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GABRIELA GUEVARA Q
SIXTH SEMESTER OF LANGUAGES
Perfume is a mixture of fragrant
      essential oils and/or aroma
  compounds, fixatives, and solvents
used to give the human body, animals,
objects, and living spaces "a pleasant
                 scent."
   Perfumes have been known to exist in some of the
    earliest human civilizations, either through ancient
    texts or from archaeological digs. Modern
    perfumery began in the late 19th century with the
    commercial synthesis of aroma compounds such
    as vanilla
   The word perfume used today derives from the
    Latin per fumus, meaning "through smoke."
    Perfumery, or the art of making perfumes, began in
    ancient Mesopotamia and Egypt and was further
    refined by the Romans and Persians.
   Although perfume and perfumery also existed in
    India, much of its fragrances are incense based
   The world's first recorded chemist is considered to
    be a woman named Tapputi, a perfume maker
    who was mentioned in a cuneiform tablet from the
    2nd millennium BC in Mesopotamia. She distilled
    flowers, oil, and calamus with other aromatics then
    filtered and put them back in the still several times.
   The Fragrance wheel is a relatively new
    classification method that is widely used in retail
    and in the fragrance industry. The method was
    created in 1983 by Michael Edwards, a consultant
    in the perfume industry, who designed his own
    scheme of fragrance classification. The new
    scheme was created in order to simplify fragrance
    classification and naming scheme, as well as to
    show the relationships between each of the
    individual classes
   Perfume is described in a musical metaphor as having three sets of notes, making the
    harmonious scent accord. The notes unfold over time, with the immediate impression
    of the top note leading to the deeper middle notes, and the base notes gradually
    appearing as the final stage. These notes are created carefully with knowledge of
    the evaporation process of the perfume.
   Top notes: The scents that are perceived immediately on application of a perfume.
    Top notes consist of small, light molecules that evaporate quickly. That is initial
    impression of a perfume and thus is very important in the selling of a perfume. Also
    called the head notes.
   Middle notes: The scent of a perfume that emerges just prior to when the top notes
    dissipate. The middle note compounds form the "heart" or main body of a perfume
    and act to mask the often unpleasant initial impression of base notes, which become
    more pleasant with time. They are also called the heart notes.
   Base notes: The scent of a perfume that appears close to the departure of the middle
    notes. The base and middle notes together are the main theme of a perfume. Base
    notes bring depth and solidity to a perfume. Compounds of this class of scents are
    typically rich and "deep" and are usually not perceived until 30 minutes after
    application.
   The scents in the top and middle notes are influenced by the base notes; as well the
    scents of the base notes will be altered by the type of fragrance materials used as
    middle notes. Manufacturers of perfumes usually publish perfume notes and typically
    they present it as fragrance pyramid, with the components listed in imaginative and
    abstract terms
The traditional classification which emerged around 1900 comprised the
    following categories:
Single Floral: Fragrances that are dominated by a scent from one particular
    flower; in French called a soliflore, most of them are rose
Floral Bouquet: Is a combination of fragrance of several flowers in a
    perfume compound.
Ambered or "Oriental": A large fragrance class featuring the sweet slightly
    animalic scents combined with vanilla, flowers and woods, which bring
    to mind Victorian era imagery of the Middle East and Far East.
Wood: Fragrances that are dominated by woody scents, typically of agar
    wood, sandalwood and cedar wood. Patchouli is commonly found in
    these perfumes.
Leather: A family of fragrances which features the scents of
    honey, tobacco, wood and wood tars in its middle or base notes and a
    scent that alludes to leather.
Chypre (IPA: [ʃipʁ]): Meaning Cyprus in French, this includes fragrances built
    on a similar accord consisting of bergamot, oak moss, patchouli. This
    family of fragrances is named after a perfume by François Coty
Fougère (IPA: [fu.ʒɛʁ]): Meaning Fern in French, built on a base of
    lavender, and oak moss. Houbigant's Fougère Royale pioneered the use
    of this base. Many men's fragrances belong to this family of
    fragrances, which is characterized by its herbaceous and woody scent.
Since 1945, due to great advances in the technology of perfume
    creation as well as the natural development of styles and tastes;
    new categories have emerged to describe modern scents:
Bright Floral: combining the traditional Single Floral & Floral Bouquet
    categories.
Green: a lighter and more modern interpretation of the Chypre
    type, with pronounced cut grass, crushed green leaf and
    cucumber-like scents.
Aquatic, Oceanic, or Ozonic: the newest category in perfume
    history, appearing in 1991 with Christian Dior's Dune. A very
    clean, modern smell leading to many of the modern androgynous
    perfumes. Generally contains calone, a synthetic scent
    discovered in 1966. Also used to accent floral, oriental, and
    woody fragrances.
Fruity: featuring the aromas of fruits other than citrus, such as
    peach, cassis (black currant), mango, passion fruit, and others.
Gourmand                     ]): scents with "edible" or "dessert"-like
    qualities. These often contain notes like vanilla, tonka bean and
    coumarin, as well as synthetic components designed to resemble
    food flavors.
Citrus: An old fragrance
family that until recently
consisted mainly of
"freshening" eau de
colognes, due to the low
tenacity of citrus scents.
Development of newer
fragrance compounds has
allowed for the creation of
primarily citrus fragrances.
   Perfume have been with us for as long as humans have walked the earth, first
    in the form of herbs and flowers, later in more sophisticated forms such as
    fragrant oils and incense.

