gallery case study local case study regional international

1. Case study
Done by : Dana Al-qottob
Dania Albanna
Zyad Abbas
Prepared by : dania albanna --- zyad abbas – dana alqottob

2. The definition and the function
of gallery:
–A cultural institution that aims to collect ,study , preserve
, and exhibit significant artwork and objects of the
community in a way which allows the public to view
them without effort .
–Galleries vary where some are agricultural ,industrial
,scientific and artistic
Prepared by : dania albanna --- zyad abbas – dana alqottob

3. Dulwich Picture Gallery
-Dulwich South London
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4. Architectural compositions of
galleries
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6. Jewish museum
- Berlin
1. Geometric composition
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7. Weisman Art Museum
– Minneapolis
2. Chaotic composition
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8. 3. Curved composition
Heydar Aliyev Center
azerbaijan
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9. Standards of galleries :
–1- Circulation diagram :
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11. –2- Basic plan :
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12. 3- artwork arrangement :
A- sculpture :
Between sculpture and human Between sculptures
sculpture
6-10 m2
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13. B- Wall art work :
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17. 4-lighting :
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18. Types of lighting
in galleries :
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23. Kukje Gallery
•Architects
•SO-IL
•Location
•Seoul, South Korea
•Site Area
•800 m2
•Area
•1260.0 sqm
Prepared by : dania albanna --- zyad abbas – dana alqottob

24. After 3 years of design and construction, SO – IL, the architectural
studio of Florian Idenburg and Jing Liu, complete a space for Kukje
Gallery, in the historic neighborhood of Samcheong-ro in Seoul,
South-Korea. The new building greatly expands the gallery’s
programming possibilities with the addition of a 16 x 9 x 6mday lit
gallery space, a 60 seat auditorium, offices and art storage spaces.
Prepared by : dania albanna --- zyad abbas – dana alqottob

25. The architectural proposal resolves apperceived disjunction
between the dynamism and boldness of Kukje Gallery’s
organization and artist roster, and the fragile historic fabric
saturated by materials and details that surrounds the site
Circulation—entries, vestibules, elevators and stairs—has
been pushed out of the orthogonal gallery space to
maximize its height and maintain a clear interior volume.
Considering the diagrammatic box geometry too rigid
within the historic fabric, SO–IL enveloped the building in
a mesh veil, creating a nebulous exterior that changes
appearance as visitors move through the site.
Elevator
stairs
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26. entrance
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27. A custom stainless steel mesh produces a layer of diffusion
around the structure, through a combination of reflections,
openness, and moiré patterns produced through the interplay
of its shadows. The mesh, made out of 510.000 individually
welded rings, is strong yet pliable as it wraps around the
building’s irregular geometries. The result is an abstract ‘fuzzy’
object that accommodates a multiplicity of readings.
Historically, chainmail mesh was used as armor, tightly
wrapping curvilinear bodies. Originating in Central Asia – and
migrating to East Asia via Europe - chainmail has been globally
used because of its unique characteristics. It is rigid, as it is
made out of metal, and it has a fabric-like flexibility, due to the
way the rings interlink. These combined qualities offer the
possibility to create a strong skin that can adapt itself to the
contour of any individual body and shape
concept
Prepared by : dania albanna --- zyad abbas – dana alqottob

28. Lighting
To light the art and keep a palpable relationship to the outside,
daylight enters through a perimeter skylight. The skylight can
be shaded or completely darkened, to create a black-box
condition, which allows for light sensitive works or video
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29. skylight
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30. entrance
Stair to basement
Stair to roof
elevator
Secondary entrance
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32. Central circulation
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35. BAUZIUM GALLERY
•Architects
•Kim In-cheurl + Archium
•Location
•Goseong-gun, Gangwon-do, South Korea
•Designer & Supervisor
•Kim Jemin
•Project Year
•2015
Prepared by : dania albanna --- zyad abbas – dana alqottob

36. There are various works regarding 'site and space' but architecture
are highly related to site. The same is true for our Cambodia
project, Khmeresque, as well as the process of project in Nepal,
Himalesque. The common fact that climate conditions determine
the architecture of that site is also true this time. The site beyond
the Taebaek Mountains' the spine of the Korean peninsula, is as
different as East and West The northeasterly wind coming from the
Ulsanbawi Rock and the sea breeze from the East Sea digs up the
entire forest full of pines.
Prepared by : dania albanna --- zyad abbas – dana alqottob

