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LITMUS: Developing a Linked Data Ontology
for Irish Traditional Music and Dance
Lynnsey Weissenberger, Ph.D.
Marie Skłodowska-Curie Fellow
@lkweissenberger
Linked Irish Traditional Music
Presentation Overview
• Background of Linked Irish
Traditional Music (LITMUS)
project
• Development of ontology’s
properties
• Use cases and future
direction
“Dear harp of my country”
Unidentified artist; postcard
About the LITMUS Project
• LITMUS* seeks to improve searching of,
and access to, web-based Irish traditional
music, song, and dance resources
• Focuses on the development of a linked
data ontology and framework
• Music/dance, geographic, and personal
relationships expressed as linked data will
allow people to explore, learn, and make
new connections between materials
Unidentified dancer, old-style stepdance
Photo by Danny Diamond
* LITMUS, Linked Irish Traditional Music, project results
(Marie Skłodowska-Curie Action grant number 750814)
were generated with the assistance of EU financial support.
LITMUS: The Process
• Develop properties:
• Properties are sourced from a representative sample of around 30
album notes from ITMA’s commercial recordings collection
• Album notes span 1962-2012
ITMA recording studio
Photo by Danny Diamond
Albums Used for Analysis
Instrumentation
Various Vocals
Fiddle Harp
Flute / Whistle Accordion /Concertina
Pipes Plectrum
Musicians
Men Women
Excerpt from CD
album notes:
“One Out of the Fort”
Johnny Henry, fiddle
(and others)
Liner notes written by
James Kelly
CD issued: 2012
Original material
recorded: 1964,
1973, 1977-78, &
1981
LITMUS: The Process
• Working in Excel and now OpenRefine
• Organising how properties are derived from
phrases within notes
• Able to trace each property back to a source or
multiple sources
• Language within notes mirrors how musicians
discuss musical subjects in formal and informal
settings
• Likely an important aspect of final ontology for
re-use outside of Irish traditional music
Properties Data Excerpt
LITMUS: Use Cases
• Danny Boy / [London]Derry Air and other titles
• Has many sets of words/lyrics set to the air
• Associated with events like Belfast Harp Festival
• Appears in Edward Bunting’s 1792 collection and numerous others
• ITMA has digitised many related objects and featured them in a digital
exhibit
Air: Danny Boy
from Pádraig O’Keeffe Manuscripts
LITMUS: “Danny Boy”
LITMUS: Use Cases
• The Blackbird / An Lon Dubh
• Appears as song, air, dance tunes, set dance (multiple versions)
• Appears within numerous historical printed sources & recordings
• ITMA has interesting connections between objects in the collection
• Michael Tubridy’s notated Blackbird dance
• Michael and Céline Tubridy’s dance instruction video
Dance notation by
Michael Tubridy
Irish Traditional Step Dancing with Céline and Michael Tubridy
LITMUS: The Blackbird (An Lon Dubh)
Author: Cowdrey, J. R.
Book: The Melodic
Tradition of Ireland
Example transcription:
Cathal McConnell playing a
4-part version of the
hornpipe
Also very similar to a
Longford version of the
hornpipe –
Parts A, B, and C with
modified ending [ ]; no D
part
A
B
C
(D)
[ ]
(repeat the A)
ITMA video: Padraig McGovern & Peter Carberry
https://www.youtube.com/watch?v=5vidJn-Ebyc
LITMUS: Next Steps
• Publish data, ontology, and other research outputs to the web:
• View ongoing progress at litmus.itma.ie
• Research data / output repository (open access): Zenodo
“Pipers of the 19th Century”
[unidentified photographer]
73 Merrion Square, Dublin 2, D02 WK75, Ireland
73 Cearnóg Mhuirfean, BÁC 2, D02 WK75, Éire
Email // Ríomhphost lynnsey.weissenberger@itma.ie
Tel // Teil +353 (0)1 661 9699
Fax // Faics +353 (0)1 662 4585
Website // Suíomh Idirlín www.itma.ie
litmus.itma.ie
Lynnsey Weissenberger, Ph.D.

