This document provides information on different types of storyboards used for presentation, advertising, and various television and film projects. It discusses the importance of understanding the limitations and constraints of the storyboarding process and how the job of a storyboard artist is to serve the director's vision for telling the story while meeting deadlines. The document also notes that storyboards are rough initial visualizations of a script that need further refinement.

2. “I’m faster than those
that are better and
better than those that
are faster”
after A. J. Liebling

3. Bio

4. Droids

5. Teenage Mutant
Ninja Turtles

6. Barnyard
Commandos

7. Magic School Bus

8. Street Sharks

9. AAAGH!
Real Monsters

10. For Better or
Worse

11. Bitchy Bits

12. Doug

13. The Mask

14. Filmore!

16. Buzz Lightyear of
Star Command

17. The Lion of Oz

18. Hoze Hounds

19. Tales From the
Cryptkeeper

20. MegaBabies

21. The Roswell
Conspiries

22. Rescue Heroes

23. Pepper Ann

24. Project Geeker

25. Rugrats

26. Captain Starr

27. Mummies Alive!

28. Channel Umptee 3

29. PB&J Otter

30. RoboRoach

31. The Hippo Tub
Company

32. Seven Little
Monsters

34. The Magical World
of Quasimodo

35. Cyber Chase

36. Silverwing

37. Jo Jo’s Circus

38. Celebrity
Death Match

39. 3-2-1 Penquins

40. The Wrong Coast

41. Grossology

42. My Friend Rabbit

43. Grossology II

44. Glenn Martin DDS

45. Types of Storyboards
Presentation / Advertising
Live action feature
Animated feature
Live action television
Animated television
Director’s boards

46. Types of Storyboards
Presentation / Advertising
Live action feature
Animated feature
Live action television
Animated television
Director’s boards

47. Define the style, market,
tools to be used, and
limitations of the board
(software/size/TIME)

48. Text
Text
Presentation

49. Advertising

50. Live action feature

52. Animated feature

53. Animated feature

54. Animated feature

55. Animated feature

56. Live action television

57. Director’s boards

58. Animated television

59. eory
vs.
Practice

60. vs.

61. All the theory you have
learned here
applies to the work

62. All the theory you have
learned here
applies to the work
and then some.

64. e storyboard adds the rst
attempt of visual structure to
the script.

65. It’s like raw footage.
It has to be edited,
massaged,improved and
reboarded.

66. UNDERSTAND THE
LIMITATIONS OF
THE PROCESS

68. Zoom pan
swooping truck-in
with reverse pull
back and rack
focus
from 2 fld to 24.

69. Spielbergitis

70. Some directors don’t know
their job is to work within
the narrow constrains
of the project.

71. Some directors don’t know
their job is to work within
the narrow constrains
of the project.
Politely suggest alternatives.

72. e job of a board artist
is to serve the director’s
idea of how the story
should be told.

73. e job of a board artist
is to serve the director’s
idea of how the story
should be told.
And to hit deadline.