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Grand Conversations, Thoughtful
Responses:
Literature Circles with a focus on
residential schools
St	James	Assiniboia	Middle/Senior	Years	
Teachers	
Faye	Brownlie	
October	12,	2017	
Slideshare.net/fayebrownlie.residenCal	
schools	lit	circles
There is great success in engaging
students with text and conversation
using literature circles
Literature Circles
STUDENTS
Within these groupings,
choose
their
own
books
are never
assigned
roles
read at
their own
pace
engage in
conversations
keep journals
about readings
and conversations
are taught
comprehension
strategies
Day 1: Introduction of book conversations	
•	Model	and	practice	with	poems	
or	short	texts	
•	Ask	the	students:	
“What comes to mind when you
read this?
SAY SOMETHING.”
•  Present	an	image	to	the	class	
•  See-think-wonder-feel	
•  In	groups,	students	examine	different	images	and	
apply	the	same	strategy:		see-think-wonder-feel	
•  Students	can	provide	a	capCon	for	their	image.	
•  Share	images	and	capCons.	
•  Students	write	‘the	story	behind	the	pictures’
The	Life	of	Helen	BeSy	Osborne	–	A	Graphic	Novel	
By	David	Robertson,	Art	by		
Youtube	video
Day 1: Start with the books	
•	choose	5	or	6	books	with	
multiple	copies	
•	choose	books	that	cover	a	wide	
range	of	reader	interest	and	level	
of	difficulty	
•	choose	books	that	lead	to	
further	reading	(series,	author)
Day 1: Introduce the books	
•	read	an	excerpt	
•	describe	the	kind	of	reader	who	might	
enjoy	this	
•	Describe	the	font,	text	features	etc.	
including	“notice	that’s”	
Start Reading!!!
Students choose 2 texts each.
(One as a back up)
Day 2: Meeting with the groups	
•	meet	with	a	group	who	are	reading	the	
same	book,	while	the	other	students	
continue	reading	
•	students	come	to	the	meeting	with	a	brief	
passage	prepared	to	read	aloud	
•	After	a	student	has	read,	others	respond	
by:	
SAYING SOMETHING
about what they thought.
Literature	Circle	Assessment	Rubric	for	Group	Discussions	
English	Gr.	5/6
Response Logs
Generally
this is a 10
minute write
Students respond
in writing twice
a week, reacting
to their books.
Initially students
write at the same
time, but as the
process becomes
familiar, most
will write when
it is appropriate
Criteria for an effective group discussion:
•all voices must be included
•everyone must feel included
•everyone’s ideas are respected
•the discussion should move us to new
understandings
Response Journals
!  double-entry journals
!  initially, written in class, together
!  develop criteria for powerful responses
Response Logs
Create	Criteria
SHAREWrite in front of the students. Have them analyze your
response – what works? Create an initial criteria list
from their ‘what works’. Students attempt their first
response, following this criteria. Give descriptive
feedback on their response. Revise the criteria as needed.
Generally
this is a 10
minute write
Students respond
in writing twice
a week, reacting
to their books.
Initially students
write at the same
time, but as the
process becomes
familiar, most
will write when
it is appropriate.
Read and respond to selected student responses. Not all responses need to be responded to by a
teacher.
From	Student	Samples	
Creating	Criteria
1
2
3
4
5
6
7
Choose
3-6 student responses (can work with a variety of forms: webs,
paragraphs, visuals)
Accept
“I have chosen a variety of responses to use as
samples. These samples will help us build criteria for
what makes our responses effective.”
Say
Ask
Only positive comments
“What did you notice that really works in a response?”
“What strikes you as powerful about this response?”
Revise
Reorganize
The list as important new criteria emerge
The list to guide further work with responses
The list into a more coherent form
Post &
Use
Create	Criteria
Use	Criteria	-	Share
Read and respond to selected student responses.
Students can identify the area to which you respond.
Students can respond to one another. Not all responses
need to be responded to by a teacher.
Write in front of the students and have them
analyze your writing to create criteria. Students
write to meet this criteria. Later, ask for volunteers
to have their responses analyzed, based on co-created
criteria. Keep the criteria posted for revision and
reflection.
