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Music Videos
Media Language & Representation
MEDIA
LANGUAGE
 What are the MACRO terms that you must apply to a
textual analysis?
 What are the MICRO features that you must apply to
an audio-visual analysis?
 List the main media terminology you SHOULD be
using an EVERY SENTENCE.
 How could you structure your analysis?
REPRESENTATION
 What does the term mean?
 What types of representation can you analyse?
 What is the truth? Can a media text ever represent the
truth?
 What is a stereotype?
THEORY
 David Gauntlett
 Theories of Identity
 Richard Dyer
 Stereotyping
 Laura Mulvey
 Audience Positioning
 The Male Gaze
 Stuart Hall
 Model of mass communication (Encoding – Decoding)
 Reception Theory (Preferred, Negotiated, Oppositional, Aberrant
Reading)
WHAT OTHER THEORIES CAN WE APPLY?
THEORY
Analysing
Media
Representations
 What is being represented?
 How is it represented?
 What sense of the world is it making?
 What does it imply?
 Is it made to seem typical of the world or ‘unnatural’?
 Is anything missing or put into the background?
 Who produced it?
 Who is it speaking to? For whom?
 What does it represent to us and why?
 How do we respond to the representation?
 How is it different from other represetations?
Analysing
Media
Representations
 What signs are used to convey a message?
 What ‘truth’ or ‘reality’ is represented?
 What meaning is encoded?
 How do we decode the meaning?
 Are any other meaning possible?
 Who and why did they construct the representation?
 How can the viewer challenge the representation?
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation
Music Video & Representation

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Music Video & Representation

  • 1. Music Videos Media Language & Representation
  • 2. MEDIA LANGUAGE  What are the MACRO terms that you must apply to a textual analysis?  What are the MICRO features that you must apply to an audio-visual analysis?  List the main media terminology you SHOULD be using an EVERY SENTENCE.  How could you structure your analysis?
  • 3. REPRESENTATION  What does the term mean?  What types of representation can you analyse?  What is the truth? Can a media text ever represent the truth?  What is a stereotype?
  • 4. THEORY  David Gauntlett  Theories of Identity  Richard Dyer  Stereotyping  Laura Mulvey  Audience Positioning  The Male Gaze  Stuart Hall  Model of mass communication (Encoding – Decoding)  Reception Theory (Preferred, Negotiated, Oppositional, Aberrant Reading) WHAT OTHER THEORIES CAN WE APPLY?
  • 6.
  • 7. Analysing Media Representations  What is being represented?  How is it represented?  What sense of the world is it making?  What does it imply?  Is it made to seem typical of the world or ‘unnatural’?  Is anything missing or put into the background?  Who produced it?  Who is it speaking to? For whom?  What does it represent to us and why?  How do we respond to the representation?  How is it different from other represetations?
  • 8. Analysing Media Representations  What signs are used to convey a message?  What ‘truth’ or ‘reality’ is represented?  What meaning is encoded?  How do we decode the meaning?  Are any other meaning possible?  Who and why did they construct the representation?  How can the viewer challenge the representation?