How Did Henri Matisse Influence Art

How Did Henri Matisse Influence Art
Henri Matisse was an extravagant artist they lived from 1869 till 1954. Throughout his life he pushed the boundaries of what was acceptable in art
and helping head the fauvism art movement of the time. His life through art progressed through several stages, firstly his early influences in his
childhood home and surroundings, secondly his early days of art at the academies of Paris and his first years on his own and thirdly his later life
when he delved into the more progressive art movements of the times. Henri Matisse was born December 31st, 1869 in a small village in
northwestern France. His family took part in grain farming as was the norm for the area. throughout his childhood his parents taught him the lesson of
hard work and determination that would help in later as he quoted his father always saying, '"be quick!', 'look out!', 'Run along!', 'Get cracking!'" one
of his earliest...show more content...
During his early years in the profession he was often panned as being vulgar and pornographic. But then as more abstract movements took hold of
the industry he quickly gained fame and popularity in places as far and as varied as Russia, America, Britain, France and even some of northern
Africa. In his early years he would use more classical styles but as he grew as a person he would reach into styles such as fauvism and abstract. His
mediums would grow to encompass painting, sculpting and paper crafts. Throughout his life he was varied but his lasting impression is definite, the
abstract art world was forever changed because of him.
In conclusion Henri Matisse's life spanned two war and countless hardships, he would leave the world with three children. Throughout it all he would
paint, he would paint until he changed the world with his brush. These ideas would shock some and delight others but no matter what the ideas have
and will continue to have a lasting impression on the world of
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Why Is Henri Matisse Important
1896 – December 31st, Henri Matisse was born 1887 – Henri went to Paris to study law 1889 – Began to paint 1891 – Enrolled in Academie Julian
and began studying art 1896 – Exhibited 5 paintings in the salon of the Societe Nationale des Beaux–Arts 1894 – His first Daughter, Marguerite was
born with model Caroline Joblau 1898 – Married Amlie Noellie Parayre and raised Marguerite along with two sons 1899 – First son, Jean, was born
1900 – Second son, Pierre, was born 1905 – Henri along with a group of artist known as "Fauves" exhibited together at the Salon d'Automne. 1917 –
Relocating to Cimiez, a new relaxed and softness was noticed in his artwork 1930 – After a new strong and bold simplification was noticed in his
work, art collector, Albert

How Did Henri Matisse Create A Motif
Henri Matisse is a well–known French painter that was born 1869 and later dies in 1954 at the age of 84 years old. Being well known and famous for
several paintings, he was given a charge by a well–known Russian Sergri Shchukin. He was charged to produce three canvases to decorate Sergei
mansion staircases in Moscow. On incident, the painting now recognized as Dance I was just a sketch that Matisse had created. The initial sketch
and final version of the painting is quite similar in concept. Matisse did use the idea of another famous painting Bonheur de Vivre. The idea he
used was the motif. A motif is a distinct decorative pattern or design. Many of early 1900 art pieces expressed pleasure joy and happiness. The
painting of Dance I has the same concept and has what some believe to be bean dolls joyously dancing with one another. Unlike the paintings that
Michelangelo produced using large and realistic humans, the bean dolls do not have actual physiques. The make of their bodies is not as realistic. The
women in the painting Two Fridas was not as detailed as Michelangelo figures but they had more of a composition than the bean dolls that Matisse
produced. Matisse often made his drawings seem to be effortless, amazing other painters and followers. Because Matisse produced such simple but yet
paintings that individuals were able to interpret and understand allowed him to stand out from other painters. Some painters spend hours trying to
figure out...show more content...
It sometime causes individuals to have disagreements. I believe that whenever someone is interpreting art they need to be open to other opinions. For
example, when I first looked at the painting titled Fountain I seen a fire hydrant. But in actuality it is a urinal placed on a pedestal. That is just a
prime example how we see things differently as humans even though we are looking at the same

