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Lighting Techniques
Annabella Mina
Under Exposed
To take this picture, I placed the model on a flat
surface and using my camera, I turned the
brightness down to capture a low exposure. The
figure iv visible, but because of the low
exposure, not much can be seen.
Low Key lighting
Using almost natural lighting, I found
an angle where lighting was blocked,
and I turned down a little on my
camera, not too much for it to be under
exposed but enough for extra effect.
Standard Setting
To do this, I took this shot in natural
lighting and no effects on the camera
were used. This shows it is a natural,
standard setting.
High Key lighting
For a high key lighting photo, I used a
mini LED light, to give the same effect
as a studio light. This lighting is in
between the effect of a standard setting
and an over exposed one. It gives a
clear view of the figure.
Over Exposed
To produce an over exposed photo, I still
placed the figure and used a mini led light, for
an extra lighting effect. I then used my
camera and focused on the darker colours of
the figure, his shirt, and increased the
brightness, to capture an over exposed effect.
Shallow focus
Using my camera, I focused
on the background to show a
bit of a blur on the figure.
Deep focus
Like the opposite of shallow
focus, I used my camera to focus
on the figure, leaving the
background a blur. This has an
effect that all viewers should
focus on the figure rather than
what's going on in the
background.
Monochrome
Using the monochrome filter
on my camera, I took this
picture using a mini led light
from the ground facing
upward. This gives the effect
of a shadow appearing behind
the figure, which I think fits
his demeanour.
Back Lighting
I placed a mini LED light, behind the
figure so that the light could bounce
against the wall. This created a back
lighting effect.
Chiaroscuro
To create this chiaroscuro
effect, I placed the light on
the left of the figures face in
a naturally dark lighting
area. I then decreased the
brightness and exposure on
the opposite side to
juxtapose both sides and
creating an effect where
lighting bleeds across the
face.

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Lighting Tech.pptx

  • 2.
  • 3. Under Exposed To take this picture, I placed the model on a flat surface and using my camera, I turned the brightness down to capture a low exposure. The figure iv visible, but because of the low exposure, not much can be seen.
  • 4. Low Key lighting Using almost natural lighting, I found an angle where lighting was blocked, and I turned down a little on my camera, not too much for it to be under exposed but enough for extra effect.
  • 5. Standard Setting To do this, I took this shot in natural lighting and no effects on the camera were used. This shows it is a natural, standard setting.
  • 6. High Key lighting For a high key lighting photo, I used a mini LED light, to give the same effect as a studio light. This lighting is in between the effect of a standard setting and an over exposed one. It gives a clear view of the figure.
  • 7. Over Exposed To produce an over exposed photo, I still placed the figure and used a mini led light, for an extra lighting effect. I then used my camera and focused on the darker colours of the figure, his shirt, and increased the brightness, to capture an over exposed effect.
  • 8. Shallow focus Using my camera, I focused on the background to show a bit of a blur on the figure.
  • 9. Deep focus Like the opposite of shallow focus, I used my camera to focus on the figure, leaving the background a blur. This has an effect that all viewers should focus on the figure rather than what's going on in the background.
  • 10. Monochrome Using the monochrome filter on my camera, I took this picture using a mini led light from the ground facing upward. This gives the effect of a shadow appearing behind the figure, which I think fits his demeanour.
  • 11. Back Lighting I placed a mini LED light, behind the figure so that the light could bounce against the wall. This created a back lighting effect.
  • 12. Chiaroscuro To create this chiaroscuro effect, I placed the light on the left of the figures face in a naturally dark lighting area. I then decreased the brightness and exposure on the opposite side to juxtapose both sides and creating an effect where lighting bleeds across the face.