the addition of handheld shots
as well. Cohesive pacing and coverage of the scenes will be utilized in the different shots
ultimately chosen, and a specific pan in will be utilized in the film’s opening. Additionally, the
film will end that way as well, with the camera following Ty into the house and slowly pan in on
the folded American flag on the mantle.
8. Cinematography
There is only one primary location in the film: The House. That location will be broken down
into the interior and exterior, and that exterior includes the front yard, the driveway, and the
gravel of the road.
The camera work will help to bring this film to life and show that Ty does feel small and alone in
a big neighborhood without his father until his father shows up. The shots in this film will be
composed using natural elements of that neighborhood and the world around it, in addition to
depth of field, to create a more cinematic feel to the film.
The camerawork in the film will be developed using specific movements by the camera operator
to capture that natural feel of the film and make it feel like the audience is right there with Ty
and his father.
9. Audience Takeaway
Our loved ones are never really gone. They’re always with us and we carry them in our minds
and in our hearts. This film will be about a child learning to ride his bike and will touch on that
special moment that fathers and sons share when a father teaches his son how to ride a bike. It
will entertain and make the audience feel good, but also give them that somber takeaway from it,
and showcase a good relationship between a black man and his son in entertainment, as film is
ultimately entertainment but also an expression of art and the world around us.

THE BIKE
Written by
Josh Bing
Hjbing@student.fullsail.edu
843-941-0214

EXT. MORRIS HOME, SIDEWALK - DAY
1 1
TYRONE MORRIS, 7, African-American, sits on the ground and
stares at a fallen bike. CU on spinning bike wheels.
TYRONE
I can’t do it, dad. I keep trying
and I can’t do it. I keep falling
down.
CU shot on SHAQUAN MORRIS, 30s, African American in military
uniform, kneeling next to the fallen bike. He picks it up.
Shaquan picks Tyrone up and brushes him off. Tyrone sniffles
Shaquan shields his eyes from the sun, shakes his head.
TYRONE (CONT'D)
I know dad. I shouldn’t cry. I
gotta be strong like you.
Shaquan acknowledges this, stands behind the bike. CU on
Tyrone getting on the bike and readjusts his helmet, closes
his eyes. Shaquan pushes the bike and moves with it.
FS on Tyrone, peddling by himself. He opens his eyes.
TYRONE (CONT'D)
I’m doing it, dad! I’m doing it!
Shaquan smiles. He rides down the sidewalk and back.
INT. MORRIS HOME, LIVING ROOM - DAY
2 2
MS of Tyrone running inside, smiling.
TYRONE
We did it mom! Dad and I did it!
A folded American flag on the mantle with a plaque. It reads,
“In Loving Memory of Shaquan Morris. Hero. Husband. Father.”
THE END

THEBIKE
Writtenby
JoshBing
Hjbing@student.fullsail.edu 843-941-0214

MORRIS HOME, SIDEWALK - DAY
1B 1C 1D 1E 1F 1G 1H 1J 1K 1L 1M
1
1 EXT. 1
TYRONEMORRIS,7,African-American,sitsonthegroundandstares atafallenbike.CU on
spinning bikj
e
osh
w
bi
h
ng
eels.
TYRONE
Ican’tdoit,dad.I keeptrying
andI can’tdo it.I keep fallingdown.
CUshotonSHAQUANMORRIS,30s,AfricanAmericaninmilitary
uniform,kneeling nexttothefallenbike.Hepicks itup.
ShaquanpicksTyroneupandbrusheshimoff.TyronesnifflesShaquanshields hiseyes
fromthesun,shakes his head.
TYRONE (CONT'D)
Iknowdad.Ishouldn’tcry.Igottabestrong
likeyou.
Shaquan acknowledges this, stands behind the bike. CU on Tyronegettingonthebike
andreadjustshishelmet,closeshis eyes.Shaquan pushes the bikeand moves with it.
FSonTyrone,peddling byhimself.Heopenshiseyes.
TYRONE (CONT'D)
I’mdoing it,dad! I’mdoing it!
Shaquansmiles.Heridesdownthesidewalkandback.
2
2 INT. MORRIS HOME, LIVING ROOM - DAY 2
MSofTyronerunninginside,smiling.
TYRONE
Wedid itmom! Dad andI did it!
AfoldedAmericanflagonthemantlewithaplaque.Itreads,
“InLovingMemoryofShaquanMorris.Hero.Husband.Father.”
THE END
1N

Scene #: 1 Sheet #: 1
Script Page: 1
Page Count: 5/8
Breakdown Sheet Int/Ext: EXT
Day/Night: Day
Scene Description: Tyrone falls of bike. Shaquan helps him get back up and ride it
Settings: Morris Home, Sidewalk
Location:
Sequence: Script Day: 1
Cast Members
SHAQUAN MORRIS
TYRONE MORRIS
Vehicles
BIKE
Wardrobe
MILITARY UNIFORM
Set Dressing
SIDEWALK
Printed on Aug 11, 2021 at 7:36 AM Page 1

Scene #: 2 Sheet #: 4
Script Page: 1
Page Count: 2/8
Breakdown Sheet Int/Ext: INT
Day/Night: Day
Scene Description: Tyrone runs inside. A folded American flag and a customized plaque in Shaquan's Memory
Settings: Morris Home, Living Room
Location: Ellis House
Sequence: Script Day: 1
Cast Members
TYRONE MORRIS
Set Dressing
MANTLE
Printed on Aug 11, 2021 at 7:36 AM Page 2

Sheet #: 1
6/8 pgs
Scenes:
1
EXT
Morris Home, Sidewalk Day
Tyrone falls of bike. Shaquan helps him get back up and ride
Sheet #: 4
2/8 pgs
Scenes:
2
INT
Morris Home, Living Room Day
Tyrone runs inside. A folded American flag and a customized

START OF DAY/SET UP 1:00
Sheet #: 1
6/8 pgs
Scenes:
1
EXT
Morris Home, Sidewalk Day
Tyrone falls of bike. Shaquan helps him get back up and ride
SNACK TIMES FOR KID TALENT 0:25
LUNCH 1:00
Sheet #: 4
2/8 pgs
Scenes:
2
INT
Morris Home, Living Room Day
Tyrone runs inside. A folded American flag and a customized
BREAKDOWN/END OF DAY
End of Shooting Day 1

1st
AD SHOOTING SCHEDULE
Full Sail University Film Department
PROJECT TITLE: The Bike
PRODUCER: Josh Bing
DIRECTOR(S): Josh Bing
DATE: September 18th
, 2021 DAY #: 1 OF 2
Scene Shot Time In Time Out Over/Under Location Comments
9:00 AM 9:05 AM CREW CALL AT MINT FARM NEIGHBORHOOD
9:05 AM 9:10 AM SAFETY MEETING
9:10 AM 10:00 AM LOAD IN/OUT/SET UP FOR SCENE #1
9:30 AM 10:00 AM TALENT CALL
1 A 10:00 AM 10:15 AM SIDEWALK BIKE WHEELS SPINNING
1 B 10:15 AM 10:30 AM SIDEWALK TYRONE TALKS TO DAD
1 D 10:30 AM 11:00 AM SIDEWALK SHAQUAN PICKS TYRONE UP
1 E, G 11:00 AM 11:20 AM SIDEWALK TYRONE SNIFFLES, SAYS HE’S GOTTA BE STRONG
11:20 AM 11:30 AM SNACK TIME FOR KID TALENT
1 H, K 11:30 AM 12:00 PM SIDEWALK SHAQUAN STANDS BEHIND BIKE
1 J 12:00 PM 12:20 PM SIDEWALK TYRONE PUTS ON HELMET, CLOSES EYES
1 L 12:20 PM 12:40 PM SIDEWALK TYRONE PEDDLES. SHAQUAN LETS HIM GO
1 M 12:40 PM 1:00 PM SIDEWALK TYRONE PEDDLES BY HIMSELF
1:00 PM 1:15 PM SNACK TIME FOR KID TALENT
2 A 1:15 PM 1:35 PM HOUSE TYRONE RUNS INSIDE. WE SEE FOLDED AMERICAN FLAG
1:35 PM 1:40 PM WRAP ON PARKER
1:40PM 2:40 PM LUNCH
1 C 2:40 PM 3:00 PM SIDEWALK SHAQUAN PICKS UP BIKE
1 F 3:00 PM 3:30 PM SIDEWALK SHAQUAN SHAKES HIS HEAD, SHIELDS HIS EYES
1 N 3:30 PM 3:40 PM SIDEWALK SHAQUAN SMILES
3:40 PM 3:45 PM BREAKDOWN
3:45 PM 3:55 PM LOAD IN/OUT
3:55 PM 4:00 PM WRAP MEETING
4:00 PM DEPARTURE