Henri Matisse's Luxe, Et Volupte
At its inception, modernist art was shocking and evocative to the traditional "academic exceptions of artwork." Unlike much of the artwork that came
before, modernist paintings sought to engage the audience for the first time and inspired new ideas. This form of art was critical of society and
represented a new pathway for artists to explore their intellect and creativity. Artists broke the "norms" of what was not allowed previously in art. In
the past, traditional academic expectations for art where governed by rules that the artist had to follow. Art was produced for the rich and powerful,
whether they came from the church or were simply wealthy members of government. With the rise of modernist art though, artists began to make "art
for the sake of art" (Barrett, 20)....show more content...
Although the figures may seem classical because they are structured as in they are recognizable as humans, Matisse, complicates this by using
extreme colors. The subjects, the individuals laying calmly on the ground, come to life by the colors. The colors pop out of the painting which
compliments the serenity of the beach theme. As Matisse reflected on his application of colors in his artwork, in 1908 in Notes Of A Painter, "My
choice of colors does not rest on any scientific theory; it is based on observation, on sensitivity, on felt experiences...I simply try to put down colors
which render my sensation" (Matisse). Luxe, Calme, et Volupte is complex in the sense that Matisse is showing us something more than just these
figures. By using contrasting colors next to each other and brush strokes that are not smooth or fluid, Matisse's interpretation is not directly
representational, or realistic. The color choices are specific to Matisse's attitude while he painted Luxe, Calme, et

Matisse: Bonheur De Vivre
In this essay, i shall be discussing the artistic work of Matisse; Bonheur de Vivre (Joy of Life) 1905–06 and that of Picasso; Les Demoiselles
d'Avignon, 1907. And how they are simultaneously seen as inspired by and breaking free of Paul CГ©zanne's The Large Bathers.
This particular work of art titled Bonheur de Vivre (Joy of Life) by Matisse is considered to be his greatest fauve painting. It is a colorful work of art;
fully expressing fauve. The work depicted what seems like a beautiful scene of nude people (mostly women) relaxing and having a nice time in a
garden or a forest with trees all around. Just like the English translation of the title of this work – Joy of Life, this painting did depict that kind of
freedom that every person wishes to experience to enjoy life. Les Demoiselles of Pablo Picasso is another work of art also depicting nude women, but
as it is said that it was actually made to copy Matisse in order to outdo him. This is more or less like musical artist voicing over the instrumental of a
rivalry, or just simply...show more content...
A work of art made by Paul CГ©zanne. This is not difficult to recognize as one can easily trace the similarities in both work of arts. The
construction of Matisse landscape functions as a stage, similar to that of CГ©zanne's; where trees are planted at the sides and in the far distance,
and their upper boughs are spread apart like curtains, highlighting the figures lounging beneath, as well as the nude figures in Matisse's painting,
which is also traceable to that painted by CГ©zanne's. Now that Picasso's Les Demoiselles d'Avignon is a work of art inspired by Matisse's Bonheur
de Vivre, and, Matisse's Bonheur de Vivre is inspired by CГ©zanne's The Large Bathers, then, it is right to say that CГ©zanne's The Large Bathers
simultaneously inspired both Matisse and Picasso work of arts mentioned

Henri Matisse Biography
Henri Matisse was a French artist during the late 19th and early 20th century. In 1941, Matisse was diagnosed with abdominal cancer leaving him
bedridden. His art moved from paintings, sculptures, and printmakings to decoupage. With the help of assistants, Matisse produced art by arranging
colorful pre–painted sheets of paper into dynamic compositions. This technique was his major medium in the final decade of his life. Matisse created
dynamic compositions using the decoupage method and later introduced text to create his own artist books. One of Matisse's most famous books was
Jazz, first issued in 1947. Jazz contained art that featured Matisse's colorful and abstract use of decoupage. Each piece is vibrant in color and is very
complex. Most of the pieces contain some sort of rhythmic pattern that balance the complexity of each piece. The page Icarus uses...show more
content...
The works of art in this book were black and white unlike the bright, vibrant colors of Jazz. Matisse used mostly simple line work instead of shapes
to imply objects and create movement. The images were raw and felt more sketched out. Jazz created a more positive mood with its color scheme
while PasiphaГ©, Chant de Minos created a calmer and less energetic mood. The typeface in PasiphaГ©, Chant de Minos was thin and serif which
fit the style and mood of this book more that the typeface used in Jazz. Overall, PasiphaГ©, Chant de Minos is calm and graphic with simple line
work that creates movement and tension in the images. Jazz was vibrant and bold. Each composition was thoughtfully placed to create complex yet
balanced works of art. Matisse's use of black and white and line work in PasiphaГ©, Chant de Minos created a more relaxed energy to the book.
Although these two artist books are produced using the decoupage method, they are vastly different in

