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Research of film posters 
Chloe King
GENERIC CONVENTIONS 
OF FILM POSTERS
Typical mise-en-scene of horror film 
posters 
Either the antagonist or protagonist (or both) is 
shown to help sell the film with well-known 
characters or actors. 
Direct mode of 
address to 
draw the 
viewer in and 
make them 
feel as though 
they could be 
the next 
victim. 
Blood – 
Symbolises 
danger and 
mortal threat, 
so is used to 
imply that such 
violence or 
gore will be 
present. 
Protagonist’s 
face is shown 
to depict 
emotions 
such as shock 
or fear to 
invoke the 
same 
response 
from the 
viewer. 
Antagonist’s 
face can be 
covered by a 
mask or difficult 
to see – Triggers 
a fear of the 
unknown.
Weapons are shown to 
trigger fear of harm to the 
characters or even the viewer 
themselves – In many film 
franchises the weapon is 
used in each film (e.g. 
Chainsaw, knife, etc.) 
Straight jackets often 
associated with insanity 
and confinement. This 
hints at the plot of the 
film enough to spark 
interest whilst still being 
subtle. 
Strange, cryptic messages suggest 
supernatural and possibly demonic 
ties to the film. They are used to give a 
sense of mystery as they are 
unreadable. 
A dirty, deranged character can make 
the viewer afraid and still morbidly 
curious about them. The keys here 
also suggest that the film contains 
secrets which the characters must 
‘unlock’, piquing their interest in the 
film.
Text size and font 
Red is often used as it symbolises 
blood and danger to make the title 
stand out more and seem more 
dramatic. 
Release date/’Coming soon’ – Font is small but in a 
different style and/or colour to the rest of the text 
so it is easily noticed . 
Title text coloured and styled to fit 
the tone of the film (Deliver Us From 
Evil positioned to look like it reads 
‘DEVIL’). 
Tag-line is often in the same or a very similar font to 
the title, smaller and sometimes in another colour 
so it doesn’t take up too much attention. 
Credits text is very small so barely noticed at all. 
Font is simple and white generally.
Shot types 
High angle shot – 
Looking down on 
the characters as if 
observing them 
(fear of being 
watched 
unknowingly). 
Medium long shot – See most of character’s 
body and that they are wielding a weapon, 
gives the viewer a more justified reason to 
feel fear. 
Close-up – Shows 
character’s facial 
expressions. Seems 
more like the character 
is staring at the viewer 
(direct mode of 
address) which makes 
them feel uneasy. 
Low angle shot – 
Character is 
towering above the 
viewer, looks more 
intimidating and 
powerful which 
induces fear. 
Long-shot – See character’s 
whole body and what is 
happening to them, induces 
fear of this being done to the 
viewer.
Information and credits 
• Intro of one or two sentences – lays 
out a rough setting or informs reader 
that it is based on actual events. 
• Producer/Director/Actors – Relates 
the film to the person’s other 
successes. 
• Title – The name of the film, will be 
related to the plot of the film in 
some way. 
• Tag-line – A more obvious hint at the 
plot and the threat facing the 
protagonists. 
• Cinema dates and presentation 
options – When/how it can be seen. 
• Credits – Actors, literary references, 
linked organisations and film studios, 
etc., production logos. 
• Social media pages/tags – How to 
find out more online.
Layout/structure 
• Short intro to the film and the producer at the top 
in small font. 
• Main actors names above title. 
• Title in the largest text, often stylised to fit the 
theme of the film 
• Main image of the poster in the very middle of the 
page, often surrounded by/fading out to black. 
One or two main characters are shown and rarely 
any surroundings (in this case the ground is shown 
because of the Latin phrase scrawled down). 
• Tag-line positioned somewhere below the title in 
smaller text. 
• Credits at the very bottom, followed with 
production logos and sometimes social media 
pages and tags. 
• Release date close to the bottom of the page near 
the credits, sometimes in a different colour to the 
other main texts.

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Research of film posters

  • 1. Research of film posters Chloe King
  • 2. GENERIC CONVENTIONS OF FILM POSTERS
  • 3. Typical mise-en-scene of horror film posters Either the antagonist or protagonist (or both) is shown to help sell the film with well-known characters or actors. Direct mode of address to draw the viewer in and make them feel as though they could be the next victim. Blood – Symbolises danger and mortal threat, so is used to imply that such violence or gore will be present. Protagonist’s face is shown to depict emotions such as shock or fear to invoke the same response from the viewer. Antagonist’s face can be covered by a mask or difficult to see – Triggers a fear of the unknown.
  • 4. Weapons are shown to trigger fear of harm to the characters or even the viewer themselves – In many film franchises the weapon is used in each film (e.g. Chainsaw, knife, etc.) Straight jackets often associated with insanity and confinement. This hints at the plot of the film enough to spark interest whilst still being subtle. Strange, cryptic messages suggest supernatural and possibly demonic ties to the film. They are used to give a sense of mystery as they are unreadable. A dirty, deranged character can make the viewer afraid and still morbidly curious about them. The keys here also suggest that the film contains secrets which the characters must ‘unlock’, piquing their interest in the film.
  • 5. Text size and font Red is often used as it symbolises blood and danger to make the title stand out more and seem more dramatic. Release date/’Coming soon’ – Font is small but in a different style and/or colour to the rest of the text so it is easily noticed . Title text coloured and styled to fit the tone of the film (Deliver Us From Evil positioned to look like it reads ‘DEVIL’). Tag-line is often in the same or a very similar font to the title, smaller and sometimes in another colour so it doesn’t take up too much attention. Credits text is very small so barely noticed at all. Font is simple and white generally.
  • 6. Shot types High angle shot – Looking down on the characters as if observing them (fear of being watched unknowingly). Medium long shot – See most of character’s body and that they are wielding a weapon, gives the viewer a more justified reason to feel fear. Close-up – Shows character’s facial expressions. Seems more like the character is staring at the viewer (direct mode of address) which makes them feel uneasy. Low angle shot – Character is towering above the viewer, looks more intimidating and powerful which induces fear. Long-shot – See character’s whole body and what is happening to them, induces fear of this being done to the viewer.
  • 7. Information and credits • Intro of one or two sentences – lays out a rough setting or informs reader that it is based on actual events. • Producer/Director/Actors – Relates the film to the person’s other successes. • Title – The name of the film, will be related to the plot of the film in some way. • Tag-line – A more obvious hint at the plot and the threat facing the protagonists. • Cinema dates and presentation options – When/how it can be seen. • Credits – Actors, literary references, linked organisations and film studios, etc., production logos. • Social media pages/tags – How to find out more online.
  • 8. Layout/structure • Short intro to the film and the producer at the top in small font. • Main actors names above title. • Title in the largest text, often stylised to fit the theme of the film • Main image of the poster in the very middle of the page, often surrounded by/fading out to black. One or two main characters are shown and rarely any surroundings (in this case the ground is shown because of the Latin phrase scrawled down). • Tag-line positioned somewhere below the title in smaller text. • Credits at the very bottom, followed with production logos and sometimes social media pages and tags. • Release date close to the bottom of the page near the credits, sometimes in a different colour to the other main texts.