Title: The Bike
Producer: Josh Bing
Director: Josh Bing
Shooting Date: Sept 18, 2021
Budget Created By: Josh Bing
Budget Date: August 11, 2021
Acct# Category Description Page Total
1000 Story and Rights 1 $0
1100 Producers 1 $1
1200 Directors 1 $1
1300 Cast 1 $2
1400 Above-The-Line Travel/Other 2 $0
Total Above-The-Line $4
1500 Extra Talent 3 $0
1600 Production Staff 3 $0
1700 Production Film & Lab 3 $0
1800 Camera 3 $376
1900 Wardrobe 4 $100
2000 Makeup and Hairdressing 4 $0
2100 Set Dressing 5 $0
2200 Props 5 $60
2300 Art Department 5 $228
2400 Set Construction 6 $0
2500 Video 6 $0
2600 Sound Recording 6 $0
2700 Set Lighting 7 $0
2800 Set Operation 7 $59
2900 Facilities 8 $0
3000 Special Effect 8 $0
3100 Locations 8 $8
3200 Transportation 9 $0
3300 Second Unit 9 $0
Total Production $831
3400 Editing 11 $0
3500 Music 11 $0
3600 Post Production Sound 11 $0
3700 Post Production Film & Lab 11 $0
3800 Titles & Opticals 12 $0
Total Post Production $0
3900 Insurance 13 $0
4000 Publicity 13 $0
4100 Product Placement 13 $0
4200 General Expense 13 $0
Total Other $0
The Entertainment Partners Services Group, EP Budgeting

Total Below-The-Line $831

Total Above and Below-The-Line $835
Total Fringes $46
Grand Total $881

Acct# Description Amt Units X Rate Sub T Total
1000 Story and Rights
1001 Writer Fee $0
1002 Story Rights $0
1003 Script Registration $0
1004 Copyright $0
1010 Supplies $0
Account Total for 1000 $0
1100 Producers
1101 Executive Producer
Josh Bing 1 1 1 1 1
Total $1
1102 Associate Producer $0
1130 Producer Misc. Expenses $0
1200 Directors
1201 1st Unit Director
Josh Bing 1 1 1 1 1
Total $1
1202 2nd Unit Director $0
1203 Choreographer $0
1230 Miscellaneous Expenses $0
1300 Cast
1301 Principal Players
Parker Wing 1 1 1 1
Chris Bing 1 1 1 1
Total $2
1302 Day Players $0
1303 Stunt Coordinator $0
1304 Stunt Players $0
1306 Stunt Equipment $0
1307 Cast Looping & Expenses $0

1308 SAG Costs $0
1312 Overtime/Adjustments $0
1400 Above-The-Line Travel/Other
1501 (Travel/other name required) $0

1500 Extra Talent
1501 Stand-ins $0
1502 General Background $0
1503 Mileage/Car Allowances $0
1504 FIttings/Interviews $0
1512 Overtime/Adjustments $0
1600 Production Staff
1601 Unit Production Manager $0
1602 1st Assistant Director $0
1603 2nd Assistant Director $0
1604 Production Coordinator $0
1605 Script Supervisor $0
1606 Location Manager $0
1607 Production Assitants $0
1608 Teacher-Welfare Worker $0
1610 Supplies $0
1611 Purchases $0
1613 Rentals $0
1700 Production Film & Lab
1701 Raw Film Stock $0
1702 Negative Developing $0
1703 Positive Prints $0
1704 1/4" Tape $0
1705 Sound Transfer $0
1706 Telecine Transfer $0
1707 Poloroid Film $0
1730 Miscellaneous Expense $0
1800 Camera
1801 Director of Photography $0
1802 Camera Operator

Continuation of Account 1802
Camera Operator
Total $0
1803 1st Asst. Cameraman $0
1804 2nd Asst. Cameraman $0
1805 Still Photographer $0
1811 Purchases
CAMERA CAGE KIT 1 1 59.99 60
REFLECTOR 1 1 35.99 36
RONIN-SC 3 STABILIZER 1 1 279.99 280
Total $376
1813 Rentals $0
1814 Loss, Damage, & Repair $0
1900 Wardrobe
1901 Designers $0
1902 Lead Costumers $0
1910 Materials/Supplies $0
1911 Purchases
MILITARY UNIFORM 1 1 100 100
Total $100
1913 Rentals $0
1914 Loss & Damage $0
2000 Makeup and Hairdressing
2001 Key Makeup Artist $0
2002 Head Hair Stylist $0
2003 SPFX Makeup $0
2011 Purchases $0
2013 Rentals $0
2014 Loss and Damages $0

2100 Set Dressing
2101 Set Decorator $0
2102 On-set Dresser $0
2111 Purchases $0
2113 Rentals $0
2200 Props
2201 Propmaster $0
2202 Asst Propmaster $0
2203 Wranglers/Handlers $0
2204 Animals $0
2205 Picture Vehicles $0
2211 Purchases
BIKE 1 1 60 60
Total $60
2213 Rentrals $0
2300 Art Department
2301 Production Designer $0
2302 Art Director $0
2303 Set Designers $0
2304 Production Assistants $0
2311 Purchases
US AIR FORCE CUSTOM PLAQUE 1 1 129.95 130
US IR FORCE HERO'S VALOR PRAYER COINS 1 1 12.99 13
MILITARY DOGTAGS 1 1 14.99 15
FOLDED AMERICAN FLAG DISPLAY 1 1 69.95 70
Total $228
2313 Art Department Rentals $0

2400 Set Construction
2401 Construction Coordinator $0
2402 Construction Labor $0
2403 Strike & Restorations $0
2404 Trash Removal $0
2410 Materials & Supplies $0
2413 Equipment Rentals $0
2414 Loss & Damages $0
2430 Misc. Expenses $0
2500 Video
2501 Supervisor $0
2502 Video Operator $0
2503 Additional Labor $0
2504 Video Editiing $0
2505 Video Transfers $0
2506 Video Contracts $0
2511 Purchases $0
2513 Rentals $0
2530 Miscellaneous $0
2600 Sound Recording
2601 Production Mixer $0
2602 Boom Operator $0
2603 Audio Playback $0
2604 Walkie Talkies $0
2610 Sound Equp. Supplies $0
2611 Sound Equp. Purchases $0
2613 Sound Equp. Rentals $0
2630 Miscellaneous Exoenses $0

2700 Set Lighting
2701 Gaffer $0
2702 Best Boy $0
2703 Generator Operators $0
2704 Rig/Strike Labor $0
2705 Globes & Carbons $0
2711 Purchases $0
2713 Rentals $0
2800 Set Operation
2801 Key Grip $0
2802 Best Boy $0
2803 Dolly Grip/Crane Grip $0
2804 Rig/Strike Labor $0
2805 Craft Service/Lunch
NESTLE WATER 1 2 11 22
COOKIE VARIETY PACK 1 1 12.94 13
BANANAS 1 3 1.63 5
STRAWBERRIES 1 2 4.54 9
SLICED APPLES 1 2 2.98 6
DOUGHNUTS 1 1 3.98 4
Total $59
2806 Craft Service Supplies $0
2807 Dolly Rentals $0
2808 Crane Rentals $0
2809 First Aid $0
2810 Materials & Supplies $0
2811 Purchases $0
2813 Rentals $0

2900 Facilities
2901 Producers Office $0
2902 Production Office $0
2903 Directors Office $0
2904 Stage #1 $0
2905 Stage #2 $0
2906 Storage $0
3000 Special Effect
3001 Speical Effects Foreman $0
3002 Special Effects Technician $0
3003 Labor $0
3010 Supplies $0
3011 Purchases $0
3013 Rentals $0
3100 Locations
3101 Site Rentals, Fees, & Permits $0
3102 Fireman/Police/Watchmen $0
3103 Scouting Expenses $0
3104 First Aid & Medical Services $0
3105 Location Employees $0
3106 Catered Meals
Tomato Basil Garlic 1 1 1 1.38 1
Spaghetti 1 1 1 1.14 1
Ground Beef 1 1 1 5.24 5
Total $8
3107 Catering Staff $0
3108 Location Parking $0
3109 Shipping & Forwarding Costs $0
3110 Special Equipment $0

3111 Purchases $0
3113 Rentals $0
3200 Transportation
3201 Coordinator $0
3202 Trans Captin $0
3203 Location Drivers $0
3204 Truck Rental $0
3205 Dressing Room Rental $0
3206 Location Equipment $0
3207 Gas, Oil & Vehicle Washes $0
3208 Repairs & Maintenance $0
3209 Self-Drivers $0
3313 Rentals $0
3300 Second Unit
3301 Producer $0
3302 Director $0
3303 Cast $0
3304 Bits & Stunts $0
3305 Extras $0
3306 Travel/Expenses $0
3307 Production Staff $0
3308 Makeup & Hair $0
3309 Camera $0
3315 Film/Lab $0
3316 Set Construction/Design $0
3317 Set Lighting $0
3318 Sound $0
3319 Locations $0