Henri Matisse's Woman With The Hat
When defining the use of art it has many meanings. Although, my definition of art is when something captures your imagination, provoking an
intentional feeling in you. Woman with the Hat or La Femme au chapeau (page 725) is a painting by a French artist Henri Matisse, completed in
the year of 1905. Oil on canvas painting, it's height is 80.56 cm high and 59.69 cm wide. Matisse believed that color could play a primary role in
conveying meaning and focused his efforts on developing this notion. In this painting Matisse portrayed his wife, Amelie Parayre, it was first shown at
the Salon d'Automne, Paris. Amelie's pose for the portrait is very original, her face has a sad expression. It's obvious why Matisse named the painting
Women with the Hat....show more content...
Amelie's face, clothes, hat, and the background consists of colorful patches and blotches that somehow produces a contrast and makes the painting look
spontaneous. This painting is shocking to me because the use of non–naturalistic colors and loose brushwork contributes an unfinished look. It is
arranged by creating an energetic tense effect. Moreover, the elements of art in Women with the Hat are line, shape, space, color, texture, and tone. The
lines of the painting are natural and soft. As well as the shapes,the lines are curved and organic. The shapes are very circular, their rounded nature
focuses on the humanity and softness of a woman. The surroundings of Mitasse's painting are light, therefore the space is positive. The colors are
bright and vibrant reds and greens and different types of blues. Amelie's nose shines with a yellow dot Pinks and greens are found in the background
of the painting. The bright colors are kept in balance with the black outlines of Amelie and her clothing. The texture of this whole painting shows the
rough brush strokes. Also, the patches of color on the background shows the different strokes and texture used which gives the painting a sense of

Matisse's Life And Accomplishments
Henri Emile–Benoit Matisse, a well–known French influential artist, was born on December 31, 1869 in LeCateau–Cambresis, France. He was a
painter, sculptor, printmaker, and draughtsman, but he was more successful as a painter. Most of the time, his paintings are usually nudes, figures in
landscapes, portraits, interior views, and his exaggerated form to express emotions made him a successful artist in the 20th century. He had many other
artists that influenced him like Vincent van Gogh, Paul Gauguin, Edward Munch, Paul Signac, John Peter Russell, and Paul Cezanne. Matisse did have
a rival name Pablo Picasso who Gertrude Stein introduced them in 1906. In 1887–1889, he studied law in Paris, and he worked as a court administrator
in Le Cateau Cambresis after gaining his...show more content...
Between the years of 1910s and 1920s, he continued to surprise many viewers by using saturated colors, flattened pictorial space, and strong lines.
After he found his styles, he went to Germany, Italy, Spain, and North Africa to find more inspirations. He had many famous paintings such as
Dance, Blue Nude, The Open Window, Blue Nude II, Woman with a Hat, and many more. The Open Window represents a view from his window
apartment in Collioure, and the sailboats on water were viewed from his hotel window which overlooked the harbor. This painting is in National
Gallery of Art in Washington D.C. The painting of Dance showed five dancing figures that were painted in red, a green landscape, and a deep blue
sky. This shows that Matisse's passion of primitive art, and he uses intense warm colors against the blue–green background. At the same time he was
creating this artwork, on December 3, Neon lights were first publicity displayed at the Paris Auto Show, and on December 9th, French troops occupy
the Moroccan Harbor City. On September 27, 1910, first test flight of a twin engine airplane in France has