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LITMUS: Developing a Linked Data Ontology for Irish Traditional Music and Dance by Lynnsey Weissenberger - EuropeanaTech Conference 2018

  • 1. LITMUS: Developing a Linked Data Ontology for Irish Traditional Music and Dance Lynnsey Weissenberger, Ph.D. Marie Skłodowska-Curie Fellow @lkweissenberger
  • 3. Presentation Overview • Background of Linked Irish Traditional Music (LITMUS) project • Development of ontology’s properties • Use cases and future direction “Dear harp of my country” Unidentified artist; postcard
  • 4. About the LITMUS Project • LITMUS* seeks to improve searching of, and access to, web-based Irish traditional music, song, and dance resources • Focuses on the development of a linked data ontology and framework • Music/dance, geographic, and personal relationships expressed as linked data will allow people to explore, learn, and make new connections between materials Unidentified dancer, old-style stepdance Photo by Danny Diamond * LITMUS, Linked Irish Traditional Music, project results (Marie Skłodowska-Curie Action grant number 750814) were generated with the assistance of EU financial support.
  • 5. LITMUS: The Process • Develop properties: • Properties are sourced from a representative sample of around 30 album notes from ITMA’s commercial recordings collection • Album notes span 1962-2012 ITMA recording studio Photo by Danny Diamond
  • 6. Albums Used for Analysis Instrumentation Various Vocals Fiddle Harp Flute / Whistle Accordion /Concertina Pipes Plectrum Musicians Men Women
  • 7. Excerpt from CD album notes: “One Out of the Fort” Johnny Henry, fiddle (and others) Liner notes written by James Kelly CD issued: 2012 Original material recorded: 1964, 1973, 1977-78, & 1981
  • 8. LITMUS: The Process • Working in Excel and now OpenRefine • Organising how properties are derived from phrases within notes • Able to trace each property back to a source or multiple sources • Language within notes mirrors how musicians discuss musical subjects in formal and informal settings • Likely an important aspect of final ontology for re-use outside of Irish traditional music
  • 10. LITMUS: Use Cases • Danny Boy / [London]Derry Air and other titles • Has many sets of words/lyrics set to the air • Associated with events like Belfast Harp Festival • Appears in Edward Bunting’s 1792 collection and numerous others • ITMA has digitised many related objects and featured them in a digital exhibit Air: Danny Boy from Pádraig O’Keeffe Manuscripts
  • 12. LITMUS: Use Cases • The Blackbird / An Lon Dubh • Appears as song, air, dance tunes, set dance (multiple versions) • Appears within numerous historical printed sources & recordings • ITMA has interesting connections between objects in the collection • Michael Tubridy’s notated Blackbird dance • Michael and Céline Tubridy’s dance instruction video Dance notation by Michael Tubridy
  • 13. Irish Traditional Step Dancing with Céline and Michael Tubridy
  • 14. LITMUS: The Blackbird (An Lon Dubh) Author: Cowdrey, J. R. Book: The Melodic Tradition of Ireland Example transcription: Cathal McConnell playing a 4-part version of the hornpipe Also very similar to a Longford version of the hornpipe – Parts A, B, and C with modified ending [ ]; no D part A B C (D) [ ] (repeat the A) ITMA video: Padraig McGovern & Peter Carberry https://www.youtube.com/watch?v=5vidJn-Ebyc
  • 15. LITMUS: Next Steps • Publish data, ontology, and other research outputs to the web: • View ongoing progress at litmus.itma.ie • Research data / output repository (open access): Zenodo “Pipers of the 19th Century” [unidentified photographer]
  • 16. 73 Merrion Square, Dublin 2, D02 WK75, Ireland 73 Cearnóg Mhuirfean, BÁC 2, D02 WK75, Éire Email // Ríomhphost lynnsey.weissenberger@itma.ie Tel // Teil +353 (0)1 661 9699 Fax // Faics +353 (0)1 662 4585 Website // Suíomh Idirlín www.itma.ie litmus.itma.ie Lynnsey Weissenberger, Ph.D.