3320 Transportation $0
3330 Miscellaneous $0
Total Production $831

3400 Editing
3401 Editor $0
3402 Assistant Editor $0
3411 Purchases $0
3413 Rentals $0
3500 Music
3501 Clearences $0
3502 Song Writers $0
3503 Composers $0
3504 Music Supervisor $0
3600 Post Production Sound
3601 Dubbing Stage $0
3602 ADR Stage $0
3603 Foley and EFX Recording $0
3604 Tape Transfers $0
3611 Purcahses $0
3613 Rentals $0
3700 Post Production Film & Lab
3701 Film Leader $0
3702 Negative Splicing $0
3703 Picture Reprints $0
3704 Stock Shots $0
3705 Opticals $0
3706 Video Dupes $0
3707 Video Cassette $0
3708 Video Delivery $0
3711 Purchases $0
3712 Lab Overtime $0

3713 Rentals $0
3800 Titles & Opticals
3801 Titles $0
3802 Main & End Titles $0
3803 Optical Development $0
Total Post Production $0

3900 Insurance
3901 Cast Insurance $0
3902 Negative Insurance $0
3903 Extra Expense $0
4000 Publicity
4001 Publicist $0
4002 Film Festivals $0
4003 Marketing Materials $0
4100 Product Placement
4101 Product 1 $0
4102 Product 2 $0
4200 General Expense
4201 Office Supplies $0
4202 Local Meals $0
4203 Photocopies $0
4204 Office Postage & Shipping $0
4205 Telephones $0
4206 Fax $0
4213 Rentals $0
Total Other $0

Total Below-The-Line $831
Total Above and Below-The-Line $835
Total Fringes $46
Grand Total $881

CAST MEMBERS
SHAQUAN MORRIS TYRONE MORRIS

SHOT LIST
PRODUCER: Josh Bing
DP: Josh Bing
DATE: Sept. 11-12th
PAGE #: 1 OF 2
Scene # Shot # Shot
Size
Description of Shot Setup Location
1 A Close Up Bike Wheels Spinning 50 MM Sidewalk
B Medium
Shot
Tyrone talks to dad 35 MM Sidewalk
C Close Up Shaquan picks up bike 50 MM Sidewalk
D Medium
Shot
Shaquan picks Tyrone up 35 MM Sidewalk
E Close Up Tyrone sniffles again 50 MM Sidewalk
F Close Up Shaquan shakes his head, shields his eyes 50 MM Sidewalk
G Close Up Tyrone says he’s gotta be strong 50 MM Sidewalk
H Medium
Shot
Shaquan stands behind the bike 35 MM Sidewalk
J Close Up Tyrone readjusts his helmet, closes his eyes 50 MM Sidewalk
K Medium
Shot
Shaquan pushes the bike 35 MM Sidewalk
L Close Up Tyrone peddles. Shaquan lets him go 50 MM Sidewalk
M Full Shot Tyrone peddles by himself. He opens his eyes 28 MM Sidewalk
N Close Up Shaquan smiles 50 MM Sidewalk

SHOT LIST
PRODUCER: Josh Bing
DP: Paul Stewart
DATE: Sept. 11-12th
PAGE #: 2 OF 2
Scene # Shot # Shot
Size
Description of Shot Setup Location
2 A Medium
Shot
Tyrone runs inside, tells his mom he and dad
did it. We see the folded American flag with
the plaque
35 MM Living Room

STORYBOARD
Full Sail University Film Production MFA: Storyboard
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 1 OF 7
Shot #
1A
Shot Description
Bike Wheels Spinning. Slow Pan in on Camera
Audio
Rhode Microphone
Shot #
1B
Shot Description
Tyrone talks to dad
Audio
Rhode Microphone

STORYBOARD
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 2 OF 7
Shot #
1C
Shot Description
Shaquan picks up bike
Audio
Rhode Microphone
Shot #
1D
Shot Description
Shaquan picks Tyrone up
Audio
Rhode Microphone

STORYBOARD
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 3 OF 7
Shot #
1E
Shot Description
Tyrone sniffles
Audio
Rhode Video Microphone
Shot #
1F
Shot Description
Shaquan shakes his head
Audio

STORYBOARD
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 4 OF 7
Shot #
1G
Shot Description
Tyrone says he’s gotta be strong
Audio
Shot #
1H
Shot Description
Shaquan stands behind the bike
Audio

STORYBOARD
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 5 OF 7
Shot #
1J
Shot Description
Tyrone readjusts helmet, closes eyes
Audio
Shot #
1K
Shot Description
Shaquan pushes bike
Audio

STORYBOARD
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 6 OF 7
Shot #
1L
Shot Description
Tyrone peddles. Shaquan lets him go
Audio
Shot #
1M
Shot Description
Tyrone peddles by himself. He opens his eyes
Audio

STORYBOARD
PRODUCER: Josh Bing
DIRECTOR: Josh Bing
, 2021, PAGE #: 7 OF 7
Shot #
1N
Shot Description
Shaquan smiles
Audio
Shot #
2A
Shot Description
Tyrone runs in house, tells mom he and dad did it
Audio

THE BIKE
Camera
and
Lighting
Plots

I/
-0-
/1
Sun
Tyrone (Parker)
Bounce Board (Key Light)
Shot 1A - 50mm

# ELEMENT DESCRIPTION SCENE NUMBER(S)
001 US AIR FORCE CUSTOM PLAQUE 2
002 US AIR FORCE HERO’S VALOR PRAYER COINS 2
003 MILITARY DOG TAGS 2
004 FOLDED AMERICAN FLAG 2
005 BIKE 1
PROPS PRODUCTION NAME: The Bike
DATE: September 18
1

SET DRESSING PRODUCTION NAME: The Bike
DATE: September 18
001 US AIR FORCE CUSTOM PLAQUE 2
002 US AIR FORCE HERO’S VALOR PRAYER COINS 2
003 MILITARY DOG TAGS 2
004 FOLDED AMERICAN FLAG 2
2

WARDROBE PRODUCTION NAME: The Bike
DATE: September 18
001 AIR FORCE UNIFORM 1
3

MAKE-UP / HAIR PRODUCTION NAME: The Bike
DATE: September 18
001 N/A
4

TITLE, NAME EMAIL ADDRESS TELEPHONE AVAILABILITY
Director, Writer, Producer
JOSH BING
hjbing@student.fullsail.edu 843-941-0214 Open availability
1st AD, Cam Op, DP
NATE MADDEN
nate94012@gmail.com 352-777-5821 Open availability
CREW LIST

'
1

1
Crew Deal Memo
CREW MEMBER:________________________________ SHOOTING DATES: _________________________
POSITION: _____________________________________
ADDRESS: _____________________________________ PHONE: ________________________________
_____________________________________ EMAIL: ________________________________
NAME IN CREDITS: _____________________________
1. SERVICES: Crew Member shall render, in conjunction with the motion picture tentatively entitled
“_______________________________” (hereinafter, “Picture”), all services customarily rendered by
_____________________ in the motion picture industry and at all times promptly comply with Producer’s
reasonable instructions. Crew Member shall provide, maintain in good working order, and bring to set, the
equipment, if any, listed on Exhibit A, which is attached hereto and incorporated by reference, for use in
conjunction with the Picture. Crew Member shall be solely responsible for the safety, maintenance, and upkeep of
all equipment listed therein. Crew Member is aware that Producer is not affiliated with any union or guild, and
warrants that his/her services are not being provided pursuant to a collective bargaining agreement.
2. COMPENSATION: Engagement hereunder is at an “at will” nature and is subject to termination without notice by
either party. Provided Crew Member is not in material breach of this Agreement, in consideration of Crew
Member’s services hereunder, Producer shall pay to Crew Member and Crew Member hereby accepts as
complete consideration a payment of ________ Dollars ($_____). Producer will make available to Crew Member
one (1) digital or DVD copy of the Picture, format being within the sole discretion of Producer, within thirty (30)
days of the final assembly of the Picture, provided that Crew Member requests, in writing, said copy from
Producer no sooner than ninety (90) days and no later than one hundred twenty (120) days after the completion
of Crew Member’s services hereunder.
3. EXCLUSIVITY: Crew Member’s services shall be rendered to Producer on a non-exclusive but first priority basis
while Crew Member is performing services for Producer pursuant to this Agreement. Crew Member shall be
subject to the direction and control of Producer. Crew Member shall comply with all rules and regulations of
Producer, including, without limitation, those set forth herein.
4. PURCHASES/RENTALS/EXPENSES: Purchases, rentals and expenses shall not be reimbursed without the prior
written approval of Line Producer and/or UPM. Purchases and rentals must be made by purchase orders, unless
otherwise authorized in writing in advance by the Line Producer and/or the UPM.
5. GUESTS TO THE SET/PHOTO/PUBLICITY: Crew Member shall not be permitted to bring any guest(s) to the
set without the prior written approval of the Line Producer and/or UPM. No personal photography is permitted on
or around the set.
6. DRUGS/ALCOHOL: The consumption of alcoholic beverages by Crew Member during working hours, and the
use of non-prescribed controlled substance(s), is strictly prohibited and cause for immediate dismissal.
7. RECOVERABLE ITEMS: Crew Member shall be responsible for returning in a timely manner to Producer on or
before completion of the Picture, all materials, equipment, and other items owned or rented by, or otherwise in the
possession of Producer, its agents, assigns or licensees or purchased with Producer’s funds (“Recoverables”). All
Recoverables will be collected upon completion of Crew Member’s services in connection with the Picture. Crew
Member acknowledges and agrees that work originating or created in connection with the production of the
Josh Bing September 18th
Director, Producer
3100 Bishop Park Drive, Apartment 113
Winter Park, FL 32792
843-941-0214
hjbing@student.fullsail.edu
Josh Bing
The Bike
Full Sail
One 1

