For Education Purpose

1. Applying Rasa Theory on the Movie Kabhi Khushi
Kabhie Gham

2. Name: Bhavyata Kukadiya
Roll No: 4
Enrollment No: 4069206420220018
Sem:2
Paper Number : 109
Paper Name: Indian & Western Criticism
Topic: Applying Rasa Theory on the Movie Kabhi Khushi Kabhie Gham
Submitted to:Smt S.B Gardi ,Department of English, M.K.B.U.
E- mail: bhavyatakukadiya@gmail.com

3. Points to
Ponder Upon
Introduction of Rasa Theory
Definition of Rasa
Applying Rasa Theory on
the Situations in the Movie
Conclusion
Citation

4. Introduction of Rasa Theory
Definition of Rasa
तत्र विभािानुभािव्यवभचारिसंयोगाद्रसवनष्पवतिः ।
In that connexion T shall firft of all explain the Sentiments (rasa).
No meaning proceeds [from speech] without [any kind of]
Sentiment. The Sentiment is produced (rasa-nispaitih) from a
combination (sumyoga)* of Determinants (vibham), Consequents
(anubhava) and Transitory States (vynbhicari-bhavn).

5. The theory of Rasa is formulated by Bharata and letter
explicated and enriched by Anandavardhana and Abhinavgupta.
The genetic perspective of the theory of Rasa looks at how both
objective things in art (like the subject, characters, language, and
images) and our own personal experiences and emotions affect how
we feel and think about an artwork. By understanding how these
things work together, we can better understand and appreciate the
emotional and intellectual effects of the artwork, and learn more
about the culture and history that influenced it.
The concept of Rasa is unique to the arts and distinct from other
major forms of human experience, such as moral and intellectual or
everyday practical problems. Aesthetic experience arises in a
different way than these other forms of experience. The Indian theory
of Rasa emphasizes both the nature and genesis of aesthetic
experience, as well as the essential relationship between those who
create and those who contemplate works of art.
The theory of Rasa accounts for the deeply satisfying character of
aesthetic experience and how it relates to both private and
communal life, as well as reality in general. To understand this
theory, we can approach it from three perspectives: genetic,
phenomenological, and metaphysical. The genetic perspective
outlines how Rasa arises from a configuration of objective factors
and their interplay with subjective ones.

6. 1. Shringara: This rasa refers to the emotion of romantic or erotic love, which is usually depicted through various art forms such as
poetry, dance, music, and painting.
1. Hasya: Hasya refers to the emotion of humor or comedy, which is commonly used in literature, theater, and film to create a light-
hearted and entertaining experience for the audience.
1. Karuna: Karuna refers to the emotion of compassion or sadness, which is often depicted through tragic stories or artwork that
evokes feelings of empathy and sympathy.
1. Raudra: Raudra refers to the emotion of anger or fury, which is often depicted through stories of revenge, war, or injustice, and
is used to create a sense of tension and drama.
1. Veera: Veera refers to the emotion of heroism or courage, which is often depicted through heroic tales or artwork that celebrates
bravery, sacrifice, and triumph over adversity.
1. Bhayanaka: Bhayanaka refers to the emotion of fear or terror, which is commonly used in horror stories or artwork that aims to
scare or unsettle the audience.
1. Bibhatsa: Bibhatsa refers to the emotion of disgust or revulsion, which is often used in satire, grotesque art, or social
commentary to highlight societal or cultural issues.
1. Adbhuta: Adbhuta refers to the emotion of wonder or amazement, which is often used in spiritual or religious art, or in depictions
of natural wonders, to evoke a sense of awe and inspiration.

7. Applying Rasa Theory on the Situations in the Movie
Shringara Rasa (Love):
Love is a dominant rasa in the Movie,
as it drives the plot and is depicted
through various characters and
relationships. The romantic love
between Rahul and Anjali, as well as
the familial love between the family
members, evokes the Shringara Rasa.

8. Hasya Rasa (Humor):
In the movie we can see many
time Anjali also create a
comedy.
Humor is used to lighten the mood
in several scenes in the Movie. For
example, the comedic character of
Poo, played by Kareena Kapoor,
provides comic relief throughout the
movie.

9. Compassion is a significant rasa in the Movie, as
it is depicted through the relationships between
the family members. The movie portrays the
importance of empathy and compassion in
maintaining strong family bonds.
In the film, when Rahul and Anjali get married,
and Rahul's father does not accept them, and
throws him out of the house, compassion arises.
Karuna Rasa (Compassion)

10. Raudra Rasa (Anger):
Anger is evoked in the movie through Rohan's anger
towards his father, Yashvardhan Raichand, and his
decision to leave the family.

11. Veera Rasa (Heroism):
Heroism is present in the film, especially
through the character of Rahul, who is
portrayed as a larger-than-life hero. His
self-sacrificing attitude and determination
to keep his family together evoke the Veera
Rasa.

12. Adbhuta Rasa (Wonder):
Wonder is evoked through the grand
and lavish sets and costumes in the
Movie. The movie's use of stunning
visuals and extravagant sets evoke the
Adbhuta Rasa.

13. Conclusion
The Movie Kabhi Khushi Kabhie Gham effectively uses
different types of Rasa to convey a range of emotional states
and themes, including love, humor, compassion, heroism,
wonder, and peace.The movie is successful in creating a
powerful emotional impact and has continued to be popular
due to its use of Rasa theory. This means that the film's ability
to convey different emotions and themes, such as love, humor,
and compassion, has made it a captivating and enjoyable
movie experience. Overall, the effective use of Rasa theory
has contributed to the movie's success and popularity.

16. Work Cited
Bharata, Sage. “Natya Shastra Chapter 6.” Sanskrit Documents, D Padmakar , https://sanskritdocuments.org/doc_z_misc_major_works/natya06.html. Accessed 14 March
2023.
"Encounter at Chandani chowk - Kabhi Khushi Kabhi Gham - Comedy week." uploaded by Dharma Productionsyoutu.be/JN-Xys1rQaM.
"Entry of SRK in Kabhi Khushi Kabhie Gham."
uploaded by BLKH, youtu.be/oK1IVxOvb7k.
G. B. Mohan Thampi. “‘Rasa’ as Aesthetic Experience.” The Journal of Aesthetics and Art Criticism, vol. 24, no. 1, 1965, pp. 75–80. JSTOR, https://doi.org/10.2307/428249.
Accessed 13 Mar. 2023.
Johar, Karan, director. Kabhi Khushi Kabhie Gham. 14 December 2001 (India). Dharma Productions.
Muni, Bharat, and Manomohan Ghosh. “Natya Shastra (with English Translations).” sanskritdocument.org, Asiatic Society of Bengal, Calcutta,
https://archive.org/details/NatyaShastra/natya_shastra_translation_volume_1_-_bharat_muni/page/n191/mode/1up. Accessed 14 March 2023.
Saxena, S. K. “The rasa theory: an essay in understanding.” no. 1989, https://indianculture.gov.in/rasa-theory-essay-understanding.

17. Thank you!