   Perfume historians believe that they found evidence of the use of perfume
    3,500 years ago when they saw a series of murals in Queen Hatshepsut’s
    temple in Thebes. These showed an Egyptian fleet sailing off to get myrrh and
    other exotic aromatics from the Land of Punt.

   In the early Middle Ages the Arabs would mix musk with the mortar used to
    build new mosques and palaces in order to make them scented.

   Europe did not use perfume much until the sixteenth century when Catherin de
    Medici came from Italy to marry the future king. She wore gloves of perfumed
    leather and suddenly everybody wanted this. The best place to get these
    gloves was from Grasse (France) which soon became the perfume capital of
    the world.

   The first designer to “marry” clothes with perfume was Paul Poiret. He believed
    that a well-dressed woman was a fragrant one, perfume adding to her
    glamour. The couturiers would give their clients little bottles of perfumes as
    gifts, and then later on they would begin to sell perfume to their clients within
    their store, some found that they could make more money selling perfume
    than dresses.
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Interesting perfume facts

  • 1. GABRIELA GUEVARA Q SIXTH SEMESTER OF LANGUAGES
  • 2. Perfume is a mixture of fragrant essential oils and/or aroma compounds, fixatives, and solvents used to give the human body, animals, objects, and living spaces "a pleasant scent."
  • 3. Perfumes have been known to exist in some of the earliest human civilizations, either through ancient texts or from archaeological digs. Modern perfumery began in the late 19th century with the commercial synthesis of aroma compounds such as vanilla  The word perfume used today derives from the Latin per fumus, meaning "through smoke." Perfumery, or the art of making perfumes, began in ancient Mesopotamia and Egypt and was further refined by the Romans and Persians.  Although perfume and perfumery also existed in India, much of its fragrances are incense based
  • 4.
  • 5. The world's first recorded chemist is considered to be a woman named Tapputi, a perfume maker who was mentioned in a cuneiform tablet from the 2nd millennium BC in Mesopotamia. She distilled flowers, oil, and calamus with other aromatics then filtered and put them back in the still several times.  The Fragrance wheel is a relatively new classification method that is widely used in retail and in the fragrance industry. The method was created in 1983 by Michael Edwards, a consultant in the perfume industry, who designed his own scheme of fragrance classification. The new scheme was created in order to simplify fragrance classification and naming scheme, as well as to show the relationships between each of the individual classes
  • 6.
  • 7. Perfume is described in a musical metaphor as having three sets of notes, making the harmonious scent accord. The notes unfold over time, with the immediate impression of the top note leading to the deeper middle notes, and the base notes gradually appearing as the final stage. These notes are created carefully with knowledge of the evaporation process of the perfume.  Top notes: The scents that are perceived immediately on application of a perfume. Top notes consist of small, light molecules that evaporate quickly. That is initial impression of a perfume and thus is very important in the selling of a perfume. Also called the head notes.  Middle notes: The scent of a perfume that emerges just prior to when the top notes dissipate. The middle note compounds form the "heart" or main body of a perfume and act to mask the often unpleasant initial impression of base notes, which become more pleasant with time. They are also called the heart notes.  Base notes: The scent of a perfume that appears close to the departure of the middle notes. The base and middle notes together are the main theme of a perfume. Base notes bring depth and solidity to a perfume. Compounds of this class of scents are typically rich and "deep" and are usually not perceived until 30 minutes after application.  The scents in the top and middle notes are influenced by the base notes; as well the scents of the base notes will be altered by the type of fragrance materials used as middle notes. Manufacturers of perfumes usually publish perfume notes and typically they present it as fragrance pyramid, with the components listed in imaginative and abstract terms