2
Picture, including, without limitation, correspondence and documents, shall be the exclusive property of Producer
and any disclosure or use thereof by Crew Member shall be deemed a material breach hereof. Recoverables
shall include, without limitation, props, wardrobe, equipment, tools, materials, supplies and film stock.
8. NAME/VOICE/LIKENESS/BIO: Crew Member irrevocably grants Producer, its licensees, successors and assigns
the right to use Crew Member’s name, voice, likeness, image and biography in connection with the exploitation
and promotion of the Picture in any manner and any medium whatsoever (including, but not limited to, “behind-
the-scenes” or “making of” films), in perpetuity and throughout the universe, without further compensation.
9. PRODUCT PLACEMENT: Product tie-ins or product placement are not to be made without prior written
permission from Producer.
10. OWNERSHIP: All of the results and proceeds of Crew Member’s services are being specially ordered by
Producer for use as part of a motion picture or audio-visual work and are a “work-made-for-hire” pursuant to 17
U.S.C 101 et seq., and Producer is the sole author and owner of all rights therein forever and for all purpose
throughout the universe, including the right to make any changes. To the extent that Producer is not deemed the
author and owner of all such results and proceeds, Crew Member hereby irrevocably assigns, in perpetuity and
throughout the universe, the same to Producer. Crew Member hereby waives all moral rights, if any.
11. NO AUTHORITY. Crew Member acknowledges and agrees that Crew Member has no right or authority to and
shall not employ any person to serve in any capacity, nor contract for the purchase or rental of any article or
material, nor make any commitment or agreement whereby Producer shall be required to pay any monies or other
consideration, or which shall otherwise obligate Producer, without Producer’s express prior written consent.
12. DAMAGES; EXCLUSIVE REMEDY: In the event of a breach of this Agreement by Producer, Crew Member’s
sole remedy shall be an action at law for damages. In no event shall Crew Member be entitled to equitable or
injunctive relief, and in no event shall Crew Member be entitled to rescind this Agreement or enjoin or restrain the
development, production, distribution or exploitation of the Picture.
13. CREDIT: Screen credit shall be at the sole discretion of the Producer. If credit is granted and provided Crew
Member is not in breach of this Agreement, it shall be as set forth as listed herein above. Notwithstanding
anything to the contrary contained herein, no casual or inadvertent failure of Producer to comply with the credit
provisions hereof shall constitute a breach of this Agreement. Within a reasonable time after receipt of written
notice from Crew Member specifying a failure to accord proper credit in accordance with this Paragraph, Producer
shall use good faith efforts to cure prospectively any such failure with regard to positive prints and/or advertising
materials created after the date of Producer’s receipt of such notice. Producer will contractually obligate third
party licensees and sub-distributors with whom Producer is in privity of contract to comply with the credit
obligations set forth herein, but shall not be responsible or liable to Crew Member for the failure of any such third
party to comply with the same.
14. CONFIDENTIALITY: Crew Member agrees not to disclose any creative and/or material information whatsoever
about this Agreement or the Picture (including, but not limited to, details of conversations or events that transpire
duration of Crew Member’s engagement in connection with the Picture) without Producer’s prior written approval
in each instance. Crew Member shall not issue nor permit others to issue information or statements (written or
otherwise) concerning the Picture or any person or entity connected therewith. Crew Member agrees that Crew
Member shall not sell any rights or stories to any third party to the extent that they relate to or include any
information concerning the Picture, and further agrees not to participate in any manner in the preparation,
production or drafting of any materials produced by third parties that relate to the Picture including, without
limitation, books, magazine articles, newspaper articles, television shows, Internet websites and any other form of
media, without the express prior written consent of Producer. Crew Member shall not make or authorize any
photography, advertising or publicity in connection with the Picture without Producer’s prior written consent.
15. NO OBLIGATION: Nothing herein shall be deemed to obligate Producer to use Crew Member’s services, or the
results of such services, in the Picture, or to produce, release or distribute the Picture or to continue the release
and distribution of the Picture or to otherwise exploit any rights granted to Producer hereunder. Producer shall
have fully discharged Producer’s obligations hereunder by payment of the compensation required hereunder.

3
16. ENTIRE AGREEMENT: This Agreement contains the entire understanding of the parties hereto relating to the
subject matter herein contained, and all prior agreements between the parties have been, by this reference,
merged herein. No representation or warranties have been made other than those expressly provided for herein.
This Agreement may not be altered, modified, changed, rescinded or terminated in any way except by an
instrument in writing signed by the parties hereto. The determination that any provision of this Agreement is
invalid or unenforceable shall not invalidate this Agreement, and the remainder of this Agreement shall be valid
and enforceable to the fullest extent permitted by law. This Agreement shall be governed by and construed in
accordance with Florida law as if this Agreement were executed and performed fully in Florida, without regard to
its conflict-of-laws principles, regardless of where execution and performance hereunder may actually occur, and
the courts located in Orange County, Florida shall have exclusive jurisdiction of all cases and controversies.
17. ASSIGNMENT: Producer may assign, transfer, license, delegate and/or grant all or any part of its rights,
privileges and property hereunder to any person or entity. This Agreement shall be binding upon and shall inure to
the benefit of the parties hereto and their respective heirs, executors, administrators, successors and assigns.
Crew Member may not assign this Agreement or any of Crew Member’s rights or obligations hereunder.
It is specifically agreed that this is not a “Pay or Play” deal or run of the show contract. Producer reserves the right
to terminate Crew Member at any time, for any or no reason, subject only to the obligation to pay the balance of any
compensation earned by Crew Member but unpaid by Producer as of the date of termination.
AGREED TO AND ACCEPTED BY:
______________________________ ___________________________
Crew Member Printed Name Producer Printed Name
______________________________ ___________________________
Signature Signature
______________________________ ____________________________
Date Date
Josh BIng Josh Bing
August 15, 2021 August 15, 2021

4
Exhibit A
1. _____________________________________________
2. _____________________________________________
3. _____________________________________________
4. _____________________________________________
5. _____________________________________________