Le Bonheur de vivre, or The Joy of Life, is a composition painted by Henri Matisse. Created in the years between 1905 and 1906, Le Bonheur de
vivre is a well known painting today, and is one of the building blocks of early modernism. The Fauves, which translates into "Wild beasts", were a
group of French painters who were apart of the first 20th century movement in modern art, called Fauvism.1 These painters shared similar interests and
aspirations. Fauvism derived from the exemplary works from Post–Impressionist painters like Vincent Van Gogh, Georges Seurat, Paul Cezanne and
Paul Gaughuin. Among these well renowned artists was Henri Matisse, who really took the forefront of the Fauvism movement. Matisse and the other
Fauves used intense color in their works, to describe light and space while also communicating the emotions and inner thought of the artists behind the
compositions. Matisse, as the dominant figure of the fauve group, believed that color could be the primary element in conveying the meaning to a work
of art, and practiced this notion throughout his career. Matisse described his theory, " What characterized fauvism was that we rejected imitative...show
more content...
The figures can be identified as nude woman and men in a bright, vibrant, landscape scenery. Instead of painting a typical and most recognizable scene
of a contemporary park, Matisse tests the boundaries with sensuality, vibrancy and expression. Many of Matisse's works express sensuality, the
curvature of the figures bodies, their nude and strewn about positions, depict serenity and a sense of true relaxation and paradise. The line and
curvature of the figures bodies takes the viewer on a journey. The curving and sweeping of the arcs of each person's back, out stretched arms, and
further twisted bodies move the viewers eye all about the canvas, covering every

Henri Matisse Essay
Henri Matisse
Henri Matisse was born December 31st, 1869 to two storeowners, Emile and Heloise Matisse. His father wanted him to be a lawyer, so later on in
life he could takeover the family business. They sent him to Henri Martin Grammar School where he studied to be a lawyer. There was a hint of artist in
Henri because while working as a lawyer's assistant he took up a drawing course (Essers 7). It was for curtain design but it seemed to be destiny for
a lawyer's assistant to take up such a distant hobby as drawing. At the age of 21, his intestinal operation led to appendicitis. Henri was on bed rest for
most of 1890 and to help him occupy his time, his mother bought him a set of paints. That was the turning point in...show more content...
Matisse then began studying at a school started by a fellow artist and friend Camillo because he was not confident enough in his ability to be an
independent artist. In 1903, Matisse started accepting harshful commissions that took a toll on him. He became so sick that he though to give up
painting. This is when he produced Studio under the Eaves. Matisse told his son, "That was the transition from valeurs to colors" (Essers 12). The
next year he read Paul Signac's "From Delacroix to Neo–Impressionism". Matisse began to move further away from the techniques and style of
Impressionism. The famous summer of 1905 was spent in Collioure with Derain and Maurice de Vlaminck. This summer marked the most important
turning point in Matisse's art career. During the summer, they experimented with the pointillism techniques of Seurat, but towards the end of the
summer, the three artists had moved in a very different direction. The paintings produced in Collioure rejected Impression and began a new movement.
They exhibited their works in the Salon d'Automne, which they also founded in 1903. The paintings, View of Collioure and Le Bonheur de Vivre
received loud criticism from nearly everyone who had seen them. Louis Vauxcelles, gave them the name the "Fauves" (Flam 79). They were nicknamed
the "wild beasts" because of their use and experimentation with bright, unnatural colors. Their grass was not green, but

This formal and historical art analysis will define the color, composition, line, and values of the revolutionary modernist painting "The Rose Marble
Table" (1917) by Henri Matisse. Matisse utilizes a modernist approach to this painting by presenting a minimalist approach to the placement of the
rose and the table, which presents a very basic color scheme. The strong lines of the painting define the simplistic presentation of a sculptured object
of beauty, which is nestled in various flora at the fringes of the composition. More so, Matisse's modernist approach defines the perspective of
detachment from social norms, which occurred during the First World War. Matisse sought to present an internalized vision of beauty that would not
allow the horrors of war to impede his vision of beauty. This internalized view defines the revolutionary focus of Matisse's work, since he did not
allow the enteral issues of the world to influence the subject matter of his paintings. In essence, a formal and historical analysis of the revolutionary
spirit of modernism will be examined in Henri Matisse's "The Rose Marble Table." In formal terms, Matisse's "The Rose Marble Table" is a presented
as a two–dimensional style of painting in the modernist style of the early 20th century. The rose marble table at the center of the composition is seen
with the top of the table fully exposed, and the lower base of the table that extends below it. This central positioning of the table provides a
compositional approach that makes the colorful values of the table come forth in contrast to the dark brown background. More so, the placement of a
basket on the table and few small fruits provides some evidence of depth perception, although they are also presents in a very two–dimensional style.
In the background, the black stems of trees and ivy vines provide a fringe accent to the painting, as ivy covers the base of the table and is seen at the
upper right side of the painting. These organic parts of the painting define a more realistic presentation of flora, which contrasts the more
two–dimensional aspects of the rose table at the center of the painting. This type of compositional arrangement blends the modernist shape of the table
as a