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  • 10. The traditional classification which emerged around 1900 comprised the following categories: Single Floral: Fragrances that are dominated by a scent from one particular flower; in French called a soliflore, most of them are rose Floral Bouquet: Is a combination of fragrance of several flowers in a perfume compound. Ambered or "Oriental": A large fragrance class featuring the sweet slightly animalic scents combined with vanilla, flowers and woods, which bring to mind Victorian era imagery of the Middle East and Far East. Wood: Fragrances that are dominated by woody scents, typically of agar wood, sandalwood and cedar wood. Patchouli is commonly found in these perfumes. Leather: A family of fragrances which features the scents of honey, tobacco, wood and wood tars in its middle or base notes and a scent that alludes to leather. Chypre (IPA: [ʃipʁ]): Meaning Cyprus in French, this includes fragrances built on a similar accord consisting of bergamot, oak moss, patchouli. This family of fragrances is named after a perfume by François Coty Fougère (IPA: [fu.ʒɛʁ]): Meaning Fern in French, built on a base of lavender, and oak moss. Houbigant's Fougère Royale pioneered the use of this base. Many men's fragrances belong to this family of fragrances, which is characterized by its herbaceous and woody scent.
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  • 12. Since 1945, due to great advances in the technology of perfume creation as well as the natural development of styles and tastes; new categories have emerged to describe modern scents: Bright Floral: combining the traditional Single Floral & Floral Bouquet categories. Green: a lighter and more modern interpretation of the Chypre type, with pronounced cut grass, crushed green leaf and cucumber-like scents. Aquatic, Oceanic, or Ozonic: the newest category in perfume history, appearing in 1991 with Christian Dior's Dune. A very clean, modern smell leading to many of the modern androgynous perfumes. Generally contains calone, a synthetic scent discovered in 1966. Also used to accent floral, oriental, and woody fragrances. Fruity: featuring the aromas of fruits other than citrus, such as peach, cassis (black currant), mango, passion fruit, and others. Gourmand ]): scents with "edible" or "dessert"-like qualities. These often contain notes like vanilla, tonka bean and coumarin, as well as synthetic components designed to resemble food flavors.
  • 13. Citrus: An old fragrance family that until recently consisted mainly of "freshening" eau de colognes, due to the low tenacity of citrus scents. Development of newer fragrance compounds has allowed for the creation of primarily citrus fragrances.
  • 14. Perfume have been with us for as long as humans have walked the earth, first in the form of herbs and flowers, later in more sophisticated forms such as fragrant oils and incense.  Perfume historians believe that they found evidence of the use of perfume 3,500 years ago when they saw a series of murals in Queen Hatshepsut’s temple in Thebes. These showed an Egyptian fleet sailing off to get myrrh and other exotic aromatics from the Land of Punt.  In the early Middle Ages the Arabs would mix musk with the mortar used to build new mosques and palaces in order to make them scented.  Europe did not use perfume much until the sixteenth century when Catherin de Medici came from Italy to marry the future king. She wore gloves of perfumed leather and suddenly everybody wanted this. The best place to get these gloves was from Grasse (France) which soon became the perfume capital of the world.  The first designer to “marry” clothes with perfume was Paul Poiret. He believed that a well-dressed woman was a fragrant one, perfume adding to her glamour. The couturiers would give their clients little bottles of perfumes as gifts, and then later on they would begin to sell perfume to their clients within their store, some found that they could make more money selling perfume than dresses.