1
Crew Deal Memo
CREW MEMBER:________________________________ SHOOTING DATES: _________________________
POSITION: _____________________________________
ADDRESS: _____________________________________ PHONE: ________________________________
_____________________________________ EMAIL: ________________________________
NAME IN CREDITS: _____________________________
1. SERVICES: Crew Member shall render, in conjunction with the motion picture tentatively entitled
“_______________________________” (hereinafter, “Picture”), all services customarily rendered by
_____________________ in the motion picture industry and at all times promptly comply with Producer’s
reasonable instructions. Crew Member shall provide, maintain in good working order, and bring to set, the
equipment, if any, listed on Exhibit A, which is attached hereto and incorporated by reference, for use in
conjunction with the Picture. Crew Member shall be solely responsible for the safety, maintenance, and upkeep of
all equipment listed therein. Crew Member is aware that Producer is not affiliated with any union or guild, and
warrants that his/her services are not being provided pursuant to a collective bargaining agreement.
2. COMPENSATION: Engagement hereunder is at an “at will” nature and is subject to termination without notice by
either party. Provided Crew Member is not in material breach of this Agreement, in consideration of Crew
Member’s services hereunder, Producer shall pay to Crew Member and Crew Member hereby accepts as
complete consideration a payment of ________ Dollars ($_____). Producer will make available to Crew Member
one (1) digital or DVD copy of the Picture, format being within the sole discretion of Producer, within thirty (30)
days of the final assembly of the Picture, provided that Crew Member requests, in writing, said copy from
Producer no sooner than ninety (90) days and no later than one hundred twenty (120) days after the completion
of Crew Member’s services hereunder.
3. EXCLUSIVITY: Crew Member’s services shall be rendered to Producer on a non-exclusive but first priority basis
while Crew Member is performing services for Producer pursuant to this Agreement. Crew Member shall be
subject to the direction and control of Producer. Crew Member shall comply with all rules and regulations of
Producer, including, without limitation, those set forth herein.
4. PURCHASES/RENTALS/EXPENSES: Purchases, rentals and expenses shall not be reimbursed without the prior
written approval of Line Producer and/or UPM. Purchases and rentals must be made by purchase orders, unless
otherwise authorized in writing in advance by the Line Producer and/or the UPM.
5. GUESTS TO THE SET/PHOTO/PUBLICITY: Crew Member shall not be permitted to bring any guest(s) to the
set without the prior written approval of the Line Producer and/or UPM. No personal photography is permitted on
or around the set.
6. DRUGS/ALCOHOL: The consumption of alcoholic beverages by Crew Member during working hours, and the
use of non-prescribed controlled substance(s), is strictly prohibited and cause for immediate dismissal.
7. RECOVERABLE ITEMS: Crew Member shall be responsible for returning in a timely manner to Producer on or
before completion of the Picture, all materials, equipment, and other items owned or rented by, or otherwise in the
possession of Producer, its agents, assigns or licensees or purchased with Producer’s funds (“Recoverables”). All
Recoverables will be collected upon completion of Crew Member’s services in connection with the Picture. Crew
Member acknowledges and agrees that work originating or created in connection with the production of the
Nate Madden September 18
Camera Op, 1st AD, DP
352-777-5821
nate94012@gmail.com
Nate Madden
The Bike
Full Sail
One 1
6539 Centerwalk Dr, Apt A

3
16. ENTIRE AGREEMENT: This Agreement contains the entire understanding of the parties hereto relating to the
subject matter herein contained, and all prior agreements between the parties have been, by this reference,
merged herein. No representation or warranties have been made other than those expressly provided for herein.
This Agreement may not be altered, modified, changed, rescinded or terminated in any way except by an
instrument in writing signed by the parties hereto. The determination that any provision of this Agreement is
invalid or unenforceable shall not invalidate this Agreement, and the remainder of this Agreement shall be valid
and enforceable to the fullest extent permitted by law. This Agreement shall be governed by and construed in
accordance with Florida law as if this Agreement were executed and performed fully in Florida, without regard to
its conflict-of-laws principles, regardless of where execution and performance hereunder may actually occur, and
the courts located in Orange County, Florida shall have exclusive jurisdiction of all cases and controversies.
17. ASSIGNMENT: Producer may assign, transfer, license, delegate and/or grant all or any part of its rights,
privileges and property hereunder to any person or entity. This Agreement shall be binding upon and shall inure to
Crew Member may not assign this Agreement or any of Crew Member’s rights or obligations hereunder.
It is specifically agreed that this is not a “Pay or Play” deal or run of the show contract. Producer reserves the right
to terminate Crew Member at any time, for any or no reason, subject only to the obligation to pay the balance of any
compensation earned by Crew Member but unpaid by Producer as of the date of termination.
______________________________ ___________________________
Crew Member Printed Name Producer Printed Name
______________________________ ___________________________
Signature Signature
______________________________ ____________________________
Date Date
Nate Madden Josh Bing
August 14th, 2021
August 14th, 2021

The Bike
Sept 18 Full Sail
14th August 21
Josh Bing

The Bike
September 18 Full Sail
14th August 21
Nate Madden

Personal Release
I, __Josh Bing____________________________, agree to be photographed, filmed and/or recorded by
Full Sail, LLC d/b/a Full Sail University and its currently enrolled students (the “Photographers”) for a
currently untitled project (the “Project), and in consideration for by being permitted to attend and/or
participate in the Project, the Photographer, its heirs, successors, licensees, agents, assigns, and
representatives shall own all rights of every kind in said photography and/or recording (the
“Material”). I hereby grant to Photographers a perpetual, irrevocable, royalty-free release to
incorporate images and/or recordings of any kind or nature containing my name, voice, image, and
likeness into the Project and/or subsequent works. Notwithstanding the foregoing, such grant shall not
include the right to use my name, voice, image or likeness in a manner that implies endorsement of a
third party’s product and/or services.
I hereby grant Photographers, its/his/her heirs, successors, licensees, agents, assigns,
and representatives the nonexclusive right, but not the obligation, to use the Material in connection with
and as part of the Project, for any purpose, and in any media now known or hereafter developed,
throughout the universe.
I hereby expressly waive any and all claims, causes of action, suits, costs, liabilities and
damages whatsoever that I now or hereafter may have against Photographers, its/his/her heirs,
successors, licensees, agents, assigns, and representatives in connection with the preparation,
production and use of the Material and/or the Project.
I warrant that I am fully authorized and have the capacity to grant the rights described hereinabove,
and am under no encumbrance, legal, contractual, or otherwise, that would impair the grant of rights
herein.
Signature: ___________________________ Date: __________
Print Name: _________________________________________
Parents’ Names (if minor): ______________________________
Parents’ Signatures (if minor): ___________________________
Address: ____________________________________________
City/State/Zip: ________________________________________
Phone: ____________________Mobile:___________________
Email: ______________________________________________
By:
Production:
Scene:
Date:
Note:
Aug 14, 2021
Josh Bing
3100 Bishop Park Drive, Apartment 113
843-941-0214
hjbing@student.fullsail.edu
The Bike

Personal Release
I, ___Nate Madden___________________________, agree to be photographed, filmed and/or
recorded by Full Sail, LLC d/b/a Full Sail University and its currently enrolled students (the
“Photographers”) for a currently untitled project (the “Project), and in consideration for by being
permitted to attend and/or participate in the Project, the Photographer, its heirs, successors, licensees,
agents, assigns, and representatives shall own all rights of every kind in said photography and/or
recording (the “Material”). I hereby grant to Photographers a perpetual, irrevocable, royalty-free
release to incorporate images and/or recordings of any kind or nature containing my name, voice,
image, and likeness into the Project and/or subsequent works. Notwithstanding the foregoing, such
grant shall not include the right to use my name, voice, image or likeness in a manner that implies
endorsement of a third party’s product and/or services.
I hereby grant Photographers, its/his/her heirs, successors, licensees, agents, assigns,
and representatives the nonexclusive right, but not the obligation, to use the Material in connection with
herein.
Signature: ___________________________ Date: __________
Print Name: _________________________________________
Address: ____________________________________________
City/State/Zip: ________________________________________
Phone: ____________________Mobile:___________________
Email: ______________________________________________
By:
Production:
Scene:
Date:
Note:
Aug 14, 2021
Nate Madden
843-941-0214
nate94012@gmail.com
The Bike
6539 Centerwalk Dr, Apt A

THE BIKE
Key Crew
Bios &
Pictures

Joshua Bing
Joshua Bing is a filmmaker based in
Orlando, Florida. Josh works part-time as a
director, screenwriter, and producer on
local independent film productions. He is
currently a full-time student at Full Sail
University and is set to graduate in late
2021. Josh wrote the script “Wait For Me”,
which won the Gordon K. Haist award. His
goal post-graduation is to move to Atlanta
and continue to develop his technical and
creative filmmaking abilities.
Nate Madden
A Full Sail University graduate in Digital
Cinematography and an Air Force veteran,
Nate Madden is a photographer and
filmmaker from Niagara Falls, New York.
After serving his country, Nate has
continued to pursue a career in the
independent world of filmmaking, applying
his skills of communication and media
studies to both big and small productions.