Examples	S	
T	
R	
A	
T	
E	
G	
I	
E	
S
Venn		
diagrams	
Containers	
for		
characters	
Learning
journeys
Talk
shows
Tableaus
Composing
a rap
Mini-dramas
Setting
Characters
Reader’s
Theatre
Comprehension
Strategies
Literature Circles: Residential
Schools
Unit developed in Prince Rupert
•  A	unit	co-developed	by		
– Marla	Gamble,	gr.	6	Classroom	Teacher	
– Marilyn	Bryant,	Aboriginal	EducaCon	Program	
Resource	Teacher	
– Raegan	Sawka,	LUCID	Support	Teacher	(Learning	
for	Understanding	through	Culturally	Inclusive	
ImaginaCve	Development)	
•  Lesson	2:		co-designed	and	co-taught:		Marla	&	Faye
Books used:
•  1st	lesson	
–  Slide	presentaCon	on	First	NaCons	background	in	the	
geographic	area	with	some	reference	to	residenCal	schools	
•  2nd	lesson	
–  Whip	around	
–  Fishbowl	on	1st	paragraph	of	Fa#y	Legs	–	C.	Jordan-Fenton	&	M.	
Poliak-Fenton	(Annick	Press)	
–  Co-created	criteria	for	effecCve	group	
–  Envelopes	of	5-6	pictures	from	Fa#y	Legs	
–  Make	a	story	
–  Share	some	stories	
–  Walk	and	talk	
–  4	minute	write	–	story	behind	the	pictures
•  My	name	is	Olemaun	Pokiak	–	that’s	OO-lee-
mawn	-	but	some	of	my	classmates	used	to	
call	me	“FaSy	Legs”.		They	called	me	that	
because	a	wicked	nun	forced	me	to	wear	a	
pair	of	red	stockings	that	made	my	legs	look	
enormous.		But	I	put	an	end	to	it.		How?		Well,	
I	am	going	to	let	you	in	on	a	secret	that	I	have	
kept	for	more	than	60	years:	the	secret	of	how	
I	made	those	stockings	disappear.
Barb Turney, Bulkley Valley
•  Universal	Design	for	Learning	
•  Inquiry	
•  Deep	thinking	
•  Personal	connecCons
With	Universal	Design	In	Mind	
	What	was	the	impact	of	residen9al	schools	on	Aboriginal	culture?	
?	
What	do	you	no9ce?	
CONNECTING	
What	are	you	wondering?	
What	ques9ons	do	you	have?
Processing
Literature	Circles	
• What	opened	your	eyes?	
• What	touched	your	heart?	
• What	made	you	think	more	deeply	or	
differently?	
• Journaling	&	Reflec9ng
Transforming	
Phrases	and	words	were	used	to	describe	the	
	impact	of	Residen9al	Schools	on	the	person.
Aboriginal Leader Project, as
culmination to a literature circle
unit on residential schools
Catherine Feniak and Shelley
Steer, gr. 6/7, Lord Kitchener,
Vancouver
•  Red	Wolf	–	Jennifer	Dance	
•  My	Name	Is	Seepeetza	–	S	hirley	SCrling	
•  The	Heart	of	a	Chief	–	Joseph	Bruchac	
•  FaSy	Legs	–	Christy	Jordan	Fenton	&	Margaret	
Pokiak	Fenton	
•  Stranger	at	Home	–	Fenton	&	Pokiak	Fenton		
•  When	I	Was	Eight	–	Fenton	&	Pokiak	Fenton
•  Students	were	taught	how	to	keep	visual	
journals	in	response	to	Shin	Shin’s	Canoe	and	
Shi	Shi	Etco.		
•  Visual	journals	were	kept	as	response	to	class-
read	picture	books,	speakers,	field	trips,	and	
the	individual	novels	the	students	read.
•  LeSers	wriSen	in	the	voice	of	a	child	in	
residenCal	school	aler	listening	to,	reading	
and	visual	journaling	around	the	poem	
‘TesCmony	–	Going	to	the	Dorm’	by	Shirley	M.	