Paul Gauguin And Henri Matisse
"Primitivism" was a cultural attitude that arose in Europe during the late 19th and 20th century in opposition to the increasingly decadent and
materialistic European culture. Rather than an artistic movement, "primitivism" is a European conception of foreign civilizations and lands as
"simple", less developed, and naive. This is an important distinction to make, because "primitivism" was defined in the eyes of the Europeans who saw
foreign civilizations as unsophisticated, indicating that the concept of "primitivism" is heavily biased in the view of the Europeans. Paul Gauguin and
Henri Matisse were two artists that were highly influenced by the concept of "primitivism," and some similarity can be depicted in their works such as
the use of female nudes, vivid colors, and artistic techniques. However, their definition and methods of achieving "primitivism" differ heavily, due to
the fact that the vagueness of "primitivism" allows it to be a self–defined concept. These similarities and differences can be seen through the two works
of art The Spirit of the Dead Watching by Paul Gauguin, and The Blue Nude by Henri Matisse, and the way they depict women in each of the pieces.
The first important similarity between the two pieces is the obvious use of the reclining female nude. The female figure was a popular subject matter
for the primitivists of this time, because society viewed women to be more "natural" than men, who were more "civilized." Society assumed that
women's

Le Bonheur De Vivre, By Henri Matisse
We can first look at what these paintings where all about. Le bonheur de vivre (The Joy of Life) is a painting by Henri Matisse and together with
the Picasso's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. Modernism is the period of the
19th, 20th century period that was characterized by the culture trends changes and transformation. Therefore the work of Le bonheur de vivre taken
from the Baudelaire's poem, Invitation to a Voyage (1857) depicts a man inviting her lover travel with him to a paradise. This painting shows nude
women in a "traditional classical idyll but one woman – thought to represent the painter's wife – wears contemporary dress. This is Matisse's only
major painting

Fahrenheit 451
Notes of a Painter: Quote Analysis "To this I shall reply that there are no new truths.The role of the artist, like that of the scholar, consists in seizing
current truths often repeated to him, but which will take on new meaning for him and which he will make his own when he has grasped their deepest
significance" (Matisse). In the quote above, Matisse is stating that when it comes to art theory, science, practices, and ourselves, the truth about our
essence is arguably present at all times. In his mind, whether one is referring to a painter or a scientist, their role as thinkers asks that they look at the
truths which lay in front of them, and to then absorb them fully in order to make it one's own. In other words, as a painter Matisse

During the 1900's there were multiple artists who made an impact in the world of art making: Henri Matisse is one of the many artists, who created
lots of important artworks during his time in the 20th century. Throughout any artist's' work, there is always an influence. Specifically for Zorah on
the Terrace by Henri Matisse, there is a clear influential time period. Just from the different countries that Henri traveled to before 1911, he had the
opportunity to be influenced by Early Islamic Art directly after he visited an exhibition in Moscow, Russia. In that travelling time before 1911, he
also had the benefit of direct contact with the Islamic Culture in Morocco, which provided another form of inspiration for his art. With all of the
places that Henri Matisse had the capability to travel to, he produced phenomenal art based off of all the influence that the artwork around the world
was able to give to him just from the simple act of viewing artwork.
In Moscow, the Pushkin Museum of Fine Arts holds the piece Zorah on the Terrace by Henri Matisse. The artwork is oil on canvas and 115 by 100
centimeters or approximately 45.25 by 39.38 inches. Henri Matisse is still an inspiration to this day to many artists around the world, young and old.
In his earlier years, he began his talents in Paris in about the 1890's which at the time was the most popular place for artists to go learn and explore
more skills as well as create historical movements in art. A lot of his artwork consisted of different movements; such as, Neoclassicism, Realism,
Impressionism, and Post–Impressionism throughout his years of making art. Unfortunately, in the 1950's his career ended when he passed away, he
was making pictures using paper decoupage which made him stand out significantly from all the other Paris artists of his time, such as the famous
Pablo Picasso, making him more understandable to the artists living in the now.
Based off of his painting, Zorah on the Terrace in 1912, one formal element present that connects the artwork to the Early Islamic period iscolor. In
Zorah on the Terrace, the main colors he used are a wide range of shades primarily of blues and greens. The monochromatic blue, which clearly
dominates the