37. Building an art gallery on a 4,500㎡-vegetable field begins with
understanding the wind. Though not as strong as the
Himalayan winds, the winds here also have a significant impact
on daily life. Three separate buildings, each 150㎡, are
connected with a wall, which links the divided areas into one
single area of 450㎡. The wall is also an area for the wind to
stop by. Considering the nature of wind, it is better to stand
with it than to go against it.
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38. Bauzium three main pavilions: the 'Modern Sculpture Pavilion'
for the permanent exhibition held with the hosts' sculptor
collection; the 'KimMyoung-Sook Sculpture Gallery' for her own
exhibition and atelier; and the 'Special Pavilion' for special
exhibitions and curators. To fill only 10% of the site with
architecture, All open areas face the Ulsanbawi Rock. Although
the building is facing west, this is the best condition in terms of
the order of space.
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40. C
O
N
C
E
P
T
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41. Ulsanbawi Rock
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42. Radio broadcast
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43. SITE PLAN
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47. ENTRANCE
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50. DESIGN DIGRAM
DESIGN PROCCES
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51. MATERIALS
1-Coarse Concrete
2-T24 Low-E pair glass
3- T0.7 ZM Zinc
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52. LIGHTING
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53. •Architects
FJMT, Archimedia
•Location
Auckland, New Zealand
•Area
15000.0 sqm
•Project Year
2011
Prepared by : dania albanna --- zyad abbas – dana alqottob

54. The new Auckland Art Gallery Toi o Tāmaki is an extensive public project that
includes the restoration and adaption of heritage buildings, a new building
extension, and the redesign of adjacent areas of Albert Park.
Prepared by : dania albanna --- zyad abbas – dana alqottob

55. concept
Located in the central –
city area of Auckland,
The architecture has
developed from a
concept that relates as
much to the organic
natural forms of the
landscape and
topography as it does
to the architectural
order and character of
the heritage buildings ,
plus making a
connection to the city.
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56. tree-like canopies inspired by the Pōhutukawa trees which are found in alberts park next to the gallery
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59. an openness and transparency is created to allow views through, into and out of the gallery circulation and
display spaces and into the green landscape of Albert Park. In this way the gallery opens to the park and
adjoining public spaces in an inviting and engaging gesture of welcome.
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61. MATERIALS
The original
building was
constructed of brick
and plaster
following a French
renaissance style .
The canopies are
geometrically
complex and
intensely crafted
components that
composite of steel
and timber
structures clad in
New Zealand kauri.
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66. Section
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67. East gallery -day lit gallery
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68. Wellesley Gallery
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69. Ground and first level galleries
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70. Overlooking albert park
gallery
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71. Saleh Barakat Gallery
Architects
L.E.FT Architects
Location
Beirut, Lebanon
Area
900.0 sqm
Project Year
2016
Prepared by : dania albanna --- zyad abbas – dana alqottob

72. The gallery is an adaptive reuse of a historic theatre,
Masrah al Madina. Before being transformed in the 90s
into a theatre, the underground space was as early as
1969 one of the first cinemas in the Middle East . the
intent was to preserve essential characteristic
elements of the space, and introduce new elements
that allude to the history of the space while serving its
new program.
Prepared by : dania albanna --- zyad abbas – dana alqottob

73. Since the gallery is originally underground, it needed some modifications to meet its new
function as a galler. The problem was that there is no visual continuity between the levels ,
nor day light access and there was a problem in the circulation of the sculptures from the
entrance to the display area
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74. So the designer decided to solve these problems by adding staircase
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75. Ground floor
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76. underground floor
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77. Second underground floor
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78. Third underground floor
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79. section
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80. Rongbaozhai Western Art
Gallery
Architects
ARCHSTUDIO
Location
Liulichang, Beijing
Area
400.0 sqm
Project Year
2013
Prepared by : dania albanna --- zyad abbas – dana alqottob

81. The purpose of the design is to create
a space full of the elements of Orient,
Zen, Nature and Simplicity, as well as
maximize the interior space under the
limit of the existing grid. Folding screen
has long been a part of traditional
Chinese decoration, which delivers the
beauty of serenity and harmony by
separating and embellishing a room as
a member of traditional Chinese
furniture. A screen display wall would
be used as a basic element to integrate
the current construction space.
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85. ‫األردن‬ ‫متحف‬
‫تصميم‬:
‫طوقان‬ ‫جعفر‬ ‫المعماري‬
‫المساحة‬:
10.000‫مربع‬ ‫متر‬
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87. Lighting
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88. East elevation
Scale 1:200
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89. South elevation
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