Flowers
TESTIMONY	Going	to	the	Dorm	–	
Shirley	M	Flowers	
My	mother	sits	by	the	window	crying	
Her	heart	is	breaking	
It’s	the	same	memory	every	fall	
The	plane	has	taken	her	children	away	
They	are	gone	for	all	winter	
It’s	<me	for	them	to	go	to	school	
School	is	ninety	miles	away	
We	will	not	see	them	again	for	ten	months	
In	the	spring	my	brothers	and	sisters	return	
The	plane	flies	overhead	
My	mother	is	running	and	crying	
She’s	crippled	but	she	can	run	today
I	hide	behind	my	mother’s	dress	
I’m	shy	
My	brothers	and	sisters	
are	strangers	
Soon	it	will	be	my	turn	to	go	
When	I	turn	twelve	or	thirteen	
I	have	to	leave	too	
I’m	scared	and	excited	at	the	same	<me	
I’m	venturing	out	into	a	new	world	
I’m	living	in	a	room	full	of	strangers	
Some	are	kind,	some	are	cruel	
I’m	constantly	homesick	and	I	cry	all	the	<me	
My	heart	is	breaking	
I	want	to	be	home
I	see	someone	who	might	help	me	
I	walk	up	to	his	car	and	say	
“Can	you	send	me	home	please	
I’m	lonesome	and	it’s	making	me	sick”		
That	person	doesn’t	answer	
He	just	looks	at	me	and	drives	away	
leaving	me	crying,	standing	in	a	cloud	of	dust	
Next	thing	I	know	I’m	being	told	I’m	a	trouble	maker	
The	principal	of	our	school	
Has	been	advised	that	I	want	to	go	home	
I’m	told	that	what	I’m	saying	and	feeling	
is	upseHng	others	
And	causing	problems	for	the	people	
who	run	the	place	
And	there’s	no	way	I	can	go	home	
All	hope	is	lost	
I	just	have	to	make	it	through	this	year
My	God,	how	can	people	do	this?	
How	can	they	own	my	life?	
I	feel	like	I	must	be	in	a	prison	
I	can’t	get	away	
I	can’t	see	my	parents	
My	heart	is	breaking	
I	hate	it	here	
Some<mes	we	have	to	fight	for	food	
We	have	to	work	hard	to	look	aMer	the	place	
I	can’t	wait	to	get	out	of	here	
Spring	comes,	I	can	go	home	soon	
I	will	never	come	back	
I	do	though,	one	more	<me	
This	<me	I	run	away	
No	one	can	make	me	stay	here	
Now	when	I	look	at	my	teenage	daughter	
I	realize	some	of	what	I	lost	
How	do	I	be	a	mother	to	her	
I	wasn’t	with	my	mother	when	I	was	her	age	
My	heart	breaks	
But	this	<me	all	is	not	lost	
No	one	owns	my	life	
I	am	free	
And	this	freedom	I	will	share	with	her.
hSp://weweresofaraway.ca/survivor-stories/
shirley-flowers/
hSp://legacyonope.ca/educaCon/
•  Show	a	collecCon	of	the	slides.	