ROLE, NAME HOME ADDRESS EMAIL ADDRESS TELEPHONE
Shaquan Morris

Christopher Bing
44 Leo Green Road
Beaufort, SC 29906
christopherbing16@gmail.com 843-521-0413
Tyrone Morris
Parker Wing
134 Bruce K Smalls Dr
Beaufort, SC 29906
philicawing87@yahoo.com 843-295-2761
CAST LIST

'
1

1
THIS AGREEMENT, effective as of the __15th___ day of ______August____________ 2021 is made by
and between ________Josh Bing__________________, a student group enrolled in and working under the supervision of
Full Sail, LLC d/b/a Full Sail University, (“Producer”) and ___________Parker Wing______________________ ("Artist"),
with respect to Artist’s portrayal of the role “__________Tyrone Morris___________________________” in the
production of the motion picture currently entitled “_________The Bike________________________” (the
“Picture”).
1. ARTIST’S SERVICES: Artist shall render all services customarily rendered by actors in first-class theatrical motion
pictures in the motion picture industry, and at all times promptly comply with Producer’s reasonable instructions.
Photography shall be exclusive and rendered consecutively until the completion thereof. After the completion of principal
photography, the dates and call times for which shall be provided to Artist in writing, Artist shall be available for customary
post-production services, subject to his/her then existing prior professional commitments. Producer reserves the right to
terminate Artist’s services at any time, for any or no reason, with or without notice.
2. TERM: The term of Artist’s services shall commence on the date of execution of this Agreement, and shall continue until
the full and satisfactory completion of all services to be rendered by Artist hereunder or the earlier termination of this
Agreement.
3. COMPENSATION: Provided Artist is not in material breach of this Agreement, in consideration of Artist’s services
hereunder, Producer shall pay to Artist and Artist hereby accepts as full and complete consideration a payment of
__One______ Dollars ($__1___). Artist shall not be entitled to, nor will be paid, residuals, royalties, deferred or
contingent compensation, or any other post-term compensation of any kind or nature. Producer will make available to
Artist one (1) digital or DVD copy of the Picture, format being within the sole discretion of Producer, within thirty (30)
days of the final assembly of the Picture, provided that Artist requests, in writing, said copy from Producer no sooner than
ninety (90) days and no later than one hundred twenty (120) days after the completion of Artist’s services hereunder.
4. CREDIT: Provided Artist is not in material breach of this Agreement, Artist shall receive credit in substantially the following
form:
a. ____Parker Wing________________________________in the role of________Tyrone Morris_____________.
b. Artist’s credit will appear (check one):
____ in the end titles of the Picture.
____ in the end and main titles of the Picture, all positive prints of the Picture, and all paid advertisements, if any,
subject to industry-standard exclusions.
c. All other aspects of credit and all other credits shall be at the sole discretion of Producer.
d. No casual or inadvertent failure of Producer to comply with the credit provisions hereof shall constitute a breach of this
Agreement. Within a reasonable time after receipt of written notice from Artist specifying a failure to accord proper credit in
accordance with this Paragraph, Producer shall use good faith efforts to cure prospectively any such failure with regard to
positive prints and/or advertising materials created after the date of Producer’s receipt of such notice. Producer will
contractually obligate third party licensees and sub-distributors with whom Producer is in privity of contract to comply with
the credit obligations set forth herein, but shall not be responsible or liable to Artist for the failure of any such third party to
comply with the same.
5. PUBLICITY AND PROMOTION: Producer has the unlimited right to use the name, voice, image and likeness of Artist
in conjunction with the Picture, to promote and advertise the Picture, and to include the name, voice, image and likeness of
Artist in any media now known or later developed and/or in an extra or bonus materials, such as “behind the scenes” and
“making of.” No product endorsement may be implied without the prior consent of Artist first being obtained.
6. REPRESENTATIONS AND WARRANTIES: Artist represents and warrants that he/she is free to enter into this
Agreement and will not do or permit any act which will interfere with or derogate from the full performance of Artist’s services
NON-SAG Talent Agreement

2
or Producer’s exercise of the rights herein granted. Artist warrants that he/she has full capacity to grant the rights described
hereinabove, and is under no encumbrance, legal, contractual, or otherwise, that would impair the rights granted herein.
Artist is aware that that Producer is not affiliated with the Screen Actor’s Guild (SAG) and that the Picture is a non-SAG
project.
7. WORK-MADE-FOR-HIRE:
a. Artist hereby acknowledges that all of the results and proceeds of Artist’s services hereunder shall constitute a "work-
made-for-hire" specially commissioned by Producer, and Producer or Producer’s assignee shall own all such results and
proceeds. Producer shall have the right to use Artist’s name and approved likeness with respect to distribution and
exploitation of the Picture. Producer may make such use, if any, of the Picture and distribution of the Picture as Producer,
in its sole discretion, shall deem appropriate.
b. If Artist’s services are not recognized as a “work-made-for-hire,” Artist hereby irrevocably grants, sells and assigns to
Producer, its successors and assigns, all of Artist’s rights, title and interest of any kind and nature, in and to the Picture,
including, without limitation, all copyrights in connection therewith and all tangible and intangible properties with respect to
the Picture, in perpetuity, whether in existence now or as may come into existence in the future.
c. Artist waives the exercise of any “moral rights” and “droit moral” and any analogous rights however denominated now
or hereafter recognized. All rights granted and agreed to be granted to Producer hereunder are irrevocable and shall vest
and remain perpetually vested in Producer, its successors and assigns, whether this Agreement expires in normal course
or is sooner terminated, and shall not be subject to rescission by Artist for any cause whatsoever.
8. APPROVALS AND CONTROLS: Producer shall solely have all approvals and controls of all kinds and nature, with
respect to the Project, including, but not limited to, all decisions involving artistic taste and judgment. As such, Producer is
under no obligation to include Artist in the final cut of the Picture.
9. MISCELLANEOUS:
a. Indemnification. Artist shall indemnify and defend Producer from and against any and all claims and damages, including
reasonable attorney’s fees and costs, arising out of a breach of Artist’s warranties, covenants, representations or
agreements as provided herein to the extent such claim or damage does not arise out of a breach by Producer.
b. Choice of Law and Venue. This Agreement shall be governed by and construed in accordance with the laws of the
State of Florida, without regard to its conflict-of-laws principles. Venue for any and all disputes arising out of or related to
this Agreement shall properly lie in Orange County, Florida. Artist hereby submits to the personal jurisdiction of the State
and Federal courts of Orange County, Florida.
c. Limitation of Damages. In the event of a breach of this Agreement by Producer, Artist’s damages shall be limited to the
amount of compensation payable to Artist under this Agreement, and under no circumstances shall Artist be eligible to
receive special, punitive, or consequential damages. Artist’s sole remedy, if any, shall be an action at law for damages, and
in no event shall Artist be entitled to injunctive or equitable relief, and in no event shall Artist be entitled to rescind this
Agreement or enjoin or restrain the development, production, distribution or exploitation of the Picture. Artist waives any
and all right to file suit against the individual persons associated with this Agreement, and further agrees that Artist’s sole
remedy, if any, shall be recoverable only from Full Sail, LLC.
d. Assignment. Artist may not assign his/her rights or obligations hereunder without the prior written consent of Producer.
Producer may freely assign its rights and obligations hereunder. This Agreement shall be binding upon and shall inure to
e. This Agreement may be signed in counterparts. Facsimile and scanned copies shall be deemed originals for all
purposes.
f. The parties hereto agree to sign such other documents, do and perform and cause to be done and performed such
further and other acts consistent herewith as may be necessary or desirable in order to give full effect to this Agreement.
g. This Agreement constitutes the entire agreement between the parties hereto with respect to all of the matters herein

3
and its execution has not been induced by, nor do any of the parties hereto rely upon or regard as material, any
representations or writing whatsoever not incorporated herein and made a part hereof. No amendment or modification
hereto shall be valid unless set forth in a writing signed by both parties. The determination that any provision of this
Agreement is invalid or unenforceable shall not invalidate this Agreement, and the remainder of this Agreement shall be
valid and enforceable to the fullest extent permitted by law. Failure of either party to require the performance of any term in
this Agreement or the waiver by either party of any breach shall not prevent subsequent enforcement of such term nor be
deemed a waiver of any subsequent breach.
h. Section headings are for convenience only and shall not add to or detract from any of the terms or provisions of this
Agreement. When necessary for appropriate meaning, a plural shall be deemed to be the singular and singular shall be
deemed to be the plural.
AGREED TO AND ACCEPTED BY
__Josh Bing_____________ By
Producer (Printed Name)
___________________________
Producer Signature
__August 15th,
2021___________________ __
Date
__Parker Wing__________________
Artist (Printed Name)
______________________________
Artist Signature
______________________________
Date
__Precious Wing______________
Parent/Guardian’s Printed Name (if minor)
___________________________ Parent/
Guardian’s Signature
_August 15, 2021_____________
Date

