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Twelve Angry Men
(Act One)
by Reginald Rose
"12 Angry Men" focuses on a jury's
deliberations in a capital murder case. A
12-man jury is sent to begin
deliberations in the first-degree murder
trial of an 18-year old Puerto Rican boy
accused in the stabbing death of his
father, where a guilty verdict means an
automatic death sentence. The case
appears to be open-and-shut:
The defendant has a weak alibi; a knife
he claimed to have lost is found at the
murder scene; and several witnesses
either heard screaming, saw the killing
or the boy fleeing the scene. Eleven of
the jurors immediately vote guilty; only
Juror No. 8 (Mr. Davis) casts a not
guilty vote.
At first Mr. Davis bases his vote more so
for the sake of discussion; after all, the
jurors must believe beyond a reasonable
doubt that the defendant is guilty. As the
deliberations unfold, the story quickly
becomes a study of the jurors' complex
personalities (which range from wise,
bright and empathetic to arrogant,
prejudiced and merciless),
preconceptions, backgrounds and
interactions.
That provides the backdrop to Mr.
Davis' attempts in convincing the other
jurors that a "not guilty" verdict might
be appropriate.
Foreman
 short
 serious
 well dressed
 unintelligent man
 makes good decisions
 likes being in charge
Juror 2
 shy
 a follower
 easily changes his mind
based on the last person
he spoke to
 no opinion of his own
Juror 3
 strong
 forceful
 humorless
 strict
 forces others to agree with
him
 forces his opinion
 his opinion is right
 full of himself
Juror 4
 wealthy
 presents himself well all
the time
 serious
 only wants facts
 thinks he is above the
other jurors
 doesn’t like other jurors’
behaviors
Juror 5
 scared
 takes his obligations
(responsibility) seriously
 afraid to speak up (especially
to those older than him)
 young
 naïve (not aware of the facts)
 oblivious
Juror 6
 nice
 honest
 not too smart
 makes decisions carefully
 accepts opinions he likes
 difficult to create positive
opinions
Juror 7
 loud
 wealthy
 quick temper
 very opinionated
 bully
 coward
 quick opinions on things
he knows nothing about
 being on the jury is “waste
of his time”
Juror 8
 quiet
 a lot of opinions
 considers others’ opinions
 believes in justice
 seeks the truth
 will fight to get what is right
Juror 9
 nice old man
 lives his life strong
 does not hide his age
 does not hold back on his
decisions
 wishes he was more
courageous when younger
 defeated by life
 waiting to die
Juror 10
 angry
 miserable
 racist
 hates everyone but himself
 knows his life is going
nowhere
Juror 11
 pushover
 do what others want/say
 ashamed because he is a
refugee from Europe
 speaks with accent
 wants justice because he
has been treated unfairly
 compassionate
Juror 12
 “all that”
 full of himself
 egocentric
 snob
 bright
 does not understand people
 tries to be a good person
The said drama by Reginald Rose is
set in New York City during the
summertime in the 1950s, particularly
in a court jury room, which gives
extreme suspense in the play.
First, the room is uncomfortably hot
with a fan that does not work and
only one window that will open. The
temperature of the room puts stress
on the jury members before they
even begin discussing the case.
The heat in the room is similar to the
anger that is felt as the members
begin arguing about the facts of the
case and about their preconceived
notions about one another. It is only
later in the play that a welcoming rain
signals a break in the tension among
the jurors. The temperature has a
direct relationship with the jurors
themselves as well as the suspense
created as they try to remain calm and
rational.
 Reflection of American Society
 Justice and judicial system
 Certainty and Doubt
 Stubbornness and Taking A stand
 Fallibility and Memory
 Integrity/ Courage of Conviction
 One Against Many
 Father/Son Relationship
 Anonymity
 Prejudice vs. Sympathies
The value of human life
The importance of Justice
Colloquial language is
predominant in Twelve Angry
Men, though the film employs
both formal and colloquial
language. In both cases, the
language is also expository or
argumentative. The language
generally becomes more
colloquial and argumentative as
the film progresses.
The climax of Twelve Angry Men
is when Juror no. 8 explains to the
rest that the woman across the
street couldn't have seen the
crime just casually looking out her
window from her bed without her
glasses as common sense would
dictate that nobody wears their
glasses to bed.
MUSIC:
The value of background music
and its use can be noticed early in
the film. The music is employed to
set the tone, whether it's the
creepy violin audio that's
commonly heard when suspense
is building or the same music used
to convey sadness for the film's
overall relevance.
SPECTACLE:
 The scene is composed of two
rather small rooms, one with
windows that overlook the
downtown area and the second
room is a restroom.
 The special effects and quality
can easily be guessed by the black
and white silhouettes of the film.
 The courthouse drama has
assigned twelve men to juror
For this play, the designer had
references to show the actors –
1957 style, how men dressed in
that time. But mostly, the
costumes and designs of the
actors reflects on their role and
character on the play.
The jurors wear everyday business
clothes suitable for summer. Juror
no. five wears an expensively-
tailored suit. Juror no. seven's
clothes are flashy. Juror no. twelve
dresses smartly but in good taste.