•  Students	work	with	their	4	quadrant	sheet	
•  Slides	can	be	shown	more	than	once	
•  Students	move	into	groups	of	4	to	discuss	the	
slides	and	how	they	connect	to	what	they	
have	been	reading	in	their	books
images	 Words	
QuesCons	 EmoCons
Holly Garvin, Aboriginal Cultural
Resources Teacher, Quesnel
•  Co-teaching,	grade	9,	strengthen	
understanding	of	Indian	ResidenCal	Schools	
•  4	Cme	periods	
		 	pre-contact	
		 	post-contact	
		 	present	
		 	future
•  ObjecCves:	
– Students	will	predict	when	comparing	a	child’s	
apology	to	an	adult’s		
– Students	will	compare	their	own	school	
experience	when	they	were	young	
– Students	will	apply	and	consolidate	their	learning	
with	a	partner
EmoCons	
•  Frustrated 	 	 	Love	 	 	 	 	Mad		
•  Excited 	 	 	 	Disgusted 	 	 	Purpose	
•  Sad 	 	 	 	 	Good	 	 	 	 	Sunshine	
•  Depressed 	 	 	Angry 	 	 	 	Guilt	 	 		
•  Upset	 	 	 	 	Embarrassed	 	Depressed	
•  DeterminaCon 	Disappointed	 	Happy
Words	
Strong	 	BeauCful 	Truck	 	Collage 	 	Abuse	
Death 	 	Government 	EducaCon 	Equality	
Ownership	Hope	 	Mourn 	Endure 	World	
First	NaCons-Inuit-MeCs	Reserves 	People	
Acceptance 	 	Reality 	Forgiveness 	Love	
ResidenCal	Schools	Will	power	 	Peace	
RelaConships	 	Healthy	 	Special	Family	
ConnecCons
QuesCons	
•  Why	were	residenCal	schools	the	soluCon	the	government	decided	
to	use	against	the	First	Peoples?	
•  Was	there	any	other	opCon?		What	was	one	of	them	if	there	were?	
•  What	are	looks	so	important?	
•  Why	is	there	hatred	for	naCons	outside	of	your	own	naCon?	
•  Why	did	it	take	so	long	to	realize?	
•  Why	did	they	take	children	away	from	their	families?	
•  What	can	I	do	to	help?	
•  Why?	
•  When	did	non-First	NaCons	people	begin	to	treat	the	First	Peoples	
like	this?	
•  Why	did	the	teachers	dress	differently?
EmoCons	
•  I	feel	it	is	appalling	how	the	First	NaCons	
children	were	treated.	
•  I’m	sad	that	these	schools	were	everywhere.		
I’m	also	mad	that	people	let	this	happen	to	
their	kids	and	how	they	took	them	from	their	
homes.	
•  The	amount	of	stupidity	which	takes	course	
throughout	history	makes	me	ashamed	to	be	a	
human	being.
Literature	Circles
The	Outside	Circle	–	Paq	LaBoucane-Benson	Art	by	Kelly	Mellings	(graphic	novel)	
The	500	Years	of	Resistance	Comic	Book	–	Gord	Hill		
LIghsinder	–	Aaron	PaqueSe	
He	Who	Dreams	–	Melanie	Florence	
Abnormal	(Billy	Buckhorn	Series)	–	Gary	Robinson	
The	Break	–	Katherena	VermeSe	
The	EvoluCon	of	Alice	–	David	A	Robertson	
Tilly	–	Monique	Grey	Smith	
A	Knock	on	the	Door	–	The	EssenCal	History	of	ResidenCal	Schools	from	the	TRC	of	
Canada		(edited	&	abridged)–	foreward	by	Phil	Fontaine	
Indigenous	Writes		-	A	Guide	to	First	NaCons,	MeCs	&	Inuit	Issues	in	Canada	–	Chelsea	
Vowel
Information Circles
•  Choose	a	text	and	read	it,	marking	it	up	as	you	
do.	
•  Meet	with	3-4	others	who	have	read	your	text.	
•  Talk	about	
– Your	response	as	a	reader:		emoConal	impact	
– What	you	learned	
– What	surprised	you	
– The	place	and	context	of	the	writer	and	the	
wriCng
IntegraCon	Examples	
HumaniCes:		Canadian	History	
•  Focus	Texts
" Webcast:	
" Literature	Circles	in	the	Middle	Years	
" www.bced.gov.bc.ca/literacy	
" Webcast,	part	2
Grand	ConversaCons,	Thoughsul	Responses	-	a	unique	approach	
to	literature	circles	-	Faye	Brownlie	
			Portage	and	Main	Press,	2004	
Student	Diversity,	3rd	ed	-	Brownlie,	Feniak	and	Schnellert	
			Pembroke	Publishers,	2016	
It’s	All	About	Thinking	–	in	English,	Social	Studies	and	HumaniCes	
–	Brownlie	and	Schnellert,	2009

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