1
THIS AGREEMENT, effective as of the __15th___ day of _______August__________ 2021 is made by
and between ________Josh Bing__________________, a student group enrolled in and working under the supervision of
Full Sail, LLC d/b/a Full Sail University, (“Producer”) and __________Chris Bing_______________________ ("Artist"),
with respect to Artist’s portrayal of the role “____________Shaquan Morris__________________________” in the
production of the motion picture currently entitled “____The Bike__________________________” (the “Picture”).
1. ARTIST’S SERVICES: Artist shall render all services customarily rendered by actors in first-class theatrical motion
pictures in the motion picture industry, and at all times promptly comply with Producer’s reasonable instructions.
Photography shall be exclusive and rendered consecutively until the completion thereof. After the completion of principal
photography, the dates and call times for which shall be provided to Artist in writing, Artist shall be available for customary
post-production services, subject to his/her then existing prior professional commitments. Producer reserves the right to
terminate Artist’s services at any time, for any or no reason, with or without notice.
2. TERM: The term of Artist’s services shall commence on the date of execution of this Agreement, and shall continue until
the full and satisfactory completion of all services to be rendered by Artist hereunder or the earlier termination of this
Agreement.
3. COMPENSATION: Provided Artist is not in material breach of this Agreement, in consideration of Artist’s services
hereunder, Producer shall pay to Artist and Artist hereby accepts as full and complete consideration a payment of
____One____ Dollars ($___1.00__). Artist shall not be entitled to, nor will be paid, residuals, royalties, deferred or
contingent compensation, or any other post-term compensation of any kind or nature. Producer will make available to
Artist one (1) digital or DVD copy of the Picture, format being within the sole discretion of Producer, within thirty (30)
days of the final assembly of the Picture, provided that Artist requests, in writing, said copy from Producer no sooner than
ninety (90) days and no later than one hundred twenty (120) days after the completion of Artist’s services hereunder.
4. CREDIT: Provided Artist is not in material breach of this Agreement, Artist shall receive credit in substantially the following
form:
a. _______Chris Bing_____________________________in the role of_____Shaquan Morris____________________.
b. Artist’s credit will appear (check one):
____ in the end titles of the Picture.
____ in the end and main titles of the Picture, all positive prints of the Picture, and all paid advertisements, if any,
subject to industry-standard exclusions.
c. All other aspects of credit and all other credits shall be at the sole discretion of Producer.
d. No casual or inadvertent failure of Producer to comply with the credit provisions hereof shall constitute a breach of this
Agreement. Within a reasonable time after receipt of written notice from Artist specifying a failure to accord proper credit in
accordance with this Paragraph, Producer shall use good faith efforts to cure prospectively any such failure with regard to
positive prints and/or advertising materials created after the date of Producer’s receipt of such notice. Producer will
contractually obligate third party licensees and sub-distributors with whom Producer is in privity of contract to comply with
the credit obligations set forth herein, but shall not be responsible or liable to Artist for the failure of any such third party to
comply with the same.
5. PUBLICITY AND PROMOTION: Producer has the unlimited right to use the name, voice, image and likeness of Artist
in conjunction with the Picture, to promote and advertise the Picture, and to include the name, voice, image and likeness of
Artist in any media now known or later developed and/or in an extra or bonus materials, such as “behind the scenes” and
“making of.” No product endorsement may be implied without the prior consent of Artist first being obtained.
6. REPRESENTATIONS AND WARRANTIES: Artist represents and warrants that he/she is free to enter into this
Agreement and will not do or permit any act which will interfere with or derogate from the full performance of Artist’s services
NON-SAG Talent Agreement

3
and its execution has not been induced by, nor do any of the parties hereto rely upon or regard as material, any
representations or writing whatsoever not incorporated herein and made a part hereof. No amendment or modification
hereto shall be valid unless set forth in a writing signed by both parties. The determination that any provision of this
Agreement is invalid or unenforceable shall not invalidate this Agreement, and the remainder of this Agreement shall be
valid and enforceable to the fullest extent permitted by law. Failure of either party to require the performance of any term in
this Agreement or the waiver by either party of any breach shall not prevent subsequent enforcement of such term nor be
deemed a waiver of any subsequent breach.
h. Section headings are for convenience only and shall not add to or detract from any of the terms or provisions of this
Agreement. When necessary for appropriate meaning, a plural shall be deemed to be the singular and singular shall be
deemed to be the plural.
AGREED TO AND ACCEPTED BY
__Josh Bing_________________
By Producer (Printed Name)
___________________________
Producer Signature
__August 08, 2021____________
Date
__Chris Bing___________________
Artist (Printed Name)
______________________________
Artist Signature
__August 08, 2021_______________
Date
___________________________ Parent/
Guardian’s Printed Name (if minor)
___________________________ Parent/
___________________________
Date
___________________________ Parent/
Guardian’s Printed Name (if minor)
___________________________ Parent/
___________________________
Date

The Bike
September 18 Full Sail
15th
August 21
Chris Bing

The Bike
Sept 18 Full Sail
Philica Wing
15th August 21

Personal Release
I, ____Chris Bing___________, agree to be photographed, filmed and/or recorded by Full Sail, LLC d/
b/a Full Sail University and its currently enrolled students (the “Photographers”) for a currently untitled
project (the “Project), and in consideration for by being permitted to attend and/or participate in the
Project, the Photographer, its heirs, successors, licensees, agents, assigns, and representatives shall
own all rights of every kind in said photography and/or recording (the “Material”). I hereby grant to
Photographers a perpetual, irrevocable, royalty-free release to incorporate images and/or recordings of
any kind or nature containing my name, voice, image, and likeness into the Project and/or subsequent
works. Notwithstanding the foregoing, such grant shall not include the right to use my name, voice, image
or likeness in a manner that implies endorsement of a third party’s product and/or services.
I hereby grant Photographers, its/his/her heirs, successors, licensees, agents, assigns, and
representatives the nonexclusive right, but not the obligation, to use the Material in connection with
herein.
Signature: ___________________________ Date: Aug 15th, 2021
Print Name: __Chris Bing________________________________
Address: __44 Leo Green Road__________________________
City/State/Zip: __Beaufort, SC 29906_____________________
Phone: _843-521-0413________Mobile:_______________
Email: christopherbing16@gmail.com
By:
Production:
Scene:
Date:
Note:
The Bike

Personal Release
I, ______________________________, agree to be photographed, filmed and/or recorded by Full Sail,
LLC d/b/a Full Sail University and its currently enrolled students (the “Photographers”) for a currently untitled
project (the “Project), and in consideration for by being permitted to attend and/or participate in the Project,
the Photographer, its heirs, successors, licensees, agents, assigns, and representatives shall own all rights
of every kind in said photography and/or recording (the “Material”). I hereby grant to Photographers a
perpetual, irrevocable, royalty-free release to incorporate images and/or recordings of any kind or nature
containing my name, voice, image, and likeness into the Project and/or subsequent works. Notwithstanding
the foregoing, such grant shall not include the right to use my name, voice, image or likeness in a manner
that implies endorsement of a third party’s product and/or services.
I hereby grant Photographers, its/his/her heirs, successors, licensees, agents, assigns, and representatives
the nonexclusive right, but not the obligation, to use the Material in connection with and as part of the
Project, for any purpose, and in any media now known or hereafter developed, throughout the universe.
I hereby expressly waive any and all claims, causes of action, suits, costs, liabilities and damages
whatsoever that I now or hereafter may have against Photographers, its/his/her heirs, successors,
licensees, agents, assigns, and representatives in connection with the preparation, production and use of
the Material and/or the Project.
I warrant that I am fully authorized and have the capacity to grant the rights described hereinabove, and
am under no encumbrance, legal, contractual, or otherwise, that would impair the grant of rights herein.
Signature: ___________________________ Date: __________
Print Name: _________________________________________
Address: ____________________________________________
City/State/Zip: ________________________________________
Phone: ____________________Mobile:___________________
Email: ______________________________________________
By:
Production:
Scene:
Date:
Note:
Parker Wing
Philicia Wing
134 Bruce K Smalls Dr
Beaufort, SC 29906
843-295-2761
Philiciawing87@yahoo.com
The Bike

THE BIKE
Key Cast
Bios &
Pictures

Christopher Bing
Christopher Bing was born in Beaufort,
South Carolina, with a love for filmmaking
and a passion for storytelling. A well-known
local art designer, his talents have led him
to begin to pursue a career in acting, with
the goal of obtaining as much experience as
possible to become a more proficient actor
full time in the industry.
Parker Wing
A young boy with big dreams, Parker Wing
was born in Beaufort, South Carolina. An
over-achiever, Parker is a dedicated seven-
year-old boy, who has excelled at his
studies in school and beyond. Known
throughout the community for his unique
ambition, Parker wants to try his hand at
different creative opportunities in life, with
the encouragement and support of his big,
extended family.