The play takes place on an
oppressively hot summer’s day in
New York. Considering the setting
and weather, the characters may
be hot and had to take their jacket
off.
The make-up artist seemed to
keep a more minimalist. The hair
was neatly kept, and it was either
neatly gelled or slicked back.
Another key aspect that the make-
up artist keyed in on was the
sweaty appearance. They do the
make up that suits to their role
and then retouch it during the
break.
The Character Makeup, as the
name denotes, is used to create a
character to the extent of
changing a subject’s physical
configuration to suit the
requirements of a script. The aim
of theatrical makeup is to
delineate and enhance the role of a
character and to give performers
an additional tool for conveying
the characters being performed.
Stage makeup is often used to
create visual stereotypes or clichés
that will be readily understood by
the audience.
It encompasses a great deal, varying
age levels, character delineation,
personality traits, unusual facial
features, symbolic figures, men’s
facial hair application, cuts, scars,
bruises, burns, tattoos,
disfigurations, horror designs, and
anything on the face or body that is
created without embellishing or
enhancing the corrective and/or
beauty aspects of the human face or
In the movie 12 Angry Men the
beginning lighting technique that
was used is low-key lighting. “Low-
Key lighting design looks dark
overall by comparison. It is marked
by extreme use of deep shadows,
with very high contrast between the
brightest parts of the scene and the
darkest parts, which are obscure in
shadows” (Goodykoontz & Jacobs,
2014).
The remainder of the movie was shot
in the jury room and in these scenes
the lighting would be high-key
lighting which has very few shadows
and is used in office scenes of
movies. The impact of these two
lighting techniques sets the scenes
of the movie.
In the beginning where low-key
lighting is used the movie starts off at
the front of the courthouse and then
enters the courthouse and shows the
people moving about and allows
shadows to cast of the people to make
it look like the light from the outside is
shining in. The remainder of the movie
is set inside and therefore the office
type of atmosphere is crucial to make
the scene so the viewer can see
everything going on.
The lighting techniques contributed to
the theme of the movie by allowing the
viewer to feel as if they were walking
into the courthouse and seeing the
shadows that are cast on the people
and the props used in the scenes as if
they were there themselves.
The lighting in the jury room
contributed to the theme of the movie
by again giving the viewer the feeling
that they were in the room too. the
lighting was lit just enough to see the
emotions on the faces of the actors and
allowed the viewer to associate to the
temperature of the room both
environmentally and personally as you
can see the sweat at times on the
actors faces.
The indoor or high-key lighting also
allowed the viewer to relate to the
weather outside when it started to rain
as the room did get a little darker as it
would in an office building during rain
and cloudy weather and this type of
lighting suited the genre of the movie
as the movie was based in black and
white and did not over-power the
scenes.

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TWELVE-ANGRY-MAN-ACT-ONE.pptx

  • 1. Twelve Angry Men (Act One) by Reginald Rose
  • 2.
  • 3. "12 Angry Men" focuses on a jury's deliberations in a capital murder case. A 12-man jury is sent to begin deliberations in the first-degree murder trial of an 18-year old Puerto Rican boy accused in the stabbing death of his father, where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut:
  • 4. The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming, saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis) casts a not guilty vote.
  • 5. At first Mr. Davis bases his vote more so for the sake of discussion; after all, the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold, the story quickly becomes a study of the jurors' complex personalities (which range from wise, bright and empathetic to arrogant, prejudiced and merciless), preconceptions, backgrounds and interactions.
  • 6. That provides the backdrop to Mr. Davis' attempts in convincing the other jurors that a "not guilty" verdict might be appropriate.
  • 7.
  • 8. Foreman  short  serious  well dressed  unintelligent man  makes good decisions  likes being in charge
  • 9. Juror 2  shy  a follower  easily changes his mind based on the last person he spoke to  no opinion of his own
  • 10. Juror 3  strong  forceful  humorless  strict  forces others to agree with him  forces his opinion  his opinion is right  full of himself
  • 11. Juror 4  wealthy  presents himself well all the time  serious  only wants facts  thinks he is above the other jurors  doesn’t like other jurors’ behaviors
  • 12. Juror 5  scared  takes his obligations (responsibility) seriously  afraid to speak up (especially to those older than him)  young  naïve (not aware of the facts)  oblivious
  • 13. Juror 6  nice  honest  not too smart  makes decisions carefully  accepts opinions he likes  difficult to create positive opinions
  • 14. Juror 7  loud  wealthy  quick temper  very opinionated  bully  coward  quick opinions on things he knows nothing about  being on the jury is “waste of his time”
  • 15. Juror 8  quiet  a lot of opinions  considers others’ opinions  believes in justice  seeks the truth  will fight to get what is right
  • 16. Juror 9  nice old man  lives his life strong  does not hide his age  does not hold back on his decisions  wishes he was more courageous when younger  defeated by life  waiting to die
  • 17. Juror 10  angry  miserable  racist  hates everyone but himself  knows his life is going nowhere
  • 18. Juror 11  pushover  do what others want/say  ashamed because he is a refugee from Europe  speaks with accent  wants justice because he has been treated unfairly  compassionate
  • 19. Juror 12  “all that”  full of himself  egocentric  snob  bright  does not understand people  tries to be a good person
  • 20.