How Did Henry Matisse Use Of Color
I think what appeals to me about the artist Henri Matisse was the use of color in his work. To Matisse the color and shapes of objects were feelings
rather than the object themselves. At the same time, he invested the canvas with a thrilling color radiance, that, like smell (as Matisse himself
observed), subtly but intensely suffuses the senses (Fiero 366).
Looking at his work Madame Matisse, it feels as though he is painting her face with different colors for a reason. Even both sides of the background
were different colors. It's almost as if he split the painting in half to represent different sides of Madame Matisse. In Notes of a Painter, published in
1908 he described colors and shapes as the equivalents of feelings rather than the counterparts

Henri Matisse Research Paper
Henri Matisse: born 1869– Died 1954, he was a French painter involved in Fauvism group living throw both World Wars. He expressed harmony in
colour and composition. He dabbled in scientific approach of Paul Signac's pointillist style before lending in Favism . His subject matter was often
interior scenes, land scapes, still life's and portraitures. He preferred a bright colours pallet and a light hearted approach to his works. Red Room,
1908 is a reflection of harmony of vivid primary colours with touches of tertiary colours. The contrast of toyal blue in the whimsical pattern and
crimson red of the table cloths which blends into the walls of the room. Matisse influences for this decorative style can be linked to he's love of Persian
miniatures.

Henry Matisse's Le Bonheur De Vivre
Henry Matisse's "Le Bonheur de Vivre" id s vividly colorful piece that depicts nude people lounging on a plain, while enjoying all the beauty that life
has to offer. The painting seems scaled in an academic manner in terms of sizes of the figures, but it is "avant–garde in most other respects", "in the
way the figures appear flattened and the distortion of the spatial relations between them." Although Mattisse paints many of the figures in a classical
sort of sense, the expressiveness of his style and other spacial factors clearly show his influences from the modern art period. He expressed the
emotions he wanted to convey through the incredible color scheme that he used in this piece. The meadow, sea, sky, and forest are colored in ways that

Henri Matisse: The Cut-Outs
After the webpage loaded, I was taken by surprise of how simple the Museum of Modern Art's website is displayed. The layout is dominantly
composed of black and white colors with orange as a highlight color. The website has a slideshow promoting the museum's most recent news and
newest exhibitions. One of these exhibitions is the "Henri Matisse: The Cut–Outs" collection. This is "the largest and most extensive presentation of
the artist's cut–outs ever assembled." When I read this, I found it particularly impressive. An additional slide advertised the Museum's store and their
membership program. I have visited the Nelson–Atkins Museum's website before and by comparing the Nelson's website with the MOMA's, I've
observed an abundance of similarities.....show more content...
The website states that it's the largest presentation of the artist's cut–outs ever convened and think it would be fascinating to witness that. The Painting
Sculpture exhibits, I and II, appear to be compelling collections that I would also want to visit. They both show a multitude of artists we discussed in
this course and their works. For example, MOMA features Pablo Picasso, Jackson Pollock, Andy Warhol, Roy Lichenstein, Willem de Kooning, Joan
Miro, Rene Magritte, Auguste Rodin, Robert Rauschenberg, and Franz Kline. They also feature a few of my favorite artists from themodern art period,
such as Joseph Beuys. A specific work of art I would love to view would be Claude Monet's "Water Lilies" because I consider myself a fan of Claude
Monet and his "Water Lilies" is one of his most distinguished works of

How Did Henri Matisse Influence Art

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How Did Henri Matisse Influence Art