SCRIPTED LOCATION CONTACT INFO. SHOOT DATES / TIMES
Morris Home Owner: Erick Alston

Address: 157 Mint Farm Drive

Email: Erickalston07@yahoo.com

Phone: 843-441-5928
09/18/2021 (9:00AM-4:00 PM)

LOCATIONS LIST

'
1

1
Film Title: _________________________________
Location Address: ___________________________
__________________________________________
This Location Agreement is made and entered into this ______ day of ______________ 20____ by and between
______________________, a student group enrolled in and working under the supervision of Full Sail, LLC d/b/a Full Sail University
(“Producer”) and ______________________ (“Grantor”).
1. Grantor hereby irrevocably grants to Producer, and its agents, employees, contractors and suppliers, the right to enter and remain
upon and use the property, both real and personal, located at: ____________________________________________________
(the "Property"), including without limitation, all interior and exterior areas, buildings and other structures of the Property, and the
name, logo, trademark, service mark and/or slogan, and any other identifying features associated therewith or which appear in, on
or about the Property, for the purpose of photographing (including without limitation by means of motion picture, still or videotape
photography) said premises, sets and structures and/or recording sound in connection with the production, exhibition, advertising
and exploitation of the motion picture tentatively entitled ____________________________________ (the "Picture"). Producer shall
not be required to depict the Property in any particular manner.
2. Producer may take possession of said premises for a period of _____ days commencing on or about the ______ day of
________________ 20____ until the ______ day of ________________ 20____, or until the completion of all scenes and work
required, whichever happens first. The dates listed herein are subject to change due to weather conditions or changes in production
schedule.
3. As complete and full consideration for all of the rights granted to Producer hereunder, Producer shall pay to Grantor the total
amount of ____________ Dollars ($______) per day, each day to consist of approximately ___________ hours. Producer is not
obligated to actually use the Property or produce a film or include material photographed or recorded hereunder in the Picture.
Producer may at any time elect not to use the Property by giving Grantor or agent twenty-four (24) hours written notice of such
election, in which case neither party shall have any obligation hereunder.
4. Producer may place all necessary facilities and equipment, including temporary sets, on the Property, and agrees to remove
same after completion of work and leave the Property in as good condition as when received, reasonable wear and tear from uses
permitted herein excepted. Signs on the Property may, but need not, be removed or changed. In connection with the Picture,
Producer may refer to the Property or any part thereof by any fictitious name and may attribute any fictitious events as occurring on
the Property. Grantor irrevocably grants to Producer and Producer's successors and assigns the right, in perpetuity, throughout the
universe, to duplicate and recreate all or a portion of the Property and to use such duplicates and recreations in any media and/or
manner now known or hereafter devised in connection with the Picture, including without limitation sequels and remakes,
merchandising, theme parks and studio tours, and in connection with publicity, promotion and/or advertising for any or all of the
foregoing
5. Producer agrees to use reasonable care to prevent damage to the Property, and will indemnify and hold Grantor harmless from
and against any claims or demands arising out of or based upon personal injuries, death or property damage (ordinary wear and
tear excepted), suffered by such person(s) resulting directly from any act of negligence on Producer's part in connection with the
work hereunder.
6. All rights of every nature whatsoever in and to all still pictures, motion pictures, videotapes, photographs and sound recordings
made hereunder, shall be owned by Producer and its successors, assigns and licensees, and neither Grantor nor any tenant, or
other party now or hereafter having an interest in said property, shall have any right of action against Producer or any other party
arising out of any use of said still pictures, motion pictures, videotapes, photographs and or sound recordings, whether or not such
use is or may claimed to be, defamatory, untrue or censurable in nature. In addition, neither Grantor nor any tenant, nor any other
party now or hereafter having an interest in the Property, shall have any right of action, including, but not limited to, those based
upon invasion of privacy, publicity, defamation, or other civil rights, in connection with the exercise of the permission and/or rights
granted by Grantor to Producer. If there is a breach by Producer hereunder, Grantor shall be limited to an action at law for monetary
Location Agreement
The Bike
157 Mint Farm Drive, Beaufort South Carolina 29906
15th August 21
Full Sail
Erick Alston
157 Mint Farm Drive, Beaufort South Carolina 29906
The Bike
1 18th
September 21 18th September 21
One 1 8

2
damages. In no event shall Grantor have the right to enjoin the development, production, distribution or exploitation of the Picture.
Grantor waives any and all right to file suit against the individual persons associated with this Agreement, and further agrees that
Grantor’s sole remedy, if any, shall be recoverable only from Full Sail, LLC.
7. Force Majeure: If because of illness of actors, director or other essential artists and/or crew, weather conditions, defective film or
equipment, or any other occurrence beyond Producer's control, Producer is unable to start work on the date designated above
and/or work in progress is interrupted during use of the Property by Producer, then Producer shall have the right to use the Property
at a later date to be mutually agreed upon and/or to extend the period set forth in Paragraph 2, and any such use shall be included
in the compensation paid pursuant to Paragraph 3 above.
8. Grantor warrants neither he/she or anyone acting for him/her, gave or agreed to give anything of value, except for use of the
Property, to Producer or anyone associated with the production for using said Property as a shooting location.
9. Grantor represents and warrants that he/she/it is the owner and/or authorized representative of the Property, and that Grantor
has the authority to grant Producer the permission and rights granted in this Agreement, and that the permission of no other person
or entity is required to effectuate the rights granted to Producer hereunder. If any question arises regarding Grantor's authority to
grant the permission and rights granted in this Agreement, Grantor agrees to indemnify Producer and assume responsibility for any
loss and liability incurred as a result of its breach of the representation of authority contained in this paragraph, including, but not
limited to, reasonable attorneys' fees and costs.
10. Choice of Law and Venue. This Agreement shall be governed by and construed in accordance with the laws of the State of
Florida. Venue for any and all disputes arising out of or related to this Agreement shall properly lie in Orange County, Florida.
Grantor hereby submits to the personal jurisdiction of the State and Federal courts of Orange County, Florida.
11. Assignment. Grantor may not assign his/her/its rights or obligations hereunder without the prior written consent of Producer.
Producer may assign its rights and obligations hereunder.
12. This Agreement may be signed in counterparts. Facsimile and scanned copies shall be deemed originals for all purposes.
13. The parties hereto agree to sign such other documents, do and perform and cause to be done and performed such further and
other acts consistent herewith as may be necessary or desirable in order to give full effect to this Agreement.
14. This Agreement constitutes the entire agreement between the parties hereto with respect to all of the matters herein and its
execution has not been induced by, nor do any of the parties hereto rely upon or regard as material, any representations or writing
whatsoever not incorporated herein and made a part hereof. No amendment or modification hereto shall be valid unless set forth in
a writing signed by both parties. The determination that any provision of this Agreement is invalid or unenforceable shall not
invalidate this Agreement, and the remainder of this Agreement shall be valid and enforceable to the fullest extent permitted by law.
Failure of either party to require the performance of any term in this Agreement or the waiver by either party of any breach shall not
prevent subsequent enforcement of such term nor be deemed a waiver of any subsequent breach.
_______________________________ _______________________________
Prod. Co. Representative Name Grantor’s Name
_______________________________ _______________________________
Prod. Co. Representative Signature Grantor’s Signature
On behalf of:____________________
_______________________________ _______________________________
Date Date
Josh Bing
August 15th, 2021 August 15th, 2021
Erick Alston

THE BIKE
Shooting
Location
Checklist

1
Shooting Location & Tech Scouting Checklist
-------------------------------------------------------------------------------------------------------------------------------
A. Story
1. Storytelling:
Does the location meet the scene requirements, and fit the director’s tone? Yes
2. Anachronism:
Does the setting fit the time period? Yes
Notes:
This house fits the needs of the film perfectly. It's not to big, not to small, and the driveway is
exactly what I need to make the film work with the story of riding the bike.
______________________________________________________________________________
B. Sight
1. Wide Shot Test:
- Is a wide frame acceptable? Yes
- Any problematic visual elements in the frame? No
2. 360 Test:
- Are there any problematic areas that need to be avoided? No
3. Commercial Clearance:
- Any properties that require commercial clearance? No
4. Indoor Staging:
- Does your cast, crew and gear fit inside? Yes
- Any special production design needs? Yes
5. Sunlight:
- Any sunlight considerations? No
- Noon? No
- Afternoon? No
- Evening? No

2
6. VFX Needs:
- Would anything need to removed or added in post? No
Notes: I may need to add some additional production design elements next to the mantle with
the American flag. Ex. Pictures of Parker (Tyrone) )
C. Sound
1. HVAC:
- Can you turn off the heating, ventilation, and air conditioning units? Yes
2. Refrigerators:
- Can you turn off any noisy appliances or refrigerators? Yes
3. Reverberation:
- Can you record clean dialogue? Yes
- Do you need to dampen echoes in the space? YNo
Notes:
N/A

4.2 Thesis Pre-Production Book.pdf

4.2 Thesis Pre-Production Book.pdf

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4.2 Thesis Pre-Production Book.pdf