  • 21. The said drama by Reginald Rose is set in New York City during the summertime in the 1950s, particularly in a court jury room, which gives extreme suspense in the play. First, the room is uncomfortably hot with a fan that does not work and only one window that will open. The temperature of the room puts stress on the jury members before they even begin discussing the case.
  • 22. The heat in the room is similar to the anger that is felt as the members begin arguing about the facts of the case and about their preconceived notions about one another. It is only later in the play that a welcoming rain signals a break in the tension among the jurors. The temperature has a direct relationship with the jurors themselves as well as the suspense created as they try to remain calm and rational.
  • 23.
  • 24.  Reflection of American Society  Justice and judicial system  Certainty and Doubt  Stubbornness and Taking A stand  Fallibility and Memory  Integrity/ Courage of Conviction  One Against Many  Father/Son Relationship  Anonymity  Prejudice vs. Sympathies
  • 25.
  • 26. The value of human life The importance of Justice
  • 27.
  • 28. Colloquial language is predominant in Twelve Angry Men, though the film employs both formal and colloquial language. In both cases, the language is also expository or argumentative. The language generally becomes more colloquial and argumentative as the film progresses.
  • 29.
  • 30. The climax of Twelve Angry Men is when Juror no. 8 explains to the rest that the woman across the street couldn't have seen the crime just casually looking out her window from her bed without her glasses as common sense would dictate that nobody wears their glasses to bed.
  • 31.
  • 32. MUSIC: The value of background music and its use can be noticed early in the film. The music is employed to set the tone, whether it's the creepy violin audio that's commonly heard when suspense is building or the same music used to convey sadness for the film's overall relevance.
  • 33. SPECTACLE:  The scene is composed of two rather small rooms, one with windows that overlook the downtown area and the second room is a restroom.  The special effects and quality can easily be guessed by the black and white silhouettes of the film.  The courthouse drama has assigned twelve men to juror
  • 34.
  • 35. For this play, the designer had references to show the actors – 1957 style, how men dressed in that time. But mostly, the costumes and designs of the actors reflects on their role and character on the play.
  • 36. The jurors wear everyday business clothes suitable for summer. Juror no. five wears an expensively- tailored suit. Juror no. seven's clothes are flashy. Juror no. twelve dresses smartly but in good taste.
  • 37. The play takes place on an oppressively hot summer’s day in New York. Considering the setting and weather, the characters may be hot and had to take their jacket off.
  • 38.
  • 39. The make-up artist seemed to keep a more minimalist. The hair was neatly kept, and it was either neatly gelled or slicked back. Another key aspect that the make- up artist keyed in on was the sweaty appearance. They do the make up that suits to their role and then retouch it during the break.
  • 40. The Character Makeup, as the name denotes, is used to create a character to the extent of changing a subject’s physical configuration to suit the requirements of a script. The aim of theatrical makeup is to delineate and enhance the role of a character and to give performers an additional tool for conveying the characters being performed.
  • 41. Stage makeup is often used to create visual stereotypes or clichés that will be readily understood by the audience.
  • 42. It encompasses a great deal, varying age levels, character delineation, personality traits, unusual facial features, symbolic figures, men’s facial hair application, cuts, scars, bruises, burns, tattoos, disfigurations, horror designs, and anything on the face or body that is created without embellishing or enhancing the corrective and/or beauty aspects of the human face or
  • 43.
  • 44. In the movie 12 Angry Men the beginning lighting technique that was used is low-key lighting. “Low- Key lighting design looks dark overall by comparison. It is marked by extreme use of deep shadows, with very high contrast between the brightest parts of the scene and the darkest parts, which are obscure in shadows” (Goodykoontz & Jacobs, 2014).
  • 45. The remainder of the movie was shot in the jury room and in these scenes the lighting would be high-key lighting which has very few shadows and is used in office scenes of movies. The impact of these two lighting techniques sets the scenes of the movie.
  • 46. In the beginning where low-key lighting is used the movie starts off at the front of the courthouse and then enters the courthouse and shows the people moving about and allows shadows to cast of the people to make it look like the light from the outside is shining in. The remainder of the movie is set inside and therefore the office type of atmosphere is crucial to make the scene so the viewer can see everything going on.
  • 47. The lighting techniques contributed to the theme of the movie by allowing the viewer to feel as if they were walking into the courthouse and seeing the shadows that are cast on the people and the props used in the scenes as if they were there themselves.
  • 48. The lighting in the jury room contributed to the theme of the movie by again giving the viewer the feeling that they were in the room too. the lighting was lit just enough to see the emotions on the faces of the actors and allowed the viewer to associate to the temperature of the room both environmentally and personally as you can see the sweat at times on the actors faces.
  • 49. The indoor or high-key lighting also allowed the viewer to relate to the weather outside when it started to rain as the room did get a little darker as it would in an office building during rain and cloudy weather and this type of lighting suited the genre of the movie as the movie was based in black and white and did not